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Pati Patni (1966)
Character: N/A
Gauri (Nanda) belongs to a woman's group, but does not welcome certain changes being imposed on the group by Lali (Shashikala). Lali has already influenced Sundari (Leela Mishra) and Kala (Mumtaz), much to the unhappiness of thier hapless husband and dad, Dhanprasad (Om Prakash). Gauri meets with Dhanprasad's nephew, Amar (Sanjeev Kumar), both fall in love, and get married. Amar gets involved in an accident and gets crippled. Gauri now gets to be the bread-winner when she gets with Gupta (Sujit Kumar), and both start getting friendsly. Meanwhile, Lali leads Sundari and Kala to more reckless independence. Amar starts suspecting Gauri and Gupta of having an intimate relationship, and their marriage bond is at breaking point.
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Jaali Note (1960)
Character: N/A
High-minded and hardworking Inspector Dinesh Kumar (Dev Anand) is assigned to crack the case of a notorious band of counterfeiters. Risking life and limb in pursuit of the criminals, he goes undercover to infiltrate the gang and bring them to justice. Along the way, he finds romance with a beautiful journalist (Madhubala) and makes a shocking discovery that resonates with personal meaning.
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Dil Daulat Duniya (1972)
Character: N/A
Udharchand Shikarpuri is a homeless man who lives in Bombay albeit under the roof of multi-millionaire Seth Kalidas, who six months away in his palatial house in Mussoorie. For the 4th time in his life, Udharchand 'moves' into Kalidas's Mansion along with his dog, Chicko. He meets and befriends two other homeless men, Raju and Vijay, and invites them to live with him. Shortly thereafter, one night the trio find that a female thief has broken into the mansion, they confront her, find out her name is Roopa, feel sorry for her, and invite her to also live with them. Subsequently, Raju's wife, Kiran, his son, and sister, Rita also move.
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Ek Hasina Do Diwane (1972)
Character: N/A
A wealthy and educated wife gets physically abused by her husband, but must agree to live with him for 15 days in order to get a divorce.
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आप की परछाइयाँ (1964)
Character: Vilayti Ram
A family drama with a special focus on two generations of the Chopra family. Dinanath Chopra lives in a small tenement with his wife, and two sons Baldev, and Chandramohan. Dinanath re-finances his house in order to get Baldev to study further and be a doctor, and also gets him married with Rekha who comes from a very wealthy family. Chandramohan studies in college, and has a sweetheart in the form of the gorgeous Asha. Asha lives with her mom, and dad, a sort of quack. Differences in the Baldev emerge and multiply. Baldev and Rekha move to their palatial house. The birth of a baby boy to Rekha does lighten things up a bit, but not for long. Dinanath loses his eyesight in an accident and becomes blind.
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Door Ki Awaz (1964)
Character: N/A
Two siblings, Mala and Prakash, meet a woman who has lost her memory and decide to have her come and live with them.
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Do Kaliyan (1968)
Character: N/A
Proud, wealthy, and haughty Kiran meets with down-to-earth middle-class fellow collegian, Shekhar, and after several clashes and misunderstandings, both fall in love and decide to get married. Shekhar meets with Kiran's dominating mom and mousy dad, and is told that he must successfully pass a test that will be put to him through Kiran's mom, to which he agrees.
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Mohabbat Ke Dushman (1988)
Character: Pandit
Rehmat Khan (Raaj Kumar) is the wise leader of a tribe of frontiersmen. After the malevolent leader of a neighboring tribe (Amrish Puri) kidnaps the beautiful Shama (Hema Malini), the woman escapes and seeks refuge in Khan's camp. When Khan falls for her, their love threatens to spark a bloody tribal war in this drama from Prakash Mehra. The Kalyanji-Anandji soundtrack features "Allah Kare Maula Kare" and "Bahut Kat Chuka Hai."
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चिराग (1969)
Character: Dr. O.P. Chibber
When Ajay (Sunil Dutt) meets Asha (Asha Parekh), he mistakenly believes she's wealthy. The fact that she's not, however, doesn't prevent him from becoming smitten, and the couple soon marries with the full blessings of Ajay's family. Poverty is one thing, though, and childlessness quite another -- which Asha finds out the hard way. When she fails to produce an heir for the clan posthaste, her mother-in-law begins a search for her replacement.
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Dus Lakh (1966)
Character: N/A
Life changes drastically for Lala Gokulchand (Om Prakash), a lowly shopkeeper, when a rich relative dies and he becomes an overnight millionaire. But his lucky break has a flip side in that it makes him a target for a scheming con artist (Pran) with plans to ruin him. Devendra Goel directs this classic Bollywood family drama with a supporting cast that includes Sanjay Khan, Babita Kapoor, Helen, Manorama and Baby Sonia.
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Phagun (1973)
Character: Dr. M.K. Effendi
Shanta Dhamle lives a wealthy lifestyle in Bombay along with her dad, Shamrao, and mom, Ansuya. She incurs their displeasure when she falls in love and gets married to a poor and overly sensitive writer, Gopal, who moves in with them, and continues to suffer verbal abuse at Shamrao's hands. On the occasion of Holi, while his book 'Agla Kadam' is being published and marketed, he puts some color on a pregnant Shanta's expensive Saree, which upsets her, she humiliates him, and he walks out. He starts writing under the pen name of Santosh, and when Shanta finds out, he changes his name to Vivek, and again to Chitrangh, and does not communicate with her. Four years later, a day before Holi, he has accumulated enough wealth, hundreds of expensive and colorful Sarees, a doll for his daughter,
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International Crook (1974)
Character: Havaldar Rao
Superintendent of Police, Rajesh, is asked to take charge of a police station in Goa, and manage it. Rajesh is aware that his friend, Shekar, also lives there, and he is anxious to see him. Upon arrival in Goa, Rajesh and Shekar are delighted to see each other. Shekar is in love with Seema, and Seema too loves him. However, Seema's mom, Lajwanti, does not approve of Shekar, and would like Seema to marry Rajesh. When Shekar comes to know about this, he steps away, so that Rajesh and Seema can marry each other. When Rajesh finds out about Shekar's sacrifice, he decides to let Seema marry Rajesh, and shortly thereafter the marriage takes place. While Shekar and Seema go off on their honeymoon, Rajesh commences his investigation into smuggling activities off the coast of Goa, and his investigations lead him to a suspect by the name of Tiger. Little does Rajesh know, that Tiger is none other an alias for Shekar, who will do anything to protect himself from Rajesh and the police.
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Saheb Bahadur (1977)
Character: Dy. Collector Hare Murari
In a small town, situated in a picturesque Indian valley, lives a corrupt Deputy collector, Hare Murari, an equally corrupt Police Superintendent, Pasupathi; a doctor; a Judge; and Professor Rampyare. These officials always ensure that no one gets anything done without their permission, thus ensuring that their palms are adequately greased. When a young man named Prem Pratap seeks a license for conducting a song and dance sequence, he too is asked to bribe them, which he does. Subsequently, Hare Murari finds out that Prem Pratap may be a Government Official who has come incognito to investigate and expose them. Hare Murari's and the others worst fears are realized when they find out that Prem has been speaking long distance with none other than the President of India. What follows is hilarious chaos as the officials come together to try and portray themselves as honest and law-abiding citizens.
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Dil-E-Nadaan (1982)
Character: Asha's Father
Dil-E-Nadaan (The Innocent Heart) is an Indian Hindi film directed by C.V. Sridhar, released in 1982. The film stars Rajesh Khanna in the main lead role as Anand and Shatrughan Sinha as his friend, as the second lead character of the film.[1] This film was remake of the 1978 Tamil film Ilamai Oonjal Aadukirathu, directed by C.V. Sridhar, where Kamal Hassan and Rajnikanth played the lead male roles. After the success of the Tamil version, C.V. Sridhar decided to remake it in Hindi and directed it himself.
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Karigar (1958)
Character: Girdhari
A wealthy man is thrilled about becoming a parent and is pleased when his wife gives birth to a son. However, the son’s identification gets misplaced.
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Jahan Ara (1964)
Character: N/A
The relationship between two childhood friends is tested as they grow up and discoveries are made. Mirza Yusuf Changezi has known Jahan Ara since childhood, and both have been good friends. After they grow up, things are not quite the same, as Jahan Ara's dad is none other than Emperor Shah Jahan, and men are not permitted to meet with the princess under any circumstance. But Jahan and Mirza do meet secretly and promise to marry each other.
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Marine Drive (1955)
Character: N/A
After having their goods confiscated by the police a couple of smugglers come up with a plan to recuperate their losses
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Bansaria (1949)
Character: N/A
1949 Hindi film starring Geeta Bali & Randhir.
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Tinku (1977)
Character: Ramdin
A heartwarming drama revolving around a young boy whose destiny brings him from the comforts of his home and loving parents in Beirut to a life of destitution and loneliness.
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Soldier as Thakur Daler Singh (1969)
Character: N/A
When soldier Deepak learns that his uncle Thakur has snatched his property, he threatens him to return his ancestral estate. However, things change when the former is accused of the latter's murder.
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Pyaar Kiya To Darna Kya (1963)
Character: Asharam
Rajesh is the son of a rich father, Kuver Saheb. Rajesh falls in love with Savita a daughter of a teacher Ramdas, who Rajesh got sacked and humiliated when he was younger.
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पूरब और पश्चिम (1970)
Character: N/A
Bharat is a patriotic Indian who's father was an Independence fighter. He goes to London and is disappointed to see that the NRI's staying there criticized everything Indian and were wasting their life away. Prithi (Siara Banu) is one such NRI who falls in love with Bharat but refuses to go back to India with him.
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Naughty Boy (1962)
Character: Vaidraj Churandas 'Jari-Bhuti' Chaturvedi
A man is devastated when his beloved is seemingly killed in a train crash, so his colleagues suggest he goes for a picnic to cheer himself up.
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Man Jeete Jag Jeet (1973)
Character: Dancer / Singer
Gurmeet Kaur is a kind-hearted, compassionate and devout Sikh woman who lives with her widowed father, and teaches children in a make-shift outdoor school. Her life changes drastically when two men abduct her and take her to the hideout of the region's most feared bandit, Sardar Bakhel Singh. Her freedom curtailed, forced to live in a dark cave, watched day and night by male bandits, some of who would like to get more than physically intimate with her, she will soon find out the real reason behind her abduction.
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Naya Din Nai Raat (1974)
Character: N/A
Sushma believes that she is too young to get married, but her father, Lalla Banarsilal insists, and she runs away. Her adventures take her to a lonely wealthy widower with a cute daughter named Guddi; a drunken lout in a brothel; Dr. Kruparam, a psychiatrist, who admits her in his mental hospital; a dreaded bandit who has killed his tormentor, cut him into pieces and fed them to birds, and who still on a killing spree; Pandit Gorakhnath who lives a double life - as a priest and as a smuggler; a leper Dhanraj, who once was a very wealthy man, but is now shunned by everyone; a transvestite stage actor; and a hunter who saves Sushma's life by shooting dead a man-eating lion. As things spiral out of control for Sushma, there is yet one more male she has to meet, and it is this meeting that will change her life even more.
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Mera Qasoor Kya Hai (1964)
Character: N/A
Mera Qasoor Kya Hai is a 1964 Hindi film starring Dharmendra, Nanda and Om Prakash. The film's music is by Chitragupta.
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Kanoon (1960)
Character: N/A
A lawyer holds the eyewitness evidence to catch a killer, but the identified criminal is the lawyer's own mentor, prospective father-in-law, and also the judge who presides over the case.
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कन्यादान (1968)
Character: Bansi
Amar and Rekha fall in love, but their happiness is endangered when Rekha discovers that she was already married as a child.
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Shikast (1953)
Character: Dheeru
After a seven year absence, Dr. Ram Singh returns to his village intending to sell his land and go back to the city. He finds that the peasants are being mistreated by the local landlord and the landlord's sister, Sushma.
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Nartakee (1963)
Character: Seth. Jamna Das
A modern reformist professor helps a courtesan in her endeavour to achieve high academic level and respectability. They face open opposition and hostility by society but do not relent.
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Bahar (1951)
Character: Choudhry Goverdhanlal Patwardhanlal
A singer and dancer par excellence, Lata lives a wealthy lifestyle with her dad, Choudhry Goverdhanlal Patwardhanlal and mom. Her parents would like her to get married to wealthy Shekhar, who she initially approves of. Shortly thereafter she meets with Vasant Kumar and both fall in love with each other. When Shekhar finds out that Lata does not want to marry him, he is enraged and starts to investigate Vasant's background. He finds out that Vasant's real name is Ashok, who is a writer for a magazine 'Bahar, has a relationship with a woman, and also has a son.
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भाभी (1957)
Character: N/A
Shanta agrees to marry a lesser educated man.
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Didi (1959)
Character: Lala Daulatram
Gopal's sister believes that she knows what is best for him. But a series of events causes turbulence in the family.
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Vardaan (1975)
Character: Banwari Sharma
After being thrown out of his house by his father, the smuggler Sunder is forced to live a simple life and in doing so manages to reform himself and become the good son that his father always dreamed of. -SR
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Nagma (1953)
Character: N/A
The Maharaja of Roop Nagar offered in marriage his niece to the arrogant Rajkumar of Prem Nagar, but she refused, preferring an ordinary man with a painter's eye, poet's heart, or Ragi's voice.
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दासी (1944)
Character: Jayant's Friend 1
Film starring Om Prakash and Ragini
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बिंदिया (1960)
Character: Shastriji
A government contractor desires a criminal brother-in-low to marry a girl, but she has fallen in love with contractor's sobriety-conscious brother.
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Miss Mary (1957)
Character: N/A
R.K. Raju, a private investigator is assigned the task of locating the missing daughter of a wealthy Hindu couple. His investigation take him to different locales, and he comes across Miss Mary, the girl closely resembling the one he is looking for.
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लड़की (1953)
Character: Hazurdas
Raja lives a wealthy lifestyle with his somewhat upper Caste Hindu, eccentric, woman-hating dad, Hazurdas, and mom. He is friendly with Kishore, and both are aspiring doctors. On their way to college, they meet with two young women, Rani Mehra and Kamini.
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Baghi Sipahi (1958)
Character: N/A
A Roman military commander falls in love with Ranjana, a devout Christian. The Roman Empire's atrocities toward the Christians prompt the commander to become a rebel soldier to protect the Christian community from the Roman Emperor.
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Love in Goa (1983)
Character: Vinayak Rao
Teenage love story of a Catholic girl from Goa and a Hindu boy.
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जालिम जादूगर (1960)
Character: N/A
In her desire to rule the world with black magic, Maya, the Queen of Mayanagari, enlists the aid of her brother, Nagraj, to conquer the kingdom of Roopnagar. Nagraj, who is the vizier of Roopnager schemes to remove the princess Rupmati by killing her while she is on a hunt. The plan is foiled when a woodcutter named Bahadur (Hercules) intervenes and saves Rupmati from Nagraj’s curse by using his brute strength and a powerful talisman. Bahadur is hired by Nagraj to be a tax collector and is sent to Mayanagari where the queen awaits her chance to kill him with an exploding volcano and a horrible demon. In the meantime, Nagraj captures the princess and hides her away in a magic cave.
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चोर बाजार (1954)
Character: Yusuf Ustad
Circa the Mughal Rule in the Persian Gulf, a noble man asks his soldiers to bring a man trustworthy enough to commit a crime. The soldiers go to the Chor Bazar, where they find a beggar-cum-thief, Yusuf Ustad, and bring him before the noble man. The noble man asks Yusuf to abduct and kill the child, who will be the future king. Greedy Yusuf accepts the offer, but is unable to kill the cherubic child, and ends up abducting him, leaving evidence in blood to show that the child has been killed. The young prince is thus brought on to the streets of this Chor Bazar where he will grow up, and be destined to spend the rest of his life as a thief and beggar.
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महलों के ख़्वाब (1960)
Character: Hotel manager
After winning a lottery, Asha and Bela round up a holiday to find suitable husbands. But they end up being framed for stealing a precious necklace.
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Dil Apna Aur Preet Parai (1960)
Character: Girdhari
A rich girl marries a doctor. Differences crop up between the two and starts to snowball wherein she returns to her father's house. Months later she returns only to find he is in love with a nurse.
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Julie (1975)
Character: Morris (Julie's father)
Julie is an anglo-Indian girl with a loving, but alcoholic father and a domineering mother, a younger brother and sister. She falls in love with her best friend's brother Shashi Bhattacharya, a Hindu boy, and she has a passionate encounter with him, which leaves her pregnant. He goes away to college, not knowing about her condition. Her mother is distraught when Julie tells her about the pregnancy. They don't tell the rest of the family. Her mother thinks about getting Julie an abortion, but a devout Christian talks her out of it. Julie is sent away to have her baby in secret. The rest of the family is told that Julie got a job. When she comes back home, she runs into her Hindu boyfriend and tells him everything. He agrees to marry her, but his mother objects to the mixed marriage, not knowing about the baby born in secret. Julie's mother doesn't want the marriage either, as she and the rest of the family want to go to England
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Ek Shriman Ek Shrimati (1969)
Character: Mama Ji / Choudhry Sahab
Deepali is the only daughter of a wealthy but deceased industrialist, Lakhanpal. While on a holiday in Northern India, she meets with and gets friendly with Pritam. Unknown to her, Pritam has fallen head over heels in love with her, and wants to marry her. After Deepali returns home, Pritam follows her, meets with her maternal uncle, Choudhary, and creates a very good impression of himself. As a result, Choudhary is convinced that Pritam will make a good husband for Deepali. When Deepali finds out, she is enraged, as she has seen Pritam only as a friend, and her true love is another eligible young man by the name of Ajit, who Deepali has decided to make her life-partner, regardless of any and all consequences.
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Badi Didi (1969)
Character: N/A
Bollywood family drama from director Narendra Suri and featuring music from Ravi.
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Kaanch Ki Deewar (1986)
Character: Dhurjan's victim
Bhoop Singh is a honest man who works for Lakhsmi Singh, and lives with his wife, Devi, and sister, Sundari. He saves his hard-earned money with Lakhsmi, and when the time comes for Sundari's marriage & dowry, he goes to take his money, only to be humiliated by Lakhsmi. Sundari's marriage gets canceled, she kills herself, and Bhoop in turn kills Lakhsmi, subsequently takes to a life of crime, amasses a huge fortune, gives birth to a daughter, Nisha, and ends up in jail after double-crossing his partner-in-crime, Vikram Singh. He instructs his wife to bring up Nisha, as a widow. In prison, Bhoop meets with a honest man, Jaswant Singh, who has come to the city to look for his estranged brother. Bhoop asks Jaswant to look after his wife and daughter - not realizing that he may have made another mistake as Jaswant has an alias - that of bandit Dhurjan Singh, and is also the brother of Vikram Singh.
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Insaniyat Ke Dushman (1987)
Character: Saxena
Jagmohan, a prominent businessman with underworld dealings, approaches renowned advocate Kailash Nath, to represent his son who has been charged with murder and may face the death penalty. Kailash refuses to do so, and Jagmohan's son is hanged. Angered, Jagmohan kills Kailash's wife, Laxmi and child in front of him, and escapes. He is eventually arrested and brought to trial, but is found not guilty. Kailash decides to avenge this on his own, but Jagmohan has left the country. On his arrival back, Kailash carries out his vendetta against him, and Jagmohan is charged with killing a man, arrested, found guilty, and sentenced to die. Thus Kailash carries out his vengeance against Jagmohan. Now Kailash is faced with advocate Ajay Verma, who has molested his sister, Shilpa. Watch how Kailash's anger spotlights Ajay, and wreck havoc and chaos in his life. And there is no one on Earth who can possibly save Ajay from Kailash's wrath.
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Ek Aur Ek Gyarah (1981)
Character: N/A
Ek Aur Ek Gyarah is an action thriller, released in the year 1981. The film was directed by Ashok Rao and produced by Ram Pratap Sharma. The lyrics were written by Majrooh Sultanpuri. The cast includes Shashi Kapoor, Neetu Singh, Raza Murad, Vinod Khanna, Zarina Wahab, Prem Chopra and Omprakash.
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Barati (1954)
Character: N/A
Sunder, a laid-back young man, cares nothing about responsibilities towards his own future or of his family's. At much persuasion by his widowed mother, Sunder leaves on a journey to find a suitable groom for his sister Laajo. Situations arises and Sunder ends up marrying Pilu, daughter of Mooley Shah from the neighboring village. Sunder's mother and maternal uncle Bishandas are happy for Sunder's marriage but are disappointed by Sunder's irresponsibility towards Laajo's marriage. This time Bishandas decides to accompany Sunder for a groom hunt. After a few attempts they find a boy for Laajo, Atmaram, a government employee. The marriage takes place, but Atmaram's father Lala Kedarnath asks for money as dowry. This puts Laajo's marriage in jeopardize. Finally, Bishandas manages to make Atmaram to disown his father and accept Laajo.
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Joroo Ka Ghulam (1972)
Character: N/A
The rich Kalpana marries Rajesh, a poor painter, much to her parents' disapproval. She brags about his wealth to them but gets in trouble when they come to visit.
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बुड्ढा मिल गया (1971)
Character: Girdharilal Sharma
Two unemployed slackers, Bhola and Ajay come across a newspaper advertisement about a missing elderly gentleman, whose estate is worth millions. They come across this male in the Hanging Garden Park in Bombay, and decide to make him their paternal uncle and take him to live with them in a rented apartment, which they cannot afford. This elderly man, Girdharilal takes an unusual interest in Ajay's girlfriend, Deepa. While Bhola and Ajay try to find ways and means of getting rich by turning Girdharilal in, a number of horrific homicides are committed, all against former business associates of Girdharilal, and the clues all point toward the hapless duo.
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Cha Cha Cha (1964)
Character: Dinanath
After her return from abroad, Lali adjusts to life in India along with her devout Hindu mother, Laxmi; an easy-going father, Dinanath; two sisters, Kalpana and Geeta, and spends most of her time dancing along with her sisters and friends. On her way to the Mandir, she assumes a singer, Puranchan, is teasing her and she slaps him, but ends up apologizing when she is told that he is blind. Guilt-ridden, she makes arrangements for him to be taken to Bombay, has his vision restored, and both fall in love with each other. Dinanath takes a liking to Puranchan and not only gets him a job but also wants him to wed Lali. About to inform his parents, Purchan does not know that Dinanath has actually instructed Lali not to see him anymore as he is a Harijan (Lower-Caste).
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आशा (1957)
Character: Hasmukhlal
A wealthy Kishore always ready to help the poor.He travels to Bombay to be with his cousin Raj whose a womanizer and has ditched many women.Raj and Kishore go for hunting in Jungle where Raj meets a man who ask shim to marry his daughter whom he had cheated but Raj kills him and frames Kishore for the murder whose then on the run from police.
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College Girl (1960)
Character: Ram Pershad
In India, girls from their very birth are taken for a liability upon their parents; thus the mothers of the nation are looked down on in their own homes. Kamala represents such afflicted Indian girlhood. She is the daughter of Judge Ram Pershad who is illiterate and has orthodox views about girls. She stands first in the Matriculation Examination and has an ardent desire for studying in college in order to become a doctor. Judge Ram Pershad is totally against college education for girls. It is his faith that any money spent on the sons alone is money well-spent merely because they are sons and will stand by him in his old age. Kamala is determined not to bow before injustice, but to secure her rightful place in society. She makes an all-out bid to join college with the contrivance of Dr. Ratanlal, a close friend of her father. In college, she comes across Shyam, who helps her in many difficult situations.
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Sajan (1969)
Character: Driver Baalam
Hesitant to marry dancer Rajni, Ashok initially refuses but slowly falls in love with her. However, when Ashok and Rajni are about to get married, they find themselves embroiled in a murder.
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शादी (1962)
Character: N/A
The life of an impoverished male undergoes drastic changes after he gets his siblings married.
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Nehle Pe Dehla (1976)
Character: N/A
A kingpin smuggler kills a police officer and succeeds in separating his teen-aged sons. The elder son who had vowed to take revenge, accidentally meets his younger brother. The two join forces to bust the smugglers gang.
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प्यासी शाम (1969)
Character: Shankarlal's dad
Raja, a middle-class man in Bombay, and his friend Ashok arrange Laaj's marriage to Ravi, an orphan. Ravi disappears, and Raja refuses to marry Madhu, hiding a secret.
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Anhonee (1952)
Character: Shyam Sundar Laddan
An impoverished advocate faces challenges after he falls in love with a wealthy woman who has a look-alike courtesan sister.
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Suhagan (1964)
Character: Dukhiram
Sharda, a college student and the daughter of a wealthy educationist, marries Vijay, a college professor, against her father's wishes. Things take a turn when Vijay meets with an accident.
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Rang Birangi (1983)
Character: N/A
Sparkling comedy about a meddling friend whose attempt to rekindle the spark in his friend's relationship with his wife of seven years leads to complications to their lives, and to the lives of his secretary and her boyfriend he has not 'scripted' ... Splendid performances by Amol Palekar, Deepti Naval, Parveen Babi and Farooq Shaikh, a perfectly pitched script, witty dialogue and a plethora of aptly placed film references make this a film one can watch over and over and never fail to laugh out loud.
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चमेली की शादी (1986)
Character: Ustad Mastram Pahelwan
Charandas, a young man in a village has no aim in life except to be a pehelwaan (wrestler). He takes an oath that he will not court or marry a girl until he hits the age of forty. But things changes when Charandas meets Chameli and falls in love with her. A hilarious take on the caste system of India, as both of them come from different castes and try hard to marry each other.
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Sanjog (1961)
Character: N/A
Believing his wife to be dead after giving birth to a boy, a husband leaves and re-locates to the city.
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Bharosa (1963)
Character: N/A
Ramdas is a trusting individual, and trusts everybody around him. When times turn bad for him, he entrusts the life of his son, Bansi, to his trusted employee, Ronaklal, and departs. He regularly sends money to Ronaklal to provide for the upkeep of his son, but Ronaklal uses this money to educate his son, Deepak, keeps Bansi uneducated, and makes him do a lot of manual work. Years pass by, Ronaklal is now crippled, and is dependent on Bansi, as Deepak has left him, got married to a wealthy girl, and lives with his in-laws. Ronaklal is unable to show his face to Ramdas, and avoids him, and Bansi has grown up without knowing who his real father is. Will Ronaklal be able to tell Ramdas the truth when he returns, or will be just let Deepak be the sole heir to all the estate and the property?
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परवाना (1971)
Character: Ashok Varma
Kumar Sen is an artist of eminence, a talented painter, and a renowned sculptor; and like the majority of his clan, he has a sensitive introvert. But no artist can achieve any degree of brilliance in his work. Miss Asha Varma is the only niece of a retired, jovial old pensioner, Ashok Varma, and she is truly the light of Kumar's life. One stormy night, Kumar tries to hold Ashok Varma to his unsaid promise of giving him asha's hand in marriage. But the interview ends in unpleasantness for both of them, as angrily the old man ordered Kumar never to darken his doorstep again. Soon after Ashok Varma is strangled to death. Asha's beau Rajesh is arrested for Ashok's murder. The whole drama unfolds in court and truth prevails, who really murdered Ashok Varma and whether Rajesh is innocent or guilty.
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Gateway of India (1957)
Character: N/A
The happenings of one night. A young heiress, on the run from her murderous uncle, roams the streets of Bombay where she runs into a series of shady characters. To escape from them, she makes a rendezvous with all of them to meet her early next morning at the Gateway of India, which also happens to be the locale for some covert criminal activity involving her uncle, the idea being to nab the crooks red-handed.
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पहली झलक (1955)
Character: Jwalaprasad Raiseazam
A woman rejects her father-approved groom, runs away, and falls in love with a petty thief/gambler.
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Raahee (1987)
Character: N/A
A pregnant woman is abandoned by her truck-driver lover.
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Abdullah (1980)
Character: Hindu Priest
Abdullah has to fight oppression and torture as he tries to bring up the boy as a hindu where the majority are muslims.
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Laawaris (1981)
Character: Dr. Goel
Left in the care of an alcoholic Gangu Ganpat, young Heera, who named himself after a stray dog, wrestles with life in his young age. Years later, now a young man , he works for Mahendar Singh and is in love with Mohini, who will not have anything to do with him due to his lack of ancestry. Heera is now determined to find out who his parents are, and the only one who can help him is the elusive, alcohol-induced and incoherent Gangu Ganpat.
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पतंग (1960)
Character: Bhole Nath
Rajan, a wealthy Basantpur man, accidentally causes Shanti's vision loss with face afire. He becomes an eye surgeon, but his friend Ramdas is arrested and sentenced to prison.
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Maan Gaye Ustaad (1981)
Character: Abba
Farmer Chandan Singh lives a simple in the village until his wife is molested by a local goon
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Sohni Mahiwal (1958)
Character: N/A
Ijjat Beg comes to India with his caravan and settles in a town in Gujrat. Here, he falls in love with Sohni, who owns a shop of metal pots.
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Dharam Kanta (1982)
Character: N/A
When Bhavani (Raaj Kumar) kidnaps the son of Harnam (Satyen Kappu), he expects to collect his ransom and be on his merry way. But when the boy ends up dead, a curse is placed on Bhavani and his family. Soon, devastating floods separate Bhavani from his children, and bereft, he turns himself in to the authorities. Years later, he returns to the village, not knowing that his sons have turned to crime and his daughter has been adopted by Harnam.
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आलाप (1977)
Character: Advocate Triloki Prasad
Dedicated to the memory of the great singers K. L. Saigal and Mukesh, this charming and unpretentious film offers a palate-cleansing change from the spicy “masala” epics that dominated its era, and features their superstar Amitabh Bachchan in a decidedly offbeat role.
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हावड़ा ब्रिज (1958)
Character: Shyam
Rakesh lives with his brother, Madan, and his dad in Rangoon. Madan has fallen into bad company and steals the family heirloom, in the shape of a dragon, some cash and runs away to India. Shortly thereafter, his dead body is found under Calcutta's Howrah Bridge. Rakesh travels to Calcutta in order to find out the mystery behind Madan's death, and also try to recover the family heirloom.
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Maa (1976)
Character: Gopaldas
Vijay lives with his mother in a palatial house deep in the jungles in South India where he makes a living trapping animals for circuses, zoos - both nationally and internationally. He meets with beautiful U.S.-returned Nimmi, both fall in love with each other and want to get married. Vijay's mother cautions them both against separating new-born animals from their birth mothers, but both refuse to listen. Then the unexpected happens, a mother lioness, angered at Vijay for taking her cubs, attacks him, and leaves him badly wounded.
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Sharada (1957)
Character: Mohan
After Shekhar (Raj Kapoor) falls for beautiful Sharada (Meena Kumari), he makes her promise that she'll wait for him while he goes abroad on a business trip. But when Shekhar's plane goes down in flames, Sharada finds comfort in the arms of another man, not knowing that he's Shekhar's widowed father (Raj Mehra). Trouble is, Shekhar survived the crash and soon returns home, only to discover that Sharada has become … his mother!
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कराम्दाता (1986)
Character: Khan
Rai Bahadur is a very rich man. Neeta, his daughter, elopes with a taxi driver who later is revealed that wanted her only for her money. Desperate, Neeta commits suicide, abandoning her little daughter to Rai Bahadur's arms to raise her. When young Pinky grows up and also falls in love with the taxi driver Govinda, Rai Bahadur, afraid that the same misfortune will now plight his grandaughter, tries to seperate them. But Pinky's father will return from the shadows to claim what is his.
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Mem Sahib (1956)
Character: Brothel Patron
Meena, a wealthy, educated girl, has been promised in marriage to Sunder, a sheltered young man who has received an extremely traditional religious education. Displeased, Meena sets out to find a more suitable candidate, but is taken in by Manohar, a gold-digging conman. Finding Sunder to be clueless about the world, Manohar is soon manipulating him as well as Meena in his schemes to gain possession of Meena's fortune.
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Around The World (1967)
Character: N/A
A man accompanies his uncle to Tokyo but finds himself in a dilemma when he must travel to Europe immediately, with only $8 at his disposal.
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Muqaddar Ka Faisla (1987)
Character: Dayaram
Muqaddar ka Faisla, is the story of Pandit Krishna Kant. A poor, but extremely honest, upright, God-fearing man, who refuses to compromise on his principles.
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आवारा (1951)
Character: N/A
A petty thief is put on trial for the attempted murder of a lawyer. Through a series of flashbacks, the intertwining lives of the thief, the lawyer, and the thief's defense lawyer are illustrated.
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आज़ाद (1955)
Character: N/A
After her widower dad, Kedarnath, passes away, Shobha goes to live with his friend, Charandas, and his wife, Shanta, who had their son go missing as a child. Years later Shobha is now matured and Charandas scouts for a suitable groom. A wealthy man, Sunder, would like to marry Shobha, but the family detests him.
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Apna Desh (1972)
Character: Dharamdas
When it's discovered that four prominent members of the community are crooks and black marketeers, young Akash (Rajesh Khanna) -- posing as an expatriate smuggler -- teams with his girlfriend, Chanda (Mumtaz), to expose them. But to nail the quartet -- a tradesman, a doctor and a builder, all led by a wealthy industrialist (Madan Puri) -- Akash must get them to confess their misdeeds while Chanda surreptitiously captures everything on film.
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Mere Hamdam Mere Dost (1968)
Character: Dhand Malram
Sunil lives with his mom and sister in a middle-class dwelling in Delhi, India. He works for Chopra & Co., Chartered Accountants. He comes across a beautiful woman posing for a painting and instantly falls in love. The only problem, Sunil hates rich girls and this girl is very wealthy.
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Padosan (1968)
Character: Bhola's Uncle
A simple man from a village falls in love with his new neighbor. He enlists the help of his musical-theater friends to woo the lovely girl-next-door away from her music teacher.
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भाई भाई (1956)
Character: Bulbul
A rich businessman, Dayashankar Kumar (Shivraj), who is a widow, lives with his two young sons Ashok and Raj. When he catches the younger boy Raj stealing money, he punishes him and threatens to cut off his fingers. A frightened Raj runs away from home. Years pass and the older brother Ashok (Ashok Kumar), becomes the owner of his father's business and property, running Superior Motors, which also extends to Bombay. Ashok is married to Lakshmi (Nirupa Roy) and is a caring and loving husband. They have a young son, Munna (Daisy Irani).
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Imaandaar (1987)
Character: Mr. Nath
A businessman faces challenges when he unknowingly permits his daughter to get engaged to the son of the man who betrayed him.
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Roti (1974)
Character: Lalaji
An escaped criminal finds refuge with the family of a man he killed accidentally.
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अन्नदाता (1972)
Character: Amba Prasad 'Annadata'
After the passing away of her father, a local physician, Aarti takes it upon herself to dispense medicine, as well as sew clothes, and looks after a child named Kundan who has lost his legs to paralysis. She has a admirer in Arun, who secretly loves her, would like to marry her, but knows that he is poor and will be unable to afford a family, as he is a mere painter. Then an elderly man enters Aarti's life, he is ill, she offers to look after him until he gets better and leaves, but he does not leave, as he has nowhere to go, and she allows him to stay. Then good luck smiles on them as Arun sells one of his paintings, and he is able to get artificial legs for the child. What Arun and Aarti do not know is that the elderly male is really a very wealthy man named Ambarprasad, who had run away from his home when he was accused of having sex with his protégé, a young woman, who he had brought up. The question is what is Ambarprasad up to now?
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Do Dilon Ki Dastaan (1966)
Character: N/A
A tale of two hearts, a story of young love. One heart belonged to the educated, rich man's daughter from City, "Chanchal." The other was simple good hearted "Chaila" from village.
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Awara Baap (1985)
Character: N/A
The film revolves around the life of a rich man and his son, where the son lives happily with his wife, but after giving birth to a child his wife dies. The story takes a turn when he starts falling for another woman.
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Guddi (1971)
Character: Self
A teenage girl will not accept her family's attempt to arrange a marriage for her, as her heart is currently too full of love for the movies and heartthrob actor "Dharmendra."
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Parivar (1968)
Character: Karamchand
After his step-mother, Bhagwanti, asks him to leave, Andheri-based medical student, Gopal, gets married to his sweetheart, Meena, and both move in nearby. He completes his studies, becomes a doctor and both soon become parents of three children, two boys and a girl. Their harmonious lifestyle is shattered when their daughter passes away; and Gopal is arrested for killing a male named Diwanchand Rai.
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प्यार किये जा (1966)
Character: Ramlal
Widower Ramlal lives a wealthy lifestyle near Poona, India along with two daughters and a son. His daughter, Malti, is a Science Graduate; Nirmala, a matriculate, and the son, Atma, who wants his dad to finance a Hindi film which he himself will produce under the banner of 'Wah Wah Productions'
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Suhana Safar (1970)
Character: N/A
Sapna sets out on a journey to meet her dream man, a poet called Ujjwala, when she comes across Sunil.
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Ghar Ho To Aisa (1990)
Character: Karamchand
The Kumar family consists of Ramprasad, his wife, Durga; their married son, Vijay, his wife, Sharda, their daughter, Pinky; a married daughter who lives with them, Kanchan, her husband, Bajrangi, and a son; an unmarried and unemployed son, Amar. Save for Bajrangi and Amar everyone else likes to bully and abuse Sharda and make her do all the house-work, especially Kanchan and Durga who don't even need an excuse to beat, slap her, and even burn her arm in scalding hot water. Amar finds a job with Dwarkaprasad, and falls in love with his daughter, Seema. One day Amar has to be go to Delhi, and four days later when he returns home he finds that Sharda and Pinky are missing, and Sharda's mom, Devki, is dead. He frantically searches for them and comes across their dead bodies. The question remains how did Devki die, and how were Sharda and Pinky killed?
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आस पास (1981)
Character: Seema's Father
After her fiancé is killed in an accident, Seema becomes a bar dancer and is raped. When her fiancé miraculously returns, she learns that her rapist is his uncle.
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Daku Aur Jawan (1978)
Character: N/A
Birju and Ramu are brothers and have a friendly bond with each other, They do a lot of pranks with the villagers, but the pressure of the landlord and the urban bad guy Bhairon Singh leads villagers to pay a fee for their lands to work on them. This leads Ramu to join the army as a Jawan (Soldier). Bhairon Singh, with the help of Thakurain, plans to frame Birju as a criminal on the night of Janamashtmi. Bhairon Singh brutally rapes Ganga and steals the entire wealth from the safe of her father.
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Yeh Ishq Nahin Aasaan (1984)
Character: Nawab
Architect and Poet Salim Ahmed Salim lives in Nizamuddin, India, along with his widowed mother. He re-locates to Lucknow where he is employed with Shirazi & Company. He instructs her not to leave the house, and when she persists, he sells the house and decides to re-locate to Lahore, Pakistan. Salim attempts to stop them but Hamid assaults him and leaves him senseless. Salim does recover but takes to alcohol and a Courtesan named Phoolrani in a big way. His mother intervenes, and compels him to get married to their new neighbor's daughter, Sahira, which he reluctantly does. Now trapped in a marriage with a woman he does not love, Salim continues to frequent Phoolrani's brothel, with hopes of being re-united with his estranged sweetheart - only to find that the seemingly demure Sahira will not let go of him that easily.
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Prem Rog (1982)
Character: Poojari
Manorama, the daughter of a rich, orthodox family is married off, leaving her childhood friend Deodhar and his secret love for her, in despair. When tragedy befalls her, and traditions seem unfair, Deodhar must fight for what's right.
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ज़ंजीर (1973)
Character: De Silva
A tough and honest police officer clashes with a crime boss who, unbeknownst to him, happens to be his parents' murderer.
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Khandan (1965)
Character: Jeevandas Ramswaroop Lal
An ancestral property is distributed between two brothers, then a couple of years later, bitterness divides their families. An outsider in the younger brother's family tries to kill the others, which is resisted in time, and they reunite.
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नींद हमारी ख़्वाब तुम्हारे (1966)
Character: Ajoo Hajam / Nawab Ajmutullah Khan
Nishad, daughter of a noble family, has three suitors. However, after making her decision, it comes to light that the groom only gained noble status after his father won the lottery.
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तेरे घर के सामने (1963)
Character: Lala Jagannath
Rakesh, a successful architect, falls in love with a girl: Sujata whose father happens to be his own father's business rival. Sujata's father unwittingly assigns Rakesh the contract for building his house. This sets the stage for an entertaining story about the love between two individuals and their efforts to reconcile their families.
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डोली (1969)
Character: Dwarka (Prem's dad)
Amar and Prem, college friends, and Asha and Shobana form friendships. Marriages are arranged, but dowry demands a US ticket. Prem returns, becomes office predator, and Asha endures harassment to pay off debts.
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Do Premee (1980)
Character: Retired Colonel Bhagwant Singh
Young Chetan Prakash and beautiful Payal are in love and would like to marry each other. Their respective fathers, Daulatram and Retired Col. Bhagwant Singh, have other plans and want them to marry the spouses of their choice. So Chetan and Payal decide to elope, and marry on the run. Bhagwant Singh advertises in the newspapers for his missing daughter, and offers a handsome reward for her return. Chetan finds a job as a chauffeur, and Payal works as a maid in a house, and they become absorbed in their daily chores, not realizing that their employer, Geeta, is under the power and influence of a gangster named Shivlal, who operates a religious sect under the name of Mahayogi, and who has a gas chamber that he uses to kill people who disagree with him.
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Hawalaat (1987)
Character: Raghu
Geeta works for a newspaper as a reporter and exposes the drug-running crimes of Dharamdas and others involved with him, and as a result she is abducted, imprisoned, and raped repeatedly by both the criminals and a police inspector. Who will save her and others from the clutches of the criminals?
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दिल तेरा दीवाना (1962)
Character: N/A
Wayward, brash, and disobedient Mohan (Shammi Kapoor) is sent by his angry dad Diwan Badriprasad (Ulhas) to a retired army captain Dayaram (Om Prakash) to learn some discipline and respect. But Mohan asks his friend Anokhe (Mehmood) to switch places with him, and Anokhe agrees to do so. Mohan meets with Meena (Mala Sinha), who lives with her blind dad (Manmohan Krishan). Anokhe is welcomed as Mohan by Captain Dayaram and his daughter Malti (Shubha Khote) in their household. Eventually both Malti and Anokhe fall in love. Things start to get even more muddled when Captain Dayaram finds out that Anokhe is married to another woman, and that Anokhe drives a rickshaw. The police are notified and they are asked to arrest Mohan - they arrest 3 Mohans. Who is the real Mohan?
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नमक हलाल (1982)
Character: Dashrath Singh / Daddu
Young Arjun is brought up by his Daddu (paternal grandfather). His Daddu decides for him to go to the city in search of a new job and life. While in the city he meets up with Bhairon who guides him into an interview in a 5-star hotel owned by Raja.
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Bees Saal Baad (1989)
Character: Sarju
An evil spirit plots to possess a young, newly-married woman by driving nails into her legs.
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Gopi (1970)
Character: N/A
Unorthodox, honest, simple-minded, and unemployed Gopi is blamed for a theft he did not commit, and gets thrown out of his home by his elder step-brother.
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Aa Gale Lag Jaa (1973)
Character: Heerachand
Preeti, a wealthy woman, is in an intimate relationship with Prem, but her father disapproves and devises a plan that leads to their breakup. Years later, Preeti is reunited with Prem in a completely different situation.
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Charandas (1977)
Character: Charandas
The entire plot is woven around Indian family values, enterprise and meteoric rise in business.
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गोल माल (1979)
Character: Senior Police Officer (uncredited)
A man's simple lie to secure his job escalates into more complex lies when his orthodox boss becomes suspicious.
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Gauri (1968)
Character: N/A
After abandoning Gauri, his wife who is visually impaired, Sanjeev goes on a hunting trip and is presumed dead. He returns months later to find that his best friend Sunil has stolen his identity.
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Do Bhai (1961)
Character: Kashi Nath
DO BHAI-1961 was a totally family drama of the routine type where there is a sacrificing soul and a selfish soul. In such films the story writer and the directors try every trick in their bags to make the women audience weep. Vishram Bedekar, who was once a hit director was now in his waning times and could not do much to lift the film above average. Babu Vishwanath dies leaving a will to give all wealth to his elder son Gopinath(Abhi Bhatta.).Gopi’s step mother Vimla(Durga Khote) loves Gopi more than her own vagabond son Shibu(Anil Kumar). Shibu is a gone case. Gopi and his wife Rukmini(Sulochana) also love Shibu but he is instigated by his Mama (Rajan Haksar) Kashinath and Shibu starts hating Gopi.
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लाहौर (1949)
Character: N/A
Film starring Karan Dewan and Nargis.
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नरम गरम (1981)
Character: Shashtriji
Ramprasad, a young man, lets his lover, Kusum, and her father stay at his boss's house. However, they find themselves in trouble when Kusum is pursued by many suitors, including his boss.
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राजकुमार (1964)
Character: Bimasal
Prince Bhanu Pratap returns from a decade in a foreign country, together with his friend Kapil. His father, the King (Raja)has married again after Bhanu Pratap's mother passed away, and has a son by his new wife Maharani (Queen) Kalavanti. The Queen's brother Narpat Singh has designs upon the throne and enrols his sister the Maharani in his plot, by promising to unseat Bhanu Pratap and install her son as the heir. Prince Bhanu Singh has been tipped off, so he starts to behave like a CLOWN prince, instead of acting as the CROWN prince, in an attempt to flush out the schemers. This is a complex story of Royalty in India, in the post Independence (from the British) era, before democracy took root. It is a story of love, Indian values and to some extent superstitions and the conflict between values, superstition and modern views of the world they lived in.
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अमर प्रेम (1972)
Character: Natwarlal
A village woman abandoned by her husband is forced into prostitution in Kolkata and forms nameless yet strong relations with a wealthy patron as well as an abused boy in the neighbourhood.
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Loafer (1973)
Character: Gopinath
Ranjit is the right-hand man of a gangster named "Uncle". He has been working for him since he was a runaway child, and excels in all of kinds of criminal activities, currently managing a night-club called "Playboy". He meets with beautiful Anju and both fall in love with each other. Then he finds out that Anju is not who she claims to be but someone hired by Pratap to be close to him, entrap him, and get him killed. But that does not happen, Ranjit survives, rescued by Anju, and he helps her free her brother, Rakesh, from Pratap's clutches. Then some priceless jewelery is placed on display, and a number of gangsters decide to try and steal them, knowing fully well that there is a 24 hour police guard, as well as an alarm system. It is after this robbery that the past will be re-visited and it is then a number of people, on whom Ranjit has depended upon, will come to know of his real background, including the murder he committed before he started his career as a criminal.
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Aman (1967)
Character: Hurato
Dr. Gautamdas (Rajinder Kumar) attains his qualifications in London, England, and with the blessings of Lord Bertrand Russell (himself), returns to his home country and his dad (Balraj Sahni). Much to the disappointment of his dad, Dr. Gautamdas decides to re-locate to Japan, which has been devastated by the explosion of atom bombs on two of it's cities - Hiroshima and Nagasaki. There he meets with other doctors, and is given a tour of the patients and their families, and other survivors (Om Prakash, Chand Usmani, Baby Kavita). {Graphic scenes of the atrocities inflicted on innocent people} On a chance meeting with the beautiful Meloda (Saira Banu) he knows that they are destined to be one, and so does she. Meloda's dad is also a doctor (Chetan Anand). Meloda had studied in India and speaks Hindi fluently. Both fall in love amongst the splendour of Japan.
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Bandish (1980)
Character: Kishan's Dad
Kishan (Rajesh Khanna), the rich and spoiled son, studying medicine in college, of a wealthy man (Om Prakash) is taught a lesson in humility by fellow student, Madhu (Hema Malini), and he undergoes a dramatic transformation, and also falls in love with her. Their dreams are shattered when Madhu is killed by Kapilkumar (Danny Denzongpa), and a devastated Kishan relocates to a small village to practice medicine. He meets with Chanchal, an exact look-alike of Madhu, and finds himself drawn towards her, and she too is attracted to him. But does fate have positive results for Kishan?
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राज तिलक (1984)
Character: Sardar Zuberi
A king is cheated by his own men and his newborn son ends up in a gypsy camp. Several years later, when a substitute prince, Shamsher, inflicts atrocities on the royal family, the lost prince returns.
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Kanhaiya (1959)
Character: Vaidji
Shanno falls for the flautist Kanhaiya, believing him to be Lord Krishna, and decides to marry him. However, she is shocked after realising that he is, in fact, the village drunkard.
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Chupke Chupke (1975)
Character: Raghavendra Sharma
Sulekha is in awe of her brother-in-law Raghavendra for his intelligence. Parimal, her husband, decides to take up the challenge of fooling Raghavendra and goes to work for him as a driver.
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मेरा नाम जोकर (1970)
Character: Circus Surgeon
Raju faces many hurdles and disappointments in matters of the heart throughout his life. But as a clown in a circus, he tries to make his audience laugh at the cost of his own sorrows. Along the way, Raju loves and loses, but must always keep a smile on his face because, in the words of his circus manager, "The show must go on."
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सरगम (1950)
Character: Seth Roopchand
Sargam is a 1950 Bollywood family drama film directed by P. L. Santoshi and starring Raj Kapoor.
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शराबी (1984)
Character: N/A
Born with a silver spoon in his mouth, and a peg of brandy instead of a glass milk, Vicky Kapoor, the only son of multi-millionaire industrialist, Amarnath, grows up to be an alcoholic, albeit with a good heart. Amarnath has detached himself completely from Vicky s life, and provides him money in lieu of affection and care, living this to be taken care off by Munshi Phoolchand. Vicky is very resentful of being ignored by his dad in this manner, and leaves no stone unturned to mock and belittle him at every available opportunity. Amarnath hopes to get his son married, but Vicky loves the daughter of a poor blind man, Meena, which is not acceptable to Amarnath. One day Amarnath decides he has had enough and decides to turn Vicky out of his house. He has him sign waivers, and asks him to get out, which Vicky does so. While Vicky is relieved of being freed from his dad s control, the question remains that with no skills at making a living, how is Vicky to survive in a cold-hearted world
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Pratikar (1991)
Character: Shankar Prasad
A boy grows up with a teacher's family after his uncle has the boy's father killed for personal gain.
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Naukar Biwi Ka (1983)
Character: Jagirdar Bishambharnath
Jagirdar Bishamber Nath a wealthy man disowns his son, police inspector Amar Nath for marrying against his wishes. In the course of his duties Amar sends a notorious criminal Pinto to jail. In due course, Pinto escapes from prison and begins a vendetta which results in several deaths, children being separated from parents and the loyalty of a family driver which saves Jyoti. As the children grow up there is a peek behind the scenes of movieland in Bombay, abductions, being loved, unrequited love, broken childhood engagement, success in stardom, suicide and failure. Does Amar's daughter Jyoti find her true love? Is wealthy Bishamber Nath destined to a lonely old age?
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Aandhi (1975)
Character: Lallu Lalji
J.K. is a hotel Manager in a scenic location in India. One day he gallantly comes to the rescue of a drunk daughter, Aarti, of a politician, and chooses to be discrete about it. When she recovers, she and he fall in love; get married in a small marriage ceremony, have a daughter, and thereafter differences arise to such an extent that they decide to separate. Years pass J.K. and Aarti meet again when she is an established politician, both are still attracted to each other, but she does not want her name to be tarnished and stigmatized as a "separated" woman.
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Kundan (1955)
Character: Uma's foster father
Classic Bollywood film about a young man whose poverty leads him to commit crimes which, in turn, lead him to harsher and harsher punishments.
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