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Cineastes contra magnats (2005)
Character: Self
How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)
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Cineastes en acció (2006)
Character: Self
What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)
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Edge of Outside (2006)
Character: Self
An hour-long documentary designed to celebrate the spirit of the independent filmmaker from D.W. Griffith to Quentin Tarantino. Interview footage and film clips are blended together to form a chronological approach to the subject matter.
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Godard Made in USA (2010)
Character: Self
Documentary by Luc Lagier exploring Godard's career as a filmmaker, the production of Breathless and his influence and his relationship with American cinema.
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À l'ombre d'Hollywood (2000)
Character: Self
In the Shadow of Hollywood examines this assault on our senses through interviews with directors, producers, writers and other experts in the film industry.
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Reel Radicals: The Sixties Revolution in Film (2002)
Character: Self (uncredited)
illustrates how directors pushed boundaries and altered the art of filmmaking during the turbulent, swinging 1960s. Narrated by Woody Harrelson, "Reel Radicals" features clips from such seminal films as Arthur Penn's "Bonnie and Clyde" (1967); Mike Nichols' "The Graduate" (1967); Dennis Hopper's "Easy Rider" (1969); John Frankenheimer's "The Manchurian Candidate" (1962); Stanley Kubrick's "Dr. Strangelove" (1964) and "2001: A Space Odyssey" (1968); John Schlesinger's "Midnight Cowboy" (1969); Richard Brooks' "Elmer Gantry" (1960) and "In Cold Blood" (1967); and Norman Jewison's "In the Heat of the Night" (1967) and "The Thomas Crown Affair" (1968). Frankenheimer, Jewison, Hopper, Schlesinger, Penn, Buck Henry, Paul Mazursky, Roger Corman and Arthur Hiller are among the filmmakers who discuss the decade.
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Cinéma! Cinéma! The French New Wave (1992)
Character: Self
An intimate window into one of the great movements in film history that brought about an evolution in the art of cinema. The documentary portrays the movement with insight on the lives and works of Jean-Luc Godard, François Truffaut and other principal players in the New Wave.
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Hello Actors Studio (1988)
Character: Self
After Lee Strasberg’s death in 1982, the most prestigious talents from the Actors Studio assumed the leadership of this exceptional organization. For the first time ever, filmmakers have been allowed to film their work.
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Naked in New York (1993)
Character: Self
Naked in New York begins in the car of grown up Jake, he is talking to us about his girlfriend, Joanne, and to whom you can turn to for help while facing life. From there it flashes back to his memories of his parents, college, house across from a squirrel infested peanut factory, best friend, writing career and Joanne.
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Marlon Brando: The Wild One (1994)
Character: Self
An examination of the craft of Marlon Brando, narrated by professionals of the film industry. The film follows his career from the stage with "A Streetcar Named Desire", through the Actors Studio and professional relationships with Elia Kazan and Stella Adler to Hollywood. An actor who redefined the limits to which a professional may go in becoming the character not only intellectually but emotionally, Brando changed the meaning of film acting.
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Rosy-Fingered Dawn: A Film on Terrence Malick (2002)
Character: Self
Rosy-Fingered Dawn is a film on Terrence Malick. It is about the making of BADLANDS, DAYS OF HEAVEN, THE THIN RED LINE and the personal involvement of some of the most representative figures of the American culture itself. This medley of voices has given origin to a journey throughout the whole United States, from California to Colorado, from Virginia to Minnesota, passing by New York and Los Angeles. Every stop represents an ideal set in which all the characters of the films come to life once again giving place to a growing flow of memories. The narrative dimension of Malick's cinema resounds and opens a new horizon on the visible contradictions of the American culture; no easy judgement but a critical consciousness is what emerges from this coral speech, together with a definite need: the necessity of art. A need that Terrence Malick was able to satisfy.
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Visions of Eight (1973)
Character: Narrator
Eight acclaimed filmmakers bring their unique and differing perspectives to the 1972 Summer Olympic Games held in Munich. The segments include Lelouch's take on Olympic losers and their struggle to remain dignified even in the face of bitter disappointment and defeat; Zetterling's dramatic exploration of the world of weightlifting; and Pfleghar's piece on young Russian gymnast Ludmilla Tourischev's majestic performance on the uneven bars.
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