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नौ दो ग्यारह (1957)
Character: N/A
A sleep suspense thriller, from Vijay Anand (his directorial debut), Nau Do Gyarah is the story of Madan (Dev Anand) on his way to Bombay to inherit his uncle's estate. On the way, he picks Raksha (Kalpana Kartik), who has run away from home, rather than be married to a man she does not like. On reaching Bombay, Madan finds his uncle dead, and the estate taken over by Kuldeep, his aunt's nephew. The new will is missing. Madan has to find out, what really happened to his uncle and the missing second will. S. D. Burman's compositions embellish this fast paced and stylish thriller.
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Mujhe Jeene Do (1963)
Character: N/A
Though from India, this tale rings of Western familiarity -- especially of the Old West. When a beautiful courtesan is kidnapped by a burly bandit, the baddie gets far more than he had anticipated; he finds himself falling for her. Unfortunately for the couple, the authorities catch up with him and their short-lived romance ends in tragedy.
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Aasman Mahal (1965)
Character: N/A
The story revolves around a Nawab, who having lost his money, still continues to live in the old traditional style, maintaining a grandeur facade. His son opposes the unrealistic life-style.
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Shehar Aur Sapna (1961)
Character: N/A
The film was based on Abbas's own story, One Thousand Nights on a Bed of Stones, which describes the struggle in the life of pavement dwellers in the backdrop of rapid industrialization.
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Bombai Ka Babu (1960)
Character: N/A
A man on the run pretends to be the long-lost son of a wealthy family. To complicate matters, he falls in love with the woman who is supposed to be his sister.
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Palki (1967)
Character: Bannemiyan
Naseem lives a poor lifestyle with his widowed mom in Lucknow, India. He is well-known for his poems, and gets invited to a contest hosted by Nawab Naseemuddin who has offered a reward of Rs.5000/- to the winner.
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हीरा मोती (1959)
Character: Bansilal Mehta
An impoverished farmer faces problems after he is blacklisted for refusing to sell his prize-winning oxen to an oppressive landlord.
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Garam Coat (1955)
Character: N/A
Girdharilal lives a poor lifestyle in Delhi along with his wife, Geeta, and two daughters, and a son. He works as a Money Order Clerk in the Post Office, earns Rs.110/- per Mensem, and wears a torn coat that his wife is tired of stitching. One day at work, he makes an error in a money order but does manage to fix it, collects his pay, and returns home, refusing to drink...
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Teenmoti (1995)
Character: N/A
Three young man enter a royal palace, where each of them claims that they are the real prince of the palace who was lost in childhood.
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Yasmin (1955)
Character: Ehsaan
A powerful and princely Sheikh lives in 18th Century Persia, makes a living renting out properties, and recovering taxes and dues on them. He lives in a palatial house with his wife, Zubeda, and son, Ahmad. When Ahmad grows up, Zubeda notices that he is spending too much time with women in their harem, and wants his father to get him involved in their business. Sheikh accordingly instructs Ahmad to collect all revenue, which he does so. A few days later, Sheikh is informed that Ahmad has been spending time with a friend named Farid, and is romantically involved with a dancing girl named Yasmin. A visibly upset Sheikh accordingly warns Ahmad to mend his ways, give up on Yasmin and return home, where he has planned his marriage with Nadira, the daughter of Amir Qasim.
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मेम दीदी (1961)
Character: Doctor
Memdidi tells a simple and endearing story of Mrs. Roy (Memdidi), who moves in as a new neighbor to the two local tough guys, Bahadur Singh (David) and Sher Khan (Jayant), with a heart of gold. Hrishikesh Mukherjee's direction and screenplay makes this movie a gem and worth watching again and again.
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महलों के ख़्वाब (1960)
Character: Asha's uncle
After winning a lottery, Asha and Bela round up a holiday to find suitable husbands. But they end up being framed for stealing a precious necklace.
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Ghar Number 44 (1955)
Character: N/A
Film about a small-time hood running afoul of a bigtime gangster. Starring Dev Anand, Kalpana Kartik and K.N. Singh.
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Arzoo (1950)
Character: (credited as Khan)
Badal is mistakenly presumed to be dead. Kamini, his love, is heartbroken and is married off to Thakur. Badal returns and not knowing the truth, is filled with vengeance for Kamini.
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Gambler (1971)
Character: John
Raja (Dev Anand) has been abandoned by his biological mother at a very young age, and grows up with Master (Jeevan), a criminal don and card-sharp, who would like Raja to continue working with him on a commission basis. Raja learns all that could be learned about playing cards, quits work with Master, and starts work on his own. He succeeds considerably, and soon gets rich and wealthy. He falls in love with beautiful Chandra Gangaram (Zaheeda), and would like to marry her. But her father would like her to marry U.K. settled Ram Mehta(Sudhir), before Raja could do or say anything against this alliance, he is charged with the cold-blooded murder of Master. The climax in Raja's life is in the Court Room where he will find out about his past, and about his parents - while he awaits the outcome of the trial. From http://en.wikipedia.org/wiki/Gambler_(film)
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Sanjh Aur Savera (1964)
Character: N/A
Shankar Chaudhry, a wealthy man gets married to Maya assuming she is the daughter of Ambala-based Advocate Madhusudan. He is shocked to realize that Maya and her brother Prakash have cheated him.
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Do Boond Pani (1971)
Character: N/A
Ganga Singh (Jalal Agha), newly married to Gauri (Simi Garewal), brings his wife to his village where he lives with his father Hari Singh (Sajjan), and sister Sonki (Madhu Chanda). The village is suffering from drought and villagers have to travel a long distance to get water. Ganga Singh hears of a dam being constructed and leaves his wife to join in the building of it. His family goes through misfortunes, with his father dying and his sister being raped by the dacoit Mangal Singh. Ganga himself dies preventing a disaster at the dam. The dam is eventually built bringing greenery to an arid region. His wife bears a son and lives on in the village.
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हमलोग (1951)
Character: Dr. G. Ghosh
An impoverished family faces illness and financial challenges after one of them is sent to prison.
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Prince (1969)
Character: N/A
To better himself, a spoiled prince temporarily assumes a commoner's identity. But he soon learns his palace has been gifted to his father's new wife.
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काला बाजार (1960)
Character: Kalu
A man sells movie tickets on the black market, but starts to have a change of heart after he falls in love.
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आर पार (1954)
Character: N/A
Kalu is a taxi-driver in Bombay, India. He has two women who love him and would like to marry him. Kalu first wants to establish himself, and become rich, before he can even think of marriage. One of the women who loves him, has a father who is involved in gangster-type activities, and would like Kalu also to join him so that he can get rich soon. Kalu has now to decide to become rich quick or sleep better.
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Taxi Driver (1954)
Character: N/A
About a taxi driver in Mumbai, Mangal, who is called "Hero" by his friends. A driver who drives a cab by day, then drinks at night, listens to his singer girlfriend, Sylive, and then goes into a drunken stupor - and wakes up with a hangover. One day, while assisting another taxi driver, Mangal comes to the assistance of a damsel in distress, who is being molested by two thugs. Mangal gallants rescues her, and attempts to take her to her destination, to no avail, as the person she is looking for has moved. The next day, Mangal and the young woman, Mala, again attempt to seek Ratanlal, a music director, but the entire day is spent in vain. Mala lives in Mangal's tiny apartment and both become attracted to each other. When Mala finds out about Sylvie, she leaves him. He goes in her search, but finds that she has become a famous singer with the help of her music director friend.
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शर्मीली (1971)
Character: N/A
An army captain falls for an outgoing young woman, but unknowingly weds her shy twin sister.
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शर्मीली (1971)
Character: Bedre
An army captain falls for an outgoing young woman, but unknowingly weds her shy twin sister.
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Rahi (1953)
Character: Shashi Bhushan (as Rashid)
After leaving British Army Ramesh joins a tea plantation as a supervisor, where he is required to harass Indians. Gradually his heart changes and falls in love with local girl and revolts against his British employer.
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परख (1960)
Character: Doctor
The postmaster of a village receives a check for 500,000 rupees, for the purpose of bequeathing it to the village’s most upstanding citizen.
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तेरे घर के सामने (1963)
Character: Madan Gopal Bansuriwala
Rakesh, a successful architect, falls in love with a girl: Sujata whose father happens to be his own father's business rival. Sujata's father unwittingly assigns Rakesh the contract for building his house. This sets the stage for an entertaining story about the love between two individuals and their efforts to reconcile their families.
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आह (1953)
Character: Dr. Yusuf
At the behest of his father, Raj writes letters to Chandra, a prospective bride. However, unbeknownst to him, it is Neelu, Chandra's sister, who responds to his letters and falls in love with him.
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हम दोनों (1961)
Character: John
An Indian army captain must break bad news to a sick woman.
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Guide (1965)
Character: Joseph
When mistaken to be a sage by some villagers, an ex-tour guide reflects on his past and lost love to search for spiritual wisdom to guide the villagers.
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तीसरी मंज़िल (1966)
Character: Waiter (Cameo)
Blaming him for the suspicious death of her sister, a young woman sets out to exact revenge on a nightclub drummer. She becomes romantically involved with a charismatic young man she meets on the way, unaware that he is the suspect.
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बाज़ी (1951)
Character: Pedro (as Rasheed Ahmed)
Madan comes from a poor family background. Unable to find employment, he takes to gambling in order to pay for his sister's medical expenses. Soon, he forms a bond with Leena, a dancer, and is falsely accused of her murder.
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एक फूल चार काँटे (1960)
Character: N/A
To wed his sweetheart, a man must try and prove himself to her eccentric paternal uncles.
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