Howard A. Rodman

Personal Info

Known For

Writing

Known Credits

0.1132

Gender

Male

Birthday

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Age

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Place of Birth

NO INFO PROVIDED

Also Known As
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Howard A. Rodman

Biography

Howard A. Rodman is a screenwriter, author and educator. He is the former President of the Writers Guild of America, West; professor and former chair of the writing division at the USC School of Cinematic Arts; and an artistic director of the Sundance Institute Screenwriting Labs.


Credits

Mardik: From Baghdad to Hollywood Mardik: From Baghdad to Hollywood (2008) Character: Self
An intimate portrait of an oft-forgotten character in Hollywood: the screenwriter. Raised in Baghdad, screenwriter Mardik Martin was infused with an early love for movies when he was sent to the U.S. by his family to avoid being drafted into the Iraqi army. Mardik discovered the NYU cinema department, and there he met Martin Scorsese; their friendship would lead to some of the greatest films in American cinema.
Last of the Independents: Don Siegel and the Making of 'Charley Varrick' Last of the Independents: Don Siegel and the Making of 'Charley Varrick' (2015) Character: Self
Don Siegel’s classic crime thriller "Charley Varrick," made in 1972 in the wake of the immensely successful "Dirty Harry," stars Walter Matthau in what is probably the actor’s finest dramatic role, airshow pilot turned crop duster turned bank robber turned mob target Charley Varrick. This feature-length documentary takes the viewer back to the time of the shooting of this cult item and features original interviews with Siegel’s son, Kristoffer Tabori, actors Andy Robinson and Jacqueline Scott, stunt driver and actor Craig R. Baxley, composer Lalo Schifrin and Howard A. Rodman, whose father co-wrote the screenplay.
L'homme qui a vu l'homme qui a vu l'ours L'homme qui a vu l'homme qui a vu l'ours (1987) Character: N/A
A Hungarian filmmaker investigates the traces Orson Welles left behind in Hollywood, maintaining the ambiguity between truth and fiction. Janine Bazin and André S. Labarthe had long hoped to dedicate an issue of their longstanding documentary series, "Cinéastes de notre temps" to Orson Welles. But the master director-actor died in 1985, and Labarthe was left with a considerable challenge: making a film about Welles, without Welles.



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