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Clara (2012)
Character: N/A
Orphaned by father and mother, Clara has always dreamed of building a singing career. At the age of 16, she moved to Belo Horizonte, where she won the ABC Golden Voice contest. In 1966, she recorded her first vinyl: A Adorable Voice by Clara Nunes. The approach to samba made her achieve the longed for success, in addition to international repercussion. Clara Nunes revolutionized the music industry, becoming the first woman to break the barriers imposed by the record label.
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Garôta de Ipanema (1967)
Character: Self
Chronicles the life of a 17 year-old girl living in the upper-class Rio de Janeiro neighbourhood of Ipanema. Márcia lives a life of parties and spend her days among bohemians, musicians and intellectuals. While seeming happy in the outside, she's extremely anguished inside. Based on the famous song by Antonio Carlos Jobim and Vinicius de Moraes.
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Vai Trabalhar Vagabundo II: A Volta (1991)
Character: Julinho da Adelaide
Exiled in Acapulco, the bon vivant Dino cheats a rich widow into financing his coming back to Brazil. To avoid getting caught, he hides in a coffin. His fake burial is celebrated in high style and it doesn't take long before he starts getting himself into weird situations.
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Rua Aperana, 52 (2012)
Character: Self
In his film Rua Aperana 52 Júlio Bressane describes the invention of a landscape, the topology of a corner of Rio de Janeiro. The film consists of a series of photographs taken between 1909 and 1955 by, among others, Bressane's parents at and around the address used as a title. These are interlarded with scenes from films made between 1957 and 2005, bringing the total fictional time the film covers to almost a century; one hundred years in which the winding road featured in almost every shot structures the new landscape behind the Aperana, which means 'wrong road'. Rua Aperana 52 is autobiographical, as it is a landscape from Bressane's youth, but it is also not so; it is more a multi-subjective mythology of a place seen through all those films and photographs. Bressane refers to his editing as an intuitive form of thinking aimed at evoking moods which make the viewer the new witness of the fictional landscape. A fiction about a fiction,
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Raízes do Brasil (2004)
Character: Self
Documentary in two parts about Brazilian writer, journalist and sociologist Sérgio Buarque de Holanda. The first part describes how the author used to pass his days with family and friends, while the second offers a historical panorama of the times, including his reaction to Nazism and the years of Vargas’ dictatorship, and the arrival of the modernist movement in Brazil.
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Um Homem de Moral (2009)
Character: Self
The life and musical work of Brazilian zoologist and composer Paulo Vanzolini, author of very popular songs such as "Ronda," "Volta por Cima," and "Na Boca da Noite," recording tributes to the composer, which brought together big names in Brazilian music such as Inezita Barroso, Chico Buarque, Paulinho da Viola, and Martinho da Vila.
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Evandro Teixeira: Instantâneos da Realidade (2003)
Character: Self
Evandro Teixeira is one of the leading names in world photojournalism, with a career spanning more than 37 years in the Brazilian press. Baiano from Jequié, chose Rio de Janeiro to settle down and it was in Jornal do Brasil that he spent most of his career. In addition to an untiring photographic reporter, he also traveled to Brazil to search for images of Brazilians and recorded important events in the history of Brazil and the world, in coverage of national and international events.
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O Sol - Caminhando contra o vento (2006)
Character: Self
Documentary about the 68-generation, told through the story of the newspaper “O Sol”, one of the first vehicles of the alternative Brazilian press, produced daily for six months, in the 1960s. The newspaper spoke of culture, politics and education through satires and prominent figures in the cultural scene of the time passed through him. Archive scenes and music from the period seek to reconstitute the spirit of the 68-generation. The film has the participation of personalities such as Ziraldo, Zuenir Ventura, Arnaldo Jabor, Chico Buarque, Caetano Veloso, Carlos Heitor Cony, Fernando Gabeira, Betty Faria, Hugo Carvana, among others.
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Consideração do Poema (2011)
Character: N/A
Carlos Drummond de Andrade's poetry is read by exponents of Brazilian culture, such as Chico Buarque, Caetano Veloso, Adriana Calcanhoto, Fernanda Torres, Marilia Pera, Antonio Cicero and others.
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Maria Bethânia do Brasil (2001)
Character: Self
This is a journey of friendship, an Argentinian is going to rediscover his continent while searching for his friend from Bahia. And while the work, the records and the career of this great lady of Brazilian music are well known, the starting point, the training, the first years remained till now in a vaguely legendary and imprecise blur. Thanks to many investigations that concern as many places as times, thanks to journeys back in time through the towns and regions, the film seeks the origins of Maria Bethânia’s voice and style. Helped and led by Bethânia herself, with the assistance of Caetano Veloso and Chico Buarque, the two princes of Brazilian music, along with the complicity of the great Gilberto Gil, the author is allowed to go to the first context : the North-East. In the family home in Santo Amaro, the film finally touches the childhood of Maria Bethânia – and her brother Caetano, and this mysterious point – from which the music radiates.
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Flamengo: Um Século de Paixão (1995)
Character: Self
When Brazilian multi-sport club completed its 100th anniversary, this documentary narrated its story by interviewing some of its most important sportsmen ever, in football, basketball, rowing.
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Máquina do Desejo (2021)
Character: Self
In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.
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Toquinho Maravilhoso (2024)
Character: Self (archive footage)
The documentary narrates the life of Toquinho, one of the greatest Brazilian artists, a musician who transcends the barriers of time and language with his sensitivity. A story that shapes Brazilian popular music.
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Dias de Euforia (1989)
Character: Self
Record of the 1989 elections, when Brazil was divided between Lula and Fernando Collor. It brings together material gathered from the streets of São Paulo, television broadcasts, and support from artists like Djavan, Chico Buarque, Gilberto Gil, Lobão, and Leci Brandão. Additionally, it features footage of the marches and Lula's first interview after his electoral defeat. A work that recounts fragments of the struggle for democracy in the country.
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Ana Carolina - Estampado (2003)
Character: N/A
O DVD intitulado Estampado da cantora e compositora Ana Carolina traz grandes sucessos e músicas inéditas na voz desse ícone da música brasileira. Você pode conferir faixas novas como "Escurinho", "Gente Humilde" e "Oração de São Francisco de Assis", além da interpretação da canção "Corsário" acompanhada pelo violão de João Bosco. O disco ainda conta com participações especiais de Chico Buarque, Chico César e Maria Bethânia. Imperdível!
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Phono 73: O Canto de um Povo (2005)
Character: Self (archive footage)
The biggest Brazilian historical festival of all time. The great cast of the 1973 Phonogram (now Universal Music) meets in three nights to protest against the curtailment of freedom of expression in those dark years of the dictatorship. With the images rescued in 2005, revealing exciting moments, containing the incredible presentations, it brings a team of all greatness and the opportunity to understand the path that Brazilian music has taken to the present day.
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A Fantástica Fábrica de Golpes (2022)
Character: Chico Buarque
Brazil has a long tradition of coup d'états. These coups would have not been viable without the support of the big media, particularly TV Globo. Two Brazilian journalists in the UK reveal the manipulative tactics of these organisations.
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Chico Buarque - Meu Caro Amigo (2005)
Character: Self
The DVD MY DEAR FRIEND opens the retrospective series of work of Chico Buarque, highlighting some of his passions: the city of Rio de Janeiro and its partners and friends. "I kept an almost alien look on Rio I still have a relationship with the city of wonder. " Friends, partners and songs will be happening in the first episode of the series, in a relaxed and intimate way.
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Chico Buarque - Uma Palavra (2005)
Character: Self
Este é o nono DVD da série retrospectiva da obra de Chico Buarque e trata da rica relação entre múcica e literatura nas canções e livros do autor. Gravado em Lisboa, Paris e Budapeste, mostra o artista explicando as diferenças entre duas linguagens e como elas se influenciam mutuamente em sua obra. Faixas 1 Fado Tropical 2 Uma Palavra 3 Mar E Lua 4 Passaredo - Part Francis Hime 5 Mano a Mano - Part João Bosco 6 Joao E Maria 7 Ela Desatinou - Part Daniela Mercury e Tom Jobim 8 Quem Te Viu, Quem Te Ve 9 Fantasia 10 Pivete 11 Carioca 12 Sonhos Sonhos Sao 13 Morro Dois Irmaos 14 A Danca Dos Banqueiros
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O Homem Que Engarrafava Nuvens (2008)
Character: Self
A host of personalities reminisce about the life and work of songwriter, lawyer, and congressman Humberto Teixeira — aka "Baião Doctor" — the author of such classic Brazilian popular songs as "Asa Branca". A musical film about the baião, a movement in Brazilian music in the 1940s and 1950s that was later snowed under by samba and bossa nova.
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A Música Segundo Tom Jobim (2012)
Character: Self (archive footage)
Half a century ago, Brazilian composer and musician Antonio Carlos "Tom" Jobim (1927-1994) introduced bossa nova to a worldwide audience with "The Girl from Ipanema." This relaxed, cool, sensuous music blended jazz and samba. After recording an album of songs by his friend Jobim, Frank Sinatra is reported to have said, "I haven't sung so quietly since I had laryngitis." Naturally, "The Girl from Ipanema" and Frank Sinatra are featured in this musical collage of countless seamlessly edited excerpts of concert footage that cover decades of events all over the world: from Rio de Janeiro to Lisbon, Paris, Copenhagen, Jerusalem, Tokyo, Montreal, New York and back to Rio.
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Quando o Carnaval Chegar (1972)
Character: Paulo
Music manager has to get three of his artists together for a special show, but soon finds out it isn't an easy task.
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Loki: Arnaldo Baptista (2009)
Character: Self (archive footage)
Loki brings the trajectory of Arnaldo Baptista from childhood, passing through the most successful phase as leader of the Mutantes, marriage to singer Rita Lee and then separation. He also goes through the depression that devastated his life after the group ended and that led him to attempt suicide, his solo career, rapprochement with his brother and member of the Mutantes, Sérgio Dias, culminating in the band's return in 2006.
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1964: O Brasil Entre Armas e Livros (2019)
Character: Himself
We question the most unquestionable period in our history. The result was an international investigation with part of secret attempts, discovery of Soviet documents and a lot of investigation by the Brazilian media. It was all under our eyes.
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Alvorada (2021)
Character: Self
The film narrates, from an intimate point of view, the daily life of President Dilma Rousseff in her official residence, the Palácio do Alvorada, while awaiting the verdict of the impeachment process. Portraying the hallways of the palace, designed by Oscar Niemeyer, we see the coming and going of political meetings, the daily routine of the kitchen, the exchange of guards, whispers and phone calls. We feel the growing tension of officials, advisers and former ministers.
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Éramos Todos Loucos (2014)
Character: Self
A documentary about the production of Hugo Carvana's successful film "Vai Trabalhar, Vagabundo", from 1973.
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Vinicius (2005)
Character: Self - Singer 'Medo de Amar'
To celebrate the life and the work of a multifaceted creator – playwright, poet, partner of the most important names of Brazilian pop music and, above all, an enlightened character of the Brazilian cultural history - director Miguel Faria Jr. gathered an incomparable cast of partners, singers, friends and rare images from the archives recalling Vinícius’ genial simplicity, with the spontaneity, the humor, and the freedom of a person chatting over a bar table, exactly how the eternal Vinícius would enjoy.
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Fattoruso (2017)
Character: Self - Interviewed
Documentary on the life of uruguayan legendary musician Hugo Fattoruso.
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O Mandarim (1995)
Character: Noel Rosa
The history of Brazilian popular music in the 20th Century, focusing specially on the life and works of intriguing singer Mário Reis, a loner who, with his special way of singing - whispering and softly saying the words - in a time when singers with potent voices ruled, was in a way a forerunner of Bossa Nova style.
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Semente da Música Brasileira (2018)
Character: Self (archive footage)
It tells the story of the musicians who revitalized Lapa, from the end of the 90s, in meetings on the small stage of "Bar Semente". The documentary is a historical record of a stronghold of cultural effervescence that remained in the affective memory of Rio de Janeiro.
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Outro País (2000)
Character: Self
The Portuguese Revolution (1974-75) seen through the eyes of some of the most important photographers and filmmakers that witnessed the event. Their dreams and expectations and what came out of the revolution. With outstanding historical footage.
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Oscar Niemeyer: A Vida é Um Sopro (2007)
Character: Self
A documentary made to coincide with Niemeyer's 100th birthday. The renowned architect talks about his long life, his inspirations, and his aspirations towards a just Brazil, and the ways he tried to help that along in his spectacular and beautiful buildings.
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Chico Buarque: Carioca – Ao Vivo (2007)
Character: Self
“Carioca,” Chico Buarque’s first DVD of original songs since As Cidades (1998), features musical direction and arrangements by Luiz Cláudio Ramos and production by Vinícius França. The repertoire includes the choro-canção Subúrbio and Sempre, a track composed for the film O Maior Amor do Mundo, among others. In this work, the artist speaks about his city with the youthful spirit reminiscent of the age when he first earned his famous nickname. Voltei a Cantar / Mambembe / Dura na Queda / O Futebol / Morena na Angola / Renata Maria / Outros Sonhos / Imagina / Porque Era Ela, Porque Era Eu / Sempre / Mil Perdões / A História de Lily Braun / A Bela e a Fera / Ela É Dançarina / As Atrizes / Ela Faz Cinema / Eu Te Amo / Palavra de Mulher / Leve / Bolero Blues / As Vitrines / Subúrbio / Morro dos Irmãos / Futuros Amantes / Bye Bye Brasil / Cantando no Toró / Grande Hotel / Ode aos Ratos / Na Carreira / Deixe a Menina / Sem Compromisso / Quem Te Viu, Quem Te Vê / João e Maria
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A Farra do Circo (2013)
Character: Self
This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.
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Fados (2007)
Character: Self
A series of musical performances showcasing the diverse facets of fado, a musical genre from Lisbon.
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O Samba é Meu Dom (2018)
Character: Self
Between 2009 and 2012, filmmaker Cristiano Abud’s team followed the Brazilian samba musician Wilson das Neves. The result is this documentary, which recaptures the trajectory of Wilson, considered the greatest samba drummer of the 20th century.
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Nas Ondas de Dorival Caymmi (2024)
Character: Self
The film reveals the creation of poet Dorival Caymmi's musical works with testimonies from researchers, journalists and friends who lived with him and were able to enjoy his wisdom and talent.
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Miúcha, a Voz da Bossa Nova (2022)
Character: Self
Despite her position at the epicentre of the Brazilian bossa nova scene, singer Heloísa Maria Buarque de Hollanda, known as Miúcha, has been largely underappreciated. This documentary, which dives into her career and personal life through a rich collection of archives, aims to change that.
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Chico e as Cidades (1999)
Character: Self
The documentary "Chico e as Cidades" was directed by José Henrique Fonseca in 2001 and re-released by Biscoito Fino in June 2009 with three previously unreleased extras: Cecília's music video and takes of the songs "Injuriado" and "Futures Amantes." The DVD was made from the show "As Cidades" – premiered by Chico in 1999, based on the repertoire from the album of the same name. However, far from being a video version of the show, it is a documentary that covers various themes from the composer's life and work, as well as special appearances by Maria Bethânia, Jamelão, Oscar Niemeyer, Tostão, and the Velha Guarda da Mangueira.
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Chico Buarque: Na Carreira (2012)
Character: Self
Five years after his last tour, Chico Buarque returns with a show to launch his newest CD, Chico, which has already sold over 80,000 copies. Despite having one of the most solid and prolific careers in Brazilian Popular Music (MPB) — releasing more than 40 albums over 45 years, including solo works and projects — the composer rarely appears on Brazilian stages. This will be only the sixth show he has performed in the last 36 years. Lasting approximately 1 hour and 30 minutes, the setlist is built entirely around the ten songs from the new album. In addition to these, the artist sifted through his vast catalog of over 400 songs—diverse in both genres and themes—to finalize a list of 30 tracks. The project, titled Na Carreira, is a celebration of this great artist’s return to the stage, revisiting classics such as Todo Sentimento, Bastidores, Baioque, O Meu Amor/Teresinha, Anos Dourados, among others.
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Uma Noite em 67 (2010)
Character: Self
In the 1970s, "festivals" were incredibly popular in Brazil, as they were recorded before a live studio audience, and usually featured a number of elimination rounds. They also formed the springboard for the career of many a big-name stars, such as Chico Buarque, Caetano Veloso, Roberto Carlos and Gilberto Gil. Appearing on such a program was no cakewalk, however: audiences could be as wild in their condemnation as in their appreciation of an artist. Extensive archive footage (including performances and behind-the-scenes interviews) from the turbulent final evening of the Festival of Brazilian Popular Music 1967 paints a fascinating picture, not only of the transformation of Brazilian music into real "festival" music, but also of a society starting to buck against the yoke of military rule.
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They Shot the Piano Player (2023)
Character: Self (voice)
New York, 2010. Jeff Harris, a music journalist, sets out to uncover the truth about Francisco Tenório Júnior, a young Brazilian samba-jazz pianist who disappeared in Buenos Aires on March 18, 1976.
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Palavra (En)Cantada (2009)
Character: Self
A journey in the history of the Brazilian songbook with a look at the relationship between poetry and music, sewing testimonials of great names of our culture, musical performances and amazing research of images.
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Ed Mort (1997)
Character: Silva 1
A detective is hired by a mysterious woman to find her missing husband, a master of disguises, and important industry executive.
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Dunas do Barato (2017)
Character: Self (archive footage)
A rescue of the history of Ipanema beach in the 1970s, when the construction of a pier changed the landscape and created fertile soil for a generation of artists and sportsmen.
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Olho Nu (2014)
Character: Self (archive footage)
“Naked Eye” is a film-documentary of long-length of the artistic and existential universe of the singer Ney Matogrosso, which proposes to recreate through archive’s images in counterpoint with the current production of the artist, thirty-five years of career marked for inventive and transgressing spectacles, always symphonize with its time. Through a coherent boarding with its intransigent trajectory, the film intends to translate the language musical-corporal of Ney Matogrosso, trying audiovisuals resources that express signs evoked poetical politicians and in the repertoire of the singer. A film-song that that looks for to, ultimately, embody the voices of an artist who searches for a nation.
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Dia Voa (2011)
Character: N/A
"Dia Voa" is a documentary that follows Chico Buarque during the recording of his album, capturing exclusive interviews and unseen footage. It was his first album integrated into digital platforms during the promotional process. In just over an hour, the film showcases the conception and production of the album—from Chico’s return to songwriting after a period dedicated to literature (during which he released Leite Derramado, winner of the 2010 Jabuti Award for Best Fiction Book) to the final product.
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Água e Sal (2001)
Character: Amante
Ana lives in a little village by the sea, with her husband and daughter. He decides to leave for a few days. That seems to be the ideal solution, because Ana needs to finish a work she has been doing for a long time. But her concentration seems threatened when she starts doing her daily walks by the village and the beach: she saves a stranger from death in the sea, meets young Alexandre and Emilia, and her friend Vera turns up in her house. And then, everything changes…
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Ney - À Flor da Pele (2020)
Character: Self
The impact of Ney Matogrosso's performances on his audience and the reverberation of that impact on Brazilian culture, from the second half of the 20th century to the present. An audiovisual anthology, all composed of archival images. The best way to get to know Ney is to be with him on stage.
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Chico: Artista Brasileiro (2015)
Character: Self
Chico Buarque is a constant presence in Brazil's art scene and makes up its citizen's popular culture. This wealth in music, poems, theater and novels has been created over the last 50 years and in this film Chico Buarque converses about his memories, shows, daily life, work methods, creative process, in summary all his trajectory. The musician’s search for his German brother, whom he never got to meet, serves as one of the axis for the narrative.
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A World Without Beethoven? (2020)
Character: Self
"What would the world be like without Beethoven?" That’s the provocative question posed by this music documentary from Deutsche Welle. To answer it, the film explores how Ludwig van Beethoven's innovations continue to have an impact far beyond the boundaries of classical music, 250 years after his birth.
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Beyond Citizen Kane (1993)
Character: Self
Beyond Citizen Kane (1993) is a British documentary film directed by Simon Hartog, produced by John Ellis, and broadcast on Channel 4. It details the dominant position of the Rede Globo media group in the Brazilian society, discussing the group's influence, power, and political connections. Globo's president and founder Roberto Marinho came in for particular criticism, being compared with fictional newspaper tycoon Charles Foster Kane, created by Orson Welles for the 1941 film Citizen Kane. According to the documentary, Marinho's media group engages in the same Kane wholesale manipulation of news to influence the public opinion.
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A Longa Viagem do Ônibus Amarelo (2023)
Character: N/A
For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
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Fevereiros (2019)
Character: Self
A record on Brazilian samba school Estação Primeira de Mangueira's victory on the 2016 carnaval parade. Mangueira's parade that year was a homage to singer Maria Bethânia. The documentary also follows Bethânia on the celebrations of Our Lady of Purification, in Bahia, northeast of Brazil.
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Pitanga (2016)
Character: Self
This documentary investigates the aesthetic, political and existential trajectory of emblematic Black Brazilian actor Antônio Pitanga. His career spans over five decades, and he has worked with iconic Brazilian filmmakers Glauber Rocha, Cacá Diegues and Walter Lima Jr. He was a prominent figurehead and outspoken activist during the Brazilian dictatorship, a period of unrest in Brazilian cinema. "Pitanga" deep dives into the world of Antônio and the history of Brazil. The documentary was directed by his daughter Camila Pitanga, one of widely recognised faces in Brazilian television and cinema right now. The film is also a poem, and a tender ode to fatherhood.
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O Processo (2018)
Character: Self
The impeachment and removal from office of Brazilian President Dilma Rousseff in 2016 was triggered by a corruption scandal involving, among others, her then vice-president Michel Temer. Director Maria Augusta Ramos follows the trial against Rousseff from the point of view of her defence team. This is a courtroom drama that unfolds slowly: the appearances of the various parties gradually turn the proceedings into something akin to theatre. Inside the courtroom, grand emotions are played to full effect whilst, on the other side of the doors, lobbyists and supporters pace the corridors. Meanwhile, outside, in front of Brasília’s modernist government buildings, demonstrators are chanting like a Greek chorus. Only the main character, Rousseff herself, remains professional and aloof.
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Maria: Ninguém Sabe Quem Sou Eu (2022)
Character: Self (archive footage)
The film is an unprecedented and exclusive testimonial of Maria Bethânia from director and screenwriter Carlos Jardim, interspersed with rare footage of rehearsals and concerts by the singer throughout her 57-year career. Actress Fernanda Montenegro narrates five texts by authors such as Ferreira Gullar and Caio Fernando Abreu about Bethânia's importance on the Brazilian cultural scene.
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Augusto Boal e o Teatro do Oprimido (2010)
Character: Self
The movie "Augusto Boal and the Theatre of the Oppressed" shows the path of the dramaturgo Augusto Boal at the creation of a theatre that has as objective to transform those who participate it in a spiral of changes, in an oppressing society. Along the trajectory we see Boal's intellectual search and the transformations of the Brazilian society, from the 60s to nowadays. The spectator will meet the numerous uses of the Theatre of the Oppressed around the world (there are groups in 77 countries) and how they manifest in different situations, characterized by the relation between the oppressor and the oppressed, from the biggest to the smallest powers.
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