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Neurasia (1969)
Character: N/A
In a dark and spare theatrical space, four characters use gesture, language, and movement to explore themes of desire and mortality.
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Argila (1969)
Character: N/A
Werner Schroeter's stunning split-screen short deals with what the director called "archaic, fundamental themes" of love and mourning.
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S.P.Q.R. (1972)
Character: N/A
In this movie, director Volker Koch wants to reveal "petty-bourgeois fixations of consciousness and late capitalist myths of happiness". The protagonists: an American hustler, a drama student, a Munich waitress and her boyfriend who hope for money, a career and luck from a trip to Rome together.
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Pakbo (1970)
Character: Agent Laura
Documentary drama about the Swiss journalist Otto Pünter, who maintained an anti-fascist information office in the 1930s and 1940s.
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Carla (1968)
Character: N/A
Carla is a different form of homage, in which Carla Aulaulu sings a song by Gitta Linds.
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San Domingo (1970)
Character: N/A
This surrealistic experimental film finds the son of a young nobleman staying with hash-smoking hippies in a seamy section of Munich. He falls for a hippie girl who is involved in shaking down the young man's parents for money. She falls in love with the young man but the group continues to extract money from the parents in return for their wayward son. When he discovers the shakedown, his rage leads to tragedy for the star-crossed lovers.
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Endstation Freiheit (1980)
Character: Leila
Nik, a released prisoner who started writing in prison, wants to leave his past behind him, but refuses to contact his former girlfriend and her family. Under the name of his jail buddy Henry, he moves in with his pen pal - who has never seen him - and is always watched suspiciously by their roommate. Nik began writing in prison and now seeks contact with the literary culture, even though he feels disgusted by the pompous fuss of this society. He is not without talent and works on a novel in which he minutely describes the abduction of an industrialist. Henry gets shot at the prison breakout and visits Nik to get help from him. He likes his novel plot and wants to put it into action.
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Pioniere in Ingolstadt (1971)
Character: Frieda
Berta, a naive young maid, searches for love when the army engineers come to town to build a bridge.
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Messer im Kopf (1978)
Character: Schwester Angelika
One night when seeking his estranged wife, Hoffmann goes to the youth center where she works. The police are there rounding up radicals who frequent the center - Hoffmann runs into the building and ends up being shot in the head. He awakens with brain trauma, partially paralyzed and unable to speak. The police accuse him of stabbing an officer; the radicals herald him as an innocent victim of police brutality. During his slow recovery at the hospital, Hoffmann must piece together his life and struggle to remember the events of that night.
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Die Niklashauser Fart (1970)
Character: N/A
Can a small group of people start a proletarian revolution, asks the "Black Monk" in a leather jacket. The medieval shepherd, Hans Boehm, claims to have been called by the Virgin Mary to create a revolt against the church and the landowners. The "Black Monk" suggests that he would have more success if he dressed up Johanna and had her appear as the Virgin Mary.
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Götter der Pest (1970)
Character: Carla
A man is released from prison and finds the society on the outside less than appealing. With several women as well as the police on his tail, he sets out to find an old friend.
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Baal (1970)
Character: Junges Weib
Baal explores the cult of the genius, an anti-heroic figure who chooses to be a social outcast and live on the fringe of bourgeois morality.
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Der Bomberpilot (1970)
Character: Carla
Schroeter’s film is a chronicle of Germany from the Nazi era until the economic boom of the 1950s and 1960s, centering on three women who search for a career as singers and dancers.
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Eika Katappa (1971)
Character: N/A
Collage of dramatic scenes, some exaggerated to comic effect, with asynchronous sound from well known classic, operatic, and rock and roll music – with different approaches to love, suffering, and death.
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Rio das Mortes (1971)
Character: Kundin
Michel and Guenther, working in dead-end jobs, are obsessed with going to Peru to find buried treasure, using a map of the Rio das Mortes. Michel's girlfriend, Hanna, humors their plan, but really just wants to get married.
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Heller Wahn (1983)
Character: N/A
Olga and Ruth become friends. Olga is independent, separated from her husband, living with an immigrant pianist, and teaching feminist literature. Ruth is withdrawn, a painter, possibly mentally ill. Ruth dreams in black and white, sometimes of her suicide. Olga lectures on a 19th-century writer, von Günderrode, a suicide after the breakup of her intense friendship with Bettina Brentano. Ruth's husband Franz encourages the women's friendship, then, as Olga draws Ruth out and the friendship deepens, he becomes jealous. After the women travel to Egypt, Franz has a tirade. Ruth seems crushed between her husband and her friend, and how she responds is the film's climax.
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