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Los días del pasado (1977)
Character: Juana
A woman arrives in town to work as a teacher. It is the time of the 'maquis', the anti-Franco guerrilla that fights with little hope in some regions of Spain just after the end of the civil war. She has a love affair with one of the guerrillas, but their relationship will have an impossible future because of the past.
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Caso cerrado (1985)
Character: Isabel
Cesar and Isabel just got married for the Jewish rite, their religion. He is a director of a banking company. She works in a bookstore owned by her mother-in-law. The couple sees their happiness truncated when César discovers financial anomalies in the entity where he works. What were initially charges against some managers, becomes an accusation of embezzlement against César, who is in France to prevent his entry into military service. Go back and appear before the judge to prove his innocence.
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El poder del deseo (1975)
Character: Juna
Javier lives with his mother in a modest apartment. He conducts surveys on the effectiveness of ads. This work provides a humble earning for the two of them. One day he meets Juna at a bus stop. He tries to ask her out, but she refuses. A few days later, they meet again. Slowly a relationship develops, but her plan is to marry someone rich. Javier's wealthy uncle included him in his testament, so Juna talks Javier into killing the uncle.
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The Responsive Eye (1965)
Character: Self
A documentary short directed by Brian De Palma, The Responsive Eye documents the 1965 exhibition of optical art at the Museum of Modern Art in New York. Curated by William C. Seitz, the exhibition was the first major museum show dedicated to Op Art. The film captures both the artworks and the reactions of attendees, offering a snapshot of a pivotal moment in the relationship between contemporary art and public perception.
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Antonio Gades, la ética de la danza (2007)
Character: (archive footage)
Documentary that reconstructs the professional life of the dancer through the thread of his own voice. A work that travels to the fundamental landscapes of the personal history of Gades with unpublished documents and the testimony of those who shared with him many pages of the book of his life and the history of Spanish dance in recent decades.
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Cabriola (1965)
Character: Bullfighting Girl
In the heart of Madrid, a spirited girl and her brother Manolo scrape by with only two loyal horses and a dream. Disguised as a boy, she works the streets by day and trains Cabriola by night—hoping to turn the horse into a bullfighting legend. When she meets her idol, famed matador Ángel Peralta, her secret identity opens the door to the ring. As “the Boy” and Cabriola rise through the ranks of comic bullfighting, fame grows—but so does the risk of discovery.
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Solos los dos (1968)
Character: N/A
Sebastian Palomo Linares is a bullfighter that has reached success in his career. Marisol is a rich girl that likes to run with her car. One day, they meet on the road, and he deeply falls in love with her, but Marisol, who loves him too, doesn't seem to be ready to be with a man that risks his life every time he has a bullfight.
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Bodas de sangre (1981)
Character: Cantaora
A dance troupe prepares for and completes a dress rehearsal of Federico García Lorca's tragic play "Blood Wedding," which is about a bride who runs away from her wedding with a former boyfriend.
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Carola de día, Carola de noche (1969)
Character: Carola
Due to the triumph of a revolution, Carola, a young and beautiful heiress to the throne, leaves her country to save her life; but her new existence, constantly watched, threatened by her enemies, subjected to the punctilious demands of her position, bores her desperately.
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Tómbola (1962)
Character: Marisol
Marisol is a young girl with a vivid imagination and a heart of gold who witnesses a picture robbery in a museum...
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Las 4 bodas de Marisol (1967)
Character: Marisol
Marisol, a young star of Spanish cinema, and Frank, an American director, fall in love while filming a movie in Spain. The producer decides to use the situation to organize a publicity stunt, but Marisol prepares a trap to chastise him.
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El taxi de los conflictos (1969)
Character: Marisol
Taxi driver Tadeo is about to encounter a busy shift. Throughout the day heterogeneous characters get into his taxi and the most varied situations arise. One of them leaves a baby in the taxi and Tadeo must find out where the little one belongs. He tackles this daunting task while keeping in the back of his mind that at the end of the day he has an appointment with a mysterious woman who apparently needs to tell him something very important.
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Marisol: llámame Pepa (2024)
Character: Self (archive footage)
A portrait of the actress and singer Pepa Flores, an incarnation of the recent history of Spain, who, in just twenty-five years of intense career, went from being Marisol, child prodigy of the Franco dictatorship, to being one of the first communist militants, icon of the Transition; an idol of the masses who became a discreet person after having claimed her right to remain silent.
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Búsqueme a esa chica (1964)
Character: Marisol
Sixteen-year-old Marisol sings her way across Spain with her father, chasing dreams and survival. On a sunlit campsite in Mallorca, she meets two students and dares to perform at a bullfighting event—hoping to be discovered. When talent scout Mr. Morrison sees her spark, he whisks her into a new world of ambition and refinement, determined to transform her into “a lady with great talent.” But as Marisol rises, she must decide what she's willing to leave behind to become the star she’s always dreamed of being.
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Un rayo de luz (1960)
Character: Marisol
A man and a woman have been secretly married. He belongs to a rich family and she is a poor actress and singer that is failing to success in her career. One day, he decides to tell his family that he's married and flies to Italy, where they live, but the flight has an accident and he dies. The man's brother goes to Spain to look for the body, and he discovers not only that his brother is married, also that his brother's wife is pregnant.
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Ha llegado un ángel (1961)
Character: Marisol Gallardo
After losing her father at sea, young Marisol leaves Cádiz for Madrid, stepping into a household unraveling under the vanity of her aunt Leonor and the chaos of her spoiled cousins. With Javier facing jail, Churri chasing suitors, Jorge skipping studies, and little Pili lost in cinema dreams, Marisol takes it upon herself to restore order. Armed with grit, a loyal maid, and a friend from the train, she battles dysfunction and deception—earning Leonor’s scorn but fighting for a family worth saving.
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La nueva Cenicienta (1964)
Character: Marisol
Antonio, the famous dancer is preparing a big performance for the TV. But he is missing a good female dancer. One day he sees a girl dancing in the streets but when he is going to talk to her she runs away. She lost one of her shoes and this will be the only hint Antonio will have to find her. She is the new Cinderella.
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La chica del molino rojo (1973)
Character: María Marcos
Harvey hires Mary to seduce his rival Larry and help him gain his revenge. But Maria and Larry fall in love and things become complicated.
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Carmen (1983)
Character: Pepa Flores
While rehearsing a flamenco ballet adaptation of Bizet's opera “Carmen”, Antonio, the choreographer, falls in love with the main dancer, Carmen, a fiercely independent woman. Antonio is slowly consumed by jealousy and possessiveness towards Carmen, just like Don José in the original opera, blurring the lines between fiction and reality.
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La corrupción de Chris Miller (1973)
Character: Chris Miller
Chris Miller, living with her stepmother in a large secluded mansion, finds her isolation interrupted by the arrival of an unknown scythe-wielding killer.
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La historia de Bienvenido (1964)
Character: Marisol
Marisol tells some children the true story of a donkey that was passed from hand to hand to be the figure of a circus, being loved by all.
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Marisol rumbo a Río (1963)
Character: Marisol / Mariluz
Separated by continents, twin sisters Marisol and Mariluz live worlds apart—one in Madrid with her struggling mother, the other in Rio under the care of a wealthy uncle. When Marisol’s mother sacrifices everything to reunite the family in Brazil, their arrival threatens a sinister scheme: Mariluz’s governess and her lover are plotting to steal the uncle’s fortune. With the truth unraveling and danger closing in, the twins must fight not just for reunion—but for survival.
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