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No Subtitles Necessary: Laszlo & Vilmos (2009)
Character: Self
The artistry, triumph and lifelong friendship of the great cinematographers Laszlo Kovacs and Vilmos Zsigmond. With film school equipment, they shoot the Soviet crackdown of the 1956 Hungarian Revolution. As refugees they struggle in Hollywood, finally breaking into the mainstream with their pivotal contribution to the "American New Wave."
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Schrader's Exorcism (2008)
Character: Self
A documentary chronicling director Paul Schrader's ride through hell and back while making film history with his prequel to The Exorcist. Schrader, after being fired from the production and his version of the film shelved, is brought back 2 years later to complete it on a shoestring budget. In true cinéma vérité style we watch as Schrader and editor Tim Silano work all the angles to get the film on its feet and over to Europe for the world premiere.
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Ljuset håller mig sällskap (2000)
Character: Self
Carl-Gustaf Nykvist's documentary about his father, Sven Nykvist. The film is based on Sven's memoirs with Sven himself as narrator. A journey to the place of birth, Moheda, constitutes the hub of the film and during the journey friends and memories emerge. Written by Fredrik Klasson
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Writing with Light: Vittorio Storaro (1992)
Character: Self
Documentary about Vittorio Storaro, cinematographer of Apocalypse Now, The Last Emperor, Reds, Il Confimista, 1900. Vittorio Storaro talks about his work, along with collaborators like Warren Beatty and Bernardo Bertolucci and peers like Nestor Almendros. On-set footage from Dick Tracy and The Sheltering Sky. Storaro explains his zany theories about light and colour, and gives a potted history of lighting in the cinema. Sublime.
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Giornata Nera (2006)
Character: N/A
Interviews with Franco Nero and Vittorio Storaro about the film The Fifth Cord.
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Witness to 'Reds' (2006)
Character: Self
Cast and crew of "Reds" revisit their memories and stories while making the film.
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Film: The Living Record of Our Memory (2022)
Character: Self
Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.
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Visions of Light (1992)
Character: Self
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
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Marlon Brando, un acteur nommé désir (2014)
Character: Self - DOP
In his early days as an actor, Marlon Brando (1924-2004) was a shy young man with theatrical ambitions, like many others; but his charisma and superb acting skills made him truly unique, so that the doors to the starry sky of Hollywood opened for him. However, his peculiar manners, political commitment and complicated love life always overshadowed his artistic success.
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Side by Side (2012)
Character: Self
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
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Close Encounters with Vilmos Zsigmond (2016)
Character: Self
A very special encounter between legendary American cinematographer Vilmos Zsigmond and young French director Pierre Filmon. A personal journey with the brightest shadowmaker and his friends.
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Apocalypse Now (1979)
Character: TV Photographer (uncredited)
At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, "does not exist, nor will it ever exist." His goal is to locate - and eliminate - a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.
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Une bonne à tout faire (1981)
Character: Cinematographer (uncredited)
A video derived from footage Godard kept from his 1981 visit to Francis Ford Coppola's Zoetrope Studios at the time he was making Passion.
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Kрека: Ловац на снове (2021)
Character: Self
The career of the famous production designer Miljen Kljaković – Kreka and reveals all the beauty and importance of film scenography.
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Poltrone Rosse - Parma e il cinema (2014)
Character: Self
The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.
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Glorious Technicolor (1998)
Character: Self
The history of color photography in motion pictures, in particular the Technicolor company's work.
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Hearts of Darkness: A Filmmaker's Apocalypse (1991)
Character: Self
A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
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