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Aquel hombre de Tánger (1953)
Character: Aixa
Mary Ellen travels abroad and ends up marrying a Count while she is intoxicated. The Count disappears and with the aid of her father, George, she tracks down his address in the Casbah, only to discover he was an impostor. The real count is Henri, a nondescript man with a shrewd business sense. Mary Ellen pays him to carry on the masquerade of being her husband so she can get a divorce.
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La mies es mucha (1948)
Character: Guyerati
Father Santiago Hernández, a Spanish missionary, arrives in Kattinga, India, to replace Father Daniel, who is seriously ill.
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Varietés (1971)
Character: N/A
Spain 1930s. A troupe of performers travel from city to city entertaining audiences and earning a living. The cast includes a magician, a ventriloquist, muscle men, dancers, singers and a full orchestra. The star of the show is Carmen Soler (Trini Alonso) a celebrated singer, now way past her prime, who refuses to retire gracefully and defends her stardom ruthlessly. On her shadow lives and works Ana Marques (Sara Montiel) a younger singer who dreams of the big time and patiently waits for her break.
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Pequeñeces (1950)
Character: Monique
Madrid in the 1870s. Amidst political intrigues against King Amadeo de Saboya, wealthy and strong-willed countess Curra de Albornoz makes her own way in spite of her son and husband, considering her indiscretions as merely trifles ("pequeñeces") until tragedy strikes her. Period drama with a luxurious production design.
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Empezó en boda (1944)
Character: N/A
In-laws and relatives begin to settle in the house of two newlyweds. Even though their intention is to contribute to marital peace, they actually complicate their lives.
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Mariona Rebull (1947)
Character: Lula
Barcelona, Spain, at the end of the 19th century. Joaquín Rius, a prominent businessman, marries the young Mariona Rebull. Their apparent happiness is overshadowed by the arrival of Ernesto Villar, Joaquín's friend and Mariona's former lover.
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Tuset Street (1968)
Character: Violeta Riscal
Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.
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Piel canela (1953)
Character: Marucha
Marucha (Sarita Montiel) has had a shattered face since childhood, but she has a beautiful figure and covers half of her face with her hair. She is a singer and performs in neighborhood theaters. Marucha and Ramon are professionals in crime.
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Alhucemas (1948)
Character: María Luisa Pereira
In 1922, Infantry Captain Fernando Salas, arriving from Madrid, joins, without much enthusiasm, a battalion ruled by Commander Almendro, a tough veteran of the African war who soon notices a clear lack of military vocation in the new recruit.
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¿Por qué ya no me quieres? (1954)
Character: Rosaura Moreno / Lilia
Tired of struggling, Lilia, played by Sara Montiel, moves to the city to live with her aunt, a former actress. There she strives to become a singer and meets Raul a singer, played by Agustin Lara, who helps her succeed.
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80s: El soundtrack de una generación (2006)
Character: Self (archive footage)
In Chile, during the mid 80s, a wave of young enthusiasts from different parts of the country decided to rebel against the regime and liberate themselves through rock. It was a new Chile, committed to fight for its ideals, and to have fun at any cost.
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Furia roja (1951)
Character: María Stevens
Mother and daughter return to Mexico to escape the US Civil War... and get caught up in the conflict between the French army and the fighters for independence.
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Bambú (1945)
Character: Yoyita
Alejandro is a young composer from Madrid who, overwhelmed by a sentimental and artistic failure, decides to enlist as a volunteer soldier and go to war-torn Cuba, where he befriends Antonio, who becomes his best friend.
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Necesito dinero (1951)
Character: María Teresa
Manuel is a mechanic in love with the beautiful Maria Teresa. When the rich Jose Antonio courts his beloved Maria, Manuel realizes that he needs money and gets into trouble to get it.
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La Antorcha de los Éxitos: Cifesa (1932-1961) (2022)
Character: Self - Actress (archive footage)
The amazing story of Cifesa, a mythical film production company founded in Valencia by the Casanova family that managed to dominate the box office during the turbulent times of the Second Spanish Republic, the carnage of the Civil War and the hardships of the long post-war period and Franco's dictatorship — and survive until the sixties, when Spain was timidly beginning to change.
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Serenade (1956)
Character: Juana Montes
A wealthy woman discovers a vineyard worker with a beautiful operatic singing voice. She helps make him a star but then breaks his heart. He flees in misery to Mexico where he meets a sweet farm girl.
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Ella, Lucifer y yo (1953)
Character: Isabel
A man makes a pact with Lucifer in order to gain the love of a beautiful singer. To achieve his goal, the devil endows him with the ability to become invisible at will.
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Todos los nombres de Sara (2019)
Character: Self - Actress (archive footage)
Born in Campo de Criptana, a small village in the Spanish region of La Mancha, Sara Montiel (1928-2013) conquered Mexico, Hollywood, and the hearts of people. The recognition of an unparalleled professional career, an intimate dialogue with a tireless worker who took the stage at the age of twelve and never got off. A movie star who seduced millions of viewers around the world, a singer who reinvented a musical genre, a woman who broke the mold…
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Con la pata quebrada (2013)
Character: (archive footage)
What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)
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Samba (1965)
Character: Belén / Laura Monteiro
Singer Laura Monteiro (Montiel) is murdered by her old protector João Fernandes de Oliveira (Giachetti), who has found out her love affair with Assis (Carlos Alberto). Favela-girl Belén (also Montiel) is the look-alike who takes her place, unaware she is being used by a gang that smuggles precious stones sewn in Carnival costumes. Written by fabreu
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Enrique Herreros (2011)
Character: Self - Actress
The story of Enrique Herreros (1903-1977), cartoonist, advertiser, poster designer, talent manager, actor, producer and filmmaker, and the most daring of mountaineers; the man who, along with his companions from the so-called “other Generation of '27,” brought Hollywood to Madrid's Gran Vía, turning a grey and sinister post-war city into the capital of an incipient and ambitious cultural industry.
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Locura de amor (1948)
Character: Aldara
The passion that Joan of Castile, daughter of the Catholic Kings and heir to the throne, feels for her husband, Philip the Handsome, sovereign of the Netherlands and son of Maximilian of Austria and Mary of Burgundy, is not reciprocated. Her temperament, her jealousy and an unexpected tragedy will throw Joan into the dark realm of madness and obsession with death, the only realm where she will be a true queen…
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Noches de Casablanca (1963)
Character: Teresa Vilar
Casablanca 1942. While French Police Chief Maurice Desjardins is busy having careless fun with some loose girls, members of the French Resistance kill a man at the harbor and steal his briefcase full of important documents from the Third Reich. At an apartment building in the distance, Andre Kuhn watches the whole operation through his powerful binoculars. He is posing as a businessman but actually working as a spy for the Germans a fact totally ignored by his live-in girlfriend Teresa Villar, a beautiful Spanish singer who works at El Dorado Night Club. Andre telephones Max von Stauffen, the head of German Intelligence in Casablanca, to inform him of what he has just witnessed. Max tells him to stay put until he arrives in order to get the information personally but, by the time he reaches Andres apartment, he finds him dead with a gun shot on his temple.
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Don Quijote de la Mancha (1947)
Character: Antonia
The old hidalgo Don Alonso Quijano, maddened by the excessive reading of books on chivalry and determined to become a famous and heroic knight-errant, leaves his village and sets out on the road in search of adventure, accompanied by his faithful friend Sancho Panza.
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Vera Cruz (1954)
Character: Nina
After the American Civil War, mercenaries travel to Mexico to fight in their revolution for money. The former soldier and gentleman Benjamin Trane meets the gunman and killer Joe Erin and his men, and together they are hired by the Emperor Maximillian and the Marquis Henri de Labordere to escort the Countess Marie Duvarre to the harbor of Vera Cruz.
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Donde el círculo termina (1956)
Character: Isabel
A woman murders her lover. Her husband and his mistress are also having murder-shaped thoughts, and their three counterplots all get tangled together. Everybody loses.
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Cinco almohadas para una noche (1974)
Character: Rosa López / Ana
Ana, a girl who is about to get married, discovers in her boyfriend's house a photograph in which her mother, dead at birth, and her future father-in-law appear in a very affectionate way.
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El capitán Veneno (1950)
Character: N/A
In Madrid, under Queen Isabel II reign, rebellions are frequent events. During one of them Captain Jorge de Córdoba, nicknamed Veneno (poison) for his quarrelsome disposition, bad temper and outright misogyny, is hurt and taken to a house where two women, a widow and her daughter, are to take care of him.
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Yo no creo en los hombres (1955)
Character: María Caridad Robledo
In Havana, humble office girl Maria Caridad becomes the victim of rich playboy Arturo who seduces her and takes her to bed under false pretenses.
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Se solicitan modelos (1954)
Character: Rosina
In this Mexican comedy, Mr. Lazaro's fashion house is on the brink of bankruptcy and in desperate need of a new model to replace his current business partner's wife, whose appearance is driving customers away. Lazaro's son, Raul, realizes what a diffucult dilemma his father faces and sets out to restore the integrity of the family-owned business by teaming up with his lovely fiancée to put on a fashion show. Domingo Soler and Sara Montiel star.
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La dama de Beirut (1965)
Character: Isabel Llanos
Isabel is a beautiful aspiring singer with great aspirations but persistent bad luck convicted of a crime she did not commit. Serving time in prison she is released under parole and lands a singing gig at a dive in Barcelona where she meets Sandro "The Greek" and his partner lover Gloria. The couple is posing as entertainment promoters but they are really running a prostitution ring based in Beirut. They offer Isabel a two-year contract to perform in "night clubs" in the Near and Mideast even after they learn that she cannot travel abroad due to her legal status. Upon arrival in Beirut, Isabel and the other girls are sped away to a luxurious villa where they discover the real intentions of the pseudo-promoters. They are expected to sing and dance but also to engage in sexual activities with the rich clients that patronize the place. Isabel pretends to go along with the situation but she has a plan to get away
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La bella Lola (1962)
Character: Lola
"La Bella Lola" is a struggling singer trying to make a living for herself and her sister Ana in late 19th Century Spain. Lola is having an affair with Gabriel, a rich and influential older man who gives her jewelry and supports her singing career. Things change rapidly when Lola meets and falls in love with young playboy Javier, although the romance is doomed from the start. Javier belongs to an aristocratic family and has a bright future as a politician.
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Pecado de amor (1961)
Character: Magda Beltrán / Sor Belén
Nun Belen works as a spiritual guide in a women's prison. Is a very understanding woman, possibly due to her past. At the past she was Magda, the star of the cabaret "The Mill of Twenty." She was attractive, young and admired by the public, she had it all, but three very different men end up marking her destination. A fate that is inexorably opposed to her happiness.
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El último cuplé (1957)
Character: Maria Luján
A musical drama featuring a tragic love story. Relates a singer's rise to fame and her subsequent downfall because of the death of her lover.
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Cárcel de mujeres (1951)
Character: Dora
Evangelina murders her lover Alberto. In prison she meets Dora, Alberto's girlfriend, who was deprived of her freedom for his illicit business. An interesting story is about to be woven.
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La violetera (1958)
Character: Soledad Moreno
On New Year's Eve 1899, Soledad is peddling violets in a Madrid busy street when she meets aristocrat Fernando. The couple falls in love but their different social backgrounds threatens the relationship. Fernando is under constant pressure from his older brother Alfonso who reminds him of his duties including his engagement to Magdalena, a countess. Disregarding all social conventions and scandalizing high society, Fernando sets up Soledad in a plush apartment and announces their marriage plans.
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Ahí viene Martín Corona (1952)
Character: Rosario
Martin Corona, player and womanizer, defends the underprivileged, the poor and the needy. He will have to defend a Spanish girl and her servant from the clutches of the villainous of the town. Not only will he have to fight the bad guy, but against the pride of the girl who initially believes that he is the bad character and distrusts him. She was very proud to put him at her feet, but there was a problem, Martin Corona was due more to his people than anyone and she was not willing to risk losing it, so before marrying him, made him swear he would not intervene In other problems.
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La mujer perdida (1966)
Character: Sara Fernán
Sara is the daughter of a fisherman. She leaves her small village but she goes to Madrid to work as a flamenco singer in a club
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Mi último tango (1960)
Character: Marta Andreu
A young woman working as a maid for a big time stage performer is mistaken for the star in Buenos Aires and becomes a great success in the land of the tango.
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Esa mujer (1969)
Character: Soledad Romero Fuentes
At the end of the 19th century, Soledad Romero, a well-known singer, is accused of murder. During the trial her tragic story is revealed.
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El enamorado (1952)
Character: Rosario
Martin retired from his job as a hero because of his marriage to Rosario, a beautiful and ambitious girl who passed through the workshop where he works. However, Martin has to return in principle to help a friend from robbers.
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La mala educación (2004)
Character: Soledad (archive footage) (uncredited)
When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school. Weaving through past and present, the script follows a transvestite performer who reconnects with a grade school sweetheart. Spurred on by this chance encounter, the character reflects on her childhood sexual victimization and the trauma of closeting her sexual orientation.
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Run of the Arrow (1957)
Character: Yellow Moccasin
When the South loses the war, Confederate veteran O'Meara goes West, joins the Sioux, takes a wife and refuses to be an American but he must choose a side when the Sioux go to war against the U.S. Army.
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Canciones para después de una guerra (1976)
Character: Self (archive footage) (uncredited)
A particular reading of the hard years of famine, repression and censorship after the massacre of the Spanish Civil War (1936-39), through popular culture: songs, newspapers and magazines, movies and newsreels.
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Carmen la de Ronda (1959)
Character: Carmen
Antonio is the leader of an underground armed group fighting in the village of Ronda against Napoleon's troops which have imposed French rule in 1808 Spain. Micaela is madly in love with Antonio but he is devoted to Carmen, the region's most beautiful gypsy who lives and sings at a local inn.
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