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Das Riesenrad (1961)
Character: Karl Riedl
The story of a marriage over time, based on a play by Jan de Hartog. Maria Schell and O. W. Fischer play an aristocratic Austrian couple who meet during the imperial era and experience the first five decades of the 20th century together: temptations and transgressions, world wars, economic crisis, the death of their son in the war. They experience good times and bad times and always remain cheerful, just as the Ferris wheel in Vienna's Prater continues to turn.
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Ehe im Schatten (1947)
Character: Gallenkamp
Set during the rise of the Nazi regime, Elisabeth Maurer and Hans Wieland enjoy successful careers as actors in Berlin. Confident in her career, Elisabeth, who is Jewish, ignores the advice of a colleague to leave Germany in the face of increasing anti-Semitism. Believing that he can protect her if she becomes his wife, Hans convinces Elisabeth to marry him. In the following years, as Hans's career thrives, Elisabeth awaits the end of the Nazi terror which bars her from public life. When the situation worsens in 1938 with the Kristallnacht pogrom, Elisabeth decides to leave the country, but Hans, who still believes he can protect her, convinces her to stay with him.
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Semmelweis – Retter der Mütter (1950)
Character: N/A
In the middle of the 19th century, almost one in three women who gave birth died of puerperal fever. The Hungarian doctor Ignaz Philipp Semmelweis also observed these terrible occurrences in his clinic in Vienna. He came to the conclusion that it was primarily the unhygienic conditions in the clinic itself that led to this disease, as his colleagues were constantly shuttling back and forth between the anatomy department and the delivery room. He tries to convince the doctors of the absolute necessity of thorough disinfection by washing their hands with chlorinated lime. He meets with fierce resistance from his colleagues until he himself sets up an exemplary clinic in Budapest.
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Wozzeck (1947)
Character: N/A
While an anatomy seminar prepares to examine the cadaver of Franz Wozzeck in the name of scientific progress, medical student Büchner excoriates humanity for having allowed Wozzeck’s fate. The tragic story unfolds in flashbacks, as Büchner narrates.
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Grube Morgenrot (1948)
Character: N/A
During the global economic crisis, "Morgenrot" mine is due to be closed due to unprofitable results. With the use of a machine forbidden for security reasons, the mates try to work more effectively and thus save their jobs. A serious accident happens.
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Der zehnte Mann (1968)
Character: Zitorsky
Is Evelyn Foreman schizophrenic, or is she really possessed by a dybbuk?
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Kleines Bezirksgericht (1938)
Character: Brandler
An overzealous usher caught between the fronts of two other litigants against ever-girlfriends. - Humor comedy Viennese provenance with a starring role for Hans Moser.
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Saure Wochen - Frohe Feste (1950)
Character: N/A
A theater competition breaks out on the occasion of the four-year anniversary celebrations at the Hennigsberg power plant. The old hands want to perform the kitschy musical comedy "Gärtnerliesl". The youngsters are against it and are planning their own program with which they want to skewer events from the plant in a cabaret style. But first, everyone has to work together on a turbine breakdown. On the day of the festival, the "Gärtnerliesl" fails with timpani and trumpets, while the youth's program is met with great applause, which the rivals join in with.
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Das Gässchen zum Paradies (1936)
Character: Hans - Schnellmaler
A poor dog catcher in Prague takes up an orphan's boy who finds his favorite bull with him, with himself, until both find a better home, finally, with a rich family. - In antiquated style with put on warmth told comedy.
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Rheinsberg (1967)
Character: N/A
Kurt Hoffmann's film adaptation of Tucholsky's eponymous novella is situated in 1910s Berlin: The aspiring editor Wolf runs into Claire by chance. Both are attracted to one another, yet they are not entirely certain about their feelings. They embark on a trip to Rheinsberg to assure themselves about their sentiments. And indeed, the time spent in the romantic provincial town brings clarity to their situation.
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Die Christel von der Post (1956)
Character: Pelzer
Postwoman Christel is engaged to detective Horst. When the dashing star trumpeter Mecky arrives in town, her love begins to waver. Christel must make a decision at the big postal parade.
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Quartett zu fünft (1949)
Character: Dinklage
Anne Treibel owns a small house that is home to four women and one man, Martin, a badly injured war veteran. All the women are interested in Martin, but he knows that only Anne truly loves him. When Helga asks him to get a surgery that could save his life, he does it for Anne. Fortunately, the attention of the other three amorous women is diverted when three suitable men happen to show up!
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Stärker als Paragraphen (1936)
Character: Theodor Hubricht - Geldvermittler
Renate Hubricht finds her uncle, the money broker Theodor Hubricht, murdered in his villa. That very night, the banker Lorik is arrested, who was last seen in Hubricht’s house. Renate, who doesn’t wish to live alone in the eerie estate lodges with the lawyer Dr. Birk. She doesn’t tell him, that her lover, the musician Robert Wendland, had an argument with her uncle on the evening of the murder. When Lorik is sentenced to 10 years prison, Renate is thrown into a quandary. She believes she’s protecting the real culprit with her silence.
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Träumerei (1944)
Character: Pistazy
A musical film based on biographical facts about Clara Wieck's love for composer Robert Schumann (1810-1856), her marriage against her will, Schumann's triumph, and his tragic end due to mental illness. The film is beautiful and entertaining, full of noble spirit and beautiful words about art and love, which only conflict in a theoretical context; not least thanks to its solid cast, this film is quite serious and far from kitsch. Completed in 1944, during World War II, the film was rejected by the Nazi leadership, but was eventually released and enjoyed success with an audience already weary of war.
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Leichte Kavallerie (1935)
Character: N/A
Rosika, a girl from Genoa, fled her innkeeper stepfather after he tried to abuse her. She finds refuge - and a job as well - in a traveling circus. Cherubini, the owner of the big top, falls in love with the lovely young woman and makes her the star of the show 'Light Cavalry'. But unfortunately for him Rosika's heart beats for Geza, the stable boy.
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Das kalte Herz (1950)
Character: Meister Anton
Lavish adaptation of Wilhelm Hauff′s fairy tale: Young charburner Peter Munk dreams of joining the upper class. He makes a deal with the sinister Holländer-Michel, who offers to trade Peter′s human heart for one made of stone. Once he has the "cold heart" in his body, Peter eventually strikes a fortune and enjoys great wealth, but at the same time, he becomes a bitter and emotionless man – and, having lost all traces of humanity, even murders his wife Lisbeth. Only then does Peter Munk finally realize what has become of him, and he decides to regain his real heart from Holländer-Michel.
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Das Schloß (1968)
Character: Lehrer
A man comes to a small village to begin his new job as an attendant at the nearby castle. But everybody in the village claims that he surely must be mistaken, there is no need for an attendant at the castle.
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Es war eine rauschende Ballnacht (1939)
Character: Stepan, Butler
1865. Katharina goes to a ball in Moscow. There she meets again Tchaikowsky, her first and only love. The young, who is now married to wealthy Michael Iwanowitsch Murakin, a man she does not love, has not forgotten Piotr Illich, the (not yet) famous composer. Both are still in love with each other but Piotr is engaged to Nastassia, a dancer, while for her part Katharina cannot leave her husband. Tchaikowky's first love then decides to sacrifice her happiness to the success of the composer, sponsoring him in secret. Something Piotr will learn only years after. When Katharina finds herself free at last it is too late: Tchaikowsky is dying of cholera and she only has time to close his eyes.
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Liebe, Tod und Teufel (1934)
Character: Lopaka
In a harbor bazaar of the Pacific town of Kona, the young sailor Kiwe is offered a mysterious bottle, which supposedly gives her owner power and wealth and should fulfill all his wishes. The required return is however high. From now on, the soul of the new owner belongs to the devil.
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Der Student von Prag (1935)
Character: Krebs
Prague in the 1860s: Balduin is a popular, handsome student, the best fencer in town, in amicable rivalry with his friend Dahl for the affections of Lydia, the innkeeper's niece. While the students are celebrating Lydia's birthday, the opera singer Julia Stella arrives at the inn - and Balduin's life begins to unravel. He is immediately infatuated with the glamorous singer - but she is already kept by an admirer, the wealthy and foppish Baron Waldis. How can a poor student hope to compete? The mysterious Dr. Carpis, who also has ties to Julia and is jealous of the Baron, intervenes. But the price will be higher than Balduin can ever imagine. He risks his sanity and his life - perhaps his very soul - haunted by his own reflection.
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Die Brücke (1949)
Character: Michaelis
This is the directorial debut of Artur Pohl and tells the story of war refugees as they try to settle in a small town in Germany.
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Anuschka (1942)
Character: N/A
Vienna during the fin de siecle. Farmer's daughter Anuschka has to sell the farm after her father's death to the rich but mean farmer's wife Nowarek and her friendly son Jaro. Anuschka goes to Vienna and starts to work as a housemaid until she is wrongly accused of theft.
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Wer zuletzt küßt... (1936)
Character: Ferdinand Unterleitner
On the occasion of a charity ball in Vienna a kiss of a famous actress should be auctioned. Misunderstandings between the manager of the film star, a record producer and a student lead too all kinds of mistakes, during which a student is mistaken for a prince in disguise and almost breaks his hapiness. - Quickly and expertly produced mistake comedy with a lot of singing desposits and an at than popular comedian line-up, which offers amusing surface entertainment.
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Ich bei Tag und du bei Nacht (1932)
Character: N/A
A nightclub waiter and a manicurist share the same room, she sleeps there by night and he by day. They've never meet , but they can't stand each other. Then they meet by chance, not knowing who's who and fall in love.
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Der Greifer (1958)
Character: N/A
Otto Friedrich Dennert is a celebrated veteran of the Essen police force. While investigating a series of killings of women he reaches retirement age. The case is taken over by a new team, including Dennert's son Harry. Convinced that they have arrested the wrong person, Dennert begins investigating by himself with assistance from the criminal underworld.
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Modell Bianka (1951)
Character: N/A
The friends Jochen and Gerd both work at the fashion boutique "Saxonia", which has only recently designed a new collection. Therefore, Jochen and Gerd are shocked when they meet two young ladies during their well-deserved holiday who are already dressed in two of the new pieces. And as if that was not enough, they pass the creations off as their own, even though they are employed at the competing company "Berolina". Naturally, the two men refuse to let the matter rest, although they do not actually want to raise a quarrel with the pretty ladies. After some turbulent entanglements they become aware of the foolishness of their squabbling and, eventually, the four of them present the disputed designs as a co-production at the fashion fair in Leipzig.
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Die Ratten (1955)
Character: Postbeamter
Soon after World War II, a pregnant Polish refugee, Pauline, wanders Berlin looking for the boyfriend who abandoned her. She has no option but to sell her child to another woman, Anna. After the birth, Pauline decides she wants the baby back.
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Wehe, wenn sie losgelassen (1958)
Character: Landarzt
Peter wants to practice for an upcoming jazz competition with his friends Willi, Oskar, and Jupp. But his uncle Tobias, on whose farm Peter lives, must not find out about it.
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