|
|
|
Labbra rosse (1960)
Character: The Painter
A lawyer heads out on the road in an attempt to find his daughter who has been missing for quite some time. To help him navigate the secret world his daughter lived within that he knows nothing about, he recruits the help of Irene a close friend of his daughter's. But Irene has plans of her own.
|
|
|
La Terra vista dalla Luna (1967)
Character: un turista
Ciancicato Miao and his son, after the death of his wife and mother by mushroom poisoning, are dedicated to find her replacement and have no luck until they find a mysterious deaf mute green-haired woman.
|
|
|
Io sono Anna Magnani (1980)
Character: Self
Traces the life of Anna Magnani, her creations, her successes, her triumphs, her boycotted career, her nonconformism, her anxieties, her generosity ... Punctuated with photos that tell her career in theater and cinema, Extracts of films, this documentary portrait also gives the floor to his friends and relatives, from Roberto Rossellini to Marcello Mastroianni, through Federico Fellini.
|
|
|
La passione di Laura (2011)
Character: Self (archive footage)
A portrait of Laura Betti with archival footage and stories of friends: Bernardo Bertolucci remembers Laura in "Novecento" and in a lost sequence of "Last Tango in Paris", Giacomo Marramao and Walter Siti dwell on the relationship with Pier Paolo Pasolini, Francesca Archibugi remembers a precious friend, Michelle Kokosowski and Jack Lang talk about the successful and mutual love for France, Piero Tosi and Paolo Poli remember her youth, Jacqueline Risset her private life, Valentino Parlato her civic passion, Renato Nicolini recaps her difficult relationship with institutions, Filippo Crivelli remembers the singer. Views that seek to reconstruct the figure of an exceptional artist, unusual and contradictory.
|
|
|
Pasolini e l'umiliazione segreta di Chaucer (2006)
Character: Interviewee
Documentary about the making of Pier Paolo Pasolini's The Canterbury Tales (1972), and particularly focusing on the many edits and cut scenes that were made before the film's release.
|
|
|
Pier Paolo Pasolini : vivre et encore plus (1976)
Character: Elle-même
Portrait of the most rebellious of directors, Pier Paolo Pasolini. The artist marked his time by creating provocative and polemical works. The Italian filmmaker reminds us of the importance of maintaining a critical point of view towards the system before evoking his childhood in Italy and his first literary and cinematographic works.
|
|
|
L'ultimo giorno di scuola prima delle vacanze di Natale (1975)
Character: Passenger coach
On the Apennines of Emilia in 1944 three fascists stop and seize a battered bus carrying several women, two men and a poor student named Athos, as well as the driver. The three republicans, who are collaborating with the Nazis, want to escape to Switzerland, but they begin to think that anyone who is not a fascist like them is a traitor and eventually cruelly kill all the passengers on the bus, while Athos is left naked and dying on the bank of a creek.
|
|
|
Il piccolo Archimede (1980)
Character: La signora Bondi
The action takes place in Florence in the 1930s. Alfred, an Englishman who moved to that city in order to write a book on Giotto, meets a boy who is fond of music and mathematics, with whom he becomes close friends. Alfred goes to Switzerland, but one day he receives an anguished letter from the boy and rushes back to Florence where he learns some terrible news.
|
|
|
|
|
Renzo e Lucia (2004)
Character: Madre Superiora
Loose adaptation of Italy's national epic, Alessandro Manzoni's “The Betrothed”. In war-torn 17th century Italy, shady feudal lord Don Rodrigo eyes young and beautiful Lucia, who loves—and is reciprocated by—commoner Renzo. The two lovers plan to marry in secret, but Rodrigo discovers it and they are forced to flee their village, becoming separated and each facing many dangers, including the Plague.
|
|
|
La nuit, tous les chats sont gris (1977)
Character: Jacqueline
Playwright Charles Watson entertains his niece Lily by telling her about the adventures of Philibert.Both these people have something to do with Philibert.
|
|
|
Mamma Ebe (1985)
Character: Lidia Corradi
Based on the story of the woman recently brought to trial on charges of moral plagiarism and witchcraft.
|
|
|
Ecologia del delitto (1971)
Character: Anna Fossati
An elderly heiress is killed by her husband who wants control of her fortunes. What ensues is an all-out murder spree as relatives and friends attempt to reduce the inheritance playing field, complicated by some teenagers who decide to camp out in a dilapidated building on the estate.
|
|
|
Retenez-moi... ou je fais un malheur ! (1984)
Character: Carlotta Batticelli
Lewis plays a Las Vegas policeman visiting his ex-wife in France, only to be caught up in the shenanigans of a group of art thieves. His ex-wife has remarried and her husband is undercover among the art thieves, carrying out an assignment given him by his superiors in the police force. Inevitably, the current husband and the ex-husband are bound to clash.
|
|
|
Il mondo di notte numero 3 (1963)
Character: Self
A documentary highlighting some of the oddest, strangest and more grotesque examples of human behavior. Included are a tour of the Grand Guignol theater in Paris, a man who sticks long needles through his body, reindeer being castrated, and footage of lesbians and strippers.
|
|
|
Sbatti il mostro in prima pagina (1972)
Character: Rita Zigai
Days before the general election, after a girl from a rich family is murdered in an attempted rape, the editor-in-chief of a conservative tabloid tries to derail the police investigation in order to help the right-wing candidates supported by his bosses.
|
|
|
RARA (1969)
Character: N/A
In all of his work, Bussotti makes frequent reference to the body, to sexuality. This to remind musicians — especially classically trained ones — that they are not body-less angels, that they are not just their musical thoughts, that they are still, in the last analysis, flesh and bones. Thus the erotic is not for shocking, but to stress that making music involves the body in a very direct way.
|
|
|
Caldo soffocante (1991)
Character: Laura
On June 30, 1990, in Rome, Marie Christine is getting ready to take her son Pietro and Paolo to their father for the weekend. As the Football World Cup is taking place in Italy, Rome is flooded with supporters; the traffic is chaotic and French-born Marie Christine, who works as a translator, finds a bag that belongs to Miriam, who must leave the next day. Marie Christine decides to find her to return her passport, but one Giuliano Ferrini tries to prevent this. So Marie Christine finds herself navigating through a hot Roman night in a city she doesn't know, among people she never dreamed could inhabit the same city.
|
|
|
Noyade interdite (1987)
Character: Keli
Molinat is assigned to the case of a man found with a bullet in his ear on the shore of a little Atlantic coast resort he knows well. Indeed, he used to live there before his wife disappeared at sea, never to be found again. As the ocean rejects a new corpse everyday, the mystery thickens and the list of potential suspects grows longer. This slows Molinat's progress as much as the cumbersome Leroyer, sent in to spy on him and hopefully impede his progress. The tension mounts and the ring involving the three young ladies in the grey mansion, the village idiot and the real estate agent starts spinning out of control.
|
|
|
Era notte a Roma (1960)
Character: Teresa
In Nazi-occupied Rome, a beautiful bootlegger, to the chagrin of her lover, gives sanctuary to three escaped POWs: an American pilot, a Russian sergeant and a British major.
|
|
|
Con gli occhi chiusi (1994)
Character: Beatrice
In the Tuscan countryside at the end of the 19th century, Pietro, the shy son of a tyrannical landowner, falls in love with Ghisola, a peasant girl with no family. His father has her sent away. Years later, the two meet again: still in love with her, Pietro would like to marry her, but she has become the mistress of a married man.
|
|
|
Raul - Diritto di uccidere (2005)
Character: Usuraia
In a fascist Rome anxiously awaiting Hitler's visit, Raul is a young man not aligned with the regime and beset by debts. In May 1938, Raul kills an old usurer and her sister: not out of necessity, but to investigate the concept of the "right to kill" ... who can motivate it and assume the right?
|
|
|
Le streghe (1967)
Character: Male Tourist (segment "La Terra vista dalla Luna")
Five short stories loosely dealing with the roles of women in society. A superstar actress travels to a mountain resort, only to evoke jealousy from women and lust from men. A woman offers to take an injured man to the hospital. A widowed father and his son seek for a new wife/mother. A man seeks revenge for a woman's honor. A bored housewife tries to explain to her husband that he's not as romantic as he used to be.
|
|
|
Fratella e Sorello (2005)
Character: Presidente Del Tribunale
The story of an unlikely friendship between two men: Giocondo, a wealthy upper middle class man passionately in love with Nono, a black strip-teaser who has ruined him; and the Snake, a male strip-teaser who has traveled all over the world on cruising boats, a tough guy made tougher after a treachery by one of his friends. They meet in jail, where they are kept for different reasons and a strong, brotherly link is born between them.
|
|
|
La ribelle (1993)
Character: Sister Valida
Enza is a beautiful and lively Sicilian teenager who is starting out in life, but due to her naivety, she always ends up getting into trouble. She has no parents, but lives with her aunt and uncle together with her older sister who acts as her mother and tries to put her on the right path, even ending up in prison for some time. Enza, keeping faith with her rebellious nature, falls in love with Sebastiano, with whom she has her first sexual relations, but for him she also goes as far as stealing. All men are the same.
|
|
|
La felicità non costa niente (2003)
Character: Suora guardiana
A man in his forties has had enough. He leaves his loveless family, uninspiring job and fake friends and tries to find something more. He meets a young woman he falls for, but she puts him on the test.
|
|
|
|
|
Teorema (1968)
Character: Emilia, the Servant
A wealthy Italian household is turned upside down when a handsome stranger arrives, seduces every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.
|
|
|
Wie de Waarheid Zegt Moet Dood (1981)
Character: Self
Philo Bregstein tells us this film looks at Pasolini's life and art to explain why he died. The film traces Pasolini's life chronologically - family roots, hiding during World War II, teaching, moving to Rome, being arrested and acquitted many times, publishing poems, getting into film, being provocative, and being murdered. Interviews with Alberto Moravia, Laura Betti, Maria Antonietta Macciocch, and Bernard Bertolucci are inter-cut with readings of Pasolini's poems and with clips from four films - primarily the Gospel According to St. Matthew - to illustrate his changing ideas and points of view. Bregstein makes a case for Pasolini's being lynched.
|
|
|
Klassenverhältnisse (1984)
Character: Brunelda
A young man, recently arrived in New York from Europe, becomes swept up in a series of events that are beyond his knowledge or control.
|
|
|
I cammelli (1988)
Character: Milena
Ferruccio, who knows everything about camels, and Camillo, who acts as his manager, go to Milan to take part in a telequiz.
|
|
|
Un eroe borghese (1995)
Character: dott.ssa Trebbi
1979. Lawyer Giorgio Ambrosoli is appointed liquidator of Banca Privata Italiana, the empire of mighty financier Michele Sindona. Teaming up with unassuming cop Silvio Novembre, Ambrosoli uncovers the real scope of Sindona's malpractice, exposing him as the middleman in a global network linking the Sicilian Mafia, Italy's ruling Christian Democrats, and CIA-backed covert operations across Western Europe. Isolated by his own government and pressured by mob hitmen, Ambrosoli refuses to back down, insisting he is simply 'doing his duty'.
|
|
|
A Man Called Sledge (1970)
Character: Sister
James Garner is Luther Sledge, the leader of a pack of rebels who are planning to steal a stash of gold. But after the thieves actually manage to get away with the bounty, they soon discover that the enemy lies within their midst. As they begin to bicker over who should get the biggest cut, the stage is set for a deadly showdown. Claude Akins and John Marley co-star in this Italian Western directed by Vic Morrow.
|
|
|
Loin de Manhattan (1982)
Character: Madame Hanska
Christian, an art critic, must write a study on the painter René Dimanche in order to understand why he did not produce anything for eight years. He asks his friend Ingrid to help him break through this mystery.
|
|
|
Paulina s'en va (1969)
Character: Hortense
Paulina leaves the apartment where she lives with her two brothers, Nicolas and Olivier. Her departure is mark by chaotic and sometimes brutal confrontations. Thrust into a world of madness and violence (or is it gaslighting?), Paulina is shuttled from a psychiatric institution to a brothel, while her brothers become resistance fighters in some enigmatic version of France.
|
|
|
Capriccio all'italiana (1968)
Character: Desdemona
The film consists of six short stories created by different directors, but all the stories share one thing: a warm irony to current events.
|
|
|
Vizi privati, pubbliche virtù (1976)
Character: Teresa
The setting is a Central European kingdom, near the turn of the century. Bored by his very proper wife, the youthful heir to the throne spends his time in amorous dalliances at a sprawling country estate. His wife departs at the arrival of his friends, and they organize a celebration which becomes a wild orgy and culminates in death and tragedy.
|
|
|
The Protagonists (1999)
Character: Judge
An Italian movie crew goes to London to make a documentary about a murder case that took place a few years before.
|
|
|
Che cosa sono le nuvole (1968)
Character: Desdemona
Some puppets come to life in a theater with no windows. This time the puppets interpret William Shakespeare's Othello.
|
|
|
La dolce vita (1960)
Character: Laura
Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
|
|
|
|
|
Allonsanfàn (1974)
Character: Esther Imbriani
After the 1815 Restoration, an aging revolutionary finds himself reluctantly involved in an attempted insurrection in Southern Italy while growing increasingly disillusioned with his cause.
|
|
|
Edipo re (1967)
Character: Jocasta's Maid (uncredited)
In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is rescued, given the name Oedipus, and brought up by the King and Queen of Corinth as their son. One day an oracle informs Oedipus that he is destined to kill his father and marry his mother. Horrified, he flees Corinth and his supposed parents - only to get into a fight and kill an older man on the road…
|
|
|
Fatti di gente perbene (1974)
Character: Tisa Borghi
Based on a true incident, this tells the story of a troubled young man who kills his sister's reactionary, violent and abusive husband and is eventually arrested for the murder. However, the dead husband happened to be a member of the Italian nobility, and the trial starts to turn into more of a prosecution of the defendant's socialist politics and the activities of his father, a well known liberal social reformer, than the actual crime itself.
|
|
|
Un papillon sur l'épaule (1978)
Character: Mme Carrabo
On a stopover in Barcelona, Fériaud Roland discovers a corpse in the hotel room next door. He wakes up in a strange clinic without remembering who brought him there. The doctor insists he hallucinated, but it's not long before he obtains evidence that it wasn't a dream.
|
|
|
La Nuit de Varennes (1982)
Character: Virginia Capacelli
During the French Revolution, a surprising company shares a coach, trying to catch up something - the time itself, perhaps.
|
|
|
Ritorno (1973)
Character: Clara
A man receives a telegram that his father is dying, and travels with his wife to his hometown. They discover that the telegram is untrue, and set out to find who sent the message and why.
|
|
|
La cugina (1974)
Character: Rosalia Scuderi
Italian coming of age story about two cousins, Enzo and Agata, told in three stages.
|
|
|
Marx può aspettare (2021)
Character: Irina (archive footage) (uncredited)
"Marx can wait" was something Camillo Bellocchio said to his twin Marco the last time they met before the former died at a young age in the heated days of 1968. This documentary is dedicated to his memory.
|
|
|
Viaggio con Anita (1979)
Character: Laura
An American actress on vacation in Italy falls for her friend's married Italian lover.
|
|
|
Le Gang (1977)
Character: Felicia
In 1945, as World War Two comes to a close, five small time crooks unite to form a gang. After several bold robberies they become notorious as "the front-wheel drive gang". The police attempt to stop their crime spree with little success, but how long will their luck last?
|
|
|
La banda J. & S. Cronaca criminale del Far West (1972)
Character: Betty
As thoroughly unlikeable a robber as ever walked the West, Joe nonetheless robs from the rich and gives to the poor. Not only is he a murderous, ill-tempered sort, he is bad-mannered, too. When beautiful Sonny decides he should be her man and teach her how to be a proper outlaw, sparks fly.
|
|
|
Il gabbiano (1977)
Character: Irina
A young writer is trapped between his awful actress mother and the knowledge that he has only a mediocre talent as a playwright and almost no force of character.
|
|
|
I magi randagi (1996)
Character: Una delle ragazze del coro
Three tumblers wander throughout Italy with their show. A priest asks them to perform the Three Kings in a Nativity play, in a village where there are no children. That night a comet runs across the sky, so the three decide to follow it to search for the new Messiah.
|
|
|
Noi siamo le colonne (1956)
Character: La cantante annoiata (no acreditado)
The adventures of three university students who live in the same boarding house. Ugo, the most serious one, is in love with Lea, daughter of the lodger. Aldo is a practical joker, Bartolozzi is the shiest. Ugo and Lea's love story becomes stormy because of Aldo.
|
|
|
Ro.Go.Pa.G. (1963)
Character: Sonia, the 'Diva' (segment "La ricotta")
Four short films by four different directors dealing with the principles of modern life.
|
|
|
Maresco / Pasolini (2021)
Character: Self
Franco Maresco celebrates the heritage of Pier Paolo Pasolini on the 99th anniversary of his birth through a series of exchanges with renowned intellectuals which were involved or influenced by his works and ideas.
|
|
|
À ma sœur ! (2001)
Character: Fernando's Mother
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
|
|
|
Sepolta viva (1973)
Character: Giovanna la Pazza
Duke Philippe marries Cristina, the daughter of a fisherman. But his brothers, seeing that they would be cut from the family inheritance set to go to Cristina, decide to get rid of her by imprisoning her in a tower and making the duke believe she died.
|
|
|
Nel nome del padre (1971)
Character: Franco's Mother
In 1958 Angelo, a rich and spoiled boy, enters a religious school, where students are tired of its vice-rector, and the strict rules and old-fashioned teaching methods of priests. Soon, Angelo exerts strong leadership among his peers and incites turmoil among them, helped by intellectual Franco and shy Camma. They expel the prefect from the school, organize a Grand Guignol show, and disappear the corpse of an old professor.
|
|
|
Jenatsch (1987)
Character: Mademoiselle von Planta
A journalist is assigned to interview an eccentric anthropologist who has exhumed the skeleton of Jörg Jenatsch, a revered freedom fighter who was mysteriously murdered in 1639. Initially disinterested, the journalist begins to uncover unflattering truths about the national hero and experiences visions in which he seems to be witnessing events that transpired over 300 years ago. As he obsessively pursues the investigation, his personal life and his grip on reality disintegrate, drawing him relentlessly toward the fatal carnival at which Jenatsch was killed.
|
|
|
Caramelle da uno sconosciuto (1987)
Character: Jolanda
In Rome, a sadistic serial killer begins stalking and murdering sex workers, leaving the community terrified and the authorities struggling to stop the violence. After several attacks, four women—Lena, Angela, Nadine, and Stella—decide they can’t wait to be the next victims, and band together to protect each other and take a more active role in the search. As police pressure mounts and the women start digging for clues on their own, the hunt turns the city into a tense web of fear, rumors, and suspicion.
|
|
|
|
|
Mario, Maria e Mario (1993)
Character: Laura
Mario and Maria Boschi, a 30-year-old couple with small children, are hit by a crisis: husband and wife cannot agree on a party name. A colleague, also named Mario, makes an impressive speech, and Maria find herself increasingly attracted to him. She feels able to relate to him like she could to her husband in the old days. They spend the night together, and she falls ill. When she is asked by her husband to leave the house, she realizes that there may be a difference between real love and a vague need for understanding.
|
|
|
I racconti di Canterbury (1972)
Character: The Wife from Bath
Glimpses of Chaucer penning his famous work are sprinkled through this re-enactment of several of his stories.
|
|
|
Il Grande Cocomero (1993)
Character: Aida
An epileptic 12-year-old girl, Pippi, is hospitalized in the psychiatric ward instead of the neurological ward, due to an administration error. Out of this mistake begins the difficult journey towards being cured.
|
|
|
Tutta colpa del paradiso (1985)
Character: direttrice
A former convict discovers that his son has been adopted by a couple living on the mountains and tries to establish a contact with him
|
|
|
Jane B. par Agnès V. (1988)
Character: Lardy
The interests, obsessions, and fantasies of two singular artists converge in this inspired collaboration between Agnès Varda and her longtime friend the actor Jane Birkin. Made over the course of a year and motivated by Birkin’s fortieth birthday—a milestone she admits to some anxiety over—Jane B. by Agnès V. contrasts the private, reflective Birkin with Birkin the icon.
|
|
|
Novecento (1976)
Character: Regina
The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.
|
|
|
Ars amandi (1983)
Character: Clio
Young student Claudine has a dream in which the Roman student Cornelius, fascinated by the beautiful wife of the commander, attends lectures on the art of love of great Ovid. Ancient tragedy repeats itself in a few centuries ...
|
|
|
Fermate il mondo... voglio scendere! (1970)
Character: N/A
Young protesters live together in a commune in Milano. One has a ventriloquist ability and is signed by national TV becoming a superstar in commercials aimed for kids. One by one his commune friends leave the protest to enter the business world except for one.
|
|
|
Dames galantes (1990)
Character: Catherine de Medicis
Despite being busy with his profession of soldiery, Brantome manages to find much more time for amorous dalliances with the ladies of the 16th-century French court than for battles. Unfortunately for him, his true love, Victoire, is beyond his reach most of the time. He more than compensates for this in the arms of others.
|
|
|
Les Plages d'Agnès (2008)
Character: Self (archive footage)
Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
|
|
|
Marianna Ucrìa (1997)
Character: Giuseppa
In 18th-century Sicily, deaf-mute highborn Marianna Ucrìa is forced to marry at age 13, bearing three children before even turning 16, when she finally gives birth to a boy. Despite everything, she'll find a way to emancipate herself from the oppressive social conventions of the time.
|
|
|
Orgia (1968)
Character: Donna
The tragic and self-destructive sexual battle between a man and his wife. A drama for the desperate struggle of those who are different against the normality that rejects the margins. The couple is preparing to consume a relationship of extreme sadomasochism. Recorded theatre production.
|
|