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About "The White Bus" (1968)
Character: Self
Follows the creation of Lindsay Anderson's The White Bus (1968), from pre-production to the shoot and in post.
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Lucky Man (1995)
Character: Himself
A profile and interview of director, Lindsay Anderson.
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Three Installations (1952)
Character: Narrator
Early Lindsay Anderson industrial film promoting Sutcliffe's conveyors. Three different uses of Sutcliffe's conveyor installations.
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Foot and Mouth (1955)
Character: Narrator (voice)
Two farming brothers take a chance on a sick cow and send cattle that have been in contact with it to market.
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Meet the Pioneers (1948)
Character: Narrator (voice)
Lindsay Anderson's first feature, a documentary about the origin and processes of the Richard Sutcliffe Limited underground-conveyor company.
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Omnibus: John Ford, Part One (1992)
Character: Presenter
Documentary about the early career of Hollywood film director John Ford, written and presented by Lindsay Anderson, and first aired on the British television series Omnibus.
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Hetty King: Performer (1970)
Character: Narrator
A short documentary profiling male impersonator Hetty King, a star of the Edwardian music hall still performing in her 87th year. Accompanied by her sister and dresser Olive, she reminisces about her career, applies her makeup, and performs at the Royal Hippodrome, Eastbourne.
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Le Ciel, la terre (1966)
Character: Narrator (UK)
This documentary presents the Vietnam War as seen from within Vietnam, focusing on civilian life, industrial and agricultural labor, and organized resistance under sustained aerial bombardment. Introduced by Bertrand Russell, the film situates the conflict within a broader history of anti-occupation struggles, drawing parallels to World War II resistance movements. Footage includes interviews with Vietnamese leaders, scenes of air defense, and mass political mobilization.
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Mučedníci lásky (1967)
Character: Man in traffic police booth (uncredited)
Three loosely-connected tales that represent different aspects of love: temptation, dreams, and adventure.
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The Pleasure Garden (1953)
Character: Michael-Angelico
People quietly or mischievously pass the time in an overgrown garden full of statues, while a puritanical, funereal gentleman posts bills prohibiting all leisure activities.
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John Ford (1992)
Character: presenter
A look at the famous director written and presented by Lindsay Anderson.
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Is That All There Is? (1992)
Character: Self
Award winning director Lindsay Anderson subverts the mockumentary genre and presents to the audience a detailed and humored account of what truly means to be Lindsay Anderson.
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小津と語る (1993)
Character: Self
A tribute to the legendary Japanese film director featuring the reflections of filmmakers Lindsay Anderson, Claire Denis, Hou Hsiao-hsien, Aki Kaurismäki, Stanley Kwan, Paul Schrader, and Wim Wenders
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Chariots of Fire (1981)
Character: Master of Caius
In the class-obsessed and religiously divided UK of the early 1920s, two determined young runners train for the 1924 Paris Olympics. Eric Liddell, a devout Christian born to Scottish missionaries in China, sees running as part of his worship of God's glory and refuses to train or compete on the Sabbath. Harold Abrahams overcomes anti-Semitism and class bias, but neglects his beloved sweetheart in his single-minded quest.
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Inadmissible Evidence (1968)
Character: Barrister
A lawyer's agonizing journey to the breaking point of his private and professional lives as he becomes more and more alienated from everyone connected with him.
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Prisoner of Honor (1991)
Character: War Minister
France, 1897. Colonel Georges Picquart challenges the French government when he discovers the obscure political maneuvers that led to the imprisonment of the Jewish Captain Alfred Dreyfus after being convicted of espionage in 1894.
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O Lucky Man! (1973)
Character: Director
An ambitious coffee salesman has a series of improbable and ironic adventures seemingly designed to challenge his naive idealism.
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Blame It on the Bellboy (1992)
Character: Mr. Marshall (voice)
Mike Lawton, Maurice Horton, and Melvin Orton are three men who come to Venice. One of them is a hit man sent to take out a mobster. Another is a lech looking for a little action with a woman he never met, whom he was set up with. And one of them was sent by his employer to inspect a property his boss wants to buy. All three men stay at the same hotel. But when the bellboy gets their names mixed up and gives info meant for someone else. So one of them meets a Realtor who will whatever she has to, to close the sale. And another follows a woman looking for romance. And another goes to the home of the mobster who thinks he's sent there to kill him.
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