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Buñuel en Hollywood (2000)
Character: Self (archive footage)
This documentary traces the relationship of Buñuel with American culture and Hollywood. The program proposes a chronological journey through the Aragonese filmmaker stays in the U.S., the characters he met, the films he made and he could never do. The program also includes new material-unpublished until 2012 - the Aragonese director filmed in the U.S. in the early 1940s and where he can be seen playing one of their children or enjoying a short holiday in a cottage.
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Montparnasse (1929)
Character: N/A
Come take an avant-garde walk in the Montparnasse of the late 1920's. This district of Paris, filmed in a most unusual way, shows how dedicated it is to art. Visit its art galleries and exhibitions, take a glimpse of famous painter Fujita, of Luis Buñuel eyeing the legs of beautiful Parisian passing the terrace of the café where he sits, of Italian futurists Marinetti, Prampolini and Russolo.
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Buñuel (1984)
Character: Self
Completed a year after his death in 1983, this program presents the definitive biography of Spain’s renowned Surrealist film maker and iconoclast, Luis Buñuel. Using photographs, film excerpts, and numerous interviews with Bunuel, the video chronicles his early friendships with Salvador Dalí and Federico García Lorca, the stormy reactions to many of his groundbreaking films, and the influence he has had on international cinema. Among those interviewed are directors Federico Fellini, John Huston, and Jose L. Saenz De Heredia; Buñuel’s wife, Jeanne Rucar, and son Juan; actor Francisco Rabal; and Octavio Paz.
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Tras Nazarin: Following Nazarin (2015)
Character: Self (archive footage)
"Nazarín is a Quixote of the priesthood " "Among the films I have made in Mexico, Nazarin is one that I prefer." "As inexplicable as the accidents that set it off, our imagination is a crucial privilege."
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Un Buñuel mexican (1997)
Character: Self (archival)
A documentary covering the years Luis Buñuel spent in Mexico making films.
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Les paradoxes de Buñuel (1998)
Character: Self (archive footage)
Famed film director Luis Bunuel (1900-1983) is the subject of this French documentary, with anecdotal interviews edited thematically into sections highlighting Bunuel's contradictions --"Surrealist and Moralist," "Iconoclast and Traditionalist," "Sadist and Sentimentalist."
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Le Fantôme de Laurent Terzieff (2020)
Character: Self (archive footage)
Laurent Terzieff was more than a good actor, after having been a real "star" in the cinema, through his professional choices, he gradually became a real "conscience of the theater", so much had he thought about his art. He received six Molière awards and was always unanimously praised by his peers. “THE GHOST OF LAURENT TERZIEFF” is a daring portrait, as it explores in depth “the secrets of a soul” and the atypical journey of the actor.
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The Life and Times of Don Luis Buñuel (1984)
Character: Self
Made a year after Luis Buñuel's death in 1983 this is an illuminating portrait of the surreal and visionary director, featuring clips, archival interviews, and commentary from scholars and contemporaries including Catherine Deneuve, Fernando Rey, and Jeanne Moreau. Directed by Anthony Wall with readings from Buñuel's autobiography by Paul Scofield. Six trims to meet copyright restrictions.
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Deneuve, la reine Catherine (2022)
Character: Self (archive footage)
She is said to be cold, secretive and mysterious. She has the reputation of not letting anything of her intimate thoughts, her private life, her joys as well as her torments show through. She managed to protect her family, her loves, her choices from the curiosity of magazines and her public. A tour de force for a sixty year long career with more than one hundred and thirty films shot with the greatest filmmakers in the world. However, the raw material for a very personal account of Catherine Deneuve exists: it can be found in the interviews given by the actress from her beginnings until today. They allow us to discover another Catherine Deneuve.
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Carmen (1926)
Character: Contrebandier chez lillas pastia
Feyder's scenario very closely follows Don José's own account of his story and his fatal relation with the gypsy Carmen in the third chapter of Mérimée's short novel.
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Constel·lació Portabella (2024)
Character: (archive footage)
Constel·lació Portabella traces the exciting life of the great Catalan film director and artist Pere Portabella , which traverses the cultural and political history of the country and the last seventy years, letting us be carried away by the passion, the intellect intelligence and curiosity.
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Mauprat (1926)
Character: Monk / Guardsman
Romantic novelist George Sand's Mauprat as adapted by cinema visionary Jean Epstein. As a child, orphan Bernard de Mauprat was adopted by Tristan, a brigand who brought him up with his biological sons to hate, kill and pillage. Hubert de Mauprat, the elder brother of Tristan, the very incarnation of nobility, and his daughter, the beautiful and intrepid Edmée, undertake to tear wild-eyed Bernard away from his uncle. Still uncouth and rough, Bernard endeavors to wrest the love of Edmée away from her betrothed.
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Discovering Buñuel (2012)
Character: Self/Archive Footage
Luis Bunuel, the father of cinematic Surrealism, made his film debut with 'Un Chien Andalou' in 1929 working closely with Salvador Dali. Considered one of the finest and controversial filmmakers with, 'L’Age d’Or' (1930), attacking the church and the middle classes. He won many awards including Best Director at Cannes for 'Los Olvidados' (1950), and the coveted Palme d’Or for 'Viridiana' (1961), which had been banned in his native Spain. His career moved to France with 'The Diary of a Chambermaid' with major stars such as Jeanne Moreau and Catherine Deneuve.
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La Chute d'un corps (1973)
Character: Un invité (uncredited)
The body of a young woman falls on the terrace of Martha, who intrigued, meets her neighbor. In contact with this strange man, she learns to have a different look about her own life and her marital problems.
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Belle de jour (1967)
Character: Man in Gardencafe - Left from the Duke (uncredited)
Beautiful young housewife Séverine Serizy cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre. When her lovestruck friend Henri mentions a secretive high-class brothel run by Madame Anais, Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients grows possessive, she must try to go back to her normal life.
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L'Âge d'or (1930)
Character: (uncredited)
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
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Le Fantôme de la liberté (1974)
Character: A Condemned Man (uncredited)
This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.
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Les Orgueilleux (1953)
Character: Smuggler (uncredited)
Life in a small Mexican village where joy and misery, hope and pain, passion and guilt, love and decay, life and death are mixed in the peasants life and two French citizens who end up stranded in there, during a typhoid epidemic.
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La Voie lactée (1969)
Character: (voice) (uncredited)
Two men, part tramp, part pilgrim, are on their way from France to Santiago de Compostela in Spain. On their way, they meet a vast assortment of characters—some truculent, some violent, and some bizarre; they experience many adventures—some mysterious, some erotic, some even supernatural.
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L'Extravagant Monsieur Piccoli (2017)
Character: Self - Filmmaker (archive footage)
A captivating portrait of French actor Michel Piccoli, who has worked with the greatest filmmakers of his time and has built a dazzling career of remarkable merit and success, focusing on his work during the 1970s and his professional relationship with Claude Sautet, Romy Schneider, Marco Ferreri and Luis Buñuel.
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A propósito de Buñuel (2000)
Character: Self (archive footage)
Surrealist master Luis Buñuel is a towering figure in the world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox. Though sexually diffident, he frequently worked in the erotic drama genre; though personally quite conservative, his films are florid, flamboyant, and utterly bizarre.
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Un chien andalou (1929)
Character: Man in Prologue (uncredited)
Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.
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En este pueblo no hay ladrones (1965)
Character: Cura
When a young boy steals billiard balls from a local saloon, a stranger is charged with the crime. The local layabouts find there is no reason to hang out at the bar without being able to shoot pool, and the boy entertains thoughts of forming a gang to steal more billiard balls in hopes of making money.
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Catherine Deneuve, belle et bien là (2010)
Character: Self (archive footage)
Catherine Deneuve couldn’t care less about being a celebrity, but fame made her an icon long ago and she occupies a special place in our imagination. The star is not one to let others get too close, but when she gives you her confidence, she keeps her word. If Deneuve’s career covers a half-century of cinema, it also bears witness to the force of a generation that experienced the deepest transformation of mores. This portrait reflects her entirely. The story of a mystery and an adventure.
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Llanto por un bandido (1964)
Character: El verdugo
José María "El Tempranillo" fleeing from justice, takes refuge in Sierra Morena. After a period of hard learning, he becomes the leader of a group of bandits.
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Jeanne Moreau, l'affranchie (2018)
Character: Self - Filmmaker (archive footage)
An account of the life of actress Jeanne Moreau (1928-2017), a true icon of the New Wave and one of the most idolized French movie stars.
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