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Pati Patni (1966)
Character: N/A
Gauri (Nanda) belongs to a woman's group, but does not welcome certain changes being imposed on the group by Lali (Shashikala). Lali has already influenced Sundari (Leela Mishra) and Kala (Mumtaz), much to the unhappiness of thier hapless husband and dad, Dhanprasad (Om Prakash). Gauri meets with Dhanprasad's nephew, Amar (Sanjeev Kumar), both fall in love, and get married. Amar gets involved in an accident and gets crippled. Gauri now gets to be the bread-winner when she gets with Gupta (Sujit Kumar), and both start getting friendsly. Meanwhile, Lali leads Sundari and Kala to more reckless independence. Amar starts suspecting Gauri and Gupta of having an intimate relationship, and their marriage bond is at breaking point.
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चन्दन का पालना (1967)
Character: Mahesh Chandra Mukhopadhyay
Ajit lives with his mother, and comes from a very wealthy family. He meets with beautiful Shobha and both fall in love with each other. Ajit's mom is delighted and agrees to meet with Harikishan Rai, Shobha's father, to finalize their marriage. The marriage takes place with great pomp and ceremony. A few years later, Ajit notices a change in Shobha's behavior. She changes her lifestyle, adopts a more liberal outlook, takes to drinking alcohol, and has an hair-cut. Ajit and his mom are perplexed and appalled at this change, and want to find out, but Shobha refuses to tell them anything. One day, Shobha and Ajit's mom have an argument, and Shobha angrily lifts up her hand to slap her, only to be stopped by Ajit, who asks Shobha to leave immediately. Shobha leaves and returns to her father's house, leaving Ajit and his mother behind wondering what had changed Shobha so much, and whether to get Ajit married a second time or not.
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Beti Bete (1964)
Character: Munna / Mahesh
A widower with three young children finds himself in debt. Blinded, in an industrial accident, he loses his job and is admitted to hospital. Upon returning home, he overhears the heartless landlord criticising him for not dying instead of "merely" blinding himself because, if he were dead, the children could be looked after in an orphanage. He decides not to enter the house and disappears. Left alone, the children are evicted. They lose contact with one another after one is left on a train and another is kidnapped. Years pass. The children grow up in different homes under different circumstances. But fate has decreed that the family shall not be forever parted. Written by van Goethem
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हमराही (1963)
Character: Advocate Mahesh
Shekhar is a Lothario. He's also the son of the Public Prosecutor. After his philandering has exhausted his parents' patience, he takes a fancy to Saradha and contrives to put her in a compromising position. She cannot escape from marrying him after her father accepts the Public Prosecutor's proposal of a union between their offspring. Shocked by his bride's contempt for his behaviour, Shekhar resolves to wait until his wife accepts him of her own volition. When she contracts pneumonia he gains the opportunity to win her love. However, an encounter with an old flame lands him in jail and Shekhar finds himself facing his father across a courtroom, charged with murder.
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साधू और शैतान (1968)
Character: Bajrang
Kind-hearted yet naive Bajrang (Mehmood) drives a taxi (laila) and helps anyone he can. He is devoted to another kind-hearted gentleman and long-time bank employee by the name of Sadhuram
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Andheri Raat Mein Diya Tere Haath Mein (1986)
Character: N/A
Yamraaj (Gulshan Grover), has a major hold in the underworld, and has got his own stylish life fall of luxuries. Seeing this, Birju (Mithun Chakraborty) and Krishna (Jackie Shroff), dream to become Yamraaj one day. Inspector Dharamveer (Prem Chopra), warns them not to indulge in completion of this dream, but they wont listen to him. They start working for Yamraaj, and slowly impress Yamraaj with their work and get lots of money and other luxuries. One day an incident makes Krishna feel whether this life is good or the life they were living before this was better. He decides to part ways from this underworld and live the normal life of humanity. Now, Birju is alone to reach to his goal of becoming Yamraaj while Krishna starts helping police. Will Yamraaj let Krishna live? Will Birju get to reach his dream? What was that incident that changed Krishna alive? Will Birju and Krishna solve their fight? This is what the story is all about.
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Ghar Bazar (1998)
Character: N/A
Action - Having delivered a child before marriage, Gul entrusts the baby to her driver, Kishan, to whom she gives money for her daughter, Sona. When Gul decides to see Sona, she discovers that Kishan & Sona have disappeared. *Subtitles not available for this feature* - Mumtaz Ali, Mumtaz Begum, Shail Chaturvedi
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Purnima (1965)
Character: N/A
Indian film greats Meena Kumari, Dharmendra, Anita Guha and Mehmood take the leads in this classic tale of star-crossed lovers forced to marry others. Prakash and Purnima end up with very different lives than they'd planned for, but when both of their spouses die in a car crash, they're presented with a new chance for happiness. Will the pair seize the opportunity, or will they succumb to the obstacles still before them?
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Naya Zamana (1971)
Character: N/A
A hopeful writer, poor but educated Anoop attacks the ruthless exploitation of the lower classes by the rich with his fiery speeches. But his uncompromising principles could stand in the way of the connections he'll need if he hopes to reach a larger audience with his message. A liaison with a wealthy family could bring the exposure and success Anoop desires, but at what cost?
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Izzat (1968)
Character: N/A
After completing his college, dark-skinned Adivasi Shekhar returns home and finds that his mother, Savli, has passed away. Distraught, he is consoled by Father Abraham, who also tells him that his mother had an affair with wealthy Ramgarh-based Thakur Pratap Singh, who refused to marry her even after she became pregnant. Shekhar decides to avenge his humiliation and sets forth to expose Pratap. Upon arrival in Ramgarh, he finds that he has a fair-skinned look-alike half-brother, Dilip, as well as a sister, Neelu. Dilip meets him, hires him as a office staff person, and asks him to impersonate him in order to meet Deepa, the only daughter of wealthy Vinodbabu, and Shekhar agrees to do so. Shekhar meets Deepa and both are attracted to each other. Shekhar decides to tell her the truth about himself, and returns to Ramgarh. Once there, he finds history repeating itself as Dilip is in love with an Adivasi belle, Jhumki, but is refusing to marry her.
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Shreemaan Aashique (1993)
Character: N/A
Kalidas and Suman Mehra would like their only son to be like the rest of young men, have fun, mingle, stay late nights, and have a girlfriend. But he, Dushyant Kumar, is different, he is pious, worships a lot, sleeps by 8 pm, and is up at 4 am to begin his day by prayers, abstinence from all viles, especially women. Dushyant is influenced by a heart-broken Professor Vishwamitra, who failed in his love relationship with Gayetridevi, and as such has organized several male youth, and made them take a vow of celibacy. Kalidas sends his son to Mannali, where he meets with a young woman by the name of Shakuntala (Shaku), and both fall in love. When he returns home, he intends to introduce Shaku to his parents, seek their blessings and get married, but finds his life in turmoil when he sees Vishwamitra holding hands and romancing Shaku. When Vishwamitra finds out that Shaku is interested in Dushyant, he takes a vow to create misunderstandings between the two lovers, and thus marry Shaku.
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फागुन (1958)
Character: N/A
The new owners of Deepak Mahal meet with its caretaker, Mattu, who narrates the story of its' former owners: Bijondra - the only child of a wealthy Hindu Brahmin Zamindar; and Banani - the only child of a single father, Banjara Sardar Tinkari. Starting with the move to evict the Banjaras from his father's property, flute-playing Bijondra meets with and falls in love with pretty dancer, Banani - leading to being asked to leave by his enraged father; while Banani's father plans her marriage to Banjara Madhal.
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Tumse Achha Kaun Hai (1969)
Character: N/A
In order to get medical treatment for his sister, a brother faces challenges when he is hired to subdue three out-of-control heiresses.
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Do Kaliyan (1968)
Character: Mahesh
Proud, wealthy, and haughty Kiran meets with down-to-earth middle-class fellow collegian, Shekhar, and after several clashes and misunderstandings, both fall in love and decide to get married. Shekhar meets with Kiran's dominating mom and mousy dad, and is told that he must successfully pass a test that will be put to him through Kiran's mom, to which he agrees.
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Sasural (1961)
Character: N/A
While Shekhar (Rajendra Kumar) falls in love with and weds Bela (Saroja Devi), the daughter of a wealthy businessman, Shekhar's sister elopes with a common thief whose family is planning to discredit her sibling. When an expensive necklace disappears, Bela's suspicions about her spouse put their union in jeopardy in this affecting film directed by T. Prakash Rao. The supporting cast includes Jayshree Gadkar and Shubha Khote.
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औलाद (1968)
Character: Chamanlal 'Charlie' Singaporie
Mamta lives a poor lifestyle with her husband, Dinu, and two sons, Mohan, and Sohan. When Ram Lal, the wealthy Zamindar, Kanta Prasad Gupta's Munim, comes to them to take Sohan to Mrs. Sharda Gupta for ten days, they reluctantly permit him to do so. After 10 days, Gupta himself approaches them and begs them to let his wife keep Sohan for life. They tearfully agree. Then Mohan gets into trouble, and Dinu scolds him, only to find out that Mohan has run away from home. A search proves futile, and the couple continue to live a childless life. Now 17 years later, Mamta is seriously ill, and asks Dinu to bring Sohan back. Dinu goes to the Zamindar's house where he meets a young man who identifies himself as the real son, Suraj, and informs him that Sohan has been asked to leave. A devastated Dinu loses his memory and roams listlessly on the streets of Calcutta, unable to remember anything.
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फूलों की सेज (1964)
Character: N/A
Nirmal Verma and Karuna are attracted to each other, while the former is touring that part of the country. They get very intimate, he promises to return, and even leaves his address with her but she misplaces it. Both do meet after 5 years, and after formal introductions - get married; and she re-locates to live with him and his doctor brother, and Bhabhi, Janki. Shortly thereafter Nirmal and the rest of the family are baffled when they find out Karuna secretly leaves the house and goes to an unknown location - when confronted - she refuses to divulge anything.
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Bhai-Bhai (1970)
Character: N/A
Deep Sharma lives a very poor lifestyle with his widowed mom, Radha, and a younger brother, Ashok, who he would like to become a Judge. Unable to fend for themselves in the small town, Deep relocates to Bombay, where he attempts to sell poetry, to no avail. Then he is asked to write stories about an imaginary bandit, Sangram Singh, which he agrees to do so under the pen name of his friend, Jani Babu. Shortly thereafter he gets very popular, so much so that his girlfriend, Lajwanti's dad, the former King Maheshwari Prasad, consents to let him marry his daughter. Then things get complicated when a bandit who calls himself Sangram Singh goes on a crime-spree throughout the region.
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Anokhi Ada (1973)
Character: N/A
A ruthless gangster worms his way into the affections of a timber merchant. Using lies, deceit and murder he plots to usurp the place of the merchant's son, steal his inheritance and his girl.
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Pocket Maar (1974)
Character: N/A
After the passing away of son and daughter-in-law, prominent businessman, Rai, undertakes to look after his grand-daughter, Asha, with a lot of love and affection. When she grows old enough to be a ravishing beauty, he is anxious to get her married to the right man before he passes away. He finds out that Asha has a boyfriend by the name of Madan Malhotra, and although he has never met him, he disapproves of him, but finally gives in to Asha's wishes. When Madan returns from abroad, Rai is pleasantly surprised at Asha's choice and welcomes Madan with open arms. Shortly thereafter on his birthday, Rai formally announces their engagement. When Rai does not know is that Madan is not who he claims to be but is, in fact, a thief and pick-pocket by the name of Shankar, who has been hired by Asha to impersonate the real Madan. Watch what happens when the real Madan returns and attempts to assert his love for Asha.
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Chhoti Bahen (1959)
Character: N/A
Chhoti Bahen is the story about the delicate but powerful bond of love. Rajendra and Shekhar lose their parents, and the all they have is each other, and their younger sister Meena. Though in love, Rajendra swears that he will not marry till his younger brother and sister are settled. Shekhar falls in love with a rich girl Shobha. Meanwhile, Meena's marriage is fixed. Misfortune strikes when Meena meets with an accident and is blinded forever. Shekhar, pressed on by an impatient Shobha, marries her and they go away to live with her rich father. Rajendra loses his job. To support his poor blind sister, he is desperate for a job.
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Juaari (1994)
Character: N/A
Vijay, a young man, resorts to gambling to free his lover, Shanti, whom Sanga holds captive, but he soon runs out of luck and gets arrested.
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Bahu Beti (1965)
Character: Mahesh
Shanta, a widow who wants to question the orthodox society, falls in love with Shekhar, a poet. In her quest to fight the system, Shanta's father-in-law, a retired judge, supports her.
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Man Mandir (1971)
Character: N/A
Hit by endless misfortunes, the orphaned siblings Deepak and Laxmi struggle to make a life for themselves
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Daadi Maa (1966)
Character: N/A
Parvati seeks to heal the breach between her husband and his mother
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ज़िद्दी (1964)
Character: Mahesh
On the lookout for employment, Ashok sees photographs of beautiful Asha and decides to accept employment as an estate's manager.
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Shin Shinaki Boobla Boo (1952)
Character: N/A
Shin Shinaki dreams of killing Taishi, the man who killed her parents. When the villain dies, she transfers her vengeful energies on to the man’s son.
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Soldier as Thakur Daler Singh (1969)
Character: N/A
When soldier Deepak learns that his uncle Thakur has snatched his property, he threatens him to return his ancestral estate. However, things change when the former is accused of the latter's murder.
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Shabnam (1964)
Character: Khan Mustafa/Zingarro
A faithful retainer tries to foil the plot to replace his country's queen with a look-alike.
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दुश्मन दुनिया का (1996)
Character: Bakrewale Baba
Mahesh is a honest and diligent young man, who has no knowledge of his background as he was raised in an orphanage. One day he meets Reshma, who is also an orphan, and both fall in love and get married. They live a harmonious life, and soon are proud parents of a healthy young boy who they name Lucky, who ends up causing them alot of trouble.
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ग्रहस्ती (1963)
Character: Jaggu
Drama about a large Indian family coping with revelations about the fathers past.
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Kismet (1943)
Character: Young Shekhar
A former theater owner and his crippled daughter live in poverty until a chance encounter with a young pickpocket brings romance for the petty criminal and daughter as well as a chance by the father to get back at the villainous new theater owner who ousted him from the business years before.
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Kanoon (1960)
Character: N/A
A lawyer holds the eyewitness evidence to catch a killer, but the identified criminal is the lawyer's own mentor, prospective father-in-law, and also the judge who presides over the case.
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Laagi Nahi Chhute Ram (1963)
Character: N/A
An educated man falls in love with a simple woman from a village. However, they face a lot of difficulties in their relationship.
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Haar Jeet (1972)
Character: N/A
Kamal, a governess, falls in love with Ashok. Things, however, take an odd turn when Ashok marries her friend, Radha. Soon after the marriage, Radha meets with an accident.
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Kangan (1971)
Character: Banke
Sunil lives a middle-classed lifestyle in a village in India along with his widowed mom, Janki. He is studying Medicine in the city, is in love with his childhood sweetheart, Shanta, and everyone expects them to get married soon. However, Janki does not approve of Shanta, finds her uncouth and illiterate, and instead approves of Shobha and arranges Sunil's marriage with her. Shanta's mom, Parvati, falls seriously ill so much so that Sunil returns home, promises to wed her daughter, and she passes away. Sunil returns to the city to continue and finish his studies. After sometime he becomes a fully qualified doctor and returns to the village to open his own dispensary. It is here that he will learn that Shanta is now married to the wealthiest man in the village, Lakshmipati, who is not only a widower, father of a deceased child, but also much older than Shanta. Watch what happens when an embittered Sunil confronts Shanta to find out why she betrayed him and their promise to her late mom.
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Zindagi (1964)
Character: N/A
Beena falls in love with Rajan after he rescues her from some goons. Soon they marry and she is pregnant. The trouble starts when Beena spends the night with Gopal. What compels her to do this?
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समाज को बदल डालो (1970)
Character: Puran
Two close friends, Vimla and Chhaya, part ways when their friendship turns bitter. Years later, when Chhaya is arrested for a crime, Vimla, a lawyer, faces a moral dilemma.
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गुनाहों का देवता (1967)
Character: N/A
A drunkard falls in love with a girl, who takes on the responsibility of making him better.
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Vardaan (1975)
Character: Nandlal
After being thrown out of his house by his father, the smuggler Sunder is forced to live a simple life and in doing so manages to reform himself and become the good son that his father always dreamed of. -SR
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Biwi Aur Makan (1966)
Character: Pandey
Four young men re-locate from a village in India, to a big city. While attempting to access accomodation, they are repeatedly told that rooms will only be rented to married couples, not to bachelors. Frustrated at this, two of them disguise themselves as women, and pose as wives for the other two males. They are able to secure accomodation with the Mishra family. Complications arise when the two "women" fall in love with Mishra's two lovely daughters - with results that can only be described as hilarious.
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Johar Mehmood in Hong Kong (1971)
Character: N/A
Two swindlers keep trying to one up each other and get rich but finally learn there are more important things when they are enlisted in a scheme to marry an innocent girl in order to retrieve secret plans from a bank vault.
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चित्रलेखा (1964)
Character: Brahmachari Shwetant
Chitralekha is a 1964 historical-philosophical Hindi film, directed by Kidar Sharma, starring Ashok Kumar, Meena Kumari and Pradeep Kumar. It was based on 1934 Hindi novel by the same name by Bhagwati Charan Verma about Bijgupta serving under the Maurya Empire and the king Chandragupta Maurya (340 BCE – 298 BCE) and his love for courtesan Chitralekha. Set in the back drop of the middle age society. The portrayal of the three tools wisdom, knowledge and power become superfluous in the absence of strength of character.
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Badla (1974)
Character: Hippie
An action-filled thriller, the film tells of a harassed man who joins a smugglers gang to earn the dowry for his sisters marriage. The smuggler tries to molest his sister, who commits suicide. The hero takes his revenge.
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Do Dil (1965)
Character: Bahadur
Manu is the princely heir to the kingdom ruled over now by Ranimaa. He likes to know what his going on, and changes his princely get-up, and dresses up as an ordinary man, and goes around the territory. He meets up with gorgeous Bijli, and both fall in love. When Bijli introduces him to her dad, he identifies himself as Badal. Then he notices that soldiers from his palace are molesting the young women from this community. After his return to the palace, he finds out that the soldiers had been acting on the orders of Kunver Pratap Singh, and he immediately puts a stop to this. This angers Pratap Singh, and he plans to avenge this humiliation, with a plan so devious that will endanger the lives of Manu, the Ranimaa, as well Bijli and the people in her community.
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Kunwara Baap (1974)
Character: Mahesh
Born without any knowledge of his parentage, Mahesh drives a bicycle rickshaw for a living in a town in India, prays to Bhagwan Shri Kishan, and lives in an unhealthy shanty hut. He is friendly with Sheela, who works as a maidservant, hopes to marry her someday, much to the chagrin of Kalu Dada, who lusts after Sheela. One night while returning home he comes across an abandoned male baby near Bhagwan Shri Ganesh's Mandir. He looks for the family of this child, asks for help from the Mandir's Poojary, as well as a Mullah and a Hawaldar, all in vain. When he tries to abandon the child, he is literally forced to adopt him, and when he does so, he faces considerable opposition from his neighbors, and ends up hating the child.
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पत्थर के सनम (1967)
Character: Haria
Rajesh works for Meena's father. Meena and her friend Taruna decide to play a prank on him. Both women pretend to fall in love with him, but he finds out, resulting in acrimony.
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Badi Didi (1969)
Character: N/A
Bollywood family drama from director Narendra Suri and featuring music from Ravi.
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Sawan Ke Geet (1978)
Character: N/A
Sawan Ke Geet is a movie directed by K. Bhattacharya featuring Sanjeev Kumar, Rekha.
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Nauker (1979)
Character: N/A
Widower Amar is well-off financially and lives in a house with his daughter and servant Dayal. His sister and brother-in-law want him to marry again so that his daughter can have the love and care of a woman. Amar reluctantly agrees. Together they set out to check out two sisters, Shobha, and Sheela. Amar goes as Dayal, and Dayal goes as Amar, as Amar is not sure if a step-mother will be able to bestow care and love as a real mother. They arrive at the household of Durga, Shanti Swarup, Renu, Sheela, and their servant Geeta. They begin to settle down, Dayal in a spacious room, and Amar in the servant's quarters, which consists of an untidy room with no electricity. It is not long before Amar finds out that he is attracted to Geeta, and not to the two sisters, but in his present state, he cannot reveal himself and openly propose marriage. In the meantime, Durga starts getting suspicious about Amar and starts wondering if Amar is actually a servant or a crook.
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वारिस (1969)
Character: Ram Kumar #3 / Mother (as Mahmood)
Due to disagreements in the King's household, his wife and son decide to move away from his kingdom. Years later, the King passes away and the palace decides to locate the Prince, so that he can claim his rightful place on the throne. They locate three young men, all claiming to be the prince. The Palace officials put them to the test, and one by one, all of them pass various tests imposed on them, leaving the officials in a quandary, as to who the real prince is between these three young men.
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Man Pasand (1980)
Character: Popatlal
Kamli belongs to a poor family. She sells datuns for a living. She sells them in local suburban trains as well as on railway platforms. One day she meets a bachelor named Pratap, who would like her to become a lady, and be educated, to which she agrees. She thinks that Pratap is in love with her, little does she know that she is the subject of a bet between Pratap and his friend, Kashinath, who both find her crude, crass, loud, and uncouth, so much so that both doubt that she can be transformed into a lady.
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Shatranj (1969)
Character: N/A
Jai is hired to locate the daughter and wife of a wealthy man after they vanish under mysterious circumstances
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Bin Badal Barsaat (1963)
Character: Sunder
Seventy years ago the wealthy Thakur of Neelamghat had an affair with a gypsy girl, and then married another woman. The gypsy girl's dad placed a curse on the entire Thakur family that whenever a male marries, his wife will die in mysterious circumstances after an year. The curse has come true over the years, and none of the Thakurs have escaped it's wrath. The latest Thakur, Prabhat has now come to settle in Neelamghat, and is attracted to the local doctor's daughter, Sandhya Gupta. When Dr. Gupta proposes marriage, Prabhat tells them about the gypsy curse, and both father and daughter scoff at this. They quickly change their minds one night, when they find Prabhat dressed as a groom, getting ready to marry a reincarnated gypsy girl.
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Paras (1971)
Character: N/A
Dharam Singh is a honest farmer in rural India, and lives with his sister, Bela, who is now of marriageable age. One day both brother and sister witness a murder, and haul the killer to the...
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मेहरबान (1967)
Character: Madhu
Mehrban is a 1967 Hindi language film written and directed by A. Bhimsingh. It is a remake of Bhimsingh's own Tamil film Padikkadha Medhai (1960) which itself was a remake of the 1953 Bengali film Jog Biyog, based on the novel of the same name by Ashapoorna Devi.
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Sanjh Aur Savera (1964)
Character: N/A
Shankar Chaudhry, a wealthy man gets married to Maya assuming she is the daughter of Ambala-based Advocate Madhusudan. He is shocked to realize that Maya and her brother Prakash have cheated him.
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Zakhmi Dil (1994)
Character: Kaka
Jaidev Anand is a celebrity, and lives a fairly isolated life. One day he comes to the rescue of a young woman, Vandana Acharya, and falls in love with her. Vandana respects him, but falls in love with another man, Abhimanyu. This news shatters Jaidev, but he decides not to tell Vandana anything. Then the jeep in which Abhimanyu and Vandana were traveling is attacked by an assailant named D.K., and as a result Abhimanyu gets killed. Jaidev is sorry for Vandana, but gets his hopes up enough to propose to her, and to his joy, she accepts. The plans are on for an early marriage, but before that could happen Vandana meets a single mother, Gayetri, and her son. It is then she finds out that Jaidev is already married, and also has a son. What possible reason could Jaidev have for not sharing this information with Vandana?
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Lakhon Mein Ek (1971)
Character: N/A
An abused homeless male and a mentally-challenged woman become friends.
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Pyase Panchhi (1961)
Character: Mahesh
Gangaprasad Trivedi would like his son, Kiran Kumar, to get married and settle down. He even goes to the extent of selecting a bride, Sheela Chaturvedi. But Kiran has fallen in love with Jyoti, who is trapped by her Father. This intagled mess results in a hilarious musical dramedy.
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Sanjog (1961)
Character: N/A
Believing his wife to be dead after giving birth to a boy, a husband leaves and re-locates to the city.
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Bharosa (1963)
Character: N/A
Ramdas is a trusting individual, and trusts everybody around him. When times turn bad for him, he entrusts the life of his son, Bansi, to his trusted employee, Ronaklal, and departs. He regularly sends money to Ronaklal to provide for the upkeep of his son, but Ronaklal uses this money to educate his son, Deepak, keeps Bansi uneducated, and makes him do a lot of manual work. Years pass by, Ronaklal is now crippled, and is dependent on Bansi, as Deepak has left him, got married to a wealthy girl, and lives with his in-laws. Ronaklal is unable to show his face to Ramdas, and avoids him, and Bansi has grown up without knowing who his real father is. Will Ronaklal be able to tell Ramdas the truth when he returns, or will be just let Deepak be the sole heir to all the estate and the property?
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मैं सुंदर हूं (1971)
Character: N/A
Sundar, a waiter, is in love with Radha but does not have the courage to tell her. When he becomes a successful comedian, he confesses his feelings to her, only to find that she loves someone else.
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Johar-Mehmood in Goa (1965)
Character: Rahim Mohammad Salauddin
Mary and Peter fall in love with each other and are about to get married, when Peter is asked to re-join his regiment to go to war. Shortly thereafter, he is missing, believed to be dead, leaving behind a devastated Mary who subsequently gives birth to twins, and leaves them on the doorsteps of two Goan households, and becomes a nun. Twenty four years later, India is a free country, while Goa is under the rule of the Portugese, Mary is the Mother Superior; Peter, who is still alive, is the Deputy Superintendent of Police in Goa, who has been entrusted the task of apprehending two revolutionaries by the name of Ram and Rahim - none other than his very own sons. Watch what happens when duo unleash a series of attacks against the oppressive Portugese regime, including robbing the Bank of Portugal, disrobing an arrogant Superindent of Police, Alburqueue, then setting his house on fire, joining hands with dreaded bandit Daler Singh, and abducting the daughter of the Goa's Hakim, Rita.
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Garam Masala (1972)
Character: Rajkumar Suraj Kumar
Lusty womanizer, army Captain Kishore, wants a gypsy dancer for himself, and is ready to kill anyone who tries to get in the way. But his plans are foiled when the woman kills herself, leaving behind an injured father, the head of the gypsies, and a younger sister by the name of Jugnu. Jugnu swears to avenge her sister's death, and seeks training from Robert Taylor, and becomes an expert in weapons and fist-fighting. She assumes the guise of a masked male and calls herself "Garam Masala", and inflicts terror in Captain Kishore's life and army. Garam Masala's attempts to kill Kishore are foiled when she is captured. She is rescued by a mysterious masked male, who disappears into the night. Kishore is clearly baffled by the appearance of two masked men, and asks his men to search high and low for them. In the meantime, Kishore returns to his kingdom, which has it's King missing for several years, and the prince - a puppet in the hands of Kishore and his men.
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कैद (1975)
Character: Bajrangi
Advocate Jai Saxena lives in a small flat with his mom. One day his mom hires a maidservant named Imarsi, but later they find out that she is an impostor, and fire her. A few days later she comes knocking on their door in the dead of night, claiming that she is the sole heiress of Rai Bahadur Tulsinath's estate, and that someone is out to kill her. Jai wants to believe her, but his mother disbelieves her and wants her out of their lives, as she feels that this is nothing but another trick on her part to fool them. When the police are notified, the Saxenas are told that this woman's real name is Ragini, a homicidal killer, wanted by the police. Will Jai be convinced that he was offering to shelter a fugitive from the law?
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Inspector (1956)
Character: N/A
Inspector is a 1956 Bollywood thriller film directed by Shakti Samanta. It starred Ashok Kumar, Geeta Bali and Pran.
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आरती (1962)
Character: N/A
An unemployed young man named Deepak (Pradeep Kumar) saves Aarti Gupta (Meena Kumari), a hardworking and dedicated doctor, from drowning, and the two eventually fall in love with each other, although she is already engaged to Dr. Prakash (Ashok Kumar). Although Aarti's father firmly disapproves of this relationship, Deepak and Aarti marry. She moves in with him and his family, which includes his brother, Niranjan (Ramesh Deo), his sister-in-law, Jaswanti (Shashikala), their three children, and Deepak's father (Jagirdar). That leaves the humiliated Prakash determined to get Aarti back, whatever he may have to do. He manages to bring a discord in their marital life, so much so that Deepak asks Aarti to leave, and she returns home to her father. This is followed by Deepak having a serious accident, when Prakash is the only surgeon who can operate on him.
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Sannata (1981)
Character: N/A
A wealthy businessman is murdered for the sake of wealth. His daughter Sapna is in love with Vinod. Dhanpat Rai, the businessman's cousin, despises Sapna's relationship with Vinod and sends her to a hostel. However the two decide to go straight with Dhanpat Rai and head to his grand manor. Soon the lovers find Dhanpat Rai dead and stuffed in a suitcase. Sapna and Vinod pair up with the police to speed up the investigation. Meanwhile the other members in the manor are being brutally killed by a burnt-face assailant, who has plans of his own.
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Chhote Nawab (1961)
Character: Chhote Nawab
Romantic comedy about a wealthy milk-drinking Peter Pan-type
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भूत बंगला (1965)
Character: Mohan
Rekha and her uncle Shyamlal are the only survivors in their family which has a long and painful history of death under bizarre and suspicious circumstances while living in their ancestral property. Rekha and Shyamlal leave their ancestral property in fear and settle down in the city where Rekha meets a jovial and rowdy bunch of youngsters belonging to the Youth Club. Members of the Youth Club decide to unravel the mystery of Rekha's ancestral property and hope to find out if those deaths are freak accidents or an ancient curse.
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Faraar (1955)
Character: N/A
A group of freedom-fighters face betrayal and go on the run from police in British-occupied Hindustan.
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मस्ताना (1970)
Character: Satya 'Mastana'
A poor and lonely woman strikes up a friendship with a rich but neglected child, but her parents refuse to let their child see her - until she falls gravely ill.
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बॉम्बे टू गोआ (1972)
Character: Bus Conductor Khanna
Mala, an aspiring Bollywood actress, witnesses a murder and boards a Goa-bound bus to escape the killer. On the journey, she meets exciting people from different cultures and a young man who will not leave her side.
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Abdullah (1980)
Character: Ahmed
Abdullah has to fight oppression and torture as he tries to bring up the boy as a hindu where the majority are muslims.
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Kalakaar (1983)
Character: Karim Lalla
Poor and orphan Ravi Kumar is gifted with good singing attributes. He meets wealthy Radha Khanna and with her recommendation he lands his first singing assignment and this takes him to the way of stardom. Soon Radha starts to witness changes in Ravi's behavior towards her; which makes them split up. Unknown to Radha that Ravi has been diagnosed with cancer and does not have long to live.
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Pinjre Ke Panchhi (1966)
Character: Laloo
Businessman Sonu Sharma belongs to a wealthy family and lives with his widowed mother. He suddenly becomes ill, is hospitalized and looked after by a young nurse, Heena, who he falls in love with. After he gets discharged both of them get married in a secret temple ceremony. Thereafter, he asks Heena to resign from her job, re-locate to a small town where he has rented a house called "Madhu Villa", and he will join her soon. Upon arrival at Madhu Villa, Heena is met by Sonu's brother, Laalu, and their paternal uncle. Days turn into weeks and weeks turn into months and still Sonu has not arrived. Quite unknown to Heena, Sonu has no brothers nor even any uncles. The two masquerading are actually two escaped convicts, one of who is awaiting the death sentence, and there no guarantee that Sonu may ever return to live with her.
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परवरिश (1958)
Character: Ramesh J. Singh
After an hospital accident, a wealthy male is compelled to adopt a prostitute's son. The lead protagonist is played by Raj Kapoor.
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Lootmaar (1980)
Character: N/A
Indian Air Force pilot Bhagat lives with his wife, Raksha and a young son. While going to the bank one day, the family find that the bank is being held up. The bank-robbers panic at the arrival of the police, and fire randomly, killing Raksha instantly. Bhagat witnesses this horrific spectacle and is unable to do anything to save his wife. The robbers were masked, but one of them had a tear in his shoe and another was wearing a locket, very similar to the one worn by his wife. Bhagat's inquiries take him to the northernmost hilly regions of India, where he must confront the past, as well as seek out the elusive killers and bring them to justice, not knowing that in so doing he will be endangering the life of his son.
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Ek Saal (1957)
Character: Doctor
The father of a dying woman pays a con artist to make his daughter's final year a happy one.
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Aakash Deep (1965)
Character: N/A
Shankar, who saw his poor father die a disappointed death, works very hard and goes on to become a mill owner. His brother Madhu, however, prefers to run their father's old tea stall.
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Ek Nai Paheli (1984)
Character: Dr. Suri
Ek Nai Paheli is a 1984 Hindi-language Indian feature film directed by K. Balachander, starring Kamal Haasan, Raaj Kumar, Hema Malini, Padmini Kohlapure and Suresh Oberoi. Ek Nai Paheli is an emotional family drama on unusual relationship. The movie is a remake of the Tamil classic Apoorva Raagangal directed by K. Balachander, incidentally called the shots for Hindi version too. Upendranath, a widower lives a wealthy life and his only son, Sandeep is a headstrong and stubborn young man. He leaves his dad's house to make his own life. He meets a beautiful older woman Bhairavi who is a singer. Both Bhairavi and Sandeep fall in love with each other and decide to marry, but a man, Avinash now arrives and claims as the husband of Bhairavi, moreover he meets Sandeep as well and tells his story. He also speak about their daughter, Kajri. Climax reveals that, Kajri lives with the much older Upendranath and plan to marry as well. What would be the fate of Bhairavi, Sandeep and Avinash??
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Kaajal (1965)
Character: N/A
The Munim (Clerk) in Ranimaa's family lives with his son, Kaushal and daughter, Madhavi. After he passes away, Ranimaa brings up both children as her own, along with her only son, Rajesh. Years later, Rajesh has grown up and is of marriageable age. He meets with beautiful Bhanu Saxena and both fall in love with each other. Shortly thereafter, in a boating accident, Kaushal passes away, leaving behind a devastated Madhavi, Rajesh, who blames himself for his death, and Ranimaa. A few months later, Rajesh gets married to Bhanu and she moves in with them. Bhanu dislikes Madhavi and would like her out of the way, she goes to the extent of accusing her of having an affair with her husband.
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अमानत (1977)
Character: Mahesh
Balraj Sahani plays a professional Artist with wife Achala Sachdev and son Manoj Kumar caught in the trap of Rehman and Shashikala who for the payment of a large Life insurance policy frame him in the murder of Rehman - who escapes to a world of crime after becoming a dead man for the world.
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जनता हवलदार (1979)
Character: Mahesh
Film starring Rajesh Khanna, Ashok Kumar and Yogeeta Bali
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C.I.D. (1956)
Character: Sher Singh
A newspaper editor gets murdered when he was about to expose the underworld links of a rich person. So, a C.I.D inspector gets assigned to investigate the murder case.
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Kaash (1987)
Character: Djinn (scene in "Aladdin")
Bollywood actor Ritesh and Pooja are married and live a fairly wealthy lifestyle. When he ventures to produce a film, a huge risk considering his naivety, results in financial losses, which they have to make good by selling all their personal properties, vehicles, and belongings. They re-locate to live in a small flat, and Ritesh loses himself in an alcoholic and nostalgic world. Pooja decides to take over the reins of this family by seeking employed, much to the chagrin of her husband, who would prefer that she stay at home - a discussion that may well be the turning point of their relationship and signal the end of their marriage.
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Do Phool (1973)
Character: N/A
A wealthy man disowns his two irresponsible sons to teach them a lesson. One of them plays a prank by claiming that he has murdered his brother but soon, a mysterious body stuns everyone.
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Mem Sahib (1956)
Character: Hardeep Kumar
Meena, a wealthy, educated girl, has been promised in marriage to Sunder, a sheltered young man who has received an extremely traditional religious education. Displeased, Meena sets out to find a more suitable candidate, but is taken in by Manohar, a gold-digging conman. Finding Sunder to be clueless about the world, Manohar is soon manipulating him as well as Meena in his schemes to gain possession of Meena's fortune.
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अंदाज़ अपना अपना (1994)
Character: Johnny
Two slackers competing for the affections of an heiress inadvertently become her protectors from an evil criminal.
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Around The World (1967)
Character: Albata
A man accompanies his uncle to Tokyo but finds himself in a dilemma when he must travel to Europe immediately, with only $8 at his disposal.
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Shriman Satyawadi (1960)
Character: Kishore
An honest man instills in his only child the adage, 'Honesty is the best policy.' When the boy grows up, he has to fight for the truth and it remains to be seen if he can keep his ideologies alive.
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माँ (1952)
Character: N/A
Chanderbabu (Nazir Hussain), a retired postmaster, lives in the village with his wife and two sons, Rajan (Paul Mahendra) and Bhanu (Bharat Bhushan). He continues to live there and work for the Zamindar, while his children are getting their education. Rajan is studying for his law exam. He is married to a girl (Padma) from a wealthy family whose haughty ways alarm and frightens him. Bhanu, the younger brother is fun-loving but studious. He gets influenced by the Nationalist Movement in the campus and stops his education in the last year of college. His father is disappointed and feels that Rajan is the one they can depend upon in their old age. Bhanu meets Meena (Shyama), and the two fall in love. Meera's father, Ramnarayan, is the school Principal and is impressed by Bhanu. He decides to get Meera married to Bhanu.
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Padosan (1968)
Character: Master Pillai
A simple man from a village falls in love with his new neighbor. He enlists the help of his musical-theater friends to woo the lovely girl-next-door away from her music teacher.
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लव इन टोक्यो (1966)
Character: N/A
Gayetridevi sends her son, Ashok to get her grandson from Japan. Gayetridevi had an elder son, who married a girl of Japanese origin without her blessings. She wants Ashok to get married to Sarita, but Ashok does not show any interest in Sarita. In Japan, Ashok meets with Asha and both fall in love. Asha's uncle wants Asha to marry Pran, but Asha does not like Pran and runs away with Ashok. Pran runs down Ashok with his car, and Ashok is hospitalized and may lose his eye-sight. Gayetridevi will soon find out which of the two girls - Asha - who she does not approve of - or Sarita, will take of her blind son.
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Meri Bhabhi (1969)
Character: Shambu
A simple-minded, yet loving young couple, Rajoo (Sunil Dutt), and his wife Maya, who allow their child to be adopted by Rajoo's sister-in-law/Bhabhi, Shanti (Kamini Kaushal). Shanti's child was still-born after an accident. But Shanti does not know this, and believes the child to be her own. She is misled and misguided by Gangajali (Lalita Pawar), and as a result Rajoo and Maya are humiliated, not allowed to come near the child, asked to leave the house, and ultimately are charged with kidnapping the child. Rafi's joyful song "Aaj mera haal na poocho..."; and Lata's lullaby "Sohya mera pyar aanchal me pehli bar...", are still popular on radio.
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दिल ने पुकारा (1967)
Character: Bansi
Asha lives a wealthy lifestyle in Bombay with her widowed dad, who would like her to get married to Dr. Prakash. While vacationing in Kashmir, she meets with a young man, Rajan, and both fall in love with each other. When she returns home and attends Dr. Prakash's birthday party, she gets a pleasant surprise when she finds out that Rajan is Prakash's friend. Rajan introduces Asha to his mom, while Asha introduces Rajan to her dad, and both parents approve of their match. Before they can get engaged, Rajan had promised his late father that he would obtain a degree from Oxford University, and be back after one year. He decides to travel by boat, which meets with an accident and there are no survivors. A shocked and devastated Asha finds out that Rajan's death has killed her dad, and she throws herself in her work as a doctor, working side by side with Prakash.
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हमजोली (1970)
Character: Shivram
A man, after marrying an heiress, plots his wife's murder and deserts his daughter, only to be shocked when his estranged daughter returns home years later.
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बिरादरी (1966)
Character: Chandu 'Rotiwala'
Seema lives a wealthy lifestyle with her widowed mom in Bombay, India. Her mother is a compassionate soul who rents out several rooms in a self-owned building, which is occupied by very poor and nearly destitute people. Seema's mom often ends up looking after her tenants financially and also gives them ample time to find money to pay the rent. Seema, who wants a luxurious lifestyle, has sold the building to Bihari, and is all set to evict the tenants forcibly. Watch what happens when Seema's mother and Rajan decide to confront her to try and stop this sale.
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दो बीघा ज़मीन (1953)
Character: Preetam
An impoverished man and his young son travel to Calcutta and look for work, in order to make money that'll save their ancestral land from being seized by a corporation.
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प्यासा (1957)
Character: Vijay's brother
Vijay, a destitute poet, searches for true love while attempting to get his work published. With the assistance of two women in his life, his dream comes true - but at a cost that causes Vijay to rethink his worldview.
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Pyar Hi Pyar (1969)
Character: Gogo
At an orphanage, Kailashnath identifies Vijay as his biological son and takes him home. Years later, a man named Ashok arrives and claims to be Kailashnath's real son.
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प्यार किये जा (1966)
Character: Atma
Widower Ramlal lives a wealthy lifestyle near Poona, India along with two daughters and a son. His daughter, Malti, is a Science Graduate; Nirmala, a matriculate, and the son, Atma, who wants his dad to finance a Hindi film which he himself will produce under the banner of 'Wah Wah Productions'
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कागज़ के फूल (1959)
Character: N/A
The film tells, in flashback, the story of Suresh Sinha, a famous film director and his relationship with an aspiring actress.
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Khud-Daar (1982)
Character: Jaggan / Jackson
Khud-Daar is a 1982 Indian Hindi movie directed by Ravi Tandon. The music is by Rajesh Roshan and the lyrics by Majrooh Sultanpuri. The film stars Amitabh Bachchan, Parveen Babi, Vinod Mehra, Sanjeev Kumar, Prem Chopra, Mehmood, Bindiya Goswami and Tanuja in pivotal roles. It was remade in Tamil as Padikkadhavan which starred Rajinikanth and in Telugu as Driver Babu with Sobhan Babu.
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Funtoosh (1956)
Character: Uncredited (Cameo in 'Denewala Jab Bhi Deta')
Ram goes crazy after death of his mother and sister, once released from mental hospital comes across Mr Kirorimal who insures him and wants him dead for the money. However Ram ends up marrying his daughter.
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गुमनाम (1965)
Character: The Butler
Eight people are trapped on an island when their plane abandons them. They find a large mansion whose butler is expecting them. Then one by one, they begin to die...
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आफ़त (1977)
Character: Mahesh
Plainclothes Police Inspector Amar has been assigned the task of apprehending an elusive criminal don who goes under the name of Hardayal. During his investigation, he meets with fellow Inspector Chhaya, and both fall in love. During this investigation, Chhaya finds out that Amar has been two-timing her, and there is confrontation between the two. Amar also goes beyond the call of duty, and is subsequently suspended. Stripped of his powers, Amar is caught by Hardayal and imprisoned, leaving Chhaya alone to figure out the whereabouts of this criminal.
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दिल तेरा दीवाना (1962)
Character: N/A
Wayward, brash, and disobedient Mohan (Shammi Kapoor) is sent by his angry dad Diwan Badriprasad (Ulhas) to a retired army captain Dayaram (Om Prakash) to learn some discipline and respect. But Mohan asks his friend Anokhe (Mehmood) to switch places with him, and Anokhe agrees to do so. Mohan meets with Meena (Mala Sinha), who lives with her blind dad (Manmohan Krishan). Anokhe is welcomed as Mohan by Captain Dayaram and his daughter Malti (Shubha Khote) in their household. Eventually both Malti and Anokhe fall in love. Things start to get even more muddled when Captain Dayaram finds out that Anokhe is married to another woman, and that Anokhe drives a rickshaw. The police are notified and they are asked to arrest Mohan - they arrest 3 Mohans. Who is the real Mohan?
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आँखें (1968)
Character: Mehmood
Shortly after independence India faces terrorists attacks in Assam. A group of concerned citizens, who are not connected with the government, decide to do something to stop this carnage. Spy Sunil Mehra (Dharmendra) must travel to Beirut and foil the terror group.
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सलाखें (1975)
Character: Abdul Rehman
Separated by tragedy, two virtually inseparable childhood friends meet again, only to fall in love this time.
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Hatyara (1977)
Character: N/A
Daulat Singh and Bhairav Singh are bandits in India and live a violent lifestyle. Daulat is married to Shanta and has two children, Vijay and Geeta. One Diwali he accidentally kills a man, leaving behind a son and his mother almost destitute. Moved by their plight, he surrenders to the Police, is arrested, tried in Court, and sentenced to life in prison.
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मेरे अपने (1971)
Character: Anokhelal
Old woman Anandi moves to the city with her relatives and finds out their material side. She develops fondness for two rival street gangs of unemployed youth. These gangs are headed by two former friends turned foes in a time when society, politics and education are all losing their bearings in 1970s India.
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जागृति (1955)
Character: N/A
Sent to a hostel as a punishment, a rebellious lad leads a revolt and creates havoc in the institution.
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Dil Ek Mandir (1963)
Character: Lallu Lal
Dr. Dharmesh (Rajendra Kumar) and Sita (Meena Kumari) are in love, and hope to marry on Dharmesh's return from abroad. When Dharmesh returns, he is devastated to find that Sita has married someone else. He then decides to devote the rest of his life at a cancer clinic. One of his patients is Ram (Raaj Kumar), who is critically ill, and has to be operated upon. Things progress well, until Dharmesh meets Ram's wife - none other than Sita. Dharmesh now has to battle with his conscience, and his medical ethics to save Ram or to let him pass away, so that he can marry Sita.
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चाँद का टुकड़ा (1994)
Character: Babu Maushaye
NRI Shyam goes to India to fulfil the last wish of his late mother, who wanted him to marry an Indian girl. Unbeknownst to him, the girl he falls in love with is a pawn in the hands of his enemies.
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Preetam (1971)
Character: Barber Safachat
Raised by his aunt and his uncle, an orphan becomes a man who cares for others.
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तीसरी आँख (1982)
Character: Constable Hanuman Singh
Childless Malti is married to a honest man, Kailash Nath, who one day brings home a newborn baby boy and asks her to take care of him. Malti names the boy Ashok, and brings him up as her very own. Thereafter she gives birth to two boys, Amar and Anand. When Kailash testifies against dreaded bandit & devil worshiper, Jabbar Singh, he is threatened with death. Jabbar is sentenced to be hanged, but before that could happen he is killed. Jabbar's son, Sheroo, avenges his father's death by killing Kailash. Sheroo is arrested by Kailash's friend, Inspector Om, and sentenced to 20 years. A dying Kailash informs Malti that Ashok is Devki's, his first wife's son, and makes her promise that she wil continue to love Ashok as her own, which she does, and Kailash passes away. When she returns home she finds out that Amar is missing, possibly drowned. She blames this on Ashok and starts hating him. Sheroo escapes from prison, abducts Inspector Om and holds him prisoner, whipping him regularly.
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