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Le Nozze di Figaro - The Met (1985)
Character: N/A
From the "James Levine: Celebrating 40 Years at the Met" DVD box set. Jean-Pierre Ponnelle’s landmark production of Mozart’s most human comedy provides the perfect setting for this superb cast under James Levine’s ebullient leadership. The philandering and arrogant Count Almaviva (Thomas Allen) is no match for his wily servant Figaro (Ruggero Raimondi), whose soon-to-be-wife Susanna (Kathleen Battle) is as manipulative as she is charming. Add in one beautiful, disillusioned Countess (Carol Vaness) and one irrepressible, testosterone-laden teenage boy (Cherubino, played by Federica von Stade), and it’s no wonder some critics say this is the perfect opera.
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Tosca (2014)
Character: N/A
Desire, power, and passion take center stage in the Opéra Royal de Wallonie’s 2014 production of Puccini’s incomparable masterpiece Tosca. The brilliant three-act melodrama was staged by Claire Servais and featured Paolo Arrivabeni as music director. Dutch soprano Barbara Haveman is the desperate Tosca to acclaimed Italian bass-baritone Ruggero Raimondi’s evil Scarpia.
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Don Pasquale (2007)
Character: Don Pasquale
Juan Diego Florez in another of his great stage roles. Old Don Pasquale (Ruggero Raimondi) wishes to marry and produce an heir, thus disinheriting his nephew Ernesto, who loves the merry widow Norina. Pasquale"s physician Malatesta pretends that Norina is his sister 'Sofronia', and arranges a mock wedding to Pasquale. 'Sofronia' then proceeds to make Pasquale's life a misery.
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The Metropolitan Opera Centennial Gala (1983)
Character: Self
In celebration of its 100th anniversary in 1983, the Metropolitan Opera hosts a four-hour performance uniting some of the world's most spellbinding opera singers and conductors. The event includes a ballet from Samson et Dalila and boasts incredible classical performances from Kathleen Battle, Plácido Domingo, Jose Carerras, Leonard Bernstein, Marilyn Horne, Leona Mitchell, Luciano Pavarotti and many more.
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Les Contes d'Hoffmann (2004)
Character: Lindorf / Coppélius / Dappertutto / Miracle
Live peformance from the Sferisterio Opera Festival, August 2004. Our edition has an Italian cast of exceptional quality, in which stand out the amazing voice of Desirée Rancatore, the extraordinary artistry of Ruggiero Raimondi and the fascinating direction of Pier Luigi Pizzi, one of today's most creative directors. Interesting overview here: http://www.operatoday.com/content/2006/08/offenbach_les_c.php
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Alfredo Kraus, Ruggero Raimondi and Katia Ricciarelli in Concert (2004)
Character: Self
This tour-de-force concert event showcases opera luminaries Alfredo Kraus, Ruggero Raimondi and Katia Ricciarelli performing arias and other songs, including "Chanson Boheme" from "Carmen" and "Soli noi siamo" from "Lucrezia Borgia." Filmed live in Madrid and also featuring vocalists Paolo Coni and Lucia Valentini-Terrani, this program also includes "La calunnia e un venticello" from "Il barbiere di Seviglia" and many more.
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Bernstein in London: Verdi Requiem (2006)
Character: Self - Bass
In a stirring 1970 concert dedicated to victims of war and oppression, American composer, pianist and conductor Leonard Bernstein leads the London Symphony Orchestra and Chorus in a performance of Verdi's "Requiem" from stately St. Paul's Cathedral. Renowned tenor Placido Domingo takes the stage in the first of many appearances with Bernstein. Other soloists include soprano Martina Arroyo, mezzo-soprano Josephine Veasey and bass Ruggero Raimondi.
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Così fan tutte (2005)
Character: Don Alfonso
Live performance from the Festival d'Aix-en-Provence, 23 July 2005.
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Rigoletto a Mantova (2010)
Character: Sparafucile
The tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's beautiful daughter Gilda. The opera's original title, La maledizione (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from assassins hired by her father.
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Tosca (1986)
Character: Scarpia
This live version of Puccini s superbly dramatic opera was recorded in Rome in the exact locations and at the precise times of day as Puccini had written into his score. The action opens in Rome's beautiful 16th-century church of Sant Andrea della Valle, where Cavaradossi (Plácido Domingo) is innocently painting, moves to the Farnese Palace where Tosca (Catherine Malfitano) dramatically stabs the lustful Scarpia (Ruggero Raimondi), and finally to the battlements of the Castle Sant Angelo at dawn the following day where Cavaradossi is cruelly killed, and Tosca takes her own life.
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Giuseppe Verdi - Falstaff (2007)
Character: Sir John Falstaff
Ruggero Raimondi and Barbara Frittoli star in this 2006 production of the Verdi opera with Zubin Mehta conducting the Maggio Musicale Fiorentino. Giuseppe Verdi's last opera is given new life in this production by Luca Ronconi. Utilizing the sights and social conditions of modern Britain, this version of Shakespeare's THE MERRY WIVES OF WINDSOR keeps the comedy accessible while still featuring all the elements that have made this opera a perennial favorite.
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Verdi: Requiem (1982)
Character: Self - Bass
Live performance of Verdi's Missa da Requiem at the Edinburgh Festival in 1982. An all-star quartet of soloists under the baton of Claudio Abbado, recorded in high definition audio.
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Tosca: In the Settings and at the Times of Tosca (1993)
Character: Il Barone Scarpia
Performed in the actual Roman settings described in the libretto. Moreover, the scenes take place at the appropriate times of day. Rome, June 1800. Floria Tosca is a celebrated opera singer, better known as La Tosca. Her lover is Mario Cavaradossi, a young artist and Bomapartist sympathizer. When the latter helps Angelotti, the leader of the opposition, to escape from prison and hides him in La Tosca's home, he antagonizes Baron Scarpia, the ruthless chief of police, all the more as his love for Tosca is unrequited.
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Il viaggio a Reims (1984)
Character: Don Profondo
The historic 1984 revival performance of Il viaggio a Reims was the first time in over 150 years the opera was performed. Set in a luxurious hotel in Plombières-les-Bains, the opera follows a diverse group of aristocratic characters as they gather to celebrate the coronation of King Charles X of France. Amidst the festivities, wacky antics ensue, romantic entanglements unfold, and the characters face various comedic and dramatic challenges, showcasing Rossini's masterful blend of music, comedy, and drama.
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Tosca (2006)
Character: Il barone Scarpia
Puccini’s melodrama about a volatile diva, a sadistic police chief, and an idealistic artist has offended and thrilled audiences for more than a century. Critics, for their part, have often had problems with Tosca’s rather grungy subject matter, the directness and intensity of its score, and the crowd-pleasing dramatic opportunities it provides for its lead roles. But these same aspects have also made Tosca one of a handful of iconic works that seem to represent opera in the public imagination.
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Faust (1985)
Character: Méphistophélès
In an epic tale of good versus evil, Faust sells his soul to the Devil and tries to save Marguerite from an eternity in Hell.
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Il Barbiere di Siviglia (2005)
Character: Don Basilio
Stage director Emilio Sagi's production of the legendary Barber of Seville is enriched by a bright distribution. Maria Bayo returns to one of her signature role as Rosina, opposite Juan Diego Florez, the Rossini expert tenor. The title role is embodied by the Italian baritone Pietro Spagnoli, while Ruggero Raimondi and Bruno Pratico reconcile the audience with Don Basilio and Don Bartolo.
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La Truite (1982)
Character: Party Guest
The sexual and social dysfunctional behaviour of the corporate elite are further aggravated when a naive married woman becomes the obsession of two wealthy suitors.
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Mozart:The Requiem from Sarajevo (1993)
Character: Baritone
José Carreras and the Sarajevo Philharmonic Orchestra player form Mozart’s Requiem in the bombed out ruins of the Sarajevo city Library.
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Boris Godounov (1989)
Character: Boris Godounov
A possible impostor torments a newly crowned medieval czar who may have ordered the real successor's death.
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Ernani (1983)
Character: Don Ruy Gómez de Silva
Verdi's early masterpiece is based on a Victor Hugo play with a complicated plot concerning a young woman and the three men vying for her affections—her elderly uncle, a king destined to become Holy Roman Emperor, and a bandit who is actually an overthrown nobleman. Though there is plenty of action arising from the various passions and grudges scattered among these characters, the opera is best appreciated as a feast of beautiful and dramatic Italianate singing. With virtuosic roles for a quartet of principals, the opera delivers one feat of heroic vocalism after another.
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Don Giovanni (1979)
Character: Don Giovanni
Screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the Commendatore, (whom Giovanni killed) makes his appearance. He offers Giovanni one last chance to repent for his multitudinious improprieties. He will not change his ways So, he is sucked down into hell by evil spirits. High drama, hysterical comedy, magnificent music!
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Beaux-parents (2019)
Character: Grand-Father
When their daughter decides to get a divorce, Coline and Andre can’t come to terms with it as they are very fond of their son-in-law. The only way to keep seeing him is in secret. But for how long can they lead a double life?
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Les Couleurs du diable (1997)
Character: Bellisle
A young talented painter dreams of glory. A man promises it in exchange for his talent and his soul.
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Carmen (1984)
Character: Escamillo
A film version of the famous Bizet opera, where a soldier (Don Jose) falls in love with a beautiful factory worker (Carmen), but she does not reciprocate his feelings.
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La vie est un roman (1983)
Character: Count Michel Forbek
In this whimsical fable, Resnais deftly interweaves three story lines: the creation of an early-20th-century utopia; romantic high jinks at a school conference; and a fantasy sparked by F/X pioneer Georges Méliès.
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Tosca (2001)
Character: Baron Scarpia
Benoit Jacquot's acclaimed 2002 film of Puccini's opera stars Angela Gheorghiu in the title role, with Roberto Alagna, Ruggero Raimondi and the Chorus and Orchestra of the Royal Opera House, Covent Garden, under Antonio Pappano.
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Il Turco in Italia (2002)
Character: Selim
When a wealthy Turkish aristocrat arrives in a humble Italian town, the married women roll their eyes in delight, their rival lovers lose out, and the husbands rage with jealousy. These may be silly clichés, but they are the subject of IL TURCO IN ITALIA and the composer plays with them – quite deliberately. He knows that he is putting archetypes of Italian comedy on stage with figures such as the exotic lady-killer Selim, the young woman Fiorilla, who is chained to the stove at home, but adventurous, and her husband Geronio, who is ridiculous because he is much too old – and relishes the ironic exaggeration. Franz Welser-Most conducts the Zurich Opera House Chorus and Orchestra in this performance of Rossini's opera buffa.
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