|
Cinematographer Style (2006)
Character: Self
110 of the world's top cinematographers discuss the art of how and why films look the way they do.
|
|
|
|
|
Fog City Mavericks (2007)
Character: Self
Fog City Mavericks: The Filmmakers of San Francisco is a compelling exploration of the legendary filmmakers who call the San Francisco Bay Area home including George Lucas, Francis Ford Coppola, Clint Eastwood, Chris Columbus and producer Saul Zaentz. The special weaves interviews, commentaries and unforgettable moments from some of the most visionary movies ever created such as American Graffiti, the Star Wars film series, the Indiana Jones film series, The Godfather trilogy, Apocalypse Now, One Flew Over the Cuckoo's Nest, Amadeus, Toy Story, The Incredibles, Lost in Translation, Flags of Our Fathers and many others. It also features interviews with those who have worked with Bay Area mavericks: Steven Spielberg, Michael Douglas, Anthony Minghella, Milos Forman and Frank Darabont.
|
|
|
|
|
|
|
The Natural: The Best There Ever Was (2016)
Character: Self
An average baseball film in the making comes out of seemingly nowhere to become one of the best sports films made of all time. A true testament to the real beauty of Hollywood filmmaking, the way it used to be.
|
|
|
|
|
Shadows of Suspense (2006)
Character: Self
A documentary featuring film historians, directors and authors discussing the making of Billy Wilder's "Double Indemnity."
|
|
|
|
|
Standing on the Shoulders of Kubrick: The Legacy of 2001 (2007)
Character: Self
Stanley Kubrick's groundbreaking 2001: A Space Odyssey opened the door to all the films and filmmakers who followed it. Through interviews with directors such as George Lucas, Steven Spielberg and Sydney Pollack - as well as special effects professionals and cultural historians - this documentary examines the legacy of Kubrick's masterpiece and its influence on science fiction films, special effects and world cinema.
|
|
|
Visions of Light (1992)
Character: Self
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
|
|
|
Close Encounters with Vilmos Zsigmond (2016)
Character: Self
A very special encounter between legendary American cinematographer Vilmos Zsigmond and young French director Pierre Filmon. A personal journey with the brightest shadowmaker and his friends.
|
|
|
|
|
These Amazing Shadows (2011)
Character: Self
Tells the history and importance of The National Film Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself.
|
|
|
Hal (2019)
Character: Self
Hal Ashby's obsessive genius led to an unprecedented string of Oscar®-winning classics, including Harold and Maude, Shampoo and Being There. But as contemporaries Coppola, Scorsese and Spielberg rose to blockbuster stardom in the 1980s, Ashby's uncompromising nature played out as a cautionary tale of art versus commerce.
|
|
|
|
|
|