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Jhoola (1962)
Character: N/A
Dr. Arun lives with his brother, Madhu; dad Judge Ramkrishan; and mom Kamla in a palatial house. He decides to help the poor and the needy and in order to do this he re-locates to a small town, where he meets with a young nurse named Sumati and both fall in love with each other. Sumati lives with her mom, Laxmi, and has no father. When Kamla starts looking for a prospective bride for Arun, he informs her that he has given his heart to Sumati. Ramkrishan sends for Laxmi, who gladly accepts the invitation. After her meeting, Arun inquires about the results with his mom and dad, and is told to forget about Sumati and marry someone else. When Arun asks for a reason behind their refusal, they refuse to divulge any information. The question remains, why did his parents turn down Sumati's mom, and what exactly happened during that meeting with her?
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Heeralaal Pannalaal (1978)
Character: Laxman
Two boys grow up together in an orphanage and become best friends, swearing their undying brotherly devotion to each other. Unknown to them, a dark secret related to their past may hamper this bond.
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Bin Badal Barsaat (1963)
Character: N/A
Seventy years ago the wealthy Thakur of Neelamghat had an affair with a gypsy girl, and then married another woman. The gypsy girl's dad placed a curse on the entire Thakur family that whenever a male marries, his wife will die in mysterious circumstances after an year. The curse has come true over the years, and none of the Thakurs have escaped it's wrath. The latest Thakur, Prabhat has now come to settle in Neelamghat, and is attracted to the local doctor's daughter, Sandhya Gupta. When Dr. Gupta proposes marriage, Prabhat tells them about the gypsy curse, and both father and daughter scoff at this. They quickly change their minds one night, when they find Prabhat dressed as a groom, getting ready to marry a reincarnated gypsy girl.
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Khushboo (1975)
Character: Munimji
Kusum and Brindavan are two small children living in a small village in India. Both love each other, and decide to marry when they grow up. Kusum has his name tattooed on her arm. But fate has other plans - both are separated. Kusum thinks that Brindavan has betrayed her, and she burns her arm to eradicate the tattoo. Years later, Kusum has grown up and is looking after a wealthy woman in her village. The wealthy woman falls sick, and her son brings in a doctor to treat her. Kusum's hopes for meeting her beloved surface, when she finds out that the doctor's (Jeetendra) name is Brindavan
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मेरे सनम (1965)
Character: N/A
Neena and her mother stop by at a motel where she falls in love with Kumar, another occupant. When the two decide to get married, Neena learns of Kumar's dark past.
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परिचय (1972)
Character: Diwanji
An unemployed young man (Jeetendra) takes a job to tutor unruly grandkids of Rai Sahab (Pran) and brings out respect, appreciation and hard work hidden deep inside them.
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सत्यकाम (1969)
Character: Shiv Nandan
Circa British Rule in India, Satyapriya Archarya lives a modest yet noble lifestyle with his grandfather, Satyasharan. His mother passed away while he was very young, and his dad became a celibate and went off on a pilgrimage, never to return. Satyapriya studies Engineering, and becomes a close friend of fellow-collegian
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आखरी दाव (1958)
Character: Mehta (as Dev Krishen)
A car mechanic falls in love with a girl but discovers her father has a large debt, leading him to gamble and marry another to pay off the debt.
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मेरे अपने (1971)
Character: Shyam's Father
Old woman Anandi moves to the city with her relatives and finds out their material side. She develops fondness for two rival street gangs of unemployed youth. These gangs are headed by two former friends turned foes in a time when society, politics and education are all losing their bearings in 1970s India.
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Chupke Chupke (1975)
Character: Kaka (Old House Keeper)
Sulekha is in awe of her brother-in-law Raghavendra for his intelligence. Parimal, her husband, decides to take up the challenge of fooling Raghavendra and goes to work for him as a driver.
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आनन्द (1971)
Character: Raghu Kaka
Dr. Bhaskar Bannerjee struggles with his patients' suffering and the darkness and poverty he confronts daily. He treats cancer patient Anand who upon learning of his impending death determines to use the time he has left to the absolute fullest.
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अनाड़ी (1975)
Character: Poonam's Father
A young couple struggle with poverty, but a job opportunity which cancels their financial woes leads to new tests of character
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