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Andhare Alo (1957)
Character: Satyendra
Satyendra, the scion of a wealthy Bengali zamindar family, is married by family duty to an eleven‑year‑old girl, Radharani. Emotionally detached, he grows closer to Bijli, a mature, self‑sacrificing courtesan.
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আলোর পিপাসা (1965)
Character: N/A
Synopsis::: The movie narrates the tragic life story of Roshanbai and how she triumphs over the insensitive society. Roshanbai used to visit the bathing ghat every morning where she could hear the prayers of a brahmin. Roshan fell for him and decided to leave her profession. She wished to start a fresh life with the brahmin. She showered Sohanlal, the agent with money so that he would free her from the profession. One day Roshan pretending to be a destitute brahmin girl won the brahmin’s attention and he gave her shelter. She was content with her new life at the brahmin’s place.
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Agnisikha (1962)
Character: N/A
The young daughter of a struggling family is forced to get a job when her father is killed in an auto accident caused by an industrialist's son.
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বধূ (1962)
Character: Bani
Kalyani is married into an aristocratic family. Bhuban Mohan Choudhury is unhappy because his daughter-in-law, Kalyani, has dark skin and is illiterate. Despite this, Kalyani becomes the heart of the family. Over time, Bhuban undergoes a transformation as he witnesses how lovingly Kalyani takes care of everyone in the household. However, Bhuban’s son-in-law, Phatik Chand Basu, who lives in the house, conspires and breaks the unity of the family. Can Kalyani bring the family back together?
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দিবারাত্রির কাব্য (1970)
Character: N/A
Throughout her life, Supriya loved a man and was married to another man however she did not either escape from her responsibilities as a doting wife. However, her inner feelings keep tormenting her all her life and her married life becomes an utter failure. She not only ruins her life but everybody else's around her. In the end, her life becomes nothing more than fragmented pieces of broken images.
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অণুস্তুপ ছন্দ (1964)
Character: N/A
Anustup Chhanda is a Bengali movie released on 1 July 1964. The movie is directed by Pijush Bose and features Basanta Choudhury in the lead role.
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শঙ্খবেলা (1966)
Character: N/A
Tripti's ill son has been admitted to the hospital. A teacher by profession, she visits her son every day after school. One day on her way, she comes across her estranged husband, Sunil Ganguly.
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ক্ষুধা (1960)
Character: N/A
Kshudha is a 1960 Bengali Drama film directed by Panchamitra.
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সঙ্গিনী (1974)
Character: N/A
This story concerns an honest police officer Amit Sen and his wife Seema. Seema has to kill a smuggler, Changez in self-defence, but she cannot tell anything to Amit. Changez's boss Shamsher Singh harasses her for the diamonds that Changez has accidentally dropped in her house, but she has no clue about. In due course, Seema is arrested. Finally, Amit catches Shamsher Singh and proves Seema's innocence in court.
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বাবু মশাই (1977)
Character: N/A
A 1977 Indian Bengali Drama Film directed by Salil Dutta.
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বৈদুর্য রহস্য (1985)
Character: Mohanta Maharaj
An invaluable emerald was stolen from Lord Krishna's temple on an island. A detective agency investigates.
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পমপা (1979)
Character: N/A
Pampa is a social drama that tells the dramatic life of a little girl who finds a good life in the most hopeless of situations.
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রাজা রামমোহন (1964)
Character: Raja Ram Mohan Roy
Raja Ram Mohan Roy, a social reformer, stands against the evil customs of the society. Soon, he starts a battle to abolish 'Sati Pratha' in the Hindu communities.
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নিশিমৃগয়া (1975)
Character: N/A
A thrilling tale of crime and deception as Mr. Gonzales' criminal empire faces collapse, entwined with the mysterious Number Three's dangerous game of love and betrayal.
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কেরানির জীবন (1953)
Character: N/A
Bidhu, a family man, leads a content life with his two sons and four daughters. As the sole breadwinner of the family, Bidhu's life turns upside down when his son is diagnosed with tuberculosis.
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সংসার (1971)
Character: N/A
Sansar is a social drama that shows the story of a happy family. Though Shanti is the second daughter-in-law of the house, she is given the responsibility of the house. She helps her husband with money by selling her jewelry to make a machine. Subhas, Shanti’s brother-in-law helps her in this matter. One day in shortage Shanti with the help of Subhash kept her sister-in-law’s gold necklace in stake without informing her. Conspiring Subhas, Satyen, and Subodh were sent to jail by Ajit. Due to the shortage of money, Satyen had to sell the machine to evil Ajit. But in prime time, Ajit’s uncle came to know the matter and rescued Shanti’s family from danger. The film ends on a happy note where all the dangers are removed from the family and they live peacefully, clearing up all the misunderstandings against each other.
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শশীবাবুর সংসার (1959)
Character: N/A
Sashibhushan who is the orthodox patriarch, has a tough time dealing with the youngsters who want to live life on their own.
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আপন পর (1992)
Character: N/A
Pratap Chandra is an extremely wealthy businessman. While he is averse to poverty, he trusts his servant Gora with his life. His only daughter Buli, falls in love with Alok, a poor journalist. Unable to convince her father for the marriage, Buli leaves home. Will Gora now be able to reconcile the father-daughter?
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হীরের আংটি (1992)
Character: Ratanlal Bannerjee
Gandharva Kumar's arrival disrupts the festival mood of Durga Puja at Ratanlal Babu's house. He captivates the grandchildren of Ratanlal — Babu, Habul, and Tinni — with his magic tricks. Gandharva Kumar then reveals a long-forgotten secret wherein he claims to be heir to the family property of Ratanlal Babu. This creates shock in the entire family and casts gloom, resulting in dramatic incidents.
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অন্তর্জলী যাত্রা (1987)
Character: Laxminarayan Banerjee, Yashobati's Father
A father encourages his daughter to marry a dying man in order to inherit his wealth.
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परख (1960)
Character: Prof. Rajat Sen
The postmaster of a village receives a check for 500,000 rupees, for the purpose of bequeathing it to the village’s most upstanding citizen.
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দীপ জ্বেলে যাই (1959)
Character: Tapash
A nurse at a psychiatric ward gets a bit too involved in the well-being of a patient.
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