|
Phool Bane Angaare (1963)
Character: N/A
Committed to taking care of her widowed mother and younger brother, Usha tells her sweetheart, an army officer, that she cannot marry him until her brother has grown up and can take care of himself.
|
|
|
Talaq (1958)
Character: N/A
When teacher Indu (Kamini Kadam) marries engineer Ravi Shankar Chaube (Rajendra Kumar) after years of living with her unemployed, widower father, Moolchand Chabbe (Radhakrishan), it's a readjustment -- especially when Moolchand begins gambling after Indu quits working and has a child. Now Ravi puts them all on a budget, and to make ends meet, Indu goes back to work. But Ravi insists she must quit or face a divorce in this Indian drama.
|
|
|
Dus Lakh (1966)
Character: N/A
Life changes drastically for Lala Gokulchand (Om Prakash), a lowly shopkeeper, when a rich relative dies and he becomes an overnight millionaire. But his lucky break has a flip side in that it makes him a target for a scheming con artist (Pran) with plans to ruin him. Devendra Goel directs this classic Bollywood family drama with a supporting cast that includes Sanjay Khan, Babita Kapoor, Helen, Manorama and Baby Sonia.
|
|
|
लोहा (1987)
Character: Man with Briefcase
Inspectors Amar (Dharmendra) and Dayal (Raza Murad) in their attempt to arrest bandit Sher Singh (Amrish Puri),, get injured, Amar survives, but Dayal gets his legs crushed and becomes wheelchair-bound. Later, Amar arrests local politician Jagannath Prasad (Kader Khan), who gets released without being charged while Amar gets reprimanded, and decides to resign. Later, Sher Singh hijacks a bus and holds the passengers as hostages in exchange for 25 of his jailed associates. Dayal's granddaughter, Seema (Mandakini), is amongst them, and Dayal asks Amar for assistance. Amar, along with ex-convict, Qasim Ali (Shatrughan Sinha), and Karan (Karan Kapoor), a drug-dealer, does manage to rescue them but differences crop up among the trio and they part ways. Then Amar finds out that Qasim and Karan have masterminded a plan to facilitate the escape of the 25 convicts, and decides to confront them.
|
|
|
एक कुंवारी एक कुंवारा (1973)
Character: Masterji
Wealthy Deepak comes to the rescue of a village belle named Tara, marries her in secret, leaves her with a promise to return. When Tara finds out she is pregnant, and Deepak has abandoned her she gets a stroke and as a result loses her voice. Subsequently, she gives birth to a son, and leaves the village to go to Bombay to look for Deepak. Once there, she comes across Deepak, who will not have anything to do with her, and gives her some money to look after herself and the child. She abandons the child in a taxi-cab, and the child ends up with Deepak's sister, Neela. Watch how hilarious chaos reigns as the child keeps on ending up with Deepak - no matter what he does to get rid of it.
|
|
|
Naata (1955)
Character: N/A
A woman describes the relationship between her sister and a postmaster
|
|
|
|
|
Bajrangbali (1976)
Character: Ravan's guard, setting Bajrangbali's tail on fire
Bhagwan Shri Bajrangbali has had super-natural powers at a very young age which includes swallowing the sun, lifting mountains, just to name a few. Bajrangbali has always regarded the skies and universe as his playground and could leap and fly around at will. Bajrangbali makes it his duty to serve Bhagwan Shri Ram all days in his life. He will make this comes to light when Ram's wife, Devi Maa Sita, has been kidnapped by Shivbakht Ravan, and is being held captive in far off Lanka.
|
|
|
Bade Sarkar (1957)
Character: Vilager
Encountering a young couple on the road, an elderly lady tells them her story
|
|
|
मासूम (1960)
Character: Man who chases Mannu
Set in the early 1960s in a large Indian city. The story of three orphaned children, the eldest of whom, Debu, is twelve years old. Debu does his best to earn money so that his brother and sister do not become homeless vagrants. With the help of kind people, Debu manages to provide for his brother and sister, as well as himself.
|
|
|
Waman Avtar (1955)
Character: Daanav Senapati
The film follows Lord Vishnu's fifth incarnation as the dwarf-like Vamana. He descends to earth to curb the ego and pride of the demon King Bali (Mahabali) and restore cosmic balance.
|
|
|
सट्टा बाजार (1959)
Character: Chaman Lal
Ramesh, a widower, remarries for his daughter's happiness, but financial crises force him to choose between love and stability.
|
|
|
|
Chala Murari Hero Banne (1977)
Character: Train Passanger
This is the story of Murari who wants to become a filmstar. He runs away from his house and goes to Mumbai to become a superstar. When he reaches Mumbai his whole world turns upside down. Fortunately he finds a friend in Mr Dubey who also is a struggler to get a break in films. They face hardships and at times they have to sleep in local trains. By the Gods grace Murari (Asrani) gets work as Junior Artist and works hard remembering the words Dharmendra told him once when they had met. His hard work pays off and one day he becomes the superstar of the film industry. But what about the flip side? Will he forget his old friends who had helped him during his struggle?
|
|
|
Tulsi Vivah (1971)
Character: N/A
Vrunda is married to Jalandhar who gets involved in a vicious battle with Lord Vishnu. As a war between gods and demons wages, Vishnu earns Vrunda's wrath after her husband is killed by Shiva.
|
|
|
Daku Aur Mahatma (1977)
Character: N/A
This is about a boy brought up among bandits - can he have a change of heart? It is about rule of law, humanity, sacrifice, and bravery. A band of orphans come together helped by a doctor and a policeman to take revenge.
|
|
|
आप की परछाइयाँ (1964)
Character: Lala Khushiram
A family drama with a special focus on two generations of the Chopra family. Dinanath Chopra lives in a small tenement with his wife, and two sons Baldev, and Chandramohan. Dinanath re-finances his house in order to get Baldev to study further and be a doctor, and also gets him married with Rekha who comes from a very wealthy family. Chandramohan studies in college, and has a sweetheart in the form of the gorgeous Asha. Asha lives with her mom, and dad, a sort of quack. Differences in the Baldev emerge and multiply. Baldev and Rekha move to their palatial house. The birth of a baby boy to Rekha does lighten things up a bit, but not for long. Dinanath loses his eyesight in an accident and becomes blind.
|
|
|
दुनिया (1958)
Character: Stage Artist
Film starring Ashok Kumar and Vyjayanthimala.
|
|
|
विक्टोरिया नम्बर २०३ (1972)
Character: Cafe Owner
Numerous plot lines intersect in this comedic romp about a female Victoria-carriage driver who disguises herself as a boy, and the hunt for the stash of diamonds hidden in her Victoria.
|
|
|
Manoranjan (1974)
Character: N/A
Havaldar Ratan is a rookie at the local police station, and is assigned duty on foot patrol on Manoranjan Street, a notorious red-light area, on the very first day of his job. He strikes up a conversation with a good-looking young woman named Nisha, and tells her that there is a possible violation of Suppression of Immoral Trafficking Act taking place on this street. He witnesses several women soliciting men, and decides to call in the paddy wagon, and get them arrested. Alas, one of the men frequenting the prostitutes is none other than Ratan's superior officer, who immediately summons Ratan, and has him removed from service on corruption charges. Nisha takes pity on a homeless and unemployed Ratan, and asks him to live with her. He does not want her to sell her body, and so he decides to work at night, and during the day he takes on the guise of a rich Nawab and spends time with her.
|
|
|
एक दिन आधी रात (1971)
Character: Lodge Receptionist
Ashok and his wife Usha are a happily married couple. However, Usha secretly believes that her husband might cause her harm or worse, kill her. The story takes a thrilling twist when she dreams about her husband killing her! Will Usha be able to curb her fears or is something terrible in store for her?
|
|
|
New Delhi (1956)
Character: Daulatram's friend
Complications, impersonations and moral dilemmas arise when a Punjabi pretends to be a Tamil in order to obtain accommodation in New Delhi. An eloquent and entertaining plea for national unity that manages to showcase several cultural traditions whilst encouraging people to laugh both with and at each other.
|
|
|
Jhuk Gaya Aasman (1968)
Character: N/A
Sanjay and Priya are in love and are planning to marry. When Priya learns that her father has been arrested, they decide to postpone their wedding. However, destiny has other plans as Sanjay dies in a car crash. In heaven, he learns that his death was a mistake, and he is sent back to Earth in the body of his lookalike, the wealthy but morally corrupt Tarun Kumar Saxena, the man who ruined Priya's family.
|
|
|
|
Shrimanji (1968)
Character: N/A
The year is 1942 and Advocate M.L. Gupta lives a wealthy lifestyle along with his wife, Maya, in Churchgate, Bombay. One day he travels to Calcutta, and during an air raid by Japanese fighter aircraft, takes shelter with a prostitute, Panna, who drugs and then seduces him. The next day Gupta returns home and decides to forget about this affair. Shortly thereafter he and Maya become parents of a male child and name him Johar.
|
|
|
Rang Birangi (1983)
Character: N/A
Sparkling comedy about a meddling friend whose attempt to rekindle the spark in his friend's relationship with his wife of seven years leads to complications to their lives, and to the lives of his secretary and her boyfriend he has not 'scripted' ... Splendid performances by Amol Palekar, Deepti Naval, Parveen Babi and Farooq Shaikh, a perfectly pitched script, witty dialogue and a plethora of aptly placed film references make this a film one can watch over and over and never fail to laugh out loud.
|
|
|
Paapi (1977)
Character: W.C. D'Costa (as Mulchand)
Long lost siblings grow up on opposite sides of the law; the girl becomes a thief and the boy becomes a police officer.
|
|
|
|
पोंगा पंडित (1975)
Character: Sethji (as Mulchand)
Haridwar-based Neelkanth Pandey and Shambhu Nath get their children, Bhagwantiprasad and Parvati respectively, married. Whille Shambhu re-locates to live in Bombay, Neelkanth continues to reside in the same residence. Years later both children have grown up, so Neelkanth invites the Naths to finalize the nuptials. Very soon the Pandeys will face humiliation and ridicule at the hands of Parvati, who now calls herself Pamela, and Shambhu, who wants his daughter to marry someone sophisticated and wealthy, while Parvati is in love with a singer named Rocky. Bhagwanti is determined to fulfill his parents' wishes and decides to stay wed to Parvati, re-locates to Bombay, to try and woo her back - with results that will end up changing his life forever.
|
|
|
दोस्ती (1964)
Character: Ashok's Employee
Mr. Gupta passes away after an accident while on duty, leaving behind his ailing wife and school-going son, Ramnath. Both await for some compensation, and when they are informed that the company does not accept liability for Gupta's death, his wife falls down the stairs. and passes out. When Ramnath goes to fetch a doctor, he is knocked down and run over by a speeding car, losing the use of his left leg. When he returns from hospital, he finds that his mom has passed away, and his landlord has evicted him. Penniless and hungry, he roams the streets of Bombay and befriends a blind young man, Mohan, and both use their talents - playing and harmonica and singing respectively to earn some money. Mohan is on the look-out for his sister, Meena, who works as a Nurse in one of the hospitals and hopes to be reunited with her. Both friends befriend a ailing young girl, Manjula, and hope to get some money from her so that Ramnath can attend school.
|
|
|
डॉन (1978)
Character: Govinda
A ruthless gangster named Don is killed during a scuffle with the police. Since only DSP D'Silva knows of this incident, he recruits Vijay, who is a spitting image of Don, to replace the original Don and infiltrate his gang. D'Silva plans to nab the entire gang, but when he dies during a raid, the secret that Vijay is not Don is also buried with him.
|
|
|
राम बलराम (1980)
Character: N/A
Ram and Balram are 2 young boys who live with their loving parents. Their scheming uncle, Jagatpal, however kills the boy's father and mother. Jagatpal lies to the boys that their parents have been killed in an accident and promises to raise them himself. He enrolls the younger brother Balram, in school and eventually sends him off to join the police force. The older becomes a mechanic. Jagatpal has a tight hold on the boys, even when Ram is an adult, he still gives all his wages to his uncle and is only allowed to keep a few rupees for pocket money.
|
|
|
फकीरा (1976)
Character: N/A
Vijay helps the poor and robs the rich, while Ajay is assigned the job to bring Vijay to justice. Thirsty for each other's blood, both men are unaware that they are brothers separated at a young age.
|
|
|
मिस्टर अॅन्ड मिसेस '५५ (1955)
Character: Husband in the theatre (uncredited)
A young, naive heiress is forced into a 'marriage of convenience' with an unemployed cartoonist in an attempt to save her millions - a move orchestrated by the scheming aunt.
|
|
|
Parvarish (1977)
Character: N/A
A policeman adopts the son of a bandit. A misunderstanding leads the officer's own biological son to believe he is the bandit's son and he takes up a secret life of crime; meanwhile, the adopted son becomes an officer of the law.
|
|
|
Padosan (1968)
Character: Huzoori / Kunwarji's Servant (uncredited)
A simple man from a village falls in love with his new neighbor. He enlists the help of his musical-theater friends to woo the lovely girl-next-door away from her music teacher.
|
|
|
C.I.D. 909 (1967)
Character: Suraj (uncredited)
Professor, an Indian scientist, develops a nuclear project to bring world peace. When Wong and Wasco want to get their hands on the project, it is up to CID Agent Raju to save the day.
|
|
|
दिल ने पुकारा (1967)
Character: Jyoti's dad (uncredited)
Asha lives a wealthy lifestyle in Bombay with her widowed dad, who would like her to get married to Dr. Prakash. While vacationing in Kashmir, she meets with a young man, Rajan, and both fall in love with each other. When she returns home and attends Dr. Prakash's birthday party, she gets a pleasant surprise when she finds out that Rajan is Prakash's friend. Rajan introduces Asha to his mom, while Asha introduces Rajan to her dad, and both parents approve of their match. Before they can get engaged, Rajan had promised his late father that he would obtain a degree from Oxford University, and be back after one year. He decides to travel by boat, which meets with an accident and there are no survivors. A shocked and devastated Asha finds out that Rajan's death has killed her dad, and she throws herself in her work as a doctor, working side by side with Prakash.
|
|
|
|
|
Suhaag (1979)
Character: N/A
Durga and Vikram Singh have been married for years. Vikram has taken to crime in a big way, and as a result has antagonized a rival gangster, Jaggi. Durga gives birth to twins, and Jaggi steals one of them, and sells him to a bootlegger, Pascal. Durga is upset when she finds her son missing, but is devastated when Vikram abandons her. With a lot of difficulty, Durga brings up her son, Kishan, and has given up on finding her other son. Kishan has grown up and is now a dedicated police officer. On the other hand, Pascal has exploited Amit, kept him illiterate, doing petty crime, and alcoholic. This gets him in confrontation with Kishan, but ironically the two settle their differences and become fast friends. Vikram is still alive, and is not aware of his two sons and wife being alive.
|
|
|
Ajanabee (1974)
Character: Kaka
Middle-classed young and dashing Rohit Kumar Saxena falls in love with wealthy and lovely Reshmi, and both decide to get married. Reshmi's dad, the wealthy Diwan Sardarilal is strongly opposed to this marriage, but relents when Reshmi refuses to marry anyone else. As a result, Rohit and Reshmi get married. Shortly after their marriage, Reshmi gets pregnant, news that is very well received. Then Reshmi enters a beauty pageant, and wins it - being crowned Miss India, with offers to travel abroad. Reshmi decides that she does not want the child now, but Rohit opposes this decision. Both quarrel, and separate, and Reshmi goes back to live with her dad. Shortly thereafter, Sardarilal sends a legal notice to Rohit asking for a divorce. Devastated, Rohit seeks employment, and finds it as a station master at a remote hill station. He meets with Reshmi and her dad, and is humiliated because he is poor.
|
|
|
Aatank (1996)
Character: N/A
Jesu and Peter are childhood friends who live in a coastal village in India and depend on fishing as their livelihood. The community is oppressed by a powerful gangster named Alphonso. Jesu is an orphan, while Peter is brought up by his aunt and uncle, after the death of his mother. The community is all thrilled when Phillips finds black pearls off the coast. But then so does Alphonso, who asks his divers to get all the pearls, thus disturbing the ocean. Peter meets with Suzy D'Silva and they fall in love with each other, and get married. While enjoying a quiet swim on the sea-shore, Suzy disappears. A search is carried out, and a number of human body parts are recovered. With shock and horror, this community finds that their livelihood is being threatened by a gigantic, virtually indestructible man-eating shark.
|
|
|
Panch Ratan (1965)
Character: Sepoy
A treacherous Sangram ascends the throne of Shamgarh by deceit. In order to end his rule and get married to his sister, Chandralekha, Raja rises up against him.
|
|
|
अमर अकबर एन्थोनी (1977)
Character: N/A
Three brothers, each raised in different religious households, reunite after many years in a chance encounter. They set out to take revenge on those responsible for separating them.
|
|
|
Door Ki Awaz (1964)
Character: N/A
Two siblings, Mala and Prakash, meet a woman who has lost her memory and decide to have her come and live with them.
|
|
|
Jhumroo (1961)
Character: Gypsy (uncredited)
Anjana lives a wealthy lifestyle with her dad, Dwarka Nath, in a hilly region in India. When she returns home after several years, she finds that her dad has become more strict and a disciplinarian, and even has his erring employees and villagers flogged. Then she meets with local villager, Jhumroo, and both fall in love with each other. Jhumroo takes her home to introduce her to his mom, Kamla, who approves of her instantly. When Dwarka comes to know about this, he is enraged, and quickly announces her marriage with his Manager, Ramesh. Jhumroo is heart-broken and goes to meet with Anjana, who does tell him that she loves him, but must obey her father. What Jhumroo and Anjana do not know is that she is not Dwarka's daughter, but is the daughter of Kamla, and abducted at a very young age.
|
|
|
Aadat Se Majboor (1982)
Character: Bachchu Bhai
Dinanath Shastri (Madanpuri) is a devout Hindu firefighter. One day his son, Shankar (Mithun Chakraborty) brings home a young girl, Salma (Rameshwari) as he felt sorry for her. Dinanath thinks she is Hindu and calls her Shanti, and thinks of making her his daughter-in-law, as she nurses him and looks after the entire household after he has an accident. One day Dinanath meets with a blind man who he recognizes as Dr. Varma (Om Shivpuri), who he has known for many years. Dr. Varma's daughter, Neetu (Ranjeeta Kaur) and Shankar were childhood sweethearts. This news breaks Salma's heart but she does not let anyone know. Dr. Varma's arch enemy the wealthy, powerful, and seemingly generous Agnihotri (Amrishpuri) finds out he is alive and sets his goons out to kill him. Why would a rich and generous man want to kill a harmless blind man? What will be the reaction of the devout Dinanath when he finds out that Shanti is Muslim?
|
|
|
Charandas (1977)
Character: Moturam Keswani
The entire plot is woven around Indian family values, enterprise and meteoric rise in business.
|
|
|
गोल माल (1979)
Character: Man at Cinema (uncredited)
A man's simple lie to secure his job escalates into more complex lies when his orthodox boss becomes suspicious.
|
|
|
Hulchul (1971)
Character: N/A
Peter (O. P. Ralhan) and Kitty (Helen) love each other, but due to Peter's poverty, they are unable to marry each other. One day, during a secret rendezvous, Peter accidentally overhear a conversation between one Mahesh Jetley and his paramour, where Mahesh tells her that he is soon going to bump off his wife on a certain date. Peter and Kitty decide to foil this man's plans. However, there are 2 problems: 1 - They have not seen Mahesh or his paramour's face. 2 - Even if they had, no one would believe their story. Hence, the lovers decide to do a little investigation on their own. They find three Mahesh Jetleys. On some snooping, they find that each man is married and each of them has a miserable married life. To find their suspect, they devise a plan whereby they will stage an attack on each man's wife. Whoever the culprit is, will freak out and his identity will be revealed.
|
|
|
Kanoon (1960)
Character: N/A
A lawyer holds the eyewitness evidence to catch a killer, but the identified criminal is the lawyer's own mentor, prospective father-in-law, and also the judge who presides over the case.
|
|
|
जागृति (1955)
Character: N/A
Sent to a hostel as a punishment, a rebellious lad leads a revolt and creates havoc in the institution.
|
|
|
यादों की बारात (1973)
Character: N/A
Three brothers are separated after their parents are murdered by a gangster. Years later, they find their paths intertwined around a family song.
|
|
|
सूरज (1966)
Character: Musicians Head (uncredited)
Vikram Singh is the Maharaja of Pratap Nagar and is very impressed with his Senapati Sangram Singh for years of loyal service. He decides to make him a Maharaja and agrees to marry his daughter, Anuradha, with his son, Pratap. Years later, Vikram sends his now grown-up Anuradha to visit the coronation of Rajkumar Pratap Singh and approve of him as her husband, and she sets off without any escort with just her maid-servant, Kalavati, for company. Shortly thereafter, Vikram is informed that Kalavati has been abducted by a bandit named Suraj Singh, he accordingly rushes over to Sangram's and this is where he discovers to his shock that Kalavati is posing as Anuradha, and it is his daughter that has been abducted by Suraj. Watch what happens when Suraj is arrested and lodged in a dungeon, and preparations are set forth for the coronation of Pratap and his subsequently marriage with Anuradha.
|
|
|
तलाश (1969)
Character: N/A
A business man must choose between keeping his promise to marry a poor village belle, or making it big by wedding his boss's daughter: a wealthy Westernized girl who bares a striking resemblance to his first love.
|
|
|
Kundan (1955)
Character: N/A
Classic Bollywood film about a young man whose poverty leads him to commit crimes which, in turn, lead him to harsher and harsher punishments.
|
|
|
Choron Ki Baaraat (1980)
Character: Football referee
Anju lives a wealthy lifestyle with her widowed dad, Dhanraj, on a privately owned island. She studies in a hostel, plays on the football team, but is known for getting into fights with other girls, rather then taking part in this sport. But before that could happen, six men men who had duped by Dhanraj several years ago, arrive on the island incognito, enlist the assistance of the island's native people, led by Heera, who have been oppressed by Dhanraj and Captain Ashok, to recover their loot and kill Dhanraj and Anju. It is here that Anju will find out that the reason Shekhar accompanied her was not because he loves her, but for quite some other unknown and devious reason.
|
|
