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Em Família (1971)
Character: Neli
Old couple are being evicted and turn to their five children for help. Since no one can accommodate the two of them, the children decide to separate the couple.
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A Estrela Sobe (1974)
Character: Dulce Veiga
A veteran popular singer remembers her early days before fame as a humble woman who faced many obstacles in order to achieve fame, notoriety and make her dreams come true. Her life, the songs, the men she knew and helped her on her ladder to success all have a big influence on her life.
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Mar Corrente (1967)
Character: Helena
Helena, married to decorator Bruno, is a woman dissatisfied with the futility of social life. She rekindles her relationship with her former boyfriend, Clóvis, and discovers how difficult the struggle for happiness is by seeing the example of the less fortunate. After saving herself from the rough seas on the beach, Helena finds herself possessed by a mystical fear. On New Year's Eve, while the people celebrate Iemanjá, Helena and Bruno throw a lavish party. Their employee, Luiz, is arrested as a suspect in the death of a woman found on the beach. Having a disagreement with her husband, Helena leaves the party and throws herself into the sea. She is saved by Umbanda followers and welcomed by Bruno, who tries in vain to comfort her.
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O Jogo da Vida e da Morte (1972)
Character: N/A
Brazilian adaptation of Hamlet, set in the outskirts of São Paulo City. A teenager hears through a medium the voice of his father, who accuses his brother of murdering him. He confirms his suspicions of his uncle, and decides to retaliate, but kills the wrong man, triggering a terrible game of life and death.
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O Gato de Madame (1957)
Character: Ivone (madame)/Marquesa de Santos
Arlindo works delivering the clothes that his wife washes. During a working day, he finds a customer's cat, who offers a reward to whoever returns it. To deliver the animal, he ends up going through a lot of confusion.
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Dona Violante Miranda (1960)
Character: Josete
Ms. Violante Miranda is a bordello owner who raises a small girl as her own granddaughter. When she gets a little older, she is sent to study in Europe, and when she returns, she becomes a socialite, rejecting her previous milieu and her "grandmother".
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Dona Xêpa (1959)
Character: Rosália
Dona Xepa is a vegetable stand owner. She dreams about the success of her scientist son. The film is based on the play by Pedro Bloch.
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Duas Histórias (1960)
Character: Paula
Cacareco is a clumsy worker at a dry cleaners who constantly causes losses for his boss, the Portuguese Rebuçado. One day, he receives a package from his relatives in the north: Maria do Socorro, his goddaughter. Pursuing his dream of working in television, Socorro ends up involving Cacareco in numerous disputes, including fights, robberies, and gambling in an underground casino.
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Vai Trabalhar Vagabundo II: A Volta (1991)
Character: N/A
Exiled in Acapulco, the bon vivant Dino cheats a rich widow into financing his coming back to Brazil. To avoid getting caught, he hides in a coffin. His fake burial is celebrated in high style and it doesn't take long before he starts getting himself into weird situations.
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As Sete Faces de um Cafajeste (1968)
Character: Nina
Alfredo, a rich playboy and restless womanizer lives a happy life until receive threats from several cuckolds. Things get worse when each of the seven involved women accuse each other causing a big mess.
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As Sete Evas (1962)
Character: Terezinha
When a lady-killer announces his wedding, seven of his ex-girlfriends decide to kidnap him, keeping him in a sailing ship.
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Barra 68 - Sem Perder a Ternura (2001)
Character: Self (archive footage) (uncredited)
The story of the University of Brasília, since it was only a project in Darcy Ribeiro's head until the fateful events in August 1968 when its campus was invaded by the police, during the military dictatorship, thus putting an end to its independence.
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Milagrez (2008)
Character: Self
Documentary on "Antonio das Mortes", Glauber Rocha's 1969 film.
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A Batalha dos Sete Anos (1968)
Character: N/A
Investigation into the seven years that followed the closure of Companhia Vera Cruz, in 1955, which marked a period of crisis for national film production in Brazil.
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Um Filme 100% Brasileiro (1985)
Character: N/A
French poet Blaise Cendrars arrives by sea on the city of Rio de Janeiro and lives s life of bohemian parties during the celebration of carnaval.
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Mulheres & Milhões (1961)
Character: N/A
Three men who never met each other are hired by a mysterious client to carry out a daring bank robbery.
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Arara Vermelha (1957)
Character: Sá Lua
A mine boss hires a policeman to chase some runaways who stole a precious diamond.
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Aventuras com Tio Maneco (1971)
Character: Julia
Three boys and their uncle venture into the Amazon jungle in search of their missing grandfather who's been kidnapped by evil space robots!
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Quando o Carnaval Chegar (1972)
Character: Self (uncredited)
Music manager has to get three of his artists together for a special show, but soon finds out it isn't an easy task.
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Moral em Concordata (1959)
Character: Estrela
Rosario is a prostitute who lives in her married sister's house. When the latter wants to be a hooker too, she doesn't approve.
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O Princípio do Prazer (1979)
Character: Norma Menezes
In a financially troubled farm in the 1930's, its depraved owners become attracted to their new handsome and young handyman.
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Memórias do Grupo Opinião (2019)
Character: Self (archive footage)
Follows the story of Opinião, a theatre group created in 1964 during the early Brazilian dictatorship period to oppose the government through artistic performances. Considered the first left-wing response to the dictatorship, the group gathered now famous Brazilian artists such as Nara Leão, Maria Bethânia, João do Vale and Millôr Fernandes.
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Câncer (1972)
Character: Odete
This film shows people with constant psychological and social conflicts: the violence among outlaws, conflicts between man and woman, police and society.
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Pão de Açúcar (1964)
Character: Teresa
Rhonda Fleming shines as Pamela, an American film star who falls in love with coffee grower Claudio (Rossano Brazzi) while in Brazil. When the two are hastily married, Pamela finds herself entwined in a clash of cultures in this rarely seen romantic comedy.
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Noite Vazia (1964)
Character: Regina
Two friends take two prostitutes for a night of pleasure. But the night turns out to be frustrating for all involved, as much bitterness is revealed in their conversation and attitudes, uncovering their anguish and deeper feelings, and the emptiness of their lives.
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Vai Trabalhar Vagabundo! (1973)
Character: Heloisa
Having come out recently from jail, a tramp, willing to make quick money, decides to organize a pool match between two famous retired players.
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Copacabana Me Engana (1969)
Character: Irene
Marquinhos is in his early 20s and lives in Copacabana with his petits bourgeois parents and older brother. He doesn't have a job, he doesn't go to school, he just lives on the spur of the moment, watches TV, plays soccer on the beach by day and goes out with his mates by night. He meets Irene, a 40 year-old woman and they have a love affair that is going to change his life - for a while.
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O Dragão da Maldade contra o Santo Guerreiro (1969)
Character: Laura
A new incarnation of Cangaceiro bandits, led by Coirana, has risen in the badlands. A blind landowner hires Antônio to wipe out his old nemesis. Yet after besting Coirana and accompanying the dying man to his mountain hideout, Antônio is moved by the plight of the Cangaceiro’s followers. The troubled hitman turns revolutionary, his gun and machete aimed towards his former masters.
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Na Garganta do Diabo (1960)
Character: Ana
Four deserters from Paraguay War hide in an old drunkard's country seat. The latter has two daughters who are unhappy with their recluse lives.
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Boca de Ouro (1963)
Character: Dona Guigui
After a powerful outlaw dies, a reporter interviews his lover and gets three different stories about the legendary man.
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A Rainha Diaba (1974)
Character: Isa Gonzalez
Rio's criminal underworld is run by an unexpected boss: a femme Queen with a taste for power and violence. But heavy lies the crown: what Queen can trust her subjects, however fabulous? When she sets up a stoolie to take the fall for her boy, a plot against Her Majesty arises!
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Os Herdeiros (1970)
Character: Eugênia
Jorge, an ambitious journalist, marries into money and betrays colleagues to become a powerful politician during political turmoil in 1946 Brazil.
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Absolutamente Certo (1957)
Character: Odete
A man who's memorized his town's telephone directory tries his luck on a TV Show. But a small group of people who control the bettings in town try to get advantage of his simple-mindedness.
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Adolfo Celi, un uomo per due culture (2006)
Character: Self
Created by his son Leonardo, this portrait of Adolfo Celi reconstructs his personal and artistic journey between Italy and Brazil. Through interviews, film clips, testimonials, photos, and extraordinary footage from the Celi family's personal archive, we will revisit the places that shaped his life.
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Abry (2003)
Character: (voice)
At 84 years of age, Lúcia Rocha admitted herself to a hospital in São Paulo to undergo heart tests. Upon receiving the news about the risk to her life, Lúcia, laconic, tells the doctor: 'Then open it'. This is the second time she has undergone bypass surgery. From this gesture, the documentary Abry was born (with y, sign of the unconscious, according to the nomenclature invented by his son, Glauber Rocha). To relate her memories, she invites filmmaker Joel Pizzini, who offers his mini camera as an instrument to amplify Lúcia's imagination. Abry is a poetic dive into Lúcia Rocha's fabulous universe, reconstructing her trajectory in Brazilian cinema through sounds, images and characters with whom she lived closely.
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