Carmen Santos

Personal Info

Known For

Acting

Known Credits

0.5038

Gender

Female

Birthday

08-Jun-1904

Age

(122 years old)

Place of Birth

Vila Flor, Portugal

Also Known As
  • NO INFO PROVIDED

Carmen Santos

Biography

Maria do Carmo Santos Gonçalves, or simply Carmen Santos (Vila Flor, June 8, 1904 - Rio de Janeiro, September 24, 1952) was a Brazilian filmmaker, film producer, screenwriter and actress. She was one of the first women to produce and direct films for Brazilian cinema.


Credits

Onde a Terra Acaba Onde a Terra Acaba (1933) Character: N/A
A woman flees to an isolated island, expecting peace and inspiration to write a novel. Her arrival, however, threats the stability of the islanders' lives as it stirs conflict between two men.
Celebração - 100 Anos do Cinema Nacional Celebração - 100 Anos do Cinema Nacional (1997) Character: Self
"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."
Cidade Mulher Cidade Mulher (1936) Character: N/A
A theater manager about to go bankrupt decides to accept help from his daughter and her boyfriend to save the family's finances, which she does with the sponsorship of a rich man.
Inconfidência Mineira Inconfidência Mineira (1948) Character: Bárbara Heliodora
Reconstruction of the historical episode of the Inconfidência Mineira (Minas Conspiracy).
Favela dos Meus Amores Favela dos Meus Amores (1935) Character: Rosinha
Two young men from Paris bring "wonderful civilizing ideas" into the brain. But, as they returned without pity, they began to call for an auction of the furniture and objects of art that garrison their "garconiére", last vestige of the passage of opulence. The great idea would be to install a cabaret in the favela for tourists in search of new sensations and also for the inhabitants of the city. On the hill, one of the boys experiences the greatest surprise: he found there, living among the humble, teaching to read to the children, Rosinha, an enchanted little princess, queen of the hill.
Onde a Terra Acaba Onde a Terra Acaba (2002) Character: Self (archive footage)
On 17 May 1931, the young director Mário Peixoto released his masterpiece "Limite" in a premiere in Capitólio Theater in Rio de Janeiro to astonished audiences bewildered by the impressive and poetic images. Considered by many viewers the best Brazilian movie ever made, this feature has never been released commercially. However, in a great paradox, Mário Peixoto has never made any other movie. The director Sérgio Machado pays a great tribute to the life and work Mário Peixoto a.k.a. Maçarico by his close friends with this documentary, using his diary; footages of "Limite", the never concluded "Onde a Terra Acaba" (1933) and the short "O Homem do Morcego" (1980); and interesting testimonies of Olga Breno, Ruy Solberg, Nelson Pereira dos Santos and Walter Salles among others.
Mulheres de Cinema Mulheres de Cinema (1978) Character: Self (archive footage)
Documentary on famous Brazilian actresses, female directors and the role of women in Brazilian film history.
Argila Argila (1942) Character: Luciana
In Rio de Janeiro, Gilberto (Celso Guimarães) is a talented artisan engaged of Marina (Lídia Mattos), working in a pottery factory. He is hired by the millionaire widow Luciana (Carmem Santos) to perform a restoration in her castle in Correas, a district of Petrópolis. He suffers an accident and Luciana lodges and treats him for a long period, and they fall in love for each other.
Sangue Mineiro Sangue Mineiro (1929) Character: Carmen
In the beginning of the Twentieth Century, in Belo Horizonte, the industrial Sampaio lives in a manor house with his stepdaughter Carmen, who has a sort of engagement with Roberto...
Limite Limite (1931) Character: Woman eating a fruit
Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.



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