Yeon Sang-ho

Personal Info

Known For

Directing

Known Credits

2.2821

Gender

Male

Birthday

25-Dec-1978

Age

(48 years old)

Place of Birth

Seoul, South Korea

Also Known As
  • 延尙昊
  • Yeon Sang-ho

Yeon Sang-ho

Biography

Yeon Sang-ho (born 1978) is a South Korean film director and screenwriter. He wrote and directed the animated films The King of Pigs (2011) and The Fake (2013), and the live-action film Train to Busan (2016).


Credits

부산행 부산행 (2016) Character: Control Room (uncredited)
When a zombie virus pushes Korea into a state of emergency, those trapped on an express train to Busan must fight for their own survival.
사이비 사이비 (2013) Character: Biker 2/ Choi Kyeong-seok's underling 3/ Karaoke guest 1/ Police 3/ Church voice (voice)
A convict returns to his home town to again torture his family, face his neighbors and try to destroy the local religious fanatics and their plans to keep money from the village people.
우리별 일호와 얼룩소 우리별 일호와 얼룩소 (2014) Character: Playground Person / Passerby (voice)
Il-ho, a satellite girl, wants to learn about human emotions, and crash lands on Earth. She transforms into a human girl and tries to help Kyung-chun after he is transformed into a milk cow.
돼지의 왕 돼지의 왕 (2011) Character: Lee Jeong-min / Cat / Kim Yeong Message Center / School students (voice)
Two friends, Jung Jong-suk and Hwang Kyung-min, meet after several years and talk about their time in school, which left them scarred.
서울역 서울역 (2016) Character: Young Man 4 (voice)
When a zombie virus erupts from Seoul Station, a young woman fights to survive on the streets while her boyfriend and father track her down.
창 창 (2012) Character: Lee Chang-su
Sergeant Jeong Cheol-min's squad are in a renovated stock room with no window. The squad members are well known to be a hardworking group until Councellor Hong Yeong-soo comes in and starts causing trouble. Hong Yeong-soo seems to have difficulties adjusting to this environment. Things in the army changes rapidly, Jeong Cheol-min and his crew find themselves under attack perceived as the aggressors.



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