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Mujeres sin mañana (1951)
Character: Cliente cabaret
Loosely-plotted melodrama about five "hostesses" and the owners of a waterfront nightclub.
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Doña Diabla (1950)
Character: Pepe Luis
A woman, after committing a murder, flees into a church, confessing her life story to a priest.
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Orgullo de mujer (1956)
Character: Doctor
Everything is very quiet and peaceful in the city of Taxco, until there arrives a man called Ramón Durán who exploits abandoned mines. His presence in the community will initiate a lot of changes. Ada Montalvo is a beautiful young woman with a great heart, whose strong personality wakes up the admiration of a good looking millionaire Ramón. She is the woman he has always dreamed of. However, for Ada he is nothing more than an intruder who has arrived to ruin the calm life of Taxco with his money, and she does not hide the contempt she feels towards him, even though the circumstances force her to marry him...
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La entrega (1954)
Character: Miembro club (uncredited)
Through hard work, the Spaniard Alejandro has become wealthy and powerful. In contrast, the banker Don Victorino—who once refused a loan to the then-poor Alejandro—has fallen on difficult times. Victorino is married to Ana, who spends her life playing the piano, and they are the parents of the proud Julia, who is engaged to Enrique Régules. Julia is forced to marry Alejandro in order to save her family’s financial situation. Despite her husband’s blunt and often harsh honesty, Julia gradually finds herself falling in love with him, and vainly tries to make him jealous with Licenciado Héctor, who courts her. Julia becomes nervously ill, troubled by the fact that Alejandro does not love her in the romantic, storybook way she longs for.
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El Buen Mozo (1946)
Character: Varenne
Unscrupulous cad sleeps his way to the top of belle epoque Paris society.
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No niego mi pasado (1952)
Character: Mesero (uncredited)
This is a film by Alberto Gout that deals with the story of a marriage in crisis. It all starts when Leonardo surprises his wife Susana with her lover and threatens him with death for stealing her.
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La casa de la Troya (1948)
Character: Rafael
Adaptation of the novel by Alejandro Pérez Lujín, centered on the university adventures in Santiago de Compostela of Gerardo Roquer from Madrid, who stays in a boarding house known as "La Casa de la Troya".
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Médico de guardia (1950)
Character: El del apéndice
The director of a hospital deceives a poor couple in order to steal their newborn child and sell the baby to a wealthy couple.
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El seminarista (1949)
Character: Priest
Returning to his home town, seminarist Miguel is forced to trade the robes for a charro costume in order to solve several problems that appear in his way, including the female kind.
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Las cariñosas (1953)
Character: Dr. Castrillón
When three beautiful young nurses from Jalisco, afflicted with a rare disease called "sexappealitis", create commotion among the patients in a hospital, they are forced to resign. They travel to Mexico City following the suggestion of a crazy scientist, who tells them they will be cured when they get married. But they are attracted to three men who are indifferent to their sexy looks, being themselves sick with "lovetitis".
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Acuérdate de vivir (1953)
Character: Notario
In Guanajuato, a piano teacher delays her marriage to an engineer not to let her younger sisters alone. As he is love with her voice, he is mistaken for a sister whom he marries. The teacher then goes to the capital. There she becomes part of a family of young students, who believe she is the mistress of his father, so she suffers the scorn and reproach. Over the years the parents die and she renounces to the inheritance they leave her.
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La casa chica (1950)
Character: Sacerdote
Amalia, aged, remember when Fernando Mendoza, his former medical school, came to San Esteban, the town where she lived. They worked together and became his love. Although he was engaged to another, Fernando decided to return to the city to complete his commitment to her and finally reunited with Amalia, but the facts do not happen as they had planned.
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Un gallo en corral ajeno (1952)
Character: N/A
A wealthy sculptor takes in a thief as a servant on her ranch, hoping to reshape him, but their situation is disrupted when she discovers a major robbery has taken place on her estate.
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Tierra de hombres (1958)
Character: Don Ángel Custodio
On his family's farm, Gilberto keeps weapons to support the revolutionaries. When his father find out, he runs out from the hacienda to join them.
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Espoir - Sierra de Teruel (1940)
Character: Pilot Márquez
Spanish Civil War, 1937. A platoon of Republican soldiers plans to stop the advance of the rebel troops by bombing a bridge on the road to Zaragoza, near the city of Linás. With the close collaboration of the peasants of the area, the soldiers try to overcome the continuous bombardments and endure the harsh and tireless opposition of the powerful enemy…
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Cri-Cri el Grillito Cantor (1963)
Character: Conductor de carreta
Biography of the famous composer of children's music Gabilondo Soler. Starts from his childhood, when he worked as a pastor and grandmother tried to teach him to play the piano. Later he went to the city to study music theory and began writing his first songs.
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¡¡¡Mátenme porque me muero!!! (1951)
Character: Notario
Tin Tan just won the lottery and wants to donate it to an orphanage. Sataela and Riverita want to keep the money for themselves. In an attenpt to do so, they convince him of having a terminal disease and suggest that committing suicide is his best option.
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La ilusión viaja en tranvía (1954)
Character: Don Enrique (uncredited)
Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!
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Por ellas aunque mal paguen (1952)
Character: Maitre
Don Anastacio, an aristocrat passing through a rough patch,He will make marry his daughter Isabel with wealthy rancher. Isabel and her family refuse to work, Jose Manuel takes them to the ranch, where they are forced to work for food.
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Yo no creo en los hombres (1955)
Character: Padre de Alberto
In Havana, humble office girl Maria Caridad becomes the victim of rich playboy Arturo who seduces her and takes her to bed under false pretenses.
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Calabacitas Tiernas (¡Ay qué bonitas piernas!) (1949)
Character: Guitarist
A man hired to impersonate a bankrupt business mogul who is currently on the run from creditors sets out organize a musical starring beauties from Brazil, Mexico, and Spain in this Spanish-language comedy starring popular funnyman Tin Tan (Germán Valdés). Now, as the hapless imposter attempts to finance a musical without any money, he also discovers just how difficult it can be to juggle three beautiful starlets who all have eyes for their presumably wealthy producer. Another common English translation of the title of this film is Tender Pumpkins or Tender Little Pumpkins (although a direct translation is Baby Zucchini).
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La sospechosa (1955)
Character: Conserje
After a trip to Europe, Regina de Alba comes home and finds out her mother is nowhere to be found. When her step-father's criminal past becomes known, her suspicions increase.
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En la palma de tu mano (1951)
Character: Abogado
A con artist seduces the widow of a millionaire, only to learn she'd plotted with her lover to murder the late husband. A tense game of cat-and-mouse ensues—but who's the cat?
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Angelitos Negros (1948)
Character: Padre Francisco
Starring Mexican star Pedro Infante, "Black Angels" is about a couple formed by a beautiful woman and a singer, both white, who are parents of a black girl. The woman blames him, but the girl will suffer the racist treatment from her own mother. Mexican version of the famous novel by Fannie Hurst "Imitation of Life"
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Rosenda (1948)
Character: Señor Perea
A ruffian sends his assistant to force a peasant girl to marry him, but while he is bringing her to him, he falls in love with her.
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El niño y la niebla (1953)
Character: Doctor
Marta is obsessed with protecting her son from the genetic predisposition to schizophrenia that she has hidden from her husband.
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El puerto de los siete vicios (1951)
Character: Secuaz del falcón
Career criminals vie for ownership of a disreputable waterfront dive and for the love of the cabaret-gal that sings there.
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El gran calavera (1949)
Character: Don Carmelito (uncredited)
Portrayal of a family’s attempt to change the spending habit of the indulgent and hedonistic patriarch, Alfredo. The family decides to try to fool him into spending less by telling him that his large fortune is gone.
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Pablo y Carolina (1957)
Character: N/A
Torn between three lovers and bored by her typewriting classes, Carolina (Dillian) writes a passionate love letter to fictional Pablo Garza from Monterrey. The letter is sent by mistake and received by real Pablo Garza's girlfriend. Pablo himself (Infante) flies to Mexico City looking for an explanation. Carolina is rehearsing a musical show for her school dressed as a man. When Pablo meets her, she pretends to be her brother Anibal, a shy and feminine sailor. Pablo likes Anibal and invites "him" to a cabaret. After that, Carolina falls inlove with Pablo but resists to unveil her real self. Meanwhile, Pablo feels himself confused, because young "Anibal" is cute as an angel and has "those blue eyes..."
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Que Dios me perdone (1948)
Character: Martínez
Lena, a beautiful and mysteriously sinister refugee haunted by her past, is chased into the arms of a rich, unsuspecting industrialist not for love, but for information.
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