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Mi esposa me comprende (1959)
Character: N/A
Bachelor friend of a married couple gets caught up in the drama generated by the husband's philandering.
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Donde las dan las toman (1957)
Character: N/A
"Old dark house" comedy with a 'ranchera' setting, traveler stranded in a spooky place falls for a charro.
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Un padre a toda máquina (1964)
Character: N/A
Two neighboring towns have a hostile relationship... but one town has a surplus of marriageable bachelors, and the other has too many young women to marry off locally, so both towns need to get over their damn selves. A hip young priest on a motorcycle is assigned to set things right between them.
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Muchachas, muchachas, muchachas (1968)
Character: N/A
A group of college girls are traveling through Guanajuato, Mexico when their car suddenly breaks down. In an attempt to get a male passer-by to help them, the girls (led by the voluptuous Rosa Maria Vazquez) strip down to their bras and panties. At first, they are snubbed by a gay couple, but eventually the young women receive help from a local 'farm worker' (Dominican actor Andres Garcia). From here, the coeds are taken to a local town, where they are mistaken for a group of strippers. To tantalize would-be beaus, the young lovelies parade around their apartment complex in bikinis. The coeds' leader begins to fall in love with the 'farm worker,' but it is later revealed that he is not what he appears to be.
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¡Mamá, soy Paquito! (1984)
Character: Chloe
Paquito lives with his mother in poverty. When she dies, he looks for his father's love, who is a very wealthy man.
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Amor perdóname (1967)
Character: Lupe
Businessman Carlos meets Ana María in a Mexico City nightclub. He escorts her home, and makes a date for the next day. Ana María is actually a prostitute whose pimp, Arturo, thinks Carlos would be a good client, and urges her to be nice to him. They fall in love, and Carlos proposes marriage to her, indicating he must return to Puerto Rico soon.
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Lupe Balazos (1964)
Character: N/A
Cowgirl gets her man. After all the entanglements run their course.
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El Chácharas (1989)
Character: Lupita Fuentes
These are the funny, sexy misadventures of a lying, womanizing, conmen named "El Chácharas" and his twin brother Ulysses.
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Dos machos que ladran no muerden (1988)
Character: N/A
Constancio has to leave his wife and son because they're making him crazy. He leaves his fortune behind and falls in love with another woman.
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Sexo contra sexo (1983)
Character: N/A
The engineer José Luis, husband of the fichera and dancer Estrella Raleigh, dies in a plane crash. During the burial, Estrella discovers that her husband was having an affair. It's quickly revealed that things are a bit more complicated than they initially appear.
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El Chile (1991)
Character: N/A
Gumaro Gomarez (Charly Valentino), nicknamed “El Chile” because of his dashing good looks, is envied by men and coveted by women. A group of jealous rivals set a trap for him, and he falls right into it; but after a few more twists and turns, he manages to escape unscathed.
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La golfa del barrio (1982)
Character: La Tejocota
Left grief-stricken when his bride dies unexpectedly on their wedding night, desperate newlywed Juan Pablo jumps into a relationship with a sexy pickpocket in this romantic Mexican drama. At first, Juan Pablo desires only the touch of a woman, but things change when he begins to have strong feelings for Rosa. Sasha Montenegro, Susana Cabrera, Roberto Montiel, Eduardo de la Peña, Anaís de Melo and Delia Magaña star.
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Dos alegres gavilanes (1963)
Character: Tina
Alfredo B. Crevenna helms this charming romantic comedy about a pair of skirt-chasers wooing the two lovely daughters of a land baron — who rebuffs the young swains to protect his girls.
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Burlesque (1980)
Character: N/A
Recreation of a nightclub's burlesque show, alternating between dance numbers and bits of narrative involving performers backstage or audience members.
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Las tapatías nunca pierden (1965)
Character: Doña Ramona Recio
An heiress and some friends pose as gypsies to fight back against some bad-hats who are squatting on her new estate.
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De hombre a hombre (1961)
Character: N/A
Three monks raise the boy Antonio, who was abandoned at the convent door. The monks are criticized for the way they have educated Antonio, who ends up being a joker.
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Gallo corriente, gallo valiente (1966)
Character: N/A
Two ranchers arrive in a small town to sell their horses. Along the way, they encounter an orphan boy fleeing from his abusive guardian and decide to take him back to their village in the hope of finding him a new family.
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Cri-Cri el Grillito Cantor (1963)
Character: Mesera en la cafeteria de la XEW
Biography of the famous composer of children's music Gabilondo Soler. Starts from his childhood, when he worked as a pastor and grandmother tried to teach him to play the piano. Later he went to the city to study music theory and began writing his first songs.
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El criado malcriado (1969)
Character: Susanita
Man hiding from the police is trapped into posing as a butler at a rich family's country estate.
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Almohada para tres (1969)
Character: Claudia's mother
Bride sleeps another guy on her wedding night by mistake, and he and the groom spend 90 minutes arguing over which one she belongs to.
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Rage (1966)
Character: His wife
Small-town doctor bitten by rabid dog, races the clock to get to the city and receive treatment.
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El Quelite (1970)
Character: Madronia Ontiveros
Agapito, leader of the revolutionary movement of his state, comes to a town, kills all the federales, and gets a girl who was promised to him for his heroic deeds.
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Como perros y gatos (1969)
Character: Doña Rosa
Rosita and Carlos, two young people who deeply detest each other, despite their parents determination to marry them off to unite their fortunes. Noticing their constant rivalry, the parents feign animosity to try and force the couple to fall in love.
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Las siete cucas (1981)
Character: Cuco's Boss Benita
A worker's wife and six pretty daughters are desired by all the men in their little town, so he decides to move his family elsewhere.
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El mofles y los mecánicos (1985)
Character: Doña Chole
"El Mofles", "El Balatas", "El Toques", "El Abrelatas" and "El Rebaba" are very joking, womanizing, misguided mechanics, and in the workshop they do everything except work.
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De sangre chicana (1974)
Character: N/A
Young Mexican-American studies for his MD and triumphs as a professional wrestler while his brother and sister stagnate in the barrio.
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El hombre de papel (1963)
Character: La Gorda
A deaf and mute vagabond finds a large denomination bill in a Mexico City dump, and while he tries to buy something with it, others try to con him into giving it away.
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