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Cuando me vaya (1954)
Character: Anunciador ceremonia (uncredited)
Fictionalized version of the life of songwriter Maria Grever.
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Amor perdido (1951)
Character: El Californiano
Ernesto, a composer, is madly in love with Amalia. He decides to help her pay the rent and wants her to start singing at the cabaret where he works, but she ends up falling in love with another man.
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Camelia (1954)
Character: Enrique's Friend (uncredited)
A sort of meta riff on Alexandre Dumas fils' novel The Lady of the Camellias (La Dame aux Camélias or Camille) here in Mexican melodrama form involving the doomed love of a bullfighter and a beautiful but ailing actress/courtesan.
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Rondalla (1949)
Character: Miguel Cortina
A woman who has been raped (Alicia Neira) sets out to rebuild her life with another man (Luis Aguilar), but the bandit who assaulted her (Enrique Zambrano) stands in her way.
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Una gringuita en México (1951)
Character: N/A
A USA girl decides to vacation in Mexico and experience first hand all the stereotypical scenes she's seen in movies. When she gets there, everything isn't all charros and bandidos, though -- surprise, surprise!
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Padre nuestro (1953)
Character: Juanito
Pops is dismissed from his banking job for embezzlement, and his family have to adjust to a more modest lifestyle.
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El jinete negro (1958)
Character: N/A
Masked horseman avenges the deaths of family members and resolves questions about a contested inheritance. One of four in a series ("Relampago").
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Tania la bella salvaje (1948)
Character: Eduardo
Rolando, a millionare, travels to a remote island and meets the young and tough Tania, a local woman with great dancing skills. He falls in love with her and takes the girl to Mexico, but their relationship gets awry when Tania cheats on him with another man.
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Asesinato en los estudios (1946)
Character: Actor pelicula
During the filming of a movie an actor has to be attacked with blanks but dies because they were real bullets.
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Yo quiero ser artista (1958)
Character: Javier Martínez
The Postman Adalberto is involved by chance in the filming of a scene, which gives the film director the idea of including him as an actor, but without his knowledge.
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Asesinos de la noche (1957)
Character: Javier
A man orders an enemy to be killed, but the order is not carried out. Filled with rage, he murders the thug and pursues his rival.
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Dos caras tiene el destino (1952)
Character: Asistente de Estrada (uncredited)
Ruined alcoholic doctor escapes a tropical plague and begins a new life back in civilization, taking over the identity of a dead man.
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María Candelaria (Xochimilco) (1944)
Character: Medic (uncredited)
A young journalist asks an old artist about the portrait of a naked Indian woman that he has in his study. The artist tells the story of Maria Candelaria, a young Indian woman who was rejected by her own people for being the daughter of a prostitute. She is protected by a young Indian man, Lorenzo Rafael, who has fallen in love with her.
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El revoltoso (1951)
Character: Peralvillo's Accomplice (uncredited)
Well-intentioned Tin Tan who is always making trouble for other people, sometimes on purpose and sometimes by accident.
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Trotacalles (1951)
Character: Doctor (uncredited)
In Mexico City, two sisters live radically different lives: Maria, who—along with her supportive group of fellow sex workers—must deal with unscrupulous, abusive clients and her exploitative pimp, Rudy, and Elena, a society woman trapped in a marriage of convenience, who falls prey to Rudy’s fortune-seeking seduction.
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En la palma de tu mano (1951)
Character: Police Detective (uncredited)
A con artist seduces the widow of a millionaire, only to learn she'd plotted with her lover to murder the late husband. A tense game of cat-and-mouse ensues—but who's the cat?
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Santo contra hombres infernales (1961)
Character: Teniente Zambrano
Agent Joaquin recalls his latest mission while lying wounded in an ambulance: Joaquin has infiltrated into a band of smugglers. When the villains learn the truth about him, they kidnap Jouqin's fiancee. Santo comes to her rescue and fights the band.
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Santo contra cerebro del mal (1961)
Character: Lt. Zambrano
In his first film El Santo was still referred to as ‘El Enmascarado’. Rendered compliant by a scientist and his gangsters via a serum and mysterious rays, he is forced for the opening act to be a henchman for the evil forces who want to take over the world. The film has great historic value, due also to its impressive exterior shots of pre-revolutionary Cuba 1959.
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Pablo y Carolina (1957)
Character: N/A
Torn between three lovers and bored by her typewriting classes, Carolina (Dillian) writes a passionate love letter to fictional Pablo Garza from Monterrey. The letter is sent by mistake and received by real Pablo Garza's girlfriend. Pablo himself (Infante) flies to Mexico City looking for an explanation. Carolina is rehearsing a musical show for her school dressed as a man. When Pablo meets her, she pretends to be her brother Anibal, a shy and feminine sailor. Pablo likes Anibal and invites "him" to a cabaret. After that, Carolina falls inlove with Pablo but resists to unveil her real self. Meanwhile, Pablo feels himself confused, because young "Anibal" is cute as an angel and has "those blue eyes..."
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Massacre (1956)
Character: Munez
Lawmen and their captured gunrunners take refuge at a deserted mission to fend off attacking Indians. Western.
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Yo soy muy macho (1953)
Character: N/A
To help her pilot brother, Maria disguises as a man to take his place, and must live in the jungle with a very "macho" captain, eventually falling in love.
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Silent Fear (1956)
Character: Dr. Antez
Mexico miner Pete Carroll is in Acapulco and meets Terry Perreau and falls in love with her after he hears her singing on a recording of "Extraño amor". The troubled Terry decides she wants to go shark fishing, so Pete poses as the skipper of a fishing boat, owned by Thursday, and off they go. Pete lands a mantray and cuts it up for bait and the sharks are soon swarming, and Terry dives in the water. Terry does likewise and fights a few sharks and gets his leg gashed but finally rescues her. Gradually, her friendship also turns into love. But back in Acapulco she learns of Pete's "fake skipper" joke, is all hacked off and goes to Mexico City with her friend Dr. Antez. There, a specialist, Dr. Rivas tells her that unless she has a dangerous operation she has only three months to live. Depressed even more than usual, if possible, she returns to the hotel and is met by!
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