|
Cuando los hijos se pierden (1963)
Character: Padre Jiménez
Young woman's parents don't supervise her activities closely enough; she ends up going to a beatnik nightclub and dancing the twist and getting raped.
|
|
|
|
Tres angelitos negros (1960)
Character: N/A
Three Black Angels (Spanish: Tres angelitos negros) is a 1960 Mexican comedy film directed by Fernando Cortés and starring Miguel Aceves Mejía, Yolanda Varela and Pedro Vargas.
|
|
|
Médico de guardia (1950)
Character: El Seductor (Ricardo)
The director of a hospital deceives a poor couple in order to steal their newborn child and sell the baby to a wealthy couple.
|
|
|
Bandolero (2000)
Character: N/A
"The Bandit" is a ruthless yet intelligent hitman, feared and respected by all crime bosses for his ability to carry out brutal assignments without leaving a trace. Once he accepts a contract, nothing can stop him—until he meets a woman who shakes his focus and makes him vulnerable.
|
|
|
Dios los cría (1953)
Character: Representante de agencia
Mrs. Nínive Cánovas Cannesi (Marshall) comes back from a long tour visiting Europe and not even realizes that her house is being inhabited by two jobless and homeless bandits (Tin Tán and Tun Tún) with master keys who had been living there worry free. They all share the house for a period of time, unknowingly to each other, in a series of well crafted and perfectly timed scenes where Catita and Tin Tán can be in the same room without seeing each other... When Tin Tán notices her presence, poses as the help, intercepting the real employees and sending to the north pole, literally. So now that Catita has them at her service, she can take time for her real goal, the foundation of a House for old people so they can live happy until the day they die, but Tin Tán and Tun Tún keep getting in her way and complicating everything...
|
|
|
Fruto prohibido (1953)
Character: Gerente hotel (sin créditos)
A writer is given custody of his editor's daughter after she is orphaned. Once she grows up, they become romantically involved.
|
|
|
|
|
En carne propia (1961)
Character: Jefe de Noreña
Rookie reporter and his publisher's daughter get caught up in a bizarre crime/traffic accident noir dilemma.
|
|
|
El hombre de la ametralladora (1961)
Character: Señor Fernández (padre de niñas) (uncredited)
A villain hires a hired assassin, "The Machine Gun Man" for the kidnapping of two rich girls.
|
|
|
Los hijos de Rancho Grande (1956)
Character: Víctor Villegas
Sequel to Alla en el Rancho Grande, twenty years later -- sons and daughters of the original characters go through a courtship melodrama of their own.
|
|
|
|
|
Esposa te doy (1957)
Character: Gustavo
Chofi marry Alberto and very much in love, but her mother continues to intervene in the couple's relationship, which will lead to divorce.
|
|
|
Donde el círculo termina (1956)
Character: Miguel
A woman murders her lover. Her husband and his mistress are also having murder-shaped thoughts, and their three counterplots all get tangled together. Everybody loses.
|
|
|
Escuela de vagabundos (1955)
Character: Señor Ibáñez (uncredited)
Alberto Medina is a famous composer whose car breaks down while he is on a trip. While looking for help, he finds the Valverdes' house and is welcomed in by Emilia, the mother of the family, who is known for taking in tramps.
|
|
|
|
|
El Camino de la Vida (1956)
Character: Señor director
The story focuses in on three young boys who, arrested by the authorities, await sentencing in Mexico City's Juvenile Court. One boy has killed his stepfather to protect his mother; the second boy has been goaded into blinding his chief tormentor; and the third resorts to stealing to support his family.
|
|
|
Las infieles (1953)
Character: Invitado a fiesta (sin créditos)
Governess falls in love with the uncle of the children she's teaching. Then complications.
|
|
|
|
|
|
|
La Casa Del Terror (1960)
Character: Professor Estrada
Casimiro, night watchman at a wax museum of horrors, is even more sleepy than his usual laziness makes him - because his boss, the Professor, is secretly draining blood from him while he dozes to use in experiments in raising the dead. These haven't worked so far, and the bodies have been waxened and placed on display in the museum to cover his crimes. His big chance seems to come, however, when he learns that the mummified body of a modern man has been found in an Egyptian sarcophagus. The professor and his two henchmen steal the body and take it back to his lab - where the experiment flops again.
|
|
|
¡Ay, pena, penita, pena! (1953)
Character: Anunciador
Carmela is a Gypsy singer who sells lottery tickets. She meets two penniless Mexican brothers and they buy a ticket between the three: if it is awarded, could share the prize and go to Mexico, they to return to their homeland and her for bullfighter boyfriend whom has no news. The fate accompanies them, but, on reaching Mexico, her boyfriend rejects her. This way, she ends up acting in a cafe where reaps many successes.
|
|
|
La intrusa (1954)
Character: Ramón (uncredited)
Upon her arrival to the village San Ignacio, Gabriela meets Raúl, owner of a residence that her grandfather administrates. He doesn't reveal his real identity and they fall madly in love. Tania, Raúl's sister-in-law, secretly loves him and she decides to separate them by simulating a car accident from which Gabriela temporarily becomes paralized. Aware that they will marry, Tania makes the girl believe that Raúl is marrying her out of compassion, causing Gabriela to disappear from the residence...
|
|
