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Pasión imposible (1943)
Character: N/A
A girl marries a writer, with whom her older sister is also in love; and when she gets sick, her sister takes care of her family.
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En marcha… (1964)
Character: Relator
En marcha... is a medium-length film from 1964 that tells the story of the Luz y Fuerza trade union with the direction and story of Hugo del Carril.
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Cómo se hace una película argentina (1948)
Character: N/A
Institutional short film planned and directed by Arturo S. Mom for the First Argentine Film Festival in Mar del Plata. The film shows the technical process by which an Argentine film is produced and emphasizes the professionalism and power of the national film industry. In this way, the story explains in a pedagogical way what is a script, a frame, a camera, a set sketch and a projected background, among others, and how a scene and the soundtrack of a film are recorded.
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Cuando canta el corazón (1941)
Character: Martín
A boy's family wants him to marry a girl of the same position even though he is in love with another girl.
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El canto cuenta su historia (1976)
Character: Self
A parade of musical paintings that includes fragments of Argentine films and a Proartel television program that Channel 13 broadcast in 1965.
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La novela de un joven pobre (1942)
Character: N/A
After losing all his fortune, a man assumes his poverty with dignity, confidence and effort. He faces all adversities and his nobility and perseverance make him succeed and be happy with the woman he loves.
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La noche y tú (1946)
Character: N/A
Tango singer exploits his popularity in high society to commit crimes.
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La vida de Carlos Gardel (1939)
Character: Carlos Gardel
The life, hardships, love affairs, triumphs and failures of the world-renowned tango singer Carlos Gardel.
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El negro que tenía el alma blanca (1951)
Character: Peter Ward
Peter Ward is a black singer who arrives to Madrid in 1907. He falls in love with Emma, and he offers her to be her dancer. She is restrained by her racial prejudices which will lead to an inevitable separation between them.
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A media luz (1947)
Character: Miguel Valle
Tango singer exploits the women in his life. Learns a valuable life-lesson.
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La Fille de feu (1958)
Character: Allan
Physicist Theodore Heldt, his young daughter Fern and his assistant Larry Gordon, on board a ship for a scientific expedition, are shipwrecked in the Pacific Ocean after a terrible storm. They find themselves safe and sound on an exotic desert island paradise. Several years pass, the professor dies and Fern and Larry, long in love and alone in the world, are united. One day, the ship they'd been waiting for appears, but the sailors are three smugglers who, instead of representing salvation, pose a threat to the young couple.
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Los dos rivales (1944)
Character: Rafael Aguilar
Two reporters from rival newspapers compete to win over women and investigate a gang of criminals.
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¡Viva la vida! (1969)
Character: Cantante de candombe
A couple of screenwriters try to find a new idea for a movie.
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La cumparsita (1947)
Character: Ricardo Galván / Pablo
A reporter and tango singer is sent to the war zone in 1916, where he loses his memory.
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Historia del 900 (1949)
Character: Julián Acosta
In the Buenos Aires of 1900, a man seeks to avenge the death of his brother, killed at the exit of a fight.
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Amor último modelo (1942)
Character: N/A
The daughter of a fashion house owner falls in love with the designer of a competitor business.
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Buenas noches, Buenos Aires (1964)
Character: N/A
Various musical episodes make up this film-magazine in which Del Carril tried to merge his two great passions: cinema and tango.
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El socio (1946)
Character: Julián Pardo
A former singer, determined to succeed in business, comes up with a partner and just believing their existence. In the end, wake up ...
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Las aguas bajan turbias (1952)
Character: Santos Peralta
The Peralta brothers work in the countryside the Alto Paraná. There they will meet subhuman working conditions. Finally, the workers rise and harshly punish their exploiters.
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La vuelta de Rocha (1937)
Character: Suárez
A sailor and a tango singer fall in love. To protect her, the man takes her to live with his family. But before embarking, he is robbed, and the circumstances accuse the girl of being an accomplice of the criminals.
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Gente bien (1939)
Character: Carlos
A single mother who is denied work to support the son she had with the aristocrat who had seduced her, is helped by a singer, a director of orchestra and an American female singer, who get her shelter in the humble pension where they live.
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Confesión (1940)
Character: Ricardo Morales
Group of tango musicians picks up an aspiring young chanteuse at one of their whistle stop engagements; film focuses on their collective path to stardom, romantic conflicts between the woman and two guys in the band and some peripheral crime-drama stuff.
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La cabalgata del circo (1945)
Character: Roberto
The lives, loves and vicissitudes of a group of circus performers in the Argentine Pampas around the turn of the century are played out in this drama with songs.
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Más allá del olvido (1956)
Character: Fernando de Arellano
After a period of sorrow, Fernando de Arellano, a rich businessman who has recently lost his young wife Blanca from a serious ilness, meets Mónica, who looks identical to her.
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Pobre mi madre querida (1948)
Character: N/A
Contrary to the principles of his mother and sister, a boy falls in love with a woman of light life.
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Los muchachos de antes no usaban gomina (1937)
Character: Cantor
A Young man from a wealthy family hide them his attraction for tango culture of arrabal. In a milonga he fell in love with Mirella and he have a knife fight with all others guapos that want her, he won. Time pass and Mirella became a mistress but this situation is unstable because of the society prejudices.
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La vida es un tango (1939)
Character: Raúl Contreras
Romance - with its ruptures and reunions - between a girl and a boy who want to succeed with the tango.
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La sentencia (1964)
Character: N/A
A young man discovers an infidelity and kills his wife. He was in love with this girl and had married her to get her out of a correctional institute.
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El último payador (1950)
Character: José Betinotti
The film tells the story of the payador José Betinotti, a mythical character in Argentine music. It faithfully reconstructs the scenarios of the early twentieth century: the workers' struggles, the party meetings of the caudillos and the circus criollo, the cradle of Argentine theater and music.
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El último perro (1956)
Character: Nicasio Gauna
During the second half of the 19th century, a young survivor is saved in the Argentine pampas by a man she ends up marrying.
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Madreselva (1938)
Character: Mario del Solar
A film star enjoys a romance with the daughter of a puppeteer, but his criminal past threatens to ruin it.
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La piel de zapa (1943)
Character: Rafael de Valentín
A man in debt obtains a miraculous skin that makes all his wishes come true but at the cost of shortening his life.
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Las tierras blancas (1959)
Character: N/A
The miserable life of the inhabitants of a town in Santiago del Estero, between crime, revenge and drought.
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Culpable (1960)
Character: Leo / Pablo Morán
A criminal confronts the police by firing at them with a machine gun from the first floor of a villa on the outskirts of Buenos Aires and occasionally shooting down a policeman. The gunman has time to reflect, to load his gun, to run from one window to the other. Whoever leads the police notices the futility of his efforts and suspends the fire.
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El astro del tango (1940)
Character: Hugo del Campo
Accidental meeting between a pop-music superstar and a politician's daughter turns into a big romance... but class distinctions, and scandal in the family.
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La canción de los barrios (1941)
Character: Antonio Reyes
A young man starts working as a laborer in his father's shipyards and discovers a series of injustices.
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La calesita (1963)
Character: Goyo / Raimundo Lucero
When listening to a melody, an old man recalls moments of his childhood.
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Amorina (1961)
Character: Humberto Bonelli
A woman feels abandoned by her husband and children.
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Tres anclados en París (1938)
Character: Ricardo
Three Argentines who live in Paris and dream of returning to Buenos Aires but lack resources for the passage, find their opportunity when a landowner, a business man and his daughter arrive in Paris. In a game of rigged poker the three anchors obtain the money for the passages from the newcomers; it happens however that the employer has made an embezzlement and will go to jail if he does not return the money. The character represented by Parravicini, who is the true father of his adopted daughter, gives him the money won to solve his problem and the three remain in Paris to see them in an end with the best poetry of Romero crossing a bridge under the mist , silent, once again anchored but with the happy sadness of recovered self-esteem.
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La Malavida (1973)
Character: Víctor, The French
Buenos Aires, 1920. The Franco-Argentine and Polish-Argentine mafia begin a war for the control of the traffic of women and prostitution, based on real events about the 1920s Buenos Aires Mafias war.
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