Blanca de Castejón

Personal Info

Known For

Acting

Known Credits

0.686

Gender

Female

Birthday

28-Apr-1907

Age

(119 years old)

Place of Birth

Comerío, Puerto Rico

Also Known As
  • Blanca Otero
  • Blanca de Castrejón
  • V. Blanca de Castejón
  • Blancade Castejón
  • Бланка де Кастехон
  • Blanca de Castejón Otero

Blanca de Castejón

Biography

María Blanca Josefina Regalado Castejón y Otero (May 13, 1906 – December 26, 1969), better known as Blanca de Castejón, was a Puerto Rican actress who is best remembered for her work in the Golden Age of Mexican cinema, especially her award-winning supporting role in Escuela de vagabundos (School for tramps, 1953).


Credits

Mamá nos quita los novios Mamá nos quita los novios (1952) Character: N/A
Amanda, a widow, is a beautiful woman that finds comfort seducing every man in her path, including her daughters' boyfriends.
Ave sin nido Ave sin nido (1943) Character: N/A
Husband, sterile wife, fertile mistress, daughter.
Mientras el cuerpo aguante Mientras el cuerpo aguante (1958) Character: N/A
Housekeeper inherits her employer's fortune, tries to enter into society and make a good match for her God-daughter.
Los apuros de mi ahijada Los apuros de mi ahijada (1951) Character: N/A
Irresponsible playboy-type needs to cut down on his nightclubbing and his expensive women-friends and buckle down to his Uni studies. Meanwhile, his godfather...
Todos son mis hijos!... Todos son mis hijos!... (1951) Character: N/A
Good son takes the blame for father's peculations and goes off to work in the rain forest to pay off Pops' debt. Meanwhile, daughter and bad son neglect their aging parents, whose fortunes decline precipitously.
Yo también soy de Jalisco Yo también soy de Jalisco (1950) Character: N/A
A dizzy rich woman buys their horse, and three rubes get involved in the problems and intrigues brewing in her household.
Los Signos del Zodiaco Los Signos del Zodiaco (1964) Character: Lola Casarini
A group of young people makes a plan to escape from the problems of their neighborhood.
Esclavas de la moda Esclavas de la moda (1931) Character: Dora Durke
A woman owning a small dressmaker's shop decides to reopen it in Broadway in luxury at all expenses, trusting merely on the cards'premonitions. She wants her little children to pair with the richest boys. Her husband, who discouraged her, dies and the business soon takes flight.
Resurrección Resurrección (1931) Character: N/A
Simultaneously shot Spanish version of Tolstoy adaptation: After a woman he has formerly mistreated is sentenced for a crime a man who was part of her jury joins her on the trip to Siberia to expatiate his guilt.
Crimen a las tres Crimen a las tres (1935) Character: N/A
A famous singer in love with a woman takes the blame for a crime to save her. Luis Saslavsky's first film, considered lost.
Los maridos engañan de 7 a 9 Los maridos engañan de 7 a 9 (1946) Character: N/A
Focuses on the emotional life of two women, whose husbands, with labor excuses, make "outings" from 7 to 9 at night.
Escuela para suegras Escuela para suegras (1958) Character: N/A
Dizzy society matron plucks a hobo out of the gutter to rehabilitate him.
Por buen camino Por buen camino (1935) Character: Blanca
Two brothers fall in love with the same girl.
Qué hombre tan simpático Qué hombre tan simpático (1943) Character: Doña Blanca
Amable is the drinking buddy of Paquito, a former medical student who plays Fanny's love, a cabaret singer and also with Conchita, a showgirl. One day, Paquito receives a telegram that his uncle Pancho vayaa asked to see his wife and other medical eminence to heal him his kidney ailment. Among all a hoax to mount Paquino not lose the inheritance from his uncle.
Prefiero a tu papá Prefiero a tu papá (1952) Character: Anita Adalis
Theatre director macks on his sons' girlfriends.
Nosotras, las taquígrafas Nosotras, las taquígrafas (1950) Character: Blanquita López
Young women in the steno-pool have to balance work, romance, and touchy-feely bosses.
El gallo colorado El gallo colorado (1957) Character: N/A
A young street vendor who is a cockfighting aficionado, attracted by the image of one of them, settles on the ranch of its owner where he falls in love with the foreman's daughter. All the problems happen and some that afflicted the ranch in the past are solved by him.
Los hijos mandan Los hijos mandan (1939) Character: N/A
Based on the Spanish play "El caudal de los hijos" by José López Pinillos. Francisca, the daughter of a provincial gentleman in Valencia, falls in love with Miguel, a young sculptor. When Miguel leaves for Paris to complete his studies, the lovers promise to wait for each other. During Miguel's absence, however, the Duke of Montesino calls on Francisca's father and asks for her hand in marriage. Her father, pressed for money because of gambling debts, agrees to the match.
Mis dos amores Mis dos amores (1938) Character: Rita Santiago
Rita Santiago's father, Don Antonio, stubbornly refuses to give permission for her to marry Julio Bertolin, a struggling medical student, because he wants his daughter to marry a rich Brazilian. Because of this, Julio leaves medical school and determines to gain wealth and position for himself by becoming a singer.
El carnaval del diablo El carnaval del diablo (1936) Character: N/A
Spanish-language version of The Devil on Horseback (1936).
El impostor El impostor (1931) Character: N/A
American Spanish-language film.
3 Lecciones de Amor 3 Lecciones de Amor (1959) Character: Doña Angustias
The rigid professor Germán, president of the League of Honor and Modesty, hates statues of naked women, but the spirit of his ancestor Casanova leads him to episodes of debauchery and conquest. Married to the rigid Severa, he becomes a corrupt mayor. Only the moralistic Rosa will be able to free him from these strange influences to improve his life and that of the town.
Cuide a su marido Cuide a su marido (1950) Character: Rosario
Alberto (Fernando Soler) is married with Rosario (Blanca de Castejón), who is a saint and doesn’t realize that her husband is a womanizer that has a lover, Elena (Leonora Amar), whom is an artist and works in the theater, but when Alberto tries to break up with her in order to have a relation with Alicia (Hilda Sour) everything starts to go south for him.
Divorciadas Divorciadas (1943) Character: Cristina Gámez
Divorciadas tells the story of three women: Cristina, recently divorced after refusing to endure her husband's lack of love, especially following the death of their young son; Carmen, divorced for many years and living on the fortune left to her by her late husband, leading a free and unconventional life; and Juanita, an employee at the courthouse where she meets Cristina, married but long abandoned by her husband.
Escuela de vagabundos Escuela de vagabundos (1955) Character: Emilia de Valverde
Alberto Medina is a famous composer whose car breaks down while he is on a trip. While looking for help, he finds the Valverdes' house and is welcomed in by Emilia, the mother of the family, who is known for taking in tramps.
Vagabundo y Millonario Vagabundo y Millonario (1959) Character: María de Aguilar
Tin Tan stands in as the double of a kidnapped millionaire.
La razón de la culpa La razón de la culpa (1943) Character: N/A
Roberto on a journey to Mexico knows to Maria de La Paz, a woman older than he, who falls in love, she also has feelings for him, but doesn't give him hopes cause she is married. Fate reunites them without imagine it, they will have to face a moral dilemma.
Eran trece Eran trece (1931) Character: Peggy Minchin
This is the Spanish-language version, with a different cast and crew, of the Charlie Chan film Charlie Chan Carries On, in which Charlie sets out to discover the killer of an American found dead in a London hotel room.



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