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La garra del leopardo (1963)
Character: N/A
Variation on Zorro. Lawyer disguises himself to fight crime, using his secret identity to work on clearing a client and himself of criminal charges.
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¿Adónde van nuestros hijos? (1958)
Character: N/A
One of the boys is a radical, one's a playboy, and the girls want to get jobs first before they think about marriage! Mom and Pop have their own #firstworldproblems.
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Azahares rojos (1961)
Character: Enrique Gómez Mancera
Family with young-adult children returns to Mexico after many years in Spain.
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Ilegales y mojados (1980)
Character: N/A
After crossing the river, Mauricio has a hard time finding work, so he throws in with a gang of cocaine smugglers.
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Los murciélagos (1964)
Character: N/A
Cowboy-justice guy breaks up a criminal gang who are terrorizing a small town with the appearance of vampire activity.
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Tin Tan y las modelos (1960)
Character: N/A
Ambitious non-starter gets a job as a bill-collector at a beauty-products company and tries to bluff his way into a management position, then tries a couple of other business schemes with minimal success.
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Teresa (1961)
Character: Mario Vázquez
Teresa is a beautiful and intelligent young woman, desperately seeking to leave the grinding poverty of the neighborhood where she lives.
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Lo que no se puede perdonar!.. (1953)
Character: Gerardo
Hortensia is almost ready to take her vows at the convent... but she gets distracted by her stepmother's boyfriend. Things do not go well.
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Rio Hondo (1965)
Character: Rubén
A gang of bandits attacks the population of Río Hondo, shooting left and right; a man decides to act.
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Lo blanco, lo rojo y lo negro (1979)
Character: N/A
All kinds of crimes are being committed in a frontier settlement; if you blame it on the Chiricahuas afterwards, you can get away with anything. One Chiricahua hooks up with a white guy and a black woman who have been victimized by the status quo, and the three of them whoop some righteous-vengeance butt.
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De carne somos (1955)
Character: Archibaldo Alvarado
Woman becomes a prostitute so her writer BF can concentrate on his art instead of working for a living.
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El vestido de novia (1959)
Character: Mauro Ballesteros
A young professional hires a sex-worker to pass as his wife in a situation that requires him to seem married. Later they think about getting married for reals... but mostly they just recite monologues to each other.
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La viuda (1965)
Character: Colonel
A soldier is assigned to guard the body of a man who was shot. During the night, he encounters a widow who is watching over the burial of her ex-husband.
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Un gallo en corral ajeno (1952)
Character: N/A
A wealthy sculptor takes in a thief as a servant on her ranch, hoping to reshape him, but their situation is disrupted when she discovers a major robbery has taken place on her estate.
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La fierecilla del puerto (1963)
Character: Rafael
Ana María is a beautiful young woman who sells souvenirs to help her grandpa. When she falls in love with Alberto, a wealthy young man, she has to face his father, who will do anything to keep them apart.
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Sol en llamas (1962)
Character: N/A
A powerful rancher loses his power and wealth during the Revolution, and his daughter falls in love with a revolutionary.
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El año de la peste (1978)
Character: Luis Armando Torreros
A terrible disease is found in a Mexican town. A doctor tries to alert the authorities when he discovers its epidemic nature. No one listen to him and soon after the disease spreads. The government tries to control the information in order to prevent panic.
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Échenme al vampiro (1963)
Character: Carlos
A group of would-be beneficiaries gather for the reading of a will, and discover that they must spend the night in a spooky castle to gain their inheritance. A spooky housekeeper and a man who seems to be a vampire are just two of the obstacles that might deter them.
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La mano que aprieta (1966)
Character: Antonio
Two wrestling stars must investigate strange deaths and a secret criminal organization led by a madman who becomes invisible.
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4 Contra el Crimen (1968)
Character: N/A
Four secret agents have to protect a crime boss in order to stop other criminals from taking over the organization and grow stronger.
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La Venus maldita (1967)
Character: N/A
Man with fatal illness encourages wife and best friend to have fun together.
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Quinceañera (1960)
Character: Sergio
María Antonia, Beatriz and Leonor are three classmates who are anxiously awaiting the celebration of their 15th birthday. However, each of them will have to cope with their complicated personal situation.
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Amor amor amor (1965)
Character: Juan Patiño (segment "La Viuda")
Four stories: The encounter between a soldier and a widow in a cemetery. A woman arrives as a maid in an unknown city where she discovers love. Another woman is tasked with caring for her lecherous uncle on his deathbed. A young man gets into trouble with his girlfriend's family when she suggests opening up their relationship.
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El infierno de todos tan temido (1981)
Character: Ing. Paredes
The inner demons of an aspiring writer, whose dissatisfaction has pushed him to alcohol and drugs, lead him to his self-destruction under the guise of confusing political positions.
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La mujer murciélago (1968)
Character: Mario Robles
When a mad scientist begins kidnapping wrestlers and extracting their spinal fluid to create a race of Gill Men, two cops call in Batwoman to investigate. But when her mission leaves the scientist horrifically scarred, he seeks revenge.
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