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Póker de reinas (1960)
Character: N/A
A musical comedy about a group of pretty girls who meet in Mexico and decide to break into showbiz and make a pact and promise not to get involved with men. But they all are in love with different guys and that complicates things.
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Aquellos ojos verdes (1952)
Character: N/A
Orphan girl under the protection of a benefactor begins to suspect that her mother had an affair with him and that he's her father.
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Café de chinos (1949)
Character: N/A
Naive Chinese immigrant has feelings for a young woman of loose morals whom he hires at his restaurant.
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La pantera negra (1957)
Character: N/A
Fed agent goes undercover as roving cowboy to solve rural crimes. "Mauricio Rosales" Series.
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María Pistolas (1963)
Character: N/A
Tomboyish gal becomes a player in the Mexican Revolution. Then: boyfriends.
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Picardía mexicana (1978)
Character: N/A
An academic tags along among a crew of rowdy delivery-truck drivers, taking notes on their colorful and idiomatic use of language.
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La sobrina del señor cura (1954)
Character: N/A
A pregnant parishioner can't get her boyfriend to marry her and the home office thinks that foundling girl the priest took in is too old now to live under the same roof with him. It's always something, ain't it?
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Los valientes no mueren (1962)
Character: N/A
Charro-dude wants his sister to marry into professional city-folk and move into the upper classes... but she's in love with somebody from their own social stratum.
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Sandunga para tres (1953)
Character: N/A
Three boys and three girls. First all the boys are fighting over one of the girls, then all the boys are fighting over another of the girls and yadda yadda yadda.
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El valor de vivir (1954)
Character: N/A
Concert pianist unjustly convicted of espionage. On release, he hooks up with a terminally-ill ballerina.
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La máscara roja (1962)
Character: N/A
Young heiress discovers irregularities in the handling of her late father's mine and goes into action-hero mode to correct them.
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El norteño (1963)
Character: N/A
Lawman on horseback cracks a case involving stolen gold bullion, the title to a mine, an evil twin and a plucky pre-adolescent boy. First in a series.
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El nieto del Zorro (1948)
Character: N/A
Two strolling players are mistaken for locally-famous bandit. Also, a young lady's inheritance is at stake.
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Cuando los hijos odian (1950)
Character: N/A
Woman and her daughter try to get on with their lives and run their family bakery while dealing with abusive alcoholic husband/father and other family problems.
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Bésame mucho (1945)
Character: N/A
A cluster of young performers will do just about anything to get their show produced.
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Los apuros de mi ahijada (1951)
Character: N/A
Irresponsible playboy-type needs to cut down on his nightclubbing and his expensive women-friends and buckle down to his Uni studies. Meanwhile, his godfather...
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El ruiseñor del barrio (1952)
Character: N/A
Ten or twelve years ago, a young man wrecked his car and his wife was killed in the accident. Today, his wealthy mother-in-law is still full of hatred and bitterness toward him, and she prefers not to acknowledge her granddaughter. Will love and tenderness find their way into the crusty old bitch's heart?
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Charros, gauchos y manolas (1930)
Character: N/A
The magazine "Paintings of the People" initiates a contest to select the best watercolor painting of ethnic peoples and customs. A hungry bohemian painter invokes his muse to help him to produce the winning painting, and when he experiments with scenes set in Mexico, Argentina and Spain, his paintings come to life. In Xochimilco, Mexico, a young bachelor has a drunken dream that his girl friend is performing Josephine Baker's famous banana dance in a Parisian nightclub. In Buenos Aires, an Italian and a Galician are rivals for the affections of a Creole girl. At the other side of the Hispanic world, a Sevillian girl tells of her tragic romance with a matador, who obstinately continues to appear in the ring despite having been injured.
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El secreto de mi mujer (1955)
Character: Lupe
A couple suffers marital crisis, because they cannot have children. The wife harbors a long kept secret that might doom the marriage.
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Pueblo quieto (1955)
Character: N/A
Son of a first family returns to his home town, reconciles with his pops, pitches woo at the young lady from another First Family and gets rampy with his rival for her affections.
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Un corazón en el ruedo (1950)
Character: N/A
Famous bullfighter rises from humble beginnings, finds himself enmeshed in an emotionally-draining romantic triangle.
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El sol sale para todos (1950)
Character: N/A
A bullfighter suffers an accident during an afternoon of bullfighting in a town square and his ex-lover tells his story.
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La dama atrevida (1931)
Character: Chinese Woman
A blackmailer falls in love with his female victim. Alternate-language version of The Lady Who Dared (1930).
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El seminarista (1949)
Character: Pita
Returning to his home town, seminarist Miguel is forced to trade the robes for a charro costume in order to solve several problems that appear in his way, including the female kind.
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Las cenizas del diputado (1977)
Character: N/A
A political player is presumed dead in a traffic accident; his relatives all try to cash in on his estate while he goes into hiding with schemes of his own.
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Las noches de Paloma (1978)
Character: N/A
While being shuttled from her convent/boarding school to her wedding, a young lady of the upper classes is kidnapped by bandits. She gets to see the world and meet interesting people.
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Guerra de sexos (1978)
Character: N/A
A soccer coach gets caught in the middle of the conflict between a millionaire and his wife.
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Vivillo desde chiquillo (1951)
Character: N/A
A freeloader goes through a case of mistaken identity after a man tries to blackmail a married woman and he's caught in the middle of everything.
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Así es la vida (1930)
Character: Luisa Franklyn
A British ex-Grenadier Guards officer moves to America, but struggles to find work. After he is employed as a chauffeur to a wealthy family, he falls in love with his employer's daughter.
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Los Malditos (1966)
Character: N/A
White-hat cowboy takes down a Western gang-leader and his hired guns.
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El Gran Makakikus (1944)
Character: N/A
Uncultured nouveau- riche wants to be received in high society. Loose adaptation of Moliere.
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La golfa del barrio (1982)
Character: N/A
Left grief-stricken when his bride dies unexpectedly on their wedding night, desperate newlywed Juan Pablo jumps into a relationship with a sexy pickpocket in this romantic Mexican drama. At first, Juan Pablo desires only the touch of a woman, but things change when he begins to have strong feelings for Rosa. Sasha Montenegro, Susana Cabrera, Roberto Montiel, Eduardo de la Peña, Anaís de Melo and Delia Magaña star.
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Hay lugar para... dos (1949)
Character: La Bicha
Union-organizing and labor/management conflicts among Mexico City bus-drivers. Sequel to "Esquina, Bajan!"
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¡Esa mi raza! (1979)
Character: N/A
A greedy man gets a job in politics thanks to his connections - and abandons one of his two children to pursue his fortune. Many years later, his abandoned son impersonates his twin brother, who has fled the country.
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Inmaculada (1950)
Character: Severina
A single mother discovers her daughter getting ready to elope with an unworthy boyfriend, so she sits the girl down and tells her the whole entire story of her own very unhappy marriage.
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¡Esquina bajan...! (1948)
Character: La Bicha (Waitress)
Driver Gregorio del Prado and fare collector Regalito were suspended for deviating from their route to impress a young woman named Cholita.
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Sor Ye-yé (1968)
Character: Monja sorda
Maria is a young orphan who lives with her wealthy aunt. Maria sings in a cocktail bar with his friends, who form a rock band, and enjoy the night with them. One of his friends, Ernesto, is in love with her, though she does not seem to feel the same about him. In fact, multiple existential doubts and feel a strange emptiness in his life suddenly drive to enter a convent as a novice, breaking Ernestos' heart. However, with her cheerlul character, open and rebellious, not appear to conform to life in the cloister, and especially have problems with the novices director , who often punished for trying to take the right path. In the convent, which also functions as children's hospital, she meets a doctor with which it takes quite right for the contrast between his two characters, but his way with love and mutual respect.
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Cómicos de la Legua (1957)
Character: Doña Fredonia
The guy that runs the concession stand at a vaudeville theatre gets tangled up with a gang of thieves.
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La niña popoff (1952)
Character: N/A
Malicious gossip drives a wedge between a rising star in musical comedy and her songwriter boyfriend.
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Terror en los barrios (1983)
Character: Rita's Aunt
Traumatized child grows up to commit serial murders, targeting men and women who look like his mom and her boyfriends.
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Isla para dos (1959)
Character: Toña
Middle-aged painter and young musician fall hard for each other while on vacation. Then she discovers he's married.
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Yo quiero ser hombre (1950)
Character: N/A
In order to come into a large inheritance, young Divina must marry her cousin Pablo. Her aunt, Milagros, hatches a plan to disguise themselves as a maid and her nephew in order to get to know him better.
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El hijo pródigo (1968)
Character: Sofia
Suffering mother is reunited with her son after a long absence... and he turns out to be a real rotter.
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Pensión de artistas (1956)
Character: N/A
Between-engagements troupers at a theatrical boarding-house con a rich acquaintance into financing a show.
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Vuelven los Argumedo (1963)
Character: N/A
The Argumedo cousins have their clothes stolen while taking a shower, and they must find it at all costs, because there's a winning lottery ticket in their pockets.
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Llámenme Mike (1979)
Character: Mike's Mother
After being unjustly accused of corruption and seriously injured in prison, Miguel's personality will merge with the characters he reads in his police novels.
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El Quelite (1970)
Character: Pecosa
Agapito, leader of the revolutionary movement of his state, comes to a town, kills all the federales, and gets a girl who was promised to him for his heroic deeds.
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Divorciadas (1943)
Character: N/A
Three newly unmarried women room together, start a business, share the ups and downs of their love lives
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La feria de San Marcos (1958)
Character: N/A
Two men and two women meet and pair off (m/w x 2) during the town Festival in San Marcos. Later, weddings.
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Satánico pandemonium: la sexorcista (1975)
Character: Mother Superior
Sister Maria is known in the convent for her good works and charity, but, in the secret depths of her sexual fantasies, she is tormented by visions of another world - a world where her forbidden passions are allowed to run free. In this world Satan is her master. As her acts of violence and blasphemy mount, Maria realizes that she has been chosen by the Devil to destroy the convent and lead her sister nuns into hell!
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El hijo desobediente (1945)
Character: Socorro
A poor young man is mistaken for a millionaire when he travels to the city to fulfill his dream of being a singer.
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El Siete Machos (1951)
Character: Chole
Rosario, the niece of the rancher, returns to the ranch after ten years of absence. She takes in Margarito, a worker at the ranch, who is immediately smitten by her. Rosario is rescued from a runaway horse by the Seven Men, an outlaw a la Robin Hood that steals from the rich and gives to the poor. He also happens to be the twin brother of Margarito, unbeknownst to him. The confusion between Margarito and the Seven Men generates great comical situations in the film.
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Bala Perdida (1960)
Character: N/A
Daniel is let out of jail for his mothers funeral. During his furlough he kidnaps his son and takes him to a movie set where a western is being shot.
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Tu camino y el mio (1973)
Character: N/A
She rejects him, but he's there for her, even after she gets married and then is abandoned by her babydaddy. Remake of Bajo El Cielo De Mexico (1958) (and also 1937?).
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Nosotros los pobres (1948)
Character: La Tostada
Carpenter Pepe El Toro lives peacefully with his daughter Chachita in an impoverished Mexico City neighborhood. He pursues a romance with the pretty Celia, but tragedy comes knocking on his door when he is falsely accused of having perpetrated a felony.
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Ustedes los ricos (1948)
Character: La Tostada
Pepe el Toro is married to Celia la Chorreada and they have two children.
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La monja alférez (1944)
Character: Elvira
A 17th century woman, imprisoned for fighting in a bar, recounts her past to a priest. She tells of her father teaching her how to fence, of being sent to a convent by her aunt when her father died, of escaping by dressing as a man, and of her life as a man following the escape.
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Mi padrino (1969)
Character: N/A
Bumbling oaf takes custody of his god-daughter and helps her advance her singing career.
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