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El buena suerte (1961)
Character: N/A
An acquaintance from Venezuela visits the owner of a Mexican ranch, causes upheavals in the love-life of the foreman.
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Cuatro copas (1958)
Character: N/A
Upper-crust city gal falls for a rough-edged working-class guy, so she follows him to his home town and masquerades as a peasant/Indian local to win him over. All very stalky and classist.
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El cariñoso (1959)
Character: N/A
Romcom with music: owner of an auto-repair shop woos the owner of a beauty parlor.
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Los valientes no mueren (1962)
Character: N/A
Charro-dude wants his sister to marry into professional city-folk and move into the upper classes... but she's in love with somebody from their own social stratum.
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Rogaciano el huapanguero (1957)
Character: N/A
Itinerant folk-singer returns to his home town, gets caught in two intersecting love triangles. It ends badly.
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¡Viva quien sabe querer! (1960)
Character: N/A
Ranchera singer and his sidekick travel to Argentina to mix it up with a playboy who bragged to them about the tour he'd book for them.
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El rey de la pistola (1962)
Character: N/A
Western heist movie; a complicated bank job goes bad, and two groups of thieves fight the sheriff and each other.
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¡Que seas feliz! (1956)
Character: Andrés
Career criminal hooks up with famous singer because she looks like a long-term meal ticket.
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Viva Chihuahua (1961)
Character: N/A
Respectable guy uses a pseudonym when he wants to cut loose in a neighboring town. A friend of his picks up the pseudonym habit, and they take turns pretending to be the same person, until their cover stories get too snarled to continue.
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Martín Santos, El llanero (1961)
Character: N/A
A farmer aspires to marry the daughter of the local aristocrats, but she think he's beneath her. It take a long time for things to settle into a groove so life can run smoothly again for all concerned.
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Paloma brava (1961)
Character: N/A
Paloma is bound and determined to kill the heck out of the guy that dishonored her sister, but mistaken identities and stuff.
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Sabrás que te quiero (1958)
Character: N/A
Famous singer becomes desperate to figure out which of three women helped to launch his early career with anonymous mentoring and support.
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Tú y la mentira (1958)
Character: N/A
Struggling musician finally reaches the big time, then a scheming gold-digger gets her hooks into him.
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Viva la parranda (1960)
Character: N/A
Three con-artists chase after the absconded girlfriend of one and butt heads with two female swindlers working the same marks.
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Tres angelitos negros (1960)
Character: Ángel Reynosa
Three Black Angels (Spanish: Tres angelitos negros) is a 1960 Mexican comedy film directed by Fernando Cortés and starring Miguel Aceves Mejía, Yolanda Varela and Pedro Vargas.
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De pecado en pecado (1948)
Character: N/A
This post-World War II drama, (released to a world-wide audience on July 9, 1949), is definitively unique for the caliber of each of its contributing writers, who are clearly better-known for their cinematic talents in black and white . For instance, the film's Director Chano Urueta ( who became an acclaimed actor in his own right), actually co-wrote the script along with one of its principal actresses, namely Esther Fernandez, as well as adding in the literary abilities of a well-known movie-producer of the era named Luis Marique.
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Los apuros de dos gallos (1963)
Character: N/A
Two con-artists run roughshod over the local economy of a small town they visit... but then they fall in love with two young women related to the rich landowners who are the target of their primary swindle.
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Camelia (1954)
Character: Cantante (uncredited)
A sort of meta riff on Alexandre Dumas fils' novel The Lady of the Camellias (La Dame aux Camélias or Camille) here in Mexican melodrama form involving the doomed love of a bullfighter and a beautiful but ailing actress/courtesan.
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El gallo colorado (1957)
Character: N/A
A young street vendor who is a cockfighting aficionado, attracted by the image of one of them, settles on the ranch of its owner where he falls in love with the foreman's daughter. All the problems happen and some that afflicted the ranch in the past are solved by him.
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Historia de un amor (1956)
Character: Cantante
Elena (Libertad Lamarque), already a star, falls madly in love with Roberto. They make it to the altar. Elena and Roberto adopt a baby. The years go by and everything is happiness in the couple’s life—until one day the girl’s grandfather appears.
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Ella y Yo (1951)
Character: Cantante
Pedro Muñoz is a womanizer that does not escape one until Irene Garza arrives and makes him to see his luck, while the aunt of her tries to separate them.
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Los fanfarrones (1960)
Character: N/A
Three young ladies become the owners of a rough and tumble cowboy bar that they're not well-equipped to manage.
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El ciclón (1959)
Character: N/A
Cowboy revenge-drama, paired with a love triangle between two Mexican fellers and a rather unpleasant gringa.
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Me importa poco (1960)
Character: N/A
Anthropologist goes to small town to do field work supporting her theories about the primitive/subhuman origins of machismo.
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Échame a mí la culpa (1959)
Character: N/A
A Mexican steer rancher goes to Spain to get some bulls he bought but that were never delivered. He meets a flamenco dancer during his stay in Madrid and falls for her.
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La feria de San Marcos (1958)
Character: N/A
Two men and two women meet and pair off (m/w x 2) during the town Festival in San Marcos. Later, weddings.
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Guitarras de medianoche (1958)
Character: N/A
Wealthy land-owner poses as a bandit, robbing only his own properties, to get the romantic attention of a woman who lives down the road.
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Bala Perdida (1960)
Character: N/A
Daniel is let out of jail for his mothers funeral. During his furlough he kidnaps his son and takes him to a movie set where a western is being shot.
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Música de Siempre (1958)
Character: N/A
Producer, director and projectionist watch an assortment of musical numbers and brainstorm about framing narrative that could contain them all.
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