|
|
|
|
|
路傍の石 (1960)
Character: Oren Aikawa
In Meiji era Japan a sixth grade boy is smart, likable and confident and owing to his academic success liked by his teacher. Things are not going well at home, however, where his father does not work leaving the mother to toil . With the boy's family having no money he cannot progress his education and has to drop out of school. A neighbour, who is a bookstore owner, offers the family money to allow the boy to continue his schooling, but the father is too proud to accept and rebuffs the offer forcing the boy to work.
|
|
|
かけ出し時代 (1947)
Character: Miyako Tomoda
A newly hired daily newspaper writer covering the society beat receives an assignment to cover Tokyo at night by walking and observing it. He gets into the right frame of mind by dressing the part as a vagrant with not a penny to his name. He gets into trouble ending up at the police station slammer overnight. He has no material to write about and, with his assignment unfulfilled, faces a cross editor.
|
|
|
生命の冠 (1936)
Character: N/A
Two brothers run a factory canning crabs. The elder brother Kotaro is righteous and insists on honesty. The younger brother is fixated on money. They are polar opposites. When a boat sails out looking for crab and does not return one day the brothers begin to argue over how to run their facility. They had just received a large order from a foreign country and had obtained a loan from a lender that needed to be repaid.
|
|
|
青い山脈 (1949)
Character: Yukiko Shimazaki
Teacher Yukiko finds herself in opposition to conservative faculty and villagers after defending a student for being in a relationship with a young man from Tokyo.
|
|
|
續 青い山脈 (1949)
Character: Yukiko Shimazaki
Continuation of The Blue Mountains: Part I. Released a week later.
|
|
|
七色の花 (1950)
Character: Teruko
Ebihara is a budding novelist entangled in a complicated web of relationships with three women from three different generations: Kazue, a coquettish teenage war orphan who tries to offer herself for money but is instead taken in by Ebihara, Koyabu, a middle-aged woman who has spent much of her life as the kept woman of a wealthy man, and Teruko, the modest daughter of Ebihara's former teacher who comes to rely on him after the death of her father.
|
|
|
女であること (1958)
Character: N/A
Story of a family torn apart when Teiji (Mori), the father, develops intimate feelings for a runaway (Kuga) the family has taken into their home.
|
|
|
ふんどし医者 (1960)
Character: N/A
A skilled country doctor's talents are such that he can even perform operations as difficult and novel as removing a patient's kidney for the first time in Japan. Unfortunately for him, however, his wife's addiction to gambling is of such a magnitude that he is down to selling his underwear to make money. The image sticks and he becomes known as the 'underwear doctor.' On the other hand, his successful surgery's patient is so grateful he himself wants to become a physician.
|
|
|
嫁ぐ日まで (1940)
Character: Yoshiko
Twenty-year-old Yoshiko (Setsuko Hara) and her younger sister Asako (Yōko Yaguchi) struggle to accept changes in their home during the preparations of their widowed father's wedding to his chosen bride, Maki Tsuneko (Sadako Sawamura), who's anxious about her conduct as the bride.
|
|
|
|
魂を投げろ (1935)
Character: Student
The film centres around junior high school students. They are members of the school's baseball team. They are very good. Izawa's father asks him to stop playing prior to an important game. Hayasaki health deteriorates at this time and he becomes absent. The team decides to speak to Izawa's father to plead their case and ask for the return of their team member.
|
|
|
東京の休日 (1958)
Character: N/A
May Kawaguchi is a famous Japanese fashion designer. Returning to Tokyo from her home in New York, she travels incognito with a tour group, in hopes of having a quiet vacation without being noticed. But she is spotted and the press has a field-day with the returning celebrity. Her hopes of rest shattered, she agrees to put on a large-scale fashion show.
|
|
|
田園交響楽 (1938)
Character: N/A
A priest in Hokkaido adopts a blind orphan girl, and as she grows up he finds himself falling in love with her.
|
|
|
東京の女性 (1939)
Character: 君塚節子
This is the story of a woman who enters the world of sales. She works at a company in Ginza as a typist. She determines that she needs money for her family and herself and asks her co-worker, who is a salesman, for guidance on sales. Armed with the information he provides, she begins in sales and is successful. Her original guide eventually begins to feel strange about her...
|
|
|
美はしき出発 (1939)
Character: N/A
A rich bourgeoisie family has little care in the world and knows no other lifestyle. It is only the family's second daughter who has an insecure bone in her body and ponders a day when the good times might end. Then one day the family-owned company goes bankrupt and a new era begins.
|
|
|
Shirayuki sensei to kodomo tachi (1950)
Character: N/A
The film centers a compassionate teacher (Setsuko Hara) who teaches at a Tokyo grade school where students curse and gamble. The school has a pond on-premises that she's in charge of and cares for. The pond holds a number of carp, but someone is snatching them. The teacher forms a special bond with a child who lives in abject poverty.
|
|
|
白魚 (1953)
Character: Sachiko
A family comprised of a man, woman and their only son is torn apart when the father, who is a doctor with his own clinic, is to go off to war. Soon the wife and the son are left without an update of his status and whether he is alive or not. With the clinic lying dormant the doctor's wife rents the premises to her husband's underling. This is a man who does not accept payment from the poor. The woman, in the meantime, works at a restaurant whose owner being ill has given her additional duties. Her younger sister is an unmarried finance writer who also lives with them. It is both sisters, however, who receive marriage proposals.
|
|
|
緑の大地 (1942)
Character: N/A
Set in Qingdao, China, a Japanese company locates an office there and begins work and cooperation with a local Chinese company for business. Many Japanese engineers also move to China, with their families, for the company in order to construct a canal. There are young Chinese resisting the Japanese in this area.
|
|
|
熱風 (1943)
Character: Kumiko Takagi
Set in wartime at the Yawata Steel Works in Tobata, Yawata, and Kokura cities in Fukuoka Prefecture, the film depicts people taking on the evil blast furnaces that prevent increased production. The film was shot on location at the actual Yawata Steel Works for an extended period of time, and special effects were created using a miniature blast furnace that closely reproduces the actual one.
|
|
|
青春の気流 (1942)
Character: Makiko Yuijima
It was supposed to be about a love story, but it was and was not. An aircraft mechanic working for the government is matched by his boss with the latter man's daughter (Setsuko Hara) who is both beautiful and aggressive. Yet, he picks a woman who is less assertive as his bride.
|
|
|
|
|
|
冬の宿 (1938)
Character: N/A
A film that begins with wit and comedy when a husband tries to hide and mask his drinking, which his Jesus freak and very Christian wife dislikes, by gargling and other methods, turns somber when the man loses his job after being fired. He attempts to keep us appearances by having parties and still going to night clubs, which means money is even more of a short supply. He turns to gambling and the race horse tracks as a result.
|
|
|
大番 (1957)
Character: Kanako Mori
A young country boy leaves his village for Tokyo, where he begins to work as a stock trader. First part (of four) of the film adaptation of Bunroku Shishi's novel, Oban.
|
|
|
続大番・風雲篇 (1957)
Character: Kanako Arishima
Ushinosuke returns broke to his hometown, where everyone believes he's rich and successful.
Part two (of four) of the film adaptation of Bunroku Shishi's novel, Oban.
|
|
|
続々大番 怒濤篇 (1957)
Character: Kanako Arishima
Ushinosuke returns to his hometown to become a farmer.
Part three (of four) of the film adaptation of Bunroku Shishi’s novel, Oban.
|
|
|
大番 完結篇 (1958)
Character: Kanako Arishima
Ushinosuke returns to Tokyo with new ambitions.
Fourth and final part of the film adaptation of Bunroku Shishi’s novel, Oban.
|
|
|
小津と語る (1993)
Character: Self (archive footage)
A tribute to the legendary Japanese film director featuring the reflections of filmmakers Lindsay Anderson, Claire Denis, Hou Hsiao-hsien, Aki Kaurismäki, Stanley Kwan, Paul Schrader, and Wim Wenders
|
|
|
|
노리코 세츠코 (2023)
Character: Noriko Setsuko
The film reconstructs the life of Noriko by selecting scenes from Oz Yasujiro’s films featuring actor Hara Setsuko.
|
|
|
新しき土 (1937)
Character: Misuko Yamato
Teruo gets caught up in a conflict between tradition and modernism after returning to Japan from Germany after having spent a number of years there studying. Now, he is supposed to marry Mitsuko, the daughter of his adoptive father, to whom Teruo has long been promised. But Teruo, who has gotten to know the freedoms of the western world, would rather marry the woman he loves and behaves brusquely to Mitsuko.
|
|
|
望楼の決死隊 (1943)
Character: Yoshiko
Stalwart soldiers of the Japanese Empire – Japanese and Korean alike – stand in defense of a military outpost threatened by "bandits."
|
|
|
|
勝利の日まで (1945)
Character: N/A
An Invention laboratory is working on the creation of a performance 'bomb' in the shape of a rocket that could be delivered to the front in order to entertain and amuse the national troops. Inside this rocket would be tiny performers. Once launched from the laboratory and landed amidst the Japanese troops the soldiers could enjoy the performers. The laboratory succeeds and the rocket is built. It bears the insignia, 'until the victory days.' The Japanese government began a program of shooting and disseminating propaganda and entertainment movies for its troops during World War II. It is a lost film.
|
|
|
|
蛇姫様 (1940)
Character: Koto Hime
When Sentarô’s father is killed by a drunken samurai, Sentarô avenges him. His deed puts him on the run and leaves his sister behind. While running from both the authorities and the assassins, Sentarô meets with the beautiful travelling-actress Oshima who takes him under her protection.
|
|
|
巨人伝 (1938)
Character: N/A
Japanese adaptation of LES MISERABLES. The last film of director Itami took inspiration from Les Miserables. Transpiring during the Southwestern War of 1877 in Japan, which was the last civil war in the country, a criminal escapes prison only to be found by a monk. The criminal decides to turn a new leaf based on their conversation and goes on to become a town's mayor. He hears news of a mistaken arrest and identity. The revelation of truth is the start of a series of miseries.
|
|
|
将軍を狙う女 東海美女傳より (1937)
Character: N/A
A man attacks the shogun, but does not succeed in his assassination attempt. He flees to the mountains and hides in a shed. There he finds an old man and a girl. The latter is the daughter of Shogun's former wife and also has revenge on her mind. The former is also connected to the castle. Separately a girl lives at the shogun's castle and believes in god.
|
|
|
上海陸戦隊 (1939)
Character: Mingzhu - Chinese girl
This film attempts to reconstruct the tension of the Battle of Shanghai through an episode in an understated way, introducting its story in a documentary mode. In the film story, Japan's marine regiment protects Japanese residents and Chinese refugees-women and young children-from rampant street fighting, Shanhai Rikusentai unsparingly uses its first eight minutes for an official-mannered self-justification of the war. From the viewpoint of explaining Japan's military operation,the narration refers to the city s spatial division in sync with maps on screen.
|
|
|
ノンちゃん雲に乗る (1955)
Character: Mom
A little girl who falls into a lake and is saved by a god who then takes her up to the clouds and shows her what the world was like before she was born and what the world would be like if she where never born. While in the clouds she meets her grandparents and a few other people she loved who have passed on.
|
|
|
決戰の大空へ (1943)
Character: N/A
Young men endure challenging flight training in the Yokaren, a program feeding new pilots into the Army and Navy. By the time of the filming, the pressure of the war had led the government to shorten the training and expand the age range of the recruits. Yokaren was highly selective, and thus an object of great fascination and desire for boys and young men. In this Navy–sponsored film, Setsuko Hara plays the daughter of a family that often entertains recruits on their days off—a surrogate sister to many trainees. Her fragile younger brother aspires to join the program, but is rejected. With perseverance and much support from Hara and their mother, he surmounts his weaknesses and becomes a flier.
|
|
|
|
阿片戦争 (1943)
Character: N/A
The Opium War is a 1943 black-and-white Japanese film directed by Masahiro Makino. "Ahen senso" in Japan refers to the First Opium War. The story of the film concerns this war.
|
|
|
怒りの海 (1944)
Character: N/A
It is 1921 and a town has a newspaper which prints urgent bulletins as required. The Washington-based CITES treaty, in which Japan participates, puts a limit on the number of warships any country can possess. As a result, Japan has to decommission a ship to its makers' disappointment. An institute of technology's laboratory designs a new ship. Due to less ships, sailors have to retire and are also disappointed. The laboratory's manager and an admiral are visiting a patient at a hospital and meet coincidentally. The former has a daughter who worries about her father's workload. She asks him to accompany her to a concert. Father has little time, but is convinced for her sake. He is inspired for a ship's design at the performance. The film is inspired by the life of Jo Hiraga.
|
|
|
希望の青空 (1942)
Character: Chizuko
What is marriage? Young couple in match-making wanted to know before they decide. They visited married couples of sisters and brothers. Love comedy in 1942.
|
|
|
お嬢さん乾杯 (1949)
Character: Yasuko Ikeda
A matchmaker looks to unite a young woman from a wealthy Tokyo family with the humble owner of an auto garage.
|
|
|
金の卵 (1952)
Character: N/A
Once an average and seemingly ordinary Tokyo girl, she suddenly finds herself as a TV star owing to her discovery by a casting company, which noticed photographs that her cousin had sent. When another actress falls ill she is given the role instead. Her first film is a success propelling the young actress to popularity, her own fans, money and a house. While everything looks dandy from the outside not all is well within the family however.
|
|
|
わが青春に悔なし (1946)
Character: Yukie Yagihara
Over more than a decade, the daughter of a Kyoto Imperial University professor comes of age as she witnesses her father fired for opposing the rise of fascism in Japan and becomes involved with two of his students.
|
|
|
麦秋 (1951)
Character: Noriko Mamiya
A 28-year-old single woman is pressured to marry.
|
|
|
忠臣蔵 花の巻・雪の巻 (1962)
Character: Riku Oishi
After their lord is tricked into committing ritual suicide, forty-seven samurai warriors await the chance to avenge their master and reclaim their honor.
|
|
|
秋日和 (1960)
Character: Akiko Miwa
A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.
|
|
|
小早川家の秋 (1961)
Character: Akiko
The family of an older man who runs a small sake brewery become concerned with his finances and his health after they discover him visiting an old mistress from his youth.
|
|
|
風ふたゝび (1952)
Character: N/A
Kanae, who broke up with her husband and moved to her uncle's house, met two men when her father, a university professor, collapsed. Michihara, a wealthy man and Miyashita, a youth scholar. Kanae is attracted to Miyashita, but ...
|
|
|
女囚と共に (1956)
Character: Prison Officer
The woman prison has a cast all with a story of their own and with no dull or routine day. There is an employee who is divorced after her husband had an affair. She loves the jailed criminals and almost sees them as family. One day at a workshop someone faints while working hard to make money because she has a poor boyfriend. Another inmate is knocked up Another is a mother and has her child with her.
|
|
|
东游记 (1940)
Character: Showa Kinema Actress
Shot mostly in Tokyo, this comedy depicts two Chinese tourists who have travelled from their country to Japan in order to experience the latter country.
|
|
|
めし (1951)
Character: Michiyo Okamoto
Michiyo lives in the small place Osaka and is not happy with her marriage, all she does is cook and clean for her husband.
|
|
|
北の三人 (1945)
Character: N/A
The story of an airport and its air traffic control crew in a remote and northern Japanese town. Three of the air traffic controllers are female with one of them working with her dead fiancé's sister. The engaged man had gone to war and never returned.
|
|
|
白痴 (1951)
Character: Taeko Nasu
Kameda, who has been in an asylum on Okinawa, travels to Hokkaido. There he becomes involved with two women, Taeko and Ayako. Taeko comes to love Kameda, but is loved in turn by Akama. When Akama realizes that he will never have Taeko, his thoughts turn to murder, and great tragedy ensues.
|
|
|
安城家の舞踏会 (1947)
Character: Atsuko Anjo
After Japan's defeat in the war, the Anjo family lose their peerage and wealth. Since their mansion is due to pass into the hands of a creditor, the family holds one last ball before leaving.
|
|
|
東京物語 (1953)
Character: Noriko Hirayama
The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.
|
|
|
日本誕生 (1959)
Character: Amaterasu, the Sun Goddess
The legend of the birth of Shintoism. In Fourth Century Japan, the Emperor's son Ouso expects to succeed his father on the throne, but Otomo, the Emperor's vassal, prefers Ouso's stepbrother, and conspires to have Ouso die on a dangerous mission he has contrived. But Ouso prevails in the mission and returns to his father's castle under a new name, Prince Yamato Takeru. Otomo plots to have the Prince sent into even greater danger, but Otomo is unaware that the gods have favored the Prince and the outcome is far from what any of them expected.
|
|
|
指導物語 (1941)
Character: Kuniko
In this semi-documentary, an older locomotive driver is tasked with training younger ones and is currently training two in particular. The old man is finding the task overwhelming as it is hard work with practical lessons and classroom components. His wife has died, but he has three daughters with the oldest taking care of her younger siblings.
|
|
|
三本指の男 (1947)
Character: N/A
Being acquainted with the bride's uncle, a famed private detective is invited to a wedding ceremony. The groom's family is moneyed and owns large tracts of land. The bride is a former teacher and was rumoured to have had an affair, which explains why the groom's family opposed the union. On the night of the ceremony the bride and groom are killed in a sealed room. There is evidence left, however, as there is a hand print on the wall albeit with only the trace of three fingers.
|
|
|
晩春 (1949)
Character: Noriko Somiya
Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.
|
|
|
娘・妻・母 (1960)
Character: Sanae Soga
Sanae is left a widow after her prestigious husband dies, but holds the proceeds of a million yen insurance policy. Being childless, her former in-laws have no objection to her return to her own family.
|
|
|
ハワイ・マレー沖海戦 (1942)
Character: Kikuko
Japanese Navy air cadets train for the attacks on Pearl Harbor and the HMS Prince of Wales.
|
|
|
驟雨 (1956)
Character: Fumiko Namiki
A husband and wife's pet peeves and minor irritations escalate into major rifts and animosity.
|
|
|
東京の恋人 (1952)
Character: Yuki
Following the Second World War, the lives of various people in a poverty-stricken area of Tokyo are entertwined. Pachinko parlor girls, shoeshine boys, a maker of costume jewelry, and a streetcorner artist all struggle to make their livings and to find happiness in difficult surroundings.
|
|
|
愛情の決算 (1956)
Character: Katsuko
Living in a house that has lost its man to the war a year earlier are the widow and her child. Four of the dead man's friends gather to have an anniversary wake. Some time following the ceremony one of the attendees marries the widow. Soon another friend of the deceased and his family also make the house their home when they move to town. Everyone's life is changed quite a bit. When the newer husband sustains an injury to his leg and loses his job it leads to the wife having to work. By the time the fifth anniversary of the friend's death occurs and another reunion is held another friend is in love with the former widow.
|
|
|
河内山宗俊 (1936)
Character: Onami
A boy steals a knife from an old samurai, unaware of its value, setting off a strange chain of events.
|
|
|
山の音 (1954)
Character: Ogata Kikuko
An ingratiating bride develops warm ties to her father-in-law while her cold husband blithely slights her for another woman.
|
|
|
誘惑 (1948)
Character: Takako
A young lawyer falls in love with the daughter of his former professor, whom he's hired to tutor his children.
|
|
|
東京暮色 (1957)
Character: Takako Numata
Two sisters find out the existence of their long-lost mother, but the younger cannot accept the fact that she was abandoned as a child.
|
|
|
颱風圏の女 (1948)
Character: Kuriko Sato
Four unlucky pirates head to a weather tracking station set on a remote island with the intention of holding the weather trackers as hostages and assaulting their next incoming supply ship; but at the station they are told that a serious typhoon is on the way, so the ship will be delayed.
|
|
