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Me he de comer esa tuna (1945)
Character: N/A
In rural Mexico, a young man competes with his best school friend for the love of a girl whose marriage has been arranged by her parents.
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Cain y Abel (1954)
Character: N/A
Bohemian husband and strait-laced wife get divorced; each takes custody of one son. Twenty years later...
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Los margaritos (1956)
Character: Margarito Hernández I
Two brothers named Margarito butt heads courting the same woman.
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Cuatro vidas (1949)
Character: N/A
Romantic melodrama with murderous rivalries, set on a newly-cultivated wilderness plantation in Guatemala.
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El Bronco Reynosa (1961)
Character: N/A
Star of cowboy-movies returns to his home and locals expect him to be heroic like he is onscreen.
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Póker de ases (1952)
Character: N/A
Four brothers try to manage their careers and love-lives under the close supervision of a domineering mother.
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Las coronelas (1959)
Character: N/A
Two young women 'forced' to masquerade as soldiers in military troop.
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Cantaclaro (1946)
Character: N/A
A rootless wilderness-dude in the Venezuelan outback gets caught up in some human dramas despite himself.
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Carita de cielo (1947)
Character: Dr Julio Conde
A young woman is brought before a prosecutor after stealing food. She is defended by Julio, a university professor who decides to exhibit her as an example in his class on the theory of theft. Then he hires her as a housemaid. Her face and charms won’t only save her family from serious quandaries; they will also inspire the professor’s love.
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Mariachis (1950)
Character: N/A
Two rival combos play practical jokes on each other during a festival where they're performing... then a sideshow artist is murdered and several of them fall under suspicion for the crime.
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México nunca duerme (1959)
Character: N/A
Fretful granny is upset when her granddaughter isn't home by 9 PM on Saturday night, so she teams up with a gangster to tour Mexico City nightclubs looking for her.
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Sangre en el barrio (1952)
Character: N/A
Slumlord and his daughter interfere in the lives of the proletariat for personal gratification.
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El pueblo sin Dios (1955)
Character: Ricardo Galarza
Unscrupulous rich guy owns all the businesses in border towns, is challenged by town's new priest.
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Corazón de fiera (1951)
Character: El chato René/Luis del Rosal
Wanted criminal has plastic surgery, starts new life in a distant town. Old habits die hard.
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La vendedora de amor (1964)
Character: Marcos
Widow of a rich older man, Sonia returns to her old neighborhood, unable to claim his inheritance. As soon she arrives, she meets her old love Roberto and they revive their romance. But this love can not be due to Sonia's greed, who becomes the mistress of a handsome and wealthy gangster.
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Los Mujeriegos (1958)
Character: Antonio
Three hard-partying cowboys go to Mexico City for one last fling before entering into arranged marriages back home.
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Bromas, S.A (1967)
Character: Elías Arnoff
Eccentric millionaire hires a team of young people to help him stage practical jokes.
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Genio y figura (1953)
Character: N/A
When the pregnant Esther gets some bad news from her doctor, he advises her to visit a clinic in Mexico City, so she enlists husband Antonio to drive her there at once, along with her brother Luis. As soon as the men drop her off at the hospital, they hit a local nightclub and live it up, and as they are leaving the club in the company of a sexy dancer, they get thoroughly robbed: the criminals even steal the poor victims' clothes! Taken in to the police station and documented along the way, their photograph turns up in the paper the next day, which Esther of course sees. The men will have a lot to explain when they arrive at the clinic to pick up Esther.
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Los santos reyes (1959)
Character: N/A
Three criminals break out of jail and head for a town where they've hidden their steals.
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El gavilán (1940)
Character: Licenciado Gustavo Silva
A 1940 film directed by Ramón Pereda.
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El gavilán pollero (1951)
Character: Luis Lepe
Two bumpkins in the big city fight over the same girl, until they realize that she's playing them against each other.
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As negro (1954)
Character: N/A
Two poor children swear an oath: one will study, the other will work and support them both. The worker turns to crime...
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El lunar de la familia (1953)
Character: N/A
Fernando Mendez's 1953 Spanish-language melodrama El Lunar de la Familia unfurls against the backdrop of a deceptively innocent-sounding family reunion. Two freewheeling, party-happy young men, Luis and his buddy Antonio, catch the train in to San Miguel, on a visit to Luis's grandmother, Doña Luisa, and his sister Esther. Unfortunately for the visitors, Luisa's goddaughter Rosita, is sitting near them in the same train car. She soon catches wind of the boys' wild tendencies, and makes a point of telling Luisa. Furious, the crotchety old woman decides to teach the bad boys a lesson by beating them senseless with her cane and forcing Luis to seek out a proper mate for Esther. Unfortunately, Esther has already fallen in love with Antonio - who could care less.
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Tercio de quites (1951)
Character: Salvador Ponce "El Tapatío"
Spanish bullfighter and a Mexican one have a friendly rivalry spanning decades.
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Los resbalosos (1960)
Character: N/A
Border town is overrun with wastrels and scofflaws, so the City Council decides to hire a notorious gunslinger to help them clean up their streets.
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Una gringuita en México (1951)
Character: Pablo
A USA girl decides to vacation in Mexico and experience first hand all the stereotypical scenes she's seen in movies. When she gets there, everything isn't all charros and bandidos, though -- surprise, surprise!
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Enrédate y verás (1948)
Character: Roberto
A young woman disguises herself as a soldier when her boyfriend arrives to propose.
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Paco, el elegante (1952)
Character: Paco Robledo, Paco el Elegante
Paco's ordered by a higher-up in his gang to beat up a journalist who wants to write exposes about Mexico City drug traffic, and that ends up opening a whole can of worms.
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Mala yerba (1940)
Character: Teniente
Plantation owner is way too much into his peasant girls. It causes problems.
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El matrimonio es como el demonio (1967)
Character: Arturo
The story of a Playboy bachelor who does not know the good that is, until he is married. Slowly, the man discovers that having a woman is not easy, but sometimes ... being faithful recomended. After sympathetic experiences and funny situations, he realizes that there are two uncorrectable errors committed by the man in your life: Being born and married!
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Las mañanitas (1948)
Character: N/A
Rom-com scheming; wealthy landowner wants to seduce one of his tenants, but she wants the other guy...
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Las Fieras (1969)
Character: N/A
Historia de un grupo de estafadores internacionales y sus artimañas.
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Hipócrita..! (1949)
Character: Pepe
A disfigured woman is helped by a talented composer to recover her face with plastic surgery. Then he discovers that she's a beautiful woman and a talented singer.
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¡Ay qué rechula es Puebla! (1946)
Character: Miguel Salvatierra
Two charros from Hacienda A come a-courtin' to hacienda B, owned by a friend of their father's. Also a horse-race.
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¡Arriba las mujeres! (1943)
Character: Zaid Bazur
Movie in which funny situations based on the entanglements caused by a woman named Felicidad to her family because of her feminist ideology are presented, to the extent of bringing her daughters and herself to a divorce trial.
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Los hijos de María Morales (1952)
Character: Luis Morales
Two brothers known in town for their womanizing, drinking and rowdiness meet their matches when two girls who like them decide to tame the two machos.
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Tambien de dolor se canta (1950)
Character: Himself
The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.
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¡Ay, pena, penita, pena! (1953)
Character: Carlos
Carmela is a Gypsy singer who sells lottery tickets. She meets two penniless Mexican brothers and they buy a ticket between the three: if it is awarded, could share the prize and go to Mexico, they to return to their homeland and her for bullfighter boyfriend whom has no news. The fate accompanies them, but, on reaching Mexico, her boyfriend rejects her. This way, she ends up acting in a cafe where reaps many successes.
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