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La santa del barrio (1948)
Character: N/A
Wicked old lady arranges to sell the virginity of a young neighbor. Her boyfriend gets upset over this.
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Aquellos ojos verdes (1952)
Character: N/A
Orphan girl under the protection of a benefactor begins to suspect that her mother had an affair with him and that he's her father.
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Negra consentida (1949)
Character: N/A
Free-spirited young woman schemes different ways to trying to nudge her spinsterish older sister into falling in love and getting married.
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Noches de ronda (1943)
Character: N/A
Homeless singer-songwriter-piano-player gets a career boost with the support of a crippled waitress, and romance blossoms. Once he starts up the ladder of success, she starts feeling insecure about all the beautiful non-deformed women he's surrounded with.
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Palabras de mujer (1946)
Character: N/A
Young songwriter falls in love with a singer he writes for... but her jealous manager fucks up both their lives.
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La liga de las canciones (1941)
Character: N/A
International committee mounts a revue to promote Pan-American unity. Showbiz hotel rom-com hilarity ensues.
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La Adelita (1937)
Character: N/A
Beautiful peasant girl runs afoul of her landlord's horny son and he poisons the well between her and her fiance, so she runs away and joins the Revolution.
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Buenas noches mi amor (1951)
Character: N/A
Local oligarch has the hots for a small-town schoolteacher; to escape from the problems he causes them, she and her boyfriend both move to Mexico City... but they lose contact with each other, and complications.
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La última noche (1948)
Character: N/A
Struggling musician takes sympathy on a homeless woman and they build a life together.
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Hoy comienza la vida (1935)
Character: Pedro Vega
1930s yuppie Pedro has a wife and two mistresses, but tragically learns the error of his ways.
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Infierno de almas (1960)
Character: Mauricio Gómez
Mauricio flees from the police and takes refuge in the apartment of Ivonne, who gives him blood to save his life. Carlos the policeman who is in love with her, finds Mauricio's passport and has the inspector offer 10 thousand pesos to whoever turns him in. Mauricio confesses to Ivonne that he is innocent of the crime, and asks her to marry him.
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Los huéspedes de La Marquesa (1951)
Character: Ramón
In the "Marquesa boarding house" lives a group of eclectic artists. They're trying to mount an spectacle to earn some money and pay their debt with the owner. At the same time arrives at the house a young car driver with a great voice, and a pretty model and dancer, who could help them and maybe fall in love between each other.
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Solamente una vez (1954)
Character: N/A
A couple suffers through slander and jealousy to maintain their love for one another.
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Pecadora (1947)
Character: N/A
Prostitution and drug-smuggling in Mexico City and Cd. Juarez.
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Pervertida (1946)
Character: N/A
A country girl finds herself working as a prostitute, but her true love, a musician, comes looking for her. She must fight a cabaret dancer for his love.
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Viviré otra vez (1940)
Character: Mario Ledesma
Card-sharks blackmail a dissolute young man into participating in a big robbery; his brother takes the rap for him.
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Embrujo antillano (1946)
Character: N/A
Power struggles among the owners of a cigar factory;meanwhile, a society babe and a factory girl compete over the youngest of the executives.
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Kid Tabaco (1955)
Character: N/A
Tony Ray is not enough to impress Diana thus decides to become a boxer. At last he can have it all: money and feel worthy enough to propose.
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Alma jarocha (1937)
Character: N/A
A group of students enjoy crazy adventures during their vacation in Orizaba, Veracruz.
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La Familia Dressel (1935)
Character: Gonzalo Ramirez
Fernando de Fuentes was among the most famous and versatile writer-directors of Mexican cinema’s Golden Age, etching his style on genres as varied as the Western and the musical. In his immigrant melodrama The Dressel Family, De Fuentes addresses the “problem” of the ferreteros: successful bourgeois German families who established their own self-sufficient community within Mexico City, but in doing so—it was widely felt—preserved their haughty colonialist attitudes toward the native population. The head of the Dressel household is a proud and stubborn German matriarch who, disdainful of her son’s mixed marriage, sets out to destroy the reputation of his young wife, a Mexican radio singer (played by the beautiful and talented Consuelo Frank).
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Herencia macabra (1939)
Character: Eduardo
A plastic surgeon goes mad when he discovers that his wife have an affair. He fakes her death and disfigure her and locks her in the cellar.
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El superloco (1937)
Character: Alberto
Mad scientist, a neanderthal and a drunk makes a crazy combination.
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Amanecer ranchero (1942)
Character: N/A
The old massa dies and his son comes home to take over the hacienda. Things are going to be a whole lot different now; he's overturning all the old social order. A-a-and...
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Hotel de verano (1944)
Character: N/A
This Musical-Comedy from Director Rene Cardona, features American actress Janice Logan as the dutiful daughter who is about to wed a much older man and widower as part of an arranged marriage orchestrated by her Father. Plans quickly change, however, once she meets a handsome singer and rising radio star, (played by actor Jose Pulido), who soon sweeps her off her feet-much to the dismay of her dear old Dad. Catchy musical numbers and a charismatic cast add to the charm of this war-time movie release.
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Mary, Mary, Bloody Mary (1975)
Character: Doctor
Mexican horror film about an American painter named Mary who is living in Mexico where she sells her works and also kills people for their blood. It turns out Mary is a vampire but not the traditional one with fangs. Since she has no fangs she must stab or slash the throats of her victims but soon she has a new man in her life as well as a mysterious man in black who appears to be doing the same type of murders.
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