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La bandida (1948)
Character: N/A
Roving cowboy good-guys defend a farm family from the outlaw gang that's trying to take over their homestead.
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Noche de perdición (1951)
Character: Alicia Robles
Shortly before a nightclub artist leaves Mexico for an international tour, she's witness to a murder. Shortly after she leaves, she's named as a suspect in the crime, and her husband, assuming she's guilty, turns his back on her. The-e-en...
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México de noche (1975)
Character: N/A
Two street gangs vie for primacy, which will give them control of drug smuggling and stolen jewelry.
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Bajo la influencia del miedo (1956)
Character: N/A
Gang leader sets one of his flunkies up to take the fall for a certain job; after he does his jail time, the guy goes gunning for the people who set him up. Also some stuff about fixed boxing matches.
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La segunda mujer (1953)
Character: N/A
Couple with preteen children break up; Dad meets a new woman and they marry. The children grow up, and they're spoiled-y rich kids flirting with criminal lawlessness. Cue the violins.
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Tania la bella salvaje (1948)
Character: Tania
Rolando, a millionare, travels to a remote island and meets the young and tough Tania, a local woman with great dancing skills. He falls in love with her and takes the girl to Mexico, but their relationship gets awry when Tania cheats on him with another man.
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Gángsters contra charros (1947)
Character: Rosa
Gangster Johnny Carmenta must confront the "Charro of the Slums" Pancho Domínguez, who has control over the city, but their rivalry gets worse when rumba dancer Rosa befriends both men.
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Que idiotas son los hombres (1951)
Character: N/A
After divorcing her cheating husband, a newly single still and beautiful woman, (played by Actress Rosa Carmina), travels to Acapulco. She soon becomes the center of attention and spoiled for choice when she finds herself wooed by no less than four handsome suitors, three of whom are very wealthy and prominent men. Initially torn between her head and her heart, but mindful of past mistakes, Carmina's character chooses love over money and picks a humble and hard-working waiter. Directed by Juan Orol, (Carmina's soon-to-be ex-husband in real-life), this drama features the long, drawn-out scenes and shadowy film noir techniques which he became well- known for.
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La huella macabra (1963)
Character: Vicky Fuentes
(Sequel to El Rostro Infernal.) Count Brankovan, a vampire, returns from the dead to avenge himself himself on some humans who previously had been bugging him.
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Viajera (1952)
Character: Blanca Lilia Nuñez "Katia"
Music teacher gets all tangled up with a nightclub singer, after seeing his students ogling her advertisements.
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La diosa de Tahití (1953)
Character: Paula
A fugitive hides from justice among smugglers in the deep jungle of an exotic island, but things become complicated when he falls in love with a local cabaret dancer.
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El infierno de los pobres (1951)
Character: N/A
A young woman becomes pregnant but when his boyfriend leaves her she gets a job as a prostitute in order to provide for her child.
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Amor salvaje (1950)
Character: Alma Luz
Alma leaves Panama to go live with her aunt Antonia and with Manuel, her husband. There she meets Julio, who tries to woo her.
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Pantaleón y las visitadoras (1975)
Character: N/A
Pantaleón and the visitors is a peruvian film made in 1975 and based on the book of the same name by Mario Vargas Llosa. Directed by the novelist himself along with José María Gutiérrez Santos, it was released in Puerto Rico. Among its protagonists, José Sacristán, the Mexican Katy Jurado and Rosa Carmina and the Peruvian Camucha Negrete.
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Teatro Follies (1983)
Character: N/A
Young dancer joins the cast of a musical-comedy production, falls in love with young comic actor.
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Una mujer de Oriente (1946)
Character: N/A
A secret agent investigates the death of the scientist who created a deadly ray only to find out his own wife is involved.
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Hombres sin alma (1951)
Character: Malena
Final installment in Juan Orol's Percal trilogy. In this film, Malena is freed from prison by a gangster but a rival mobster will make things impossible for them.
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Secretaria peligrosa (1958)
Character: N/A
A secretary plans to rob her boss with the help of her gangster boyfriend and his gang, but a special agent attempts to stop them in their tracks.
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Cabaret Shanghai (1950)
Character: Mary Ruth
Nightclub-owner/gangster discovers that his dame and his second-in-command are cheating on him.
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Rostro infernal (1963)
Character: Vicky Fuentes
Investigating a series of kidnappings leads a police inspector to confront a scientist trying to gain immortality.
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En Carne Viva (1951)
Character: María Antonia / Laura
A beautiful cabaret dancer falls in love with a sailor who promises to return and marry her. Trouble ensues.
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Perdición de mujeres (1951)
Character: Malena
Small town girl moves to the big city. When she can't find a job, she starts hanging with a bad crowd.
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El reino de los gángsters (1948)
Character: N/A
Johnny Carmenta is a gunman who heads a gang of gangsters. Carmenta secretly acts as a kind of El Zorro, helping the unprotected.
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Cabaret trágico (1957)
Character: dancer
Young woman is sorta trapped into working as a bar-girl because of her unwitting complicity in a murder. Meanwhile, the tough broad who owns the bar faces problems of her own, mostly centered around a philandering boyfriend and an over-ambitious adopted daughter.
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Bellas de noche (1975)
Character: María Teresa
The Boxer Germán Bronco Torres loses his license, and works as bouncer at the cabaret El Pirulí, where he falls for the fichera Carmen, and befriends of the pimp Margarito Fuensanta El Vaselinas, who lost a bet and has to pay to a gangsters. For 500 pesos for El Vaselinas, Bronco prepares a trap in the cabaret to the taxi driver Raul, to seduce his girlfriend, not knowing that the victim is his own sister Lupita.
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