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संपूर्ण रामायण (1961)
Character: Rama
This is the story of Lord Ram and his years spent in exile with his wife and brother, and also chronicles the end of the demon king Ravan and his family.
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Parasmani (1963)
Character: Paras
Paras (Mahipal) is lost at sea when his father's ship enters into a storm. Paras is rescued by a poor villager, who brings him up as his own. Paras grows up and accomplishes himself as a swordsman and a singer. His fame soon reaches the palace, and the emperor summons him to sing for him, which he does. Pleased with his singing, the emperor asks him for a wish, and Paras asks for the hand of his daughter (Gitanjali). Enraged, the emperor decides to punish Paras. When his plans do not succeed, he plans to kill Paras, however, Paras escapes, and in the bargain ends up rescuing the the princess, who falls in love with him. Appearing defeated, the emperor asks Paras to seek a rare gem, and if he does so, then only can be marry his daughter. Paras agrees, but he has no clue as to the whereabouts of this rare gem, neither does anyone he knows.
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Shankar Parvati (1943)
Character: N/A
A dance-based mythological featuring Shankar (Arun), the triad in the Hindu pantheon (sometimes equated with Dionysus), who dances the Tandava, the dance of destruction, when his wife Sati kills herself after she is humiliated by her father. He then retires into meditation from which he has to be awoken to rid the world of the demon Tarakasura. The seductive powers of Sati, reborn as Parvati (Bose), liven up Shankar but she has to pay for this by doing extensive penance, after which she can be accepted again by her husband as a real wife, partly through the divine intervention of Vishnu.
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Hanumaan Pataal Vijay (1951)
Character: N/A
When the demon king Ahiravan kidnaps Lord Ram and Lakshman and holds them captive in his underground realm of Patalpuri, the devoted Hanuman descends into the netherworld to rescue his masters and defeat the dark sorcerer.
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Jai Mahalakshmi (1951)
Character: N/A
Considered a curse by her cruel in-laws, a desperate woman attempts to take her own life until a priest intervenes, revealing that her continuous, unwavering devotion to the Goddess Mahalakshmi is the only key to changing her fate and restoring her prosperity.
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Lakshmi Narayan (1951)
Character: N/A
The eternal saga unfolds as Goddess Lakshmi and Lord Narayan descend to Earth in various avatars to restore cosmic balance, illustrating that true wealth is found not in gold, but in righteous action and devotion.
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जय संतोषी माँ (1975)
Character: Devarishi Narada
Gauri is unable to conceive and is made fun of in the village. Everybody believes that she is cursed and stays away from her. Gauri prays to Goddess Santoshi Maa to bring back happiness into her life.
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Khoj (1953)
Character: N/A
Khoj is a classic Bollywood mystery drama directed by Balwant Bhatt. Featuring Shammi, Mahipal, Satish, and Lalita Kumari, the film weaves an intriguing tale of suspense, hidden secrets, and unexpected discoveries. With elements of adventure and romance, Khoj keeps the audience engaged as its characters embark on a thrilling journey in search of truth.
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Tulsidas (1954)
Character: N/A
Sage Tulsidas faces challenges when he attempts to translate the Holy Ramayan.
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Alibaba and 40 Thieves (1954)
Character: Alibaba
Shunned by his family, a male endangers his life after he finds hidden treasure belonging to 40 thieves.
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Navrang (1959)
Character: Divakar
Diwakar is a poet and loves his wife Jamuna on everything. But Jamuna does not agree that Diwakar lives out of sheer poetry in a fantasy world and the real world less and less responsible. Diwakar goes so far that he is a fantasy woman in his wife's body creates what he calls Mohini. Diwakar will soon become a recognized poet and Jamuna gives birth to a boy. Unfortunately, the happiness does not last long: Diwakar loses his job because of a critical songs against the British. Now he can no longer feed his sickly father nor his son, who is starving. All this makes Jamuna angry, but above all Diwakars growing obsession with Mohini. As Jamuna decides to live apart from Diwakar, it is destroyed internally and no longer capable of proof. Jamuna slowly realizes that she can not live without Diwakar and forgives him.
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Aladdin Aur Jadui Chirag (1952)
Character: Aladdin
The film follows the adventures of Aladdin and his finding a magical lamp which helps him in attaining the love of Princess Badar.
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Shree Ganesh (1962)
Character: Bhagwan Shri Krishan 'Gopala' 'Kanhaiya' / Bhagwan Shri Ram
After giving birth to Bhagwan Shri Kartiyeke, Devi Maa Parvati forms a child-human image from clay, adopts him, and asks him to guard the house and not let anyone in while she bathes. The child refuses to let anyone in, including Bhagwan Shivji himself, who beheads him. When a tearful Parvatiji pleads, Shivji brings the child back to life with the head of an elephant, and names him Gajanand, and assures him that no one will make fun of him.
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Balak Dhruv (1974)
Character: N/A
A king's second wife plots against her stepson Dhruv, the rightful heir of the throne, in an attempt to make her own son the king.
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Cobra Girl (1963)
Character: Sagar
A princess attempts to win back her kingdom from a powerful shape-shifting sorcerer.
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