|
Chi dice donna, dice donna (1976)
Character: Bella / Lulù
Film in five episodes on the female universe. Among the women portrayed, neglected wives who become prostitutes, a worker who improvises a sexy bomb and a priestess who gives herself as wife to an emigrant.
|
|
|
L’aventurière des Champs-Élysées (1957)
Character: N/A
After a Parisian haute couture house is robbed and jewels stolen, Commissaire Legrand leads the investigation. His suspicions fall on Linda, the great couturier. He decides to follow her to Nice to present her next collection.
|
|
|
La Visiteuse (1981)
Character: N/A
A young woman visits an old friend to relieve her heartache.
|
|
|
Les Fanatiques (1957)
Character: Mlle Lambert
RY A revolution breaks out in a South American country while its cruel dictator is on a trip to France. The rebels have made careful plans to blow up the dictator's private plane as he returns, but at the last second he changes plans and travels on a commercial flight. The rebels then must make a difficult decision: they must either blow up a flight filled with innocent passengers, or else allow the dictator to return home and take brutal reprisals against the leaders of the uprising.
|
|
|
Chaque jour a son secret (1958)
Character: Hélène Lezcano
Given up for dead three years ago in a plane crash in the Amazon rainforest, a young woman arrives in Paris to find her eminent ethnologist husband. She learns of his death in obscure circumstances, having remarried in the meantime. She sets out to unravel the mystery surrounding her husband's death.
|
|
|
Riflessi in un cielo scuro (1991)
Character: Valeria
In a sordid account of mutual charity, an alcoholic doctor tries to make a captive heroin addict kick her self-destructive behavior — and vice-versa.
|
|
|
Made in Italy (2008)
Character: Rose
French writer Luca Morandi was born in Italy. He is forty years old and finds himself at a crossroads in his life. He doesn't know where to turn: France, his adopted home where he was raised, or Italy, the country of his birth, perfect, wonderful and ideal, like a child’s dream.
|
|
|
La Brune que voilà (1958)
Character: Christine
Germain Vignon is a used car dealer whose eloquence is such that he could sell the lousiest banger to a guy that does not even have a driver's license. He is not bad either at chatting up girls. Indeed, since his blonde wife left him, Germain has seduced no fewer than four brunettes. And as, besides being a ladies'man, he has a heart of gold, Germain is unable to break up with any of them, hence a complicated sentimental life. But this delicate balance is threatened the day an outraged stranger comes to him and orders him to leave his wife alone. One small problem is that the man has forgotten to specify the name of the lady in question. So, which of his four mistresses - Christine, Sophie, Anne-Marie or Sonia - should he leave?
|
|
|
Ce sacré Amédée (1957)
Character: Elia Tarti
Mr. Placard, impresario of shock, lost the headliner of his show, Elia Tarti. Amédée introduces himself, he can highlight his gifts of fantasy. Randomly along the way, Amédée notices a seductive hitchhiker named Cigale. This one disappears again, kidnapped by Prince Kanaga. Assisted by a friend, Amédée flies in his footsteps and discovers in Nice that Cigale is none other than Elia Tari, capricious, disdainful and snobbish star.
|
|
|
La Chanson du maçon (2002)
Character: Elena
Three eccentric old homosexual men encourage a love affair between their snobbish young landlady and a mason.
|
|
|
Una domenica d'estate (1962)
Character: N/A
A roving Roman's weekend becomes a nightmare of traffic mix-ups, marital mix-ups and hilarious make-ups.
|
|
|
Le feu aux poudres (1957)
Character: N/A
Lola, the wife of arms dealer Pedro Wassewich, is attracted to Ludovic, a young painter who turns out to be the emissary of a notorious gangster. He claims to have been sent by the latter to pick up a shipment. In fact, it's the police who, behind the scenes, orchestrate the operation to catch Wassewich red-handed.
|
|
|
Mémoires d'un flic (1956)
Character: Countess (uncredited)
In Marseille, crime squad captain Dominique fights against racketeers and tries to put a young man back on the right track.
|
|
|
D'un film à l'autre (2011)
Character: Self (archive footage)
On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).
|
|
|
Les Contes secrets ou les Rohmériens (2005)
Character: Self
Les Contes Secrets ou les Rohmériens features interviews with 16 actors who have appeared in Rohmer's films, and they talk on camera about his unusual working methods, his personality, and his spare but evocative signature style. Among the thespians who share their memories are Jean-Louis Trinitignant, Marie-Christine Barrault, Zouzou, Jean-Claude Brialy, Béatrice Romand, Françoise Fabian, and Andre Dussolier; the film also includes rare footage of Rohmer himself at work on the set of his 1978 effort Perceval.
|
|
|
Jean-Louis Trintignant - Mystérieux et insaisissable (2022)
Character: Self
"And God Created Woman", "Il Sorpasso", "A Man and a Woman", "The Conformist", "Amour"... the list of successes by Jean-Louis Trintignant (1930-2022) may be impressive but his films say little about the man himself. A look back over the life of a discrete and deliberately enigmatic actor.
|
|
|
Les Violents (1958)
Character: Evelyne Tiercelin
Pierre Tercelin who used to be a prosperous industrialist is now ruined and embittered, having become a mere lock keeper. A widower, he lives with his daughter Evelyne, a music-hall dancer. Claiming he is being persecuted by his cousin Edgar he gets in touch again with another cousin of his he hates, Bernard, a millionaire gun runner,who is also a victim of Edgar. It must be said that both Pierre and Bernard once caused Edgar to go bankrupt... Pierre offers Bernard to join efforts against Edgar. Soon after, Bernard dies of poison, which is only the first of a series of acts of violence. Tiercelin is shot at while going back home, Bernard's son is gunned down while his sister Luciane disappears. Chief-inspector Malouvier - who oddly enough looks very much like the suspect- investigates....
|
|
|
Éducation sentimentale (1962)
Character: N/A
Frédéric, a shy small-town man, falls in love with Anne, a middle class woman married to Didier, who cheats on her with top model Barbara. Catherine, a very determined woman, is secretly in love with Frédéric and in order to keep him away from Anne, pushes him into Barbara's arms.
|
|
|
|
|
Les Voraces (1973)
Character: Lara
On the Côte d'Azur, a rich man wins a large sum of money playing at the casino. As he leaves the establishment, he is assaulted and knocked unconscious, his loot stolen. A few days later, the young croupier who had given him his winnings is involved in a motorcycle accident while avoiding a car. The investigation brings the two men together, but the millionaire's wife falls in love with the handsome young croupier. The plot begins...
|
|
|
Post Partum (2013)
Character: Carmen
Luce and Ulysse love each other. They live a full and happy life managing their own little veterinary clinic on the Atlantic coast. Luce is awaiting a happy event. The future looks good. At least at first sight. But when baby Rose arrives, nothing goes as planned. Luce is out of her depth before the constant crying of her baby. Why does the baby cry so? Is she trying to warn her about something? Could it be that the little family is in danger?
|
|
|
|
|
Rose (2021)
Character: Rose
Rose, 78-year-old, has just lost her beloved husband. When her grief gives way to a powerful impulse to live her life, making her realize that she can still redefine herself as a woman, the whole balance of the family is upset.
|
|
|
Die Weibchen (1970)
Character: Astrid
A young woman joins an exclusive women's health clinic only to discover it's run by feminist cannibals.
|
|
|
LOL (Laughing Out Loud) (2009)
Character: Anne's mother
Lola is a striking teenaged girl who is on the cusp of adulthood and longs to rush into the adult world of independence, freedom and sexual exploits, but is tenaciously held back by her mother.
|
|
|
Il magnifico avventuriero (1963)
Character: Lucrezia
Benvenuto Cellini knows no obstacles when it comes to creating a work of art or conquering the heart of a woman.
|
|
|
Belle de jour (1967)
Character: Charlotte
Beautiful young housewife Séverine Serizy cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre. When her lovestruck friend Henri mentions a secretive high-class brothel run by Madame Anais, Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients grows possessive, she must try to go back to her normal life.
|
|
|
Gli specialisti (1969)
Character: Virginia Pollywood
Hud Dixon returns to his hometown when his brother is killed by a lynch mob.
|
|
|
Un condé (1970)
Character: Hélène Dassa
A crackdown on drugs leads a burned out cop to take the law into his own hands and seek revenge against villainous drug dealers. Word comes down from above that the United States feels French authorities have been lax on their arrests of the dealers. A violent action feature finds the harried inspector battling his colleagues as much as the criminal element targeted for extermination.
|
|
|
L'Univers de Jacques Demy (1995)
Character: Self
Agnès Varda's documentary portrait of her late husband, Jacques Demy. A companion piece to her Jacquot de Nantes.
|
|
|
Maigret voit rouge (1963)
Character: Lily
Gangsters from the United States try to kill a key government witness whose testimony could help land an influential mobster in jail. It's up to detective Maigret to deal with the FBI and a series of underworld figures to save the life of the witness...
|
|
|
Reunion (1989)
Character: Countess von Lohenburg
Attorney Henry Strauss grew up in Germany, but left the country with his Jewish family during the rise of the Third Reich. Still wondering about what happened to his boyhood friend Konradin Von Lohenburg, Strauss travels back to Germany for the first time since he was a young man, bringing up some painful memories.
|
|
|
Les fougères bleues (1977)
Character: Monika Berthier
Jérôme and his wife Monika head for the mountains for a hunting weekend with their friend Stanislas, an inveterate seducer, and his latest conquest, Betty. Even before they arrive, Jérôme overhears a tender gesture between his wife and Stanislas.
|
|
|
|
|
Partir, revenir (1985)
Character: Sarah Lerner
Salomé Lerner just finished writing an autobiography. She goes to a TV show called "Apostrophes", hosted by French TV showman Bernard Pivot. Pivot then imagines a film that could be created from her gripping story. A film entirely made of music because after seeing the young pianist Erik Berchot, Salomé believes seeing her long lost brother, who was a musician as well. A brother she had lost along with her parents in 1943. However, the Lerners did in fact escape the gestapo and might have based themselves in Paris...
|
|
|
Le colosse aux pieds d'argile (2022)
Character: Josy
Sébastien is a former rugby player and a true colossus. Between the ages of 12 to 16, he was a victim of rape by a beloved relative. Thirty years later, he has failed to speak out. After he meets a little colossus like him, he is compelled to make the right choice.
|
|
|
Cette sacrée gamine (1956)
Character: Lili Rocher-Villedieu
Nightclub entertainer Jean Clery discovers too late that the 'baby' he agreed to take care of is a wild, shapely sex kitten.
|
|
|
L'Américain (1969)
Character: La femme de l'agence
A man returns to Rouen, after fifteen years in the United States, and feels like a stranger among old friends.
|
|
|
Rapt (2009)
Character: Marjorie
A rich industrialist is brutally kidnapped. While he physically and mentally degenerates in imprisonment, the kidnappers, police and the board of the company of which he is director negotiate about the ransom of 50 million euro.
|
|
|
Plaisir d'amour (1991)
Character: Do
Guillaume de Burlador is a private tutor who hits a low point sufficiently severe for him to contemplate a somewhat theatrical suicide. Instead he is taken off by flying boat to a mad French colonial possession bedecked by mad servants and crazy decor. Three educated and rather gorgeous women live there, and they hire him to tutor a young teenager, but more with plans to seduce him in mind.
|
|
|
Ma nuit chez Maud (1969)
Character: Maud
The Catholic Jean-Louis runs into an old friend, the Marxist Vidal, in Clermont-Ferrand around Christmas. Vidal introduces Jean-Louis to the modestly libertine, recently divorced Maud and the three engage in conversation on religion, atheism, love, morality and Blaise Pascal's life and writings on philosophy, faith and mathematics. Jean-Louis ends up spending a night at Maud's. Jean-Louis' Catholic views on marriage, fidelity and obligation make his situation a dilemma, as he has already, at the very beginning of the film, proclaimed his love for a young woman whom, however, he has never yet spoken to.
|
|
|
Deux heures moins le quart avant Jésus-Christ (1982)
Character: Laetitia
In antique Rome, a simple pepboy for chars becomes involved in a coup against Cesar. Rahatlocum is a North African Roman colony where Julius Caesar came to spend an expensive holiday. The revolt rumbles among the small people who find a leader in the person of Ben-Hur Marcel.
|
|
|
L'Amour l'après-midi (1972)
Character: Dream Sequence
The last of Rohmer's Six Moral Tales. Frederic leads a bourgeois life; he is a partner in a small Paris office and is happily married to Helene, a teacher expecting her second child. In the afternoons, Frederic daydreams about other women, but has no intention of taking any action. One day, Chloe, who had been a mistress of an old friend, begins dropping by his office. They meet as friends, irregularly in the afternoons, till eventually Chloe decides to seduce Frederic, causing him a moral dilemma.
|
|
|
5x2 (2004)
Character: Monique
As young French couple Gilles and Marion officially separate, we see, in reverse order, the milestone moments in their relationship: Gilles revealing his unfaithfulness at a tense dinner party; Marion giving birth to their premature son while Gilles is elsewhere; Gilles and Marion's joyous wedding; and, finally, the fateful moment when they meet as acquaintances at an Italian beach resort, and their love affair begins.
|
|
|
Natale in casa d'appuntamento (1976)
Character: Nira
Madame is running a high class escort (and prostitution) service. She wants to quit the business as soon as she makes enough money to make her dreams come true. However, the relationship with her girls is deteriorating.
|
|
|
Trois Places pour le 26 (1988)
Character: Mylene de Lambert
Yves Montand, playing himself, returns to his hometown of Marseilles to appear in an autobiographical musical. Once there, he searches for the barmaid he once loved and also encounters young hopeful Marion, giving her the chance of a lifetime
|
|
|
Per amare Ofelia (1974)
Character: Federica, la sua matrigna
Although he is in his thirties, Orlando still feels like a child. He is terrified of the outside world and is stuck in an obsessive relationship with his mother.
|
|
|
Mademoiselle Gigi (2006)
Character: Tante Alicia
Paris, 1900. The 16-year-old Gigi lives in a world of mere women, inspired by Anna Karenina and Madame Bovary, she doesn't want to surrender to the "bondage of a loveless marriage".
|
|
|
Je n'ai rien oublié (2010)
Character: Elvira Senn
Conrad Lang, a handyman in a rich family - he has been raised like a brother with Thomas, who has the same age -, accidentally puts fire to the big holiday house he keeps. He returns to the town he grew up in, to the family home, where Philippe, Thomas's son, and Simone are getting married. Conrad's frequent memory loss and behavioural problems rapidly reveal a neurological disease (Alzheimer's is suggested by doctor Cohen when he examens Elvira) which leads Elvira, Thomas's stepmother, to install Conrad in a guesthouse on the property, with the help of a nurse. When Conrad looses more and more his landmarks in present and past, memories of his youth come back to surface. They intrigue Simone, since these memories do not entirely fit together with the official family history...
|
|
|
Michel Strogoff (1956)
Character: Natko
When Emir Feofar Khan, leader of the Tartar hordes, takes up arms and invades the steppes of Eastern Siberia, Czar Alexander II of Russia entrusts the brave officer Michael Strogoff with a dangerous mission.
|
|
|
Le Couturier de ces dames (1956)
Character: Sophie
A modest taylor the women found irresistible inherit a Maison de couture in financial difficulty. Decided to save it he prepare a great collection. But when his wife discovered his relations with one of the mannequin, how would he prevent the scandale without loosing... both of them?!
|
|
|
Projection privée (1973)
Character: Marthe / Eva
Complications abound in this French film, which tells the story of a filmmaker who is attempting to put his real life into a movie; his interactions with the people in the movie he is filming create reverberations in his "real" life, although the past remains unchanged. Among the complications is his growing regard for the woman who plays his cinematic wife. She may wind up replacing his actual wife in real life. One of the highlights of this film is the insight it gives into the actual mechanics of filmmaking.
|
|
|
Raphaël ou le débauché (1971)
Character: Aurore
In 1830s France, a virtuous widow falls for a self-destructive debauchee obsessed with death. Initial resistance gives way to a desperate and cynical romance.
|
|
|
Al piacere di rivederla (1976)
Character: Viviana Bonfigli
Based on the novel 'Ritratto Di Provincia In Rosso' by Paolo Levi .Mario Aldara, a Ministry of the Intenal Affairs officer and former police inspector, is sent to his native town, Bologna to investigate the alleged suicide of Cesare Bonfigli, of a powerful local family linked to politics but also the church dealing in real estate business and welfare. Aldara may be pleased to see there Viviana again. Viviana is the widow of the dead man and used to be Aldara's girlfriend twenty years before
|
|
|
Êtes-vous fiancée à un marin grec ou à un pilote de ligne ? (1971)
Character: Marion Blanchard
Roger Blanchard has a busy life. On the family side, he is married and has two children, aged ten and fifteen. On the work side, he holds an important position at the Ministry of Culture. To bolster his social status, he has a mistress to liven up his Saturdays. But nothing is going right. His wife Marion exasperates him, his children irritate him, his job gives him no real satisfaction, his mistress neglects him and his superior, Monsieur Gambaud, gets on his nerves. But when he meets a beautiful young secretary, his life and habits are turned upside down: Blanchard amuses him and gets his way. In revenge, Gambaud warns Blanchard's wife.
|
|
|
Out 1 (1990)
Character: Lucie
While two theater groups rehearse plays by Aeschylus, two solitary individuals wander the Parisian streets hustling the populace for cash.
|
|
|
Au rendez-vous de la mort joyeuse (1973)
Character: Françoise
The premise deals with a family living in a country-house which turns out to be 'alive' – to the point where a TV crew is brought in to 'capture' the paranormal phenomena
|
|
|
Trintignant par Trintignant (2021)
Character: Self (archive footage)
A portrait of a man of rare elegance and enigmatic charm, versatile and successful: Jean-Louis Trintignant, one of the most critically acclaimed French actors of the last sixty years, known for his numerous roles on stage and screen.
|
|
|
Faubourg St Martin (1986)
Character: La Marquise
Imagine a slightly dilapidated three star hotel in the tenth arrondissement run by a very distinguished lady with moral fibre and panache, Mrs. Coppercage. Alongside tourists visiting Paris, Mrs. Coppercage rents three rooms to three women at a monthly rate. Each woman is marked by life, yet they go on as best they can, never closing their eyes to the world around them, or to the men who impatiently await them. Faubourg Saint Martin opens as a love story and ends like a song as shots ring out and punctuate the chorus.
|
|
|
Secret défense (1998)
Character: Geneviève
After biologist Sylvie discovers her brother Paul trying to steal a gun from her lab, he explains that he wishes to avenge the death of their father whom he suspects died at the hands of his business partner.
|
|
|
Le Voleur (1967)
Character: Ida
In Paris around 1900, a young man raised by his wealthy uncle plots revenge after his cousin is betrothed to a rich neighbor. He steals the fiancé's family jewels, reveling in the thrill, and sets off on a lifelong path of burglary.
|
|
|
L'Ami de Vincent (1983)
Character: Dominique
Vincent is the victim of an assassination attempt carried out by a young woman who wants to avenge her sister. Albert, the childhood friend of Vincent, wants to help and begins to investigate the woman, but he realizes that Vincent is perhaps not the person he seems to be.
|
|
|
Out 1: Spectre (1973)
Character: Lucie
Out 1: Spectre begins as nothing more than scenes from Parisian life; only as time goes by do we realize that there is a plot—perhaps playful, perhaps sinister—that implicates not just the thirteen characters, but maybe everyone, everywhere. Real life may be nothing but an enormous yarn someone somewhere is spinning...
|
|
|
Per le antiche scale (1975)
Character: Anna Bersani
A mental hospital somewhere in Tuscany during the thirties. Far away from fascism, this closed world is rules over by Dr. Bonaccorsi, a passionate benevolent psychiatrist whose dream is to isolate the germ of madness. He is also a very active ladies'man and makes three women benefit from his sexual itch: Francesca the hospital manager's wife, Bianca, his devoted nurse and Carla, a nymphomaniac doctor's wife. His well-ordered universe starts being challenged with the coming of Anna, a trainee psychiatrist, who disapproves of his theory on the origin of madness. Worse, she resists his advances. As Bonaccorsi is more insecure than he looks, what will become of him?
|
|
|
La Bûche (1999)
Character: Yvette
Christmas, family, and infidelity. Yvette's husband has died, and her grown daughters join her at the grave: Sonia, wealthy, bourgeois, and generous; Louba, living with their dad Stanislas, singing at a Russian restaurant, penniless, the mistress for the past 12 years of a man who will never leave his wife; Milla, the youngest, acerbic, lonesome. Christmas was when they learned their parents were divorcing 25 years ago. Over the next few days, yuletide depression, Louba's pregnancy, Sonia's crumbling marriage, Stanislas's overtures to Yvette, and Milla's attraction to the man who's her father's rent-free lodger lead each one to re-examine self, family, and hopes. Is renewal possible?
|
|
|
Le Prénom (2012)
Character: Françoise
Vincent, a wealthy real estate agent, is invited to dinner by his sister Elizabeth and her husband Peter, both professors in Paris. Claude, a childhood friend and trombonist in a symphony orchestra, is also present. Vincent brings news from the prenatal examination of his and his wife Anna's unborn son. The name chosen by the soon-to-be parents strongly offends the others for many reasons. The dispute between the guests quickly escalates and before long the resurgence of old grudges and hidden secrets is unavoidable ...
|
|
|
La Bonne Année (1973)
Character: Françoise
Released from prison under a New Year amnesty, a criminal tries to pick up the threads of a life changed not only by his daring plan to rob a jewelry store in out-of-season Cannes, but also by a very special someone he met there.
|
|
|
Benvenuta (1983)
Character: Jeanne
A passionate affair set against the intense encounter between a film-maker and a novelist. The story begins with young scriptwriter François tracking down the author of a once-scandalous novel. His aim is to adapt the work for the screen but several elements of the novel he finds difficult to comprehend. The author, Jeanne, is initially cautious of relaying information, insisting the presumably autobiographical book in no way relates to her personal life. However, eventually she takes the man into confidence to tell the background of Benvenuta.
|
|
|
Le Petit Blond de la Casbah (2023)
Character: Elderly Dinah
The childhood of the movie director Antoine Lisner, who left Algeria in 1962. In order to present his new movie, he comes back to Algiers with his son.
|
|
|
La Lettre (1999)
Character: Mme de Chartres
A well-bred, lovely, spiritual, sad young woman marries an attentive physician who loves her. She feels affection but no love. Soon after, without design, she falls in love with Pedro Abrunhosa, a poet and performance artist. He also loves her. She keeps her distance from him, confessing her love to a friend who is a nun and, later, to her husband. Hunger for her love and jealousy consume him; she attends him as he wastes away. With his death, she can marry and express her passion, but what she does and how she explains herself, particularly to her cloistered friend, is at the heart of the film. Glimpses of convent life and of Abrunhosa on stage give contrast and mute comment.
|
|
|
Perché si uccide un magistrato (1975)
Character: Antonia Traini
A filmmaker's popular movie about a corrupt judge who is killed by the Mafia seemingly foretells the murder of a magistrate who orders the film's seizure.
|
|
|
Les aventures de Till l'Espiègle (1956)
Character: Esperanza
In the 16th century, as Flanders is invaded by the Spanish, Till the Mischievous uses stratagems to enter the service of Ferdinand Alvare de Toledo, Duke of Alba, and from there organize resistance against the invaders.
|
|
|
L'Arbre et la forêt (2010)
Character: Marianne Muller
When Frédérick, the patriarch of the Alsatian Muller family, is conspicuously absent from his son Charles' funeral, Frédérick's surviving son and his granddaughter, raw from their loss, await an explanation. Once revealed, Frédérick's reasons and the painful secret Charles harbored for years threaten the foundations of the entire family.
|
|
|
Comme les 5 doigts de la main (2010)
Character: Suzie Hayoun
Five brothers similar yet different, raised by a mother widowed too early. One of them had left the family when he returns, pursued by a gang of smugglers, he find shelter in his family while reveling them a dark secret. The five brothers, together, will find the energy to defend themself and the means to avenge the memory of their murdered father...
|
|
|
Le Cercle des passions (1983)
Character: Renata Strauss
An aristocratic Sicilian family living in the 1950s. Count Villafratti has sex one night with his nymphomaniac daughter because he thinks she is his wife.
|
|
|
Les Garçons et Guillaume, à table ! (2013)
Character: Babou
How to become a man when your mother and your closed circle have decided otherwise? This is the challenge Guillaume took up. The film recounts Guillaume's tragicomic battle from the young age of eight, as he adopts the role of a girl then of a homosexual... until, aged 30, he meets the woman who, after his mother, will become the other woman in his life. Beyond this story of a heterosexual coming-out, the film tells the tale of an actor who never stopped loving women, maybe even a little too much.
|
|
|
Brillantissime (2018)
Character: Claire, la mère
After getting dumped on Christmas Eve, Angela must rebuild her life surrounded by her rebellious teenager, her tyrannical mother, her hysterical best friend, and a weird psychologist.
|
|
|
Un uomo, una città (1974)
Character: Cristina Cournier
A string of violent jewel robberies force Police Inspector Parrino to get rough with the city’s criminal scum. Things take a turn for the worse when he’s confronted with the murder of an prostitute.
|
|
|
Finalement (2024)
Character: Françoise
In an increasingly crazy world, Lino, who has decided to leave everything behind, will come to realise that, at the end of the day, everything that happens to us is for our own good!
|
|
|
Madame Claude (1977)
Character: Madame Claude
Based on a true story. Madame Claude, a well connected Parisienne with dark past, runs a network of high-class call girls. She sends her girls to any place in the world to satisfy sexual desires of wealthy and powerful men. Claude's manipulations also involve big business and politics. Meanwhile, photographer David Evans is trying to clear his own criminal record by providing the authorities with pictures of Claude's girls with important clients in compromising positions. But powerful men can do anything to keep their secrets...
|
|
|
Salut l'artiste (1973)
Character: Peggy
Marcello Mastrioanni stars as aging actor Nicolas whose career has dwindled to TV commercials. Seeking an anchor in his life, Nicolas attempts a reconciliation with his ex-wife. But in this, as in his professional life, Nicolas is doomed to disillusionment and failure.
|
|
|
L'amour c’est mieux que la vie (2022)
Character: N/A
Upon their release from prison twenty years earlier, Gérard, Ary and Philippe asked themselves if honesty was not the best racket of them all. Today, they are inseparable and scrupulously above board. But Gérard learns he is terminally ill. Their friend’s days being numbered, Ary and Philippe want to offer him one last love story… because, as Gérard likes to say : love is better than life.
|
|
|
I Love You Coiffure (2020)
Character: Mme Boris (segment "Le Salon de coiffure")
Liliane and Maud are twin sisters. The first is a modest provincial hairdresser while the second leads the great life in Paris. They both fight over their mother's custody.
|
|
|
L'Amour, la mort, les fringues (2011)
Character: N/A
They stick to our skin and soul, our clothes. We believe we buy them, they own us. Warning ! these rags are traitors: far from dressing us they expose our complexes, our moods ... Clinging to their hangers, to our memories too, they exercise an underhand dictatorship. Snuggled up, huddled together, they build a bulwark against oblivion in our closets. Often stained for eternity with ink or redcurrant, impregnated with perfume, tears sometimes, piled up or messed up on our shelves, they remain forever linked to the happy or unhappy chapters of our life. It is through the evocation of their wardrobe that Gigi, Eve, Marie, Nora, Françoise, Amanda, Lisa and the others evoke the past, missed appointments and those that changed their lives, the joys and childhood revolts, giggles, disappointments, dramas, parties and hopes too…
|
|
|
Torino nera (1972)
Character: Lucia Rao
Mino and Lello, two sons of a worker wrongly accused of murder, try to find out evidence of his innocence and begin to investigate mafia business in Torino.
|
|
