|
Hortensia/Béance (1969)
Character: N/A
Scenes play out silently as the film explores space, time and performance – seemingly in preparation for a ritual.
|
|
|
Hembra (1970)
Character: N/A
A woman takes a man home for shelter after a robbery
|
|
|
Cartas desde Huesca (1995)
Character: Progreso
Angy, British publisher specialized in Spanish subjects, and her husband, come to Madrid in search of some manuscripts of the English poet Benton, who died in Huesca during the Civil War. The documents are supposed to be held by Mainar, old anarchist combatant. Contact and subsequent relationship with him, will cause the crisis of the marriage and eventually will trigger a personal drama in Mainar
|
|
|
El mar y el tiempo (1989)
Character: N/A
Jesus returns to Spain after a long exile in Argentina. The family he meets is very different from the one he left: they live under the sadness of being the losers of the war, Marcela, before a beautiful young woman, is now an alcoholic, and the youngest can not even understand them. Jesus wants to start a new life in Spain but he feels out of place; Time has turned him into an inhabitant of the other side of the 'puddle'.
|
|
|
La llarga agonia dels peixos fora de l’aigua (1970)
Character: María
The singer-songwriter Joan Manuel Serrat plays the role of a young fisherman named Joan from Ibiza (Eivissa) who falls hopelessly in love about a beautiful English tourist and it leaves everything to follow her to London, where he is introduced to the hippie world.
|
|
|
Jill (1978)
Character: Julia Olmos
Jill is a young actress in decline who does not do things very well, neither professionally nor personally. Used by all those around her, everything will change for her the moment she meets Luis, a waiter. Now she has something that makes her happy and for which she has a reason to live.
|
|
|
Vuelve, querida Nati (1976)
Character: Mercedes
Doña Nati, the owner of a house of prostitutes, takes a little vacation to attend his niece's first communion in the village. She is accompanied on the trip by three of his pupils: Barbara, Mercedes and Eva who pretend to be her friends. But soon, men realize what they are and begin to try to flirt with them. Doña Nati makes a splendid gift to the people and thus wins the favor of its inhabitants.
|
|
|
El hombre que se quiso matar (1970)
Character: Huésped hippie
Things go terribly wrong for Federico. He lost his job as professor of Latin and his girlfriend has left him for a dental technician. So, he decides to commit suicide. After several failed attempts, including the throw from the Roman aqueduct of Segovia, he decides to take advantage of his decision and get rid of a society that has been hostile. Remake of a 1942 film by the same director, Rafael Gil.
|
|
|
Tigres de papel (1977)
Character: N/A
Spain, 1977. The first general elections are about to take place after the long dictatorship and the progressive environment of Madrid is easily palpable. Protagonists, Carmen and Juan were once married and now living separately, both have a child. It's one of the only reasons they maintain cordial to one another. Their separation, the political context and the contradictions of the progressives of the time will not defeat the affinity between the two.
|
|
|
Cuentos eróticos (1980)
Character: Mujer que pierde el metro / Mujer de Juan (segment "Hierbabuena")
A set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.
|
|
|
Las obsesiones de Armando (1974)
Character: Lola / Silvia
Armando, a natural prodigy with lethal attributes, capable of killing both his wives at first glance on their wedding night, decides to visit a psychiatrist friend and falls in love with his wife, her twin sister, and everything in between.
|
|
|
Nosotros que fuimos tan felices (1976)
Character: N/A
After a long absence, Ulises, a theatrical author, returns to his home to be with his wife, Carlota, and their son. However, upon arriving in Madrid he discovers that Carlota has become a great theater actress and that she is sentimentally united to Miguel, a renowned playwright who copies the comedies that Ulysses himself had written.
|
|
|
|
|
El extraño caso del doctor Fausto (1969)
Character: Mujer de la botella
Doctor Fausto is observed by unknown creatures in outer space. All of a sudden, a strange woman appears in his life. Her strange behavior leads his life down the path to insanity.
|
|
|
Tuset Street (1968)
Character: Mariona
Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.
|
|
|
El extranger-oh! de la calle Cruz del Sur (1987)
Character: N/A
Daniel is a man who wants to escape from a reality that overwhelms him. That is why he imagines, invents and lies for pleasure. Such invention will lead him to live strange and unusual adventures, giving rise to a magical comedy about everyday life seen through his eyes.
|
|
|
¡Bruja, más que bruja! (1977)
Character: Mariana
A small provincial town lives under the caprices of Don Justin, the local cacique. This forces the young Mariana to marry him, taking advantage of the fact that her nephew Juan, the boyfriend of the girl, is far away from military service. Upon his return, Juan is mocked and goes to a witch to assist him in his revenge.
|
|
|
Aborto criminal (1973)
Character: Ana
Barcelona police is following the actions of a pimp. A web of forced illegal abortions on prostitutes is discovered.
|
|
|
¿Nos hablan los muertos? (2019)
Character: Self (archive footage)
Filmmaker Helena de Llanos, who lives in the chaotic house, full of memories and treasures, where her grandfather, Fernando Fernán Gómez (1921-2007), legendary writer, actor and director; and his wife, the actress and writer Emma Cohen (1946-2016), shared their lives, analyzes the relationship that the living have with the dead through the places and objects they have left behind.
|
|
|
Solos en la madrugada (1978)
Character: Mayte Villalba
Jose, a journalist and radio broadcaster, runs a daily program which has garnered a huge national audience as a satirical chronicle of Spanish society in the democratic transition of the late 1970s. Married and separated from Elena, Jose has two children, whom he only sees from time to time. Then he meets Maite, younger than him, outgoing and more open-minded than he wants. The emotional shock caused by his relationship with these two women will change his pessimistic view of life.
|
|
|
La semana del asesino (1972)
Character: Paula
A young man, Marco, working as a butcher, accidentally kills a taxi driver. His girlfriend Paula wants to go to the police so he has to kill her too. He then has to kill his brother, his brother’s fiancée and his father, who have become suspicious. He gets rid of the bodies by taking them to a slaughter house.
|
|
|
|
|
El abuelo (1998)
Character: Vicenta, la alcaldesa
After his son dies, an elderly man comes back to Spain from the US and hopes to find out which of his granddaughters is true, and which one is bastard.
|
|
|
Mayordomo para todo (1976)
Character: Alicia
Carlos, a young "playboy" who lives on the Costa del Sol, has a servant named German who has made him believe he has a degenerative disease by maintaining many sexual relationships, and that he will die if he continues doing so. But Carlos does not want to lose his playboy reputation, so German, his "faithful" butler, substitutes him in bed while Carlos convinces all his conquests that he prefers to make love with the lights off. But the plan is endangered when Carlos meets a girl and wants to marry her.
|
|
|
Cipolla Colt (1975)
Character: Mary Ann
Onion Jack has bought a piece of land on which to settle, but the property is still in possession of the orphans of the original owner and is coveted by the local oil baron.
|
|
|
Les Pétroleuses (1971)
Character: Virginie
Outlaw sisters in the old West inherit a ranch and try to settle down and develop relationships with neighboring family of lots of brothers.
|
|
|
Fieras sin jaula (1971)
Character: Catherine
A young girl marries the wealthy father of one of her male friends at college, but she soon finds herself falling for her new husband’s son. The husband finds out about the two, and comes up with what he believes to be a foolproof plan: he will frame his wife and his son for his own murder, then have the pair locked in a room in his remote, isolated estate–with his own dead body.
|
|
|
El apolítico (1977)
Character: Alicia
Enrique Tolosa is a boss administrator of a small company which employs 50 workers. There never has gotten into politics, has made himself stood professionally and created a family and no one has asked opinion on how would be the destiny of their country. The story begins whenheI first asked to give their vote at the polls for the election of political parties. With the decision to vote is faced with doubt and decides to investigate on their own to know which political trends that are managed as possible, is the one he goes to his temperament.
|
|
|
El espanto surge de la tumba (1973)
Character: Elvire
In Medieval France a warlock is beheaded and his wife is tortured and executed. Hundreds of years later, an isolated group of people discover his head buried on their property. Soon it comes back to life, possessing people and using them to commit sacrifices and to search for the rest of his body.
|
|
|
Cuadecuc, vampir (1972)
Character: Self
An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.
|
|
|
El viaje a ninguna parte (1986)
Character: Sor Martirio
The Iniesta-Galván family is a theatre company that goes from town to town offering its performances. Over the years, its members will have to adapt to changes and make decisions, like that of whether or not to continue performing. One day, unexpectedly, a son that he has fathered on his travels presents himself to Carlos Galván.
|
|
|
BiBici Story (1969)
Character: Mujer Desnuda
While waiting to get started on the production of his feature Liberxina 90 (1970), Carlos Duran shot this short (with very expressive support by several Escuela de Barcelona professors): a grimly colourful satire on modern society as such, and on its fascist Spanish variety in particular. "The intrusion into the private life of a human being, of the distinct tendencies that exist in the society we live in, until they fall into chaos." Carlos Durán
|
|
|
Españolas en París (1971)
Character: Katy
Four Spanish women of very different origins and motivations work in Paris as handmaids.
|
|
|
Viaje a alguna parte (2021)
Character: Various Roles (archive footage)
A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)
|
|
|
Cabezas cortadas (1970)
Character: Gypsy Dancer
In a castle, somewhere in the Thirld World, Diaz is delirious, dreaming of the power he had in Eldorado, while oppressing the indians, workers and peasants. He is well aware of the menace his old victims represent, while a miracle-making shepherd fascinates and frightens him. Diaz finds a countrywoman, symbol of purity, and prepares a ceremony in his castle resembling his own funeral.
|
|
|
Condenados a vivir (1971)
Character: Cathy Brown
A group of ruthless convicts is led to prison through an inhospitable mountain range by a small cavalry detachment commanded by Sergeant Brown, who is accompanied by his young and beautiful daughter.
|
|
|
|
|
FFG, el último gran conversador (2021)
Character: Self - Actress / Various Roles (archive footage)
Fernando Fernán Gómez (1921-2007), actor, writer, playwright and film director, was for decades one of the most important figures in Spanish culture. His close friends and relatives reveal another facet in which he stood out above all: that of being an excellent conversationalist, capable of hypnotizing and seducing those who listened to him.
|
|
|
Pierna creciente, falda menguante (1970)
Character: Rosario 'La criollita'
In 1916, while Europe was in the middle of First World War and Spain was enjoying the advantages of being a neutral country, eroticism was called voluptuousness and Senator Duke of Daroca, despite his ancient lineage, fell completely in love with a famous cabaret singer, Rosario "La Criollita", which was a scandal. At that time, it was doubted that decent women had legs - But this mystery was resolved a decade later, when the roaring twenties arrived and, with them, the sensual Lupe Cardoso
|
|
|
El extraño amor de los vampiros (1975)
Character: Catherine
In a 19th century village, a young aristocrat suffering from a terminal disease finds herself being drawn to the underground world of vampires and their strange rituals.
|
|
|
El rey pasmado (1991)
Character: Duquesa Vda. del Maestrazgo
Spain, under Philip IV (1621-1665). The film is based on a novel by Gonzalo Torrente Ballester. The King is stunned to see the naked body of Marfisa, the most beautiful prostitute of the town and Court. After that, he also wants to see the Queen naked. However, the King, despite the opposition and the scandal of the Church, will not stop until he reaches his wishes.
|
|
|
Después de… Segunda parte: atado y bien atado (1983)
Character: Self
A history of the Spanish Transition told in first person by the main protagonists: on the one hand, the politicians, idealistic or merely opportunistic, who brought it to a successful conclusion in the tribunes and offices; on the other hand, the citizens who, in the streets, supported it sincerely or fought it with ferocity.
|
|
|
El techo de cristal (1971)
Character: Rosa
A lonely housewife hears a man’s footsteps in the apartment above her late at night. The upstairs neighbor insists it is her husband who has returned from business but her explanations are soon contradicted. The woman begins to think her neighbor has murdered her husband.
|
|
|
Nachts, wenn Dracula erwacht (1970)
Character: Vampire Woman (uncredited)
A faithful adaptation of the classic tale portrays Dracula as an old man who grows younger whenever he dines on the blood of young maidens.
|
|
|
La cruz del diablo (1975)
Character: Beatriz
A British novelist travels to Spain to visit his sister. However, when he arrives he discovers that she has been murdered by a gang of devil-worshiping bandits called the Devil's Cross.
|
|
|
Historia de una chica sola (1971)
Character: Chica de tienda
A chronicle of the different reactions of a girl when she finds that her boyfriend decides to end their relationship.
|
|
|
Trop jolies pour être honnêtes (1972)
Character: Martine
After witnessing and accidentally helping several thugs get away with a heist, the women rooming together notice through their telescope that the stolen loot is in the apartment right across the street. They plan their own burglary of the already stolen loot.
|
|
|
Al otro lado del espejo (1973)
Character: Ana Olivera / Annette Whitman
A nightclub singer is haunted by the ghost of her late father. The dead man summons her through a mirror, forcing her to commit a series of violent crimes.
|
|
|
El certificado (1970)
Character: N/A
Silvia travels to the big city where she meets a married man, with whom she ends up having a romantic relationship.
|
|
|
|