|
Julius Sizzer (1931)
Character: Cleo
After the success of "Little Caesar," "Public Enemy" and "Scarface," here is the inevitable parody, in which Liddle Sizzer engages in a vicious Chicago gang war. He's aided by his innocent twin brother, Julius, a greenhorn from the Old Country. Both are played by Benny Rubin.
|
|
|
Adam and Evil (1927)
Character: N/A
A wealthy society wife discovers her husband's long-hidden secret--he has a brother, who is not only his twin but his "evil" twin. The long-lost brother shows up at the couple's doorstep one day and proceeds to turn their life upside down, especially when he begins to impersonate his newfound wealthy brother.
|
|
|
Time Flies (1926)
Character: N/A
The short starts with a duel in the Old South wherein a man inadvertently saves one of the duelist's lives for which he is given a watch. Years pass and we next see the grandson, impoverished and heading to the big city for work (taking the watch with him). His ma gives him a pigeon in case he wants to send a message back home. The watch is the key to getting a fortune and a vamp and her cohort want it.
|
|
|
A Night at the Movies (1937)
Character: Cashier (uncredited)
A Night at the Movies is a short film starring Robert Benchley. It was Benchley's greatest success since How to Sleep, and won him a contract for more short films that would be produced in New York. In this comedic short, a man and his wife suffer through a night at the movies. The film was nominated for an Academy Award at the 10th Academy Awards, held in 1937, for Best Short Subject (One-Reel).
|
|
|
How to Behave (1936)
Character: Restaurant Gossip (uncredited)
Two men working below a manhole cover wonder what they would do if a woman was to fall in. This leads to one of the workers saying that Robert Benchley always has the best advice about any social situation. Hilarity ensues.
|
|
|
|
Estrellados (1930)
Character: Self (Guest Appearance)
A matinée idol and a bumbling manager fight for the love of a would-be starlet. Estrellados is the Spanish version of Free and Easy (1930) with Hispanic/Spanish-speaking actors.
|
|
|
There You Are! (1926)
Character: Anita Grant
George is a clerk who captures a bandit and in return gets the boss' daughter.
|
|
|
Boy Oh Boy! (1932)
Character: N/A
To celebrate Father and Son Week, Andy takes his son roller skating.
|
|
|
Fashion News (1928)
Character: Self (1929)
Hollywood actresses including Jeanette Loff and Raquel Torres modeling Spring fashions in color.
|
|
|
Penny's Party (1938)
Character: Self
Prudence Penny and Gwen Lee give more cooking tips in Technicolor
|
|
|
Candid Cameramaniacs (1937)
Character: Drowzina
Short comedic subject on the history of photography from the daguerrotype to modern amateur photographers.
|
|
|
The Boy Friend (1926)
Character: Pettie Wilson
A young man uses tips from an absurd book to woo a woman he fancies.
|
|
|
|
Lucky Boy (1929)
Character: Mrs. Ellis
A young Jewish man works in his father's jewelry business, but he doesn't like it at all--he wants to be an entertainer, something he knows that his father would never approve of. He comes up with a scheme to put on his own show in a theater and show his father that he can be a success, but things don't work out quite as well as he planned.
|
|
|
Broadway to Cheyenne (1932)
Character: Mrs. Myrna Wallace
A cowboy detective goes up against a gang of big-city thugs trying to set up a protection racket out west.
|
|
|
Absolute Quiet (1936)
Character: Western Union Operator (Uncredited)
Escaped convicts Jack and Judy stumble upon an airstrip on the Western ranch of arrogant business tycoon Gerald Axton. Taking Axton and his secretary hostage, the convicts inadvertently cause the crash-landing of a small plane ferrying Axton's political adversary, Gov. Sam Pruden, and a nosy reporter. As the long night unfolds, each person's rivalries and weaknesses are prodded by the others.
|
|
|
My Dear Miss Aldrich (1937)
Character: Hat Saleswoman (uncredited)
A young woman inherits a newspaper whose editor refuses to hire lady reporters.
|
|
|
Paid (1930)
Character: Bertha
Mary Turner gets a three years prison sentence for a crime she didn't commit. Once released, she plots to get back at the man responsible for her conviction.
|
|
|
Paroled from the Big House (1938)
Character: Binnie Bell
A federal agent poses as a criminal to infiltrate a gang of parolees seeking vengeance on the lawmen who jailed them.
|
|
|
Free and Easy (1930)
Character: Bedroom Scene
Gopher City Kansas hosts a beauty contest. The winner, Elvira Plunkett, and her mother go to Hollywood. The Chamber of Commerce also provides Elvira with an agent, Gopher City's own Elmer J. Butz. Elmer likes Elvira and the shy Elvira likes him, but Mrs. Plunkett, a formidable woman, has little use for hapless Elmer. On the train west, they meet movie star Larry Mitchell, who takes a shine to Elvira and helps her meet MGM directors once they get to Tinsel Town. Elmer, meanwhile, wants to help Elvira with her career and he also wants to be her man. Movie stardom does come to the Gopher City entourage, but to whom is a surprise. And who will win the lovely Elvira's hand?
|
|
|
Untamed (1929)
Character: Marjory
In her first Talkie, Joan Crawford plays Bingo, a jungle-raised oil heiress, who turns Manhattan upside down in her hunt for Andy McAllister, the man of her dreams. Unfortunately for Bingo, Andy is penniless and refuses to agree to the match until he can provide for the wild, rich girl. Andy's prideful position is more than encouraged by Bingo's Uncle Ben, who seeks to scuttle their love match.
|
|
|
The Lawless Woman (1931)
Character: Kitty Adams
Dancer June Page is charged with the murder of gangster "Honest Ed" Baker. Allan Perry, an ambitious journalist at the dawn of his career, seeks at all costs to cover the case to obtain exclusivity and impress his hierarchy. He falls in love with the young woman, but Ed Baker's former friends, determined to take revenge, have not said their last word ...
|
|
|
Her Wild Oat (1927)
Character: Daisy
In this feature comedy, silent film star Colleen Moore plays a woman who owns a small lunch wagon and falls for a duke’s son, played by Larry Kent, who is pretending to be his own chauffeur. With her savings, she pursues him to a resort hotel, only to be mistaken for a duchess. Preserved by the Academy Film Archive in partnership with Národní filmový archív in 2007.
|
|
|
Lady of the Night (1925)
Character: Molly's Friend
The story of two baby girls, born near in proximity but worlds apart in society: Molly Helmer, the daughter of a thief, and Florence Banning, the daughter of the judge who sent Molly's father to prison. The girls' lives come together as they reach the age of eighteen, when Florence leaves the security of the exclusive Girls Select School, and Molly, now orphaned, begins her life after reform school.
|
|
|
Twelve Miles Out (1927)
Character: Hulda
Jerry always wins in his rivalry with Red over women, gunrunning, and diamond smuggling. While running booze into the U.S. during Prohibition, Jerry seizes Jane's seaside home. When she tries to turn him in, he kidnaps her and her fiance John. Jane, now in love with Jerry, must watch as Jerry and Red shoot it out on board Jerry's boat.
|
|
|
Diamond Handcuffs (1928)
Character: Cecile
German actress Lena Malena starred in this lavishly budgeted and potentially intriguing melodrama about the influence of a valuable gem on its owners.
|
|
|
City Park (1934)
Character: Maizie, the Hooker
The old men meet a young girl, broke, hungry and discouraged, in the park. Colonel Henry Randolph Ransome (Henry B. Walthall) bluffs his way into obtaining enough money to support the welfare of the girl,Rose Wentworth (Sally Blane), and his two cronies. He sends for the girl's former sweetheart, who turns out to be a crook.
|
|
|
|
West of Broadway (1931)
Character: Maizie
A wealthy soldier returns home after WWI, discovers his socialite fiancee no longer wants to marry him, and weds an admitted gold-digger he's just met after a night of drinking and partying.
|
|
|
|
Extravagance (1930)
Character: Sally
Alice Kendall is the darling of her social set, the sons and daughters of millionaires, although Alice's mother has impoverished herself to provide Alice with the luxuries she expects as her right. Mom blows what's left of her fortune to provide the best trousseau that money can buy when Alice marries Fred Garlan, and then wishes Fred lots of luck. Now, Alice is trying to coax Fred into buying her a new sable coat while Fred is busily trying to borrow enough money to keep his business afloat.
|
|
|
Mannequin (1938)
Character: Flo (Uncredited)
Jessie, a young working class woman, seeks to improve her life by marrying her boyfriend, only to find out that he is no better than what she left behind.
|
|
|
After Midnight (1927)
Character: Maizie
When Joe, a hold-up man, tries to rob Mary, a nightclub hostess, she winds winds up knocking him out. She takes pity on him, however, and nurses him back to health. He decides to go straight and marry her. Mary buys a $1000 Liberty Bond as an investment, while Joe saves up and buys a taxi to start his own business. Then Maisie, Mary's wild and money-crazy sister, shows up, which leads to tragedy.
|
|
|
Inspiration (1931)
Character: Gaby
The film features the leading actress Greta Garbo as Yvonne, an artist's model. Other stars include Robert Montgomery, Lewis Stone, Marjorie Rambeau and Judith Vosselli. It is a romantic melodrama, portraying a Parisian belle with a past returning to haunt her. The film is the only one where Montgomery played opposite Garbo.
|
|
|
|
Upstage (1926)
Character: Dixie Mason
Dolly Havens, a small-town girl with big-town ambitions that are larger than her talents, hooks up with Johnny Storm, a vaudeville performer, whose talents make the act a success. Dolly, thinking she is the reason, meets a handsome leading man and joins up with him but, before long, he discovers 'she ain't a trouper' and she is soon performing with 4th-class acts in Tank Town America
|
|
|
|
Chasing Rainbows (1930)
Character: Peggy
The road-show troupe of a top Broadway show go cross-country while taking the audience along on the on-stage scenes as well as what happens and is happening back stage of the production. The spectacular dancing ensembles and colorful costumes and pulchritude on-stage offers a contrasting background to the drabness of the backstage, where joy, sorrow, tragedies, deception, and romance are intertwined.
|
|
|
Orchids and Ermine (1927)
Character: Ermintrude
Set in New York City, flapper Pink Watson works a telephone operator at a cement factory who dreams of marrying rich. Her constant daydreaming of wealth annoys her fellow workers, and ruins the heart of one of her worshiping colleagues.
|
|
|
Sharp Shooters (1928)
Character: Flossy
A "love-'em-and-leave-'em" sailor hooks up with a dance-hall girl in Paris while waiting for his ship to sail. She falls in love with him, and when his ship leaves port she decides to show up at its next stop and reunite with her lover. However, when she arrives at the ship's next destination, she discovers that her "lover" has already found another local girl to spend his time with. Complications ensue.
|
|
|
Fury (1936)
Character: Mrs. Fred Garrett (uncredited)
Joe, who owns a gas station along with his brothers and is about to marry Katherine, travels to the small town where she lives to visit her, but is wrongly mistaken for a wanted kidnapper and arrested.
|
|
|
A Lady of Chance (1928)
Character: Gwen
A con woman working the Atlantic City hotels targets a visiting businessman from Alabama.
|
|
|
The Actress (1928)
Character: Avonia
A theatrical troupe from the west end of London loses its leading lady when she goes off to marry a rich young man from the other side of town. The rest of the play deals with the budding romance and trials and tribulations of their love, as well as the changing face of late-19th-century theatre.
|
|
|
The Galloping Ghost (1931)
Character: Irene Courtland
A gambling ring run out of the Mogul Taxi company is intent on fixing college football games. Football star Harold "Red" Grange is a target for the gamblers, whose thugs try to eliminate Grange from playing. Grange's buddy Buddy is himself vulnerable to blackmail, since he has broken team rules by marrying. The crooks use all their wiles to keep Grange and Buddy from leading their team to victory.
|
|
|
The Plastic Age (1925)
Character: Carl's Girl (uncredited)
Hugh Carver is an athletic star and a freshman at Prescott College. He falls in love with Cynthia Day, a popular girl who loves to party, and finds that it's impossible to please her and still keep up with his studies and athletic training. Soon the two face some difficult decisions.
|
|
|
Pretty Ladies (1925)
Character: Fay
Maggie, a headlining comedienne with the Follies, takes a fall off the stage into the orchestra pit and lands on the drum of musician Al Cassidy. One thing leads to another, they fall in love and get married. Al becomes a famous songwriter and Maggie stays home and has children. One day Al is hired to write a big number for Selma Larson, one of the Follies' most beautiful stars, and falls for her.
|
|
|
Our Blushing Brides (1930)
Character: Dardanelle - A Mannequin
Jerry, Connie, and Franky are small-town girls seeking wealthy husbands in New York City. But, while Connie and Franky are reckless with their affections — one bedding a married man and the other marrying a scoundrel — Jerry is determined to remain practical. As she mothers her wounded, heartbroken friends, she stalwartly but foolishly resists the advances of the good-hearted and affluent Tony Jardine.
|
|
|
The Intruder (1933)
Character: Daisy
A murder is committed aboard a cruise ship just before it sinks in a storm. The survivors, including the killer, land on a mysterious jungle island.
|
|
|
Double Wedding (1937)
Character: Woman in Crowd (uncredited)
A bohemian free spirit helps meek Waldo win back his fiancée and falls in love with her over-controlling sister in the process.
|
|
|
Midnight Morals (1932)
Character: Dora Cobb
A rookie cop falls for a "taxi dancer" in a dance hall, but his father has strong objections to the relationship.
|
|
|
The Pagan Lady (1931)
Character: Gwen Willis
Dot starts out as a bartender in Havana when in walks Dingo Mike (Charles Bickford) and orders up a drink that sounds like something you'd consume on a dare. He drinks the concoction down in one swallow and also manages to outsmart Dot's boss and his rum-running hooligans. You see, Dingo is a bootlegger himself. He literally sweeps the lady off her feet and they set up housekeeping in a tropical hotel full of colorful characters, some of whom are in the bootlegging business too.
|
|
|
His Secretary (1925)
Character: Clara Bayne
When a secretary overhears her boss disparaging her looks, she decides to show him how wrong he is.
|
|
|
Show Girl (1928)
Character: Nita Dugan
An aspiring dancer fakes her own kidnapping as a publicity stunt. Her new found fame causes trouble with her boyfriend.
|
|
|
Corruption (1933)
Character: Mae
A young lawyer is elected mayor of the city and promises to rid it of the corruption it's famous for. The problem is that most of the corruption he's vowed to eliminate is caused by the crooked political machine that helped elect him.
|
|
|
Meet the Baron (1933)
Character: (uncredited)
A charlatan posing as Baron Munchhausen is invited to be guest speaker at a girls' school.
|
|
|
One in a Million (1935)
Character: Kitty Kennedy
A department store clerk, wrongly accused of stealing by her lecherous boss, becomes involved in a romantic relationship with the boss's son.
|
|
|
Alias Mary Smith (1932)
Character: Blossom
A young woman trying to obtain proof that a gangster committed a murder is befriended by a playboy who drinks just a bit too much.
|
|
|
Lord Byron of Broadway (1930)
Character: Bessie
A talented songwriter gets his inspiration for songs from others and not from within himself. He is oblivious that he may harm other people when he uses their stories or their love for himself.
|
|
|
Heaven on Earth (1927)
Character: Claire
Young Edmond Durand (Conrad Nagel) has been reared under the autocratic influence of his aunt (Marcia Manon), who directs a large silk mill in southern France. He revolts against a stifling career planned for him and leaves home with Marcelle, a Gypsy girl (Renée Adorée). They roam the countryside with a Gypsy caravan in romantic bliss; they are inadvertently separated but at the outbreak of war are reunited. When peace is restored, the lovers find happiness together.
|
|
|
Libeled Lady (1936)
Character: Switchboard Operator (uncredited)
When a major newspaper accuses wealthy socialite Connie Allenbury of being a home-wrecker, and she files a multi-million-dollar libel lawsuit, the publication's frazzled head editor, Warren Haggerty, must find a way to turn the tables on her. Soon Haggerty's harried fiancée, Gladys Benton, and his dashing friend Bill Chandler are in on a scheme that aims to discredit Connie, with amusing and unexpected results.
|
|
|
Laugh, Clown, Laugh (1928)
Character: Lucretia
A despairing clown suffering a broken heart and a self-indulgent count who uncontrollably laughs learn to help each other with their problems, but both fall in love with the same young woman.
|
|