Virginia Serret was a Mexican film actress. She appeared in around thirty films during the Golden age of Mexican cinema. Serret was married to the Argentine actor Luis Aldás.
Credits
Como México no hay dos (1945)
Character: N/A
Two farmworkers emigrate to USA to work on a Texas ranch, then go home and put their lives back in order.
La tienda de la esquina (1951)
Character: N/A
Shady characters try to buy the corner shop and destroy a decent family's livelihood.
Palabras de mujer (1946)
Character: N/A
Young songwriter falls in love with a singer he writes for... but her jealous manager fucks up both their lives.
Mi madrecita (1940)
Character: Margot
Woman faces the vicissitudes of life with her three adult children well in the background. But when the chips are down...
Pobre diablo (1940)
Character: Luisa
An elderly homeless dude lucks into a situation where a young woman's uncle and her boyfriend ask him to impersonate her long-lost father and give her some nurturing parent attention.
La mujer sin alma (1944)
Character: Mercedes
Ambitious young woman climbs the social ladder. A bit too fast.
La oveja negra (1949)
Character: Justina
The Trevino family tries to overcome the irresponsible behavior of Don Cruz, an erratic father with numerous defects that contrast with his son Silvano, a young kid man that is incapable of passing judgment on his own father.
Con su amable permiso (1940)
Character: N/A
Unassuming elderly gent is installed as Mayor, by a cabal of financiers that expect to use him as a cat's paw.
El moderno Barba Azul (1946)
Character: N/A
An American soldier (Keaton) during World War II escapes from an airplane crash over the Pacific Ocean. He arrives on a beach believing he has landed in Japan, but he is actually in Mexico. He wanders into a fishing village and is arrested under the mistaken belief that he is a wanted serial killer. Keaton and another prisoner are put in the custody of an scientist who is planning to launch a manned rocket into outer space. The two prisoners, along with the scientist’s assistant, are blasted into space but their craft lands in an isolated portion of Mexico instead. They mistake a beekeeper wearing protective headgear as an alien, while the beekeeper believes the trio (who are wearing wizard robes) are escaped lunatics. The prisoners and the scientist’s assistant are apprehended by the local police, and the matter is quickly settled. The film is notable both as Keaton’s only Mexican production and as the last time Keaton had star billing in a feature film.
Águila o sol (1938)
Character: (uncredited)
At birth, three children are abandoned in a convent. They are Polito Sol and his siblings, Adriana and Carmelo Águila and they grow up to become the "Águila o Sol" trio. Many years later, Don Hipólito, Polito's father becomes rich and decides to search for his son. In the end he finds Polito and the Aguila siblings.
Our Work is
Designed, crafted, and built with ❤️ for fans of all kinds.