|
|
|
Como tú ninguna (1946)
Character: N/A
Como tú ninguna is a black and white film co-produced by Argentina and Mexico directed by Roberto Ratto according to his own script that premiered in 1946 at the Teatro América and starred José Cibrián and Maritza Rosales.
|
|
|
Escándalo nocturno (1951)
Character: N/A
A man is frustrated his date of love when he finds a newly married friend in his apartment
|
|
|
El puente del castigo (1946)
Character: Carlos Molina
In a Mexican village during XIX century, word spread of a curse. Old José tells Carmen about the curse surrounding the Bridge of Punishment, said to affect anyone who wishes for another person’s death.
|
|
|
La noche de Venus (1955)
Character: N/A
A woman will do everything to achieve fame, using her physique and her feminine cunning to achieve it.
|
|
|
La hija del regimiento (1944)
Character: N/A
In Fuente Clara over ten years since any man born. The population, mostly female, are desperate and resorts to the reigning prince.
|
|
|
|
|
Una madeja de lana azul celeste (1955)
Character: N/A
A wife tries to win back her husband's interest, as their marriage is seriously threatened by the arrival of her best friend and schoolmate in Venezuela.
|
|
|
El pendiente (1951)
Character: Roberto Vélez
Under the threat of blackmail, a young woman visits an ex-lover, only to discover that he's been murdered and the blame rests upon her.
|
|
|
|
|
Mas allá del amor (1945)
Character: N/A
A street urchin helps a severe alcoholic with recovery, and he repays the favor by mentoring the boy and putting him through school. When the boy grows up, there are romantic problems to deal with...
|
|
|
|
|
Soltera y con gemelos (1945)
Character: José Luis del Monte
A father imposes conditions on his son in order to inherit his fortune, unaware of what true love is capable of. The son accepts his father's terms and faces a series of challenges that ultimately lead him to become the heir.
|
|
|
Santa (1943)
Character: Hipólito
Santa is a beautiful and very humble young girl living in Chimalistac, a small and quiet spot south of the 1930's Mexico City. After Santa is cheated by arrogant soldier Marcelino, she's rejected by her family and friends and expelled of Chimalistac. Santa finds shelter in a whorehouse and becomes a cinic and bitter woman, mistreated by bullfighter "Jarameno" and silently loved by blind pianist Hipolito.
|
|
|
El secreto de la solterona (1945)
Character: Pedro
A homeless orphan girl is adopted by a wealthy man against his wife wishes. When the man dies, the girl endures endless humiliations under the wife's harsh grip, so she finds solace with mysterious old maid who lives near by.
|
|
|
Jesús de Nazareth (1942)
Character: Jesús de Nazareth
The biblical story of The Messiah from his baptism through his crucifixion.
|
|
|
La patota (1960)
Character: Juez Vidal Ugarte
A philosophy teacher is raped by her night school students.
|
|
|
Gran Valor en la Facultad de Medicina (1981)
Character: Dr. Jaime Márquez
Gran Valor works in a bar and has an extraordinary memory. After loosing in an entertainement TV show he decides to help his friends in the university.
|
|
|
|
|
Extraña ternura (1964)
Character: N/A
The young and inexperienced godson of a millionaire falls for a singer who is married. The millionaire opposes the relationship because he feels a "strange tenderness" for the boy.
|
|
|
Los árboles mueren de pie (1951)
Character: N/A
For over twenty years, an elderly man convinces his wife that their long-lost criminal grandson has changed his ways to become a successful professional and loving husband. When he learns of his grandson’s death, he decides to keep yet another secret and arranges for a false couple to pose as their exiled grandson and his wife. As the couple enters, uncertainties arise. Will they be able to convince her?
|
|
|
|
|
La cigarra no es un bicho (1963)
Character: Horacio Galiana, el industrial
The vicissitudes of six different couples who arrive at a hostel in Buenos Aires called La Cigarra and are quarantined because of a supposed bubonic plague, causing all kinds of inconveniences and entanglements as a result of this forced coexistence.
|
|
|
La trepadora (1944)
Character: N/A
Romantic triangles between city folk and country folk, with new money/old money issues complicating the story.
|
|
|
|
|
Enigma de mujer (1956)
Character: Jaime Abrantes
A series of anecdotes exposed from the point of view of a Samaritan woman who tries to fix the problems of the neighbors.
|
|
|
La monja alférez (1944)
Character: Juan de Aguirre
A 17th century woman, imprisoned for fighting in a bar, recounts her past to a priest. She tells of her father teaching her how to fence, of being sent to a convent by her aunt when her father died, of escaping by dressing as a man, and of her life as a man following the escape.
|
|