|
Huellas del pasado (1950)
Character: Empleado de teatro (no acreditado)
A young singer falls madly in love with a man, with whom she forms a family. Problems, however, are not long in coming when she receives unfair accusations.
|
|
|
Venganza y justicia (2015)
Character: Oficial Lagos
A strong-willed woman by the name of Kayden Zwicky sets out on a journey to find the killer of her husband and avenge his death.
|
|
|
Legítima defensa (1953)
Character: N/A
Mr. X is convicted of killing Mr. Y and serves a jail sentence. After being released, he discovers that Mr. Y is still alive...
|
|
|
La Diana cazadora (1957)
Character: N/A
A great love story based on the idea and development of the famous monument that decorating Mexico City.
|
|
|
Doña Diabla (1950)
Character: Miguel Valdepeña (uncredited)
A woman, after committing a murder, flees into a church, confessing her life story to a priest.
|
|
|
El impostor (1960)
Character: Esbirro de Navarro
Cesar Rubio, a school teacher in the city, is fired for staying true to his ideals and values, and is also accused of encouraging rebellion among his students, who were demanding the principal's resignation through a strike.
|
|
|
La mujer del puerto (1949)
Character: Cliente cabaret (uncredited)
Orphaned, abandoned by her fiance, forced into prostitution by the absence of "respectable" alternatives.And the-e-en...
|
|
|
|
|
Unos pocos con valor (2010)
Character: Mauricio Barrientos - Pajaro 10
Based on real life events, the story follows a group of special forces police officers who come up against the most dangerous gang in Honduras.
|
|
|
El Xendra (2012)
Character: Coronel Martinez
Four scientists live a series of paranormal events. Their only track is a message that would lead them to a place called Ciudad Blanca.
|
|
|
Canasta de Cuentos Mexicanos (1956)
Character: Señor Palacios
Strong-willed Luisa attracts lots of men, but her intelligence and sharp tongue often sends them running. When she meets Carlos, who is equally cagey, sparks fly. The two of them marry, and quickly begin clashing on a daily basis, humiliating each other as they try to teach one another lesson after lesson.
|
|
|
Fuerzas de Honor (2016)
Character: N/A
The story of a special team of the Armed Forces and their struggle to dismantle a group of drug traffickers.
|
|
|
11 Cipotes (2014)
Character: N/A
A Honduran town decides to form a soccer team for some pranksters.
|
|
|
El pecado de Laura (1949)
Character: Cliente cabaret (uncredited)
José, a driver, and Laura, a dancer, were lovers. José couldn't dance with Laura due to his condition on his legs. Therefore, a man notices Laura's skill to dance and wants to do business with her, taking her on a dancing tour, which made José and Laura miss each other.
|
|
|
Acuérdate de vivir (1953)
Character: Invitado fiesta
In Guanajuato, a piano teacher delays her marriage to an engineer not to let her younger sisters alone. As he is love with her voice, he is mistaken for a sister whom he marries. The teacher then goes to the capital. There she becomes part of a family of young students, who believe she is the mistress of his father, so she suffers the scorn and reproach. Over the years the parents die and she renounces to the inheritance they leave her.
|
|
|
Camelia (1954)
Character: Doctor (uncredited)
A sort of meta riff on Alexandre Dumas fils' novel The Lady of the Camellias (La Dame aux Camélias or Camille) here in Mexican melodrama form involving the doomed love of a bullfighter and a beautiful but ailing actress/courtesan.
|
|
|
|
|
Fruto prohibido (1953)
Character: Invitado baile (sin créditos)
A writer is given custody of his editor's daughter after she is orphaned. Once she grows up, they become romantically involved.
|
|
|
|
|
Música, mujeres y amor (1952)
Character: Autoridad Valparaiso (uncredited)
Two women are installed in the cabin of a ship that was already occupied by two gentlemen.
|
|
|
|
|
Yo quiero ser mala (1950)
Character: Reportero (uncredited)
In this Romantic-Comedy from Director Rene Cardona, Actress Maria Elena Marques plays a hard-living woman named Leticia, who suffers from a recently broken heart after being deceived by her ex-boyfriend. Soured on anything to do with love and while drinking away her sorrows, she sets out to marry the very first man she sees. This man just happens to be a nice guy named Roberto, (Abel Salazar). Although the pair's mutual attraction to each other is obvious, Roberto has no idea what he is in for, and he soon proposes. Not long after the marriage, Leticia starts to take advantage of both Roberto and her new Father-in-Law (played by Oscar Pulido), who shows kindness towards the girl. Predictably, marital bliss soon turns into discord, and the couple agree to divorce after a year passes. Their love-hate relationship and pending break-up provides a perfect backdrop for several comedic situations before the two realize that they are actually in love.
|
|
|
Noche de perdición (1951)
Character: Gerente teatro (uncredited)
A dancer is accused of killing a businessman. When her husband finds out, he decides to take her kid away from her.
|
|
|
Confidencias de un ruletero (1949)
Character: El muertito (uncredited)
Taxi driver takes the wrong passenger at the wrong time and gets caught up in a murder investigation.
|
|
|
La extraña pasajera (1953)
Character: Germán, mesero (sin créditos)
During a long train trip, the Police has discovered jewelries in the personal bag of an actress, but she turns out to be innocent.
|
|
|
La miel se fue de la luna (1952)
Character: Amigo de Pablo
Dr. Pablo, something womanizer, going to marry with Mini and cheats África, singer and his lover, telling her to wait while she is on tour in Cuba. With her, he poses as a friend industrial, Ricardo and his intention is not to see her again. While Africa is out he marries Mini, which proves to be terribly jealous. Complications ensue when Africa returns to Mexico and start searching for the fake Richard. By chance a friend of Mini will be in a beauty salon and this ensures she can take to "Ricardo" because is "a friend of her husband". A typical sitcom with a blistering pace.
|
|
|
La reina de la opereta (1946)
Character: Hombre bailando fiesta (uncredited)
Mario marries Blanca, the queen of operetta, but after their daughter is born, they separate and she leaves on a world tour to continue her artistic career. Meanwhile, he stays behind and waits with the baby until they reunite again.
|
|
|
El Mago (1949)
Character: Secuestrador (uncredited)
A slapstick fantasy of the amorous adventures of a magician a la Cantinflas.
|
|
|
Una Familia de Tantas (1949)
Character: Padrino de la boda (uncredited)
The dynamics of a typical middle-class family are shaken up after the introduction of an enthusiastic door-to-door vacuum salesman.
|
|
|
El río y la muerte (1954)
Character: Joaquín (uncredited)
A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.
|
|
|
La ilusión viaja en tranvía (1954)
Character: Benítez (uncredited)
Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!
|
|
|
Él (1953)
Character: Gerente hotel (uncredited)
Gloria encounters Francisco, a man whose social veneer betrays a truer self burrowed underneath.
|
|
|
Quinceañera (1960)
Character: Mr. Matute
María Antonia, Beatriz and Leonor are three classmates who are anxiously awaiting the celebration of their 15th birthday. However, each of them will have to cope with their complicated personal situation.
|
|
|
Mi campeón (1952)
Character: Chofer (uncredited)
Catita is a simple and poor woman who dreams of that her son stands out on something important to help her out of his humble. But she opposes to him being boxer, therefore constantly fighting with her husband.
|
|
|
El mundo de los vampiros (1961)
Character: Party Guest
A vampire uses two sisters to seek revenge from the last member of a family that persecuted the undead in Europe, but his plan is threatened by a man who knows how to destroy him with a peculiar piece of music.
|
|
|
Neutrón el enmascarado negro (1962)
Character: Transeúnte borracho (uncredited)
Neutron, a masked wrestler/superhero, battles a gang of crooks who are plotting to steal a secret formula.
|
|
|
La rebelión de los colgados (1954)
Character: El picaro
A peasant who works in a mahogany camp in the Mexican jungles with his family is disgusted with the miserable living conditions imposed upon himself and his co-workers, the peasant finally spearheads a revolt against the sadistic bosses.
|
|
|
La hija del engaño (1951)
Character: Julio
In the drama, a father, firmly believing that the baby daughter in his arms is not his own, abandons her upon the doorstep of the town drunk. Many years pass, and the man finds himself continually wracked with guilt about deserting her.
|
|
|
Las infieles (1953)
Character: Roberto Del Olmo (sin créditos)
Governess falls in love with the uncle of the children she's teaching. Then complications.
|
|
|
El bombero atómico (1952)
Character: Jugador de cartas (uncredited)
Cantinflas is a clumsy fireman, who one day receives the visit of his little goddaughter, whose mother recently died in the jungle. After having work in a few fires, Cantinflas decided to quit and become a policeman, because is less dangerous. Everything goes well until a gang of gangsters kidnap the girl, because of a monetary inheritance.
|
|
|
El gran autor (1954)
Character: Lector de obra (sin créditos)
A story of passion and deceit, where love overcomes the misfortunes and finally triumphs.
|
|
|
El niño y la niebla (1953)
Character: Compañero trabajo de Guillermo
Marta is obsessed with protecting her son from the genetic predisposition to schizophrenia that she has hidden from her husband.
|
|
|
Víctimas del pecado (1951)
Character: Cliente cabaret (uncredited)
A nightclub performer decides to raise the baby boy she found abandoned in a trash can, putting her job and social life in jeopardy.
|
|