|
Caminos de tiza (1988)
Character: N/A
A nun teacher that is going to die decides to travel around Spain to meet her 3 favorite students to ask if she learned something from her teaching period.
|
|
|
Siempre es domingo (1961)
Character: Amiga de Carlota
In a sector of Madrid inhabited by families of a well-off class, a gang of boys and girls has continuous fun, sleep and drink, while their parents ignore practically everything. However, each of these young people has, to a greater or lesser degree, a problem. The parties and parties enjoyed by a group of young people from the upper class are the basis of the story that explains this film. Among them we find the famous couple, once happy, formed by Carlos Larrañaga and María Luisa Merlo. Directed by Fernando Palacios, and with a script by Rafael J. Salvia and Pedro Masó, " It's always Sunday " has no greater intention than entertainment, despite giving history a certain sociological touch, for that of valuing the behavior of the Youth of the time.
|
|
|
Cristo Negro (1963)
Character: Mary Janson
After witnessing the murder of her father, the little Mikoa flees the plantation where he works as a slave. Janson, master of the plantation, and his daughter Laura, found lost in the jungle and decide to present to the Father Braulio, a missionary who welcomes him like his son. The young native is raised and educated in the mission, becoming a good man in love with his childhood friend, however, still has much hatred for the person who killed his father, Charles, a cruel white overseer who now at the service of revolutionary blacks.
|
|
|
Nunca es tarde (1977)
Character: Coro
Antonio and Teresa are a couple who live in a flat in San Sebastian. Ursula Michelena, an elderly woman over 70 years old, lives on the top floor. Ursula is secretly in love with Antonio, whom he continually spies from one of the windows of her house. One night she sees Antonio and Teresa making love and that fact excites her violently, in such a way that she asks Antonio for a secret appointment and tells her that she is pregnant and that the son she is waiting for is his. Úrsula, according to her version, has become pregnant looking at Antonio and Teresa making love.
|
|
|
El huesped del sevillano (1970)
Character: Raquel
The Sevillano's guest is a story full of intrigues. The title alludes to the fact that a character who appears, the guest of the El Sevillano inn in Toledo, is the writer Miguel de Cervantes.
|
|
|
Presagio (1970)
Character: Berta Reinaldi
Berta, a woman with paranormal powers, begins working with a psychiatrist to unravel the mysterious murder of a woman named Renata.
|
|
|
El cianuro… ¿solo o con leche? (1989)
Character: N/A
A decrepit house in Badajoz, Spain, on a cold winter night in 1925. Laura and her mother Adela, who is confined to a wheelchair, are faced with the possibility of putting an end to the grumpy grandfather's life, who is around ninety-two years old. But then, suddenly, cousin Enrique, a doctor by profession, shows up, which will change the course of events…
|
|
|
La monja alférez (1987)
Character: N/A
Set in 1592 and based on a true story, a Spanish nun flees the convent and lives an adventurous life disguised as a man.
|
|
|
Al diablo, con amor (1972)
Character: Maruja
On an island buffeted by storms, the seamen are confined with no desire to abandon the life by the sea. They spend days and nights drunk in the tavern. The young woman who serves them has one desire: to go far away. This sets the stage for a musical in the open, and will frame a story of love and adventure, reminiscent of the director's film Aoom.
|
|
|
El lobo negro (1981)
Character: Rosa
A version of "Zorro" (fox in Spanish) but this time is a wolf... and black, located in California in mid-nineteenth century
|
|
|
Duelo a muerte (1981)
Character: Marquesa
Black Wolf is forced again to fight his rival, who now has been appointed California Governor. Against such power, the lonely 'wolf' fights a duel to the death.
|
|
|
Fedra West (1968)
Character: Isabel Alvarez
Don Ramon, a wealthy patron, receives his son back after he has sent him away to medical school, only to have him fall in love with his new young wife.
|
|
|
La muerte silba un blues (1964)
Character: Rosita
Vogel, an important trafficker, betrayed two of his accomplices, Castro and Smith. The first was shot by police, while the latter was imprisoned. Fifteen years later, Vogel adopted a new identity and moved to Jamaica with his wife, Linda. Smith comes back for revenge but Vogel sends his henchmen to kill him.
|
|
|
Odio mi cuerpo (1974)
Character: Mary Knoll
The brain of a male engineer is transplanted into a female’s body. He soon finds it very frustrating to cope with the daily sexist discrimination most women deal with. For example, he is surprised when no one will hire a female engineer. When he is faced with dealing with female sexuality, he quickly begins exhibiting lesbian tendencies.
|
|
|
Consigna: matar al comandante en jefe (1970)
Character: Nicole
The story of a group of American commandos assigned to kidnap General Rommel. But the soldiers are caught by the Germans who decide to use their plan against them. Replacing the American soldiers with German soldiers, and with the help of a fake "kidnapped" Rommel, they plan to kill General Eisenhower
|
|
|
Un par de asesinos (1970)
Character: María Anderson
A pair of outlaws are on the hunt for some loot they know is missing from a robbery. Outsmarting and killing anyone who tries to foil their plans.
|
|
|
La venganza del Zorro (1962)
Character: Irene
Don Jose disguises himself as Zorro, the masked freedom fighter, who tries to protect his people from the wrath of an evil military officer who is using his position to his own advantage.
|
|
|
Las salvajes en Puente San Gil (1967)
Character: N/A
A revue troupe arrives in Puente San Gil, a small town, where they are received with hostility and contempt by the more conservative inhabitants.
|
|
|
Due contro tutti (1962)
Character: Clementine
Two brothers, Bull and Jonathan Bullivan, witness the murder of bandit Black Boy who had been terrorizing Golden City. The bandit had been put in place by the city mayor, who wants the local residents to leave so that he can keep their land, where there is oil. The two brothers eat a chicken that has been fed with a strong tonic and they become sort of invincible for a few minutes. The mayor, pressured by the villagers, appoints the Bullivan Brothers as sheriffs and tasks them with the arrest of Black Boy.
|
|
|
Los subdesarrollados (1968)
Character: Laly
Julio and Timoteo operate a private detective agency that specializes in cases relating to partners who cheat on their spouses.
|
|
|
I 2 parà (1965)
Character: Santa
Two penniless Italian buskers want to go to the USA but get on the wrong ship and end up in South America in a concentration camp where they are rescued by American parachutists from. Afterwards they become big shots in the States but their dream comes to an end : they are sent to fight in Vietnam
|
|
|
La noche del terror ciego (1972)
Character: Maria
In 13th century Berzano, a legion of knights known as the Templar were executed for conducting black magic rituals and committing human sacrifices in a quest for eternal life. 700 years later, they rise from the dead and attack a group of vacationing college students who visit the remains of their abandoned monastery.
|
|
|
La tela de araña (1963)
Character: N/A
By chance, writer Eddie Ross comes to the aid of a young woman on the street, a good deed that lands him a job with a strange underground character known only as Martínez.
|
|
|
Un par de zapatos del 32 (1974)
Character: School Teacher
The director of a school is surprised by a student when murdering someone. He must kill the only eyewitness too, but his only clue is a number 32 shoeprint.
|
|
|
Una gran señora (1959)
Character: Modelo
Charo is a fashion model, in love with enigmatic Adolfo. The fashion house where she works is ruined. In a parade, an English lady confuses her with a countess and invites her to spend some days in Estoril. There, Charo will try to save the company from bankruptcy.
|
|
|
L'ombra di Zorro (1962)
Character: Irene
A battle between revolutionary Mexicans and the U.S. cavalry brings Zorro onto the scene to enact vengeance for violent acts incurred by the cavalry Sergeant. Once the Sergeant is killed, Don Jose de la Torre retires from being Zorro and settles down to live a quiet life. The brother of the Sergeant, in an act of his own justice, dons the costume of Zorro and terrorizes the countryside. In an act to draw out the true Zorro, the imposter kidnaps Don Jose's wife, making him once again don the mask to rescue her.
|
|
|
I promessi sposi (1964)
Character: Lucia Mondella
Renzo Tramaglino and Lucia Mondella are two poor farmers who are in love, but they are hampered by the wickedness of the powerful Don Rodrigo, who secretly loves Lucia. The two run away from Lake Como where they live, and take refuge inland.
|
|
|
Pecado de amor (1961)
Character: Novia y esposa de Ángel Vega
Nun Belen works as a spiritual guide in a women's prison. Is a very understanding woman, possibly due to her past. At the past she was Magda, the star of the cabaret "The Mill of Twenty." She was attractive, young and admired by the public, she had it all, but three very different men end up marking her destination. A fate that is inexorably opposed to her happiness.
|
|
|
O.K. Yevtushenko (1968)
Character: Pandora Loz
Vine finds himself on the trail of a missing Russian spy and soon finds himself involved in a bonkers plot involving Albanians and the Chinese.
|
|
|
La perversa caricia de Satán (1975)
Character: Susan
Former Countess Clair and Professor Gruber conduct occult research in castle basement of Count Victor, re-animating people to kill for them.
|
|
|
El retorno de Walpurgis (1973)
Character: Elizabeth Bathory
An ancient curse causes the ancestor of a witch hunter to turn into a bloodthirsty werewolf.
|
|
|
La venganza de la momia (1975)
Character: Abigail
Paul Naschy has a duel role as Amenhotep/Assad Bey, an ancient egyptian mummified Pharaoh, and the high priest who brought him back to life. In order For Amenhotep to achieve immortality, Assad Bey has to kidnap nubile young virgins in Victorian London for blood sacrifices.
|
|
|
Gli ultimi giorni di Pompei (1959)
Character: Julia's Maid
Glaucus, a demobilized centurion returns home to Pompeii to find his father murdered by a gang of black-hooded Christian robbers that terrorizes the city and he decides to investigate the matter while the nearby volcano threatens to erupt.
|
|
|
Los cuatreros (1965)
Character: Mary Thompson
A band of fierce rustlers is ravaging the region of Las Cruces. Appears an outsider who saves the ranch owner "The Spur" of being kidnapped by members of the band. Thankfully, he was appointed foreman, and his daughter is in love with him. But things are not what they seem and there are murky intrigues in the background.
|
|
|
Margarita se llama mi amor (1961)
Character: Alumna que se sienta junto a Nacho
Margarita is a beautiful and explosive girl studying in the Faculty of Arts somewhere in Galicia. To the chagrin of the rest of the girls in the class, all the boys want to date her, to the point moniker of "the bride of the Faculty". However, who really steals the heart Margarita is another person ...
|
|
|
002 Operazione Luna (1965)
Character: Dr. Frausink
KGB authorities abduct two criminals (Franco and Ciccio) who look exactly like missing spacemen and pretend they are the returning cosmonauts. They launch them in a rocket, so that they can land in public view, leading the populace to believe it was the original space craft that has returned. The two criminals look so much like the astronauts, they even fool the wives of the astronauts. Later however, the original spacecraft returns to Earth undamaged, and the plan goes all to pieces. In the end, Franco and Ciccio stay in Russia and the real astronauts relocate to Italy.
|
|
|
Don José, Pepe y Pepito (1961)
Character: N/A
The arrival of Francis, who owns a factory of surgical material in New York, caused a real stir in a family composed by her grandfather, Pepe, the son, Jose, and grandson, Pepito. Pepito falls in love with her even though Francis consider him a child. But Don Jose is also in love with the American. This situation creates a difficult situation between parent and child, that Francis seeks to remedy returning to the United States. But the grandfather, Pepe, has the solution ...
|
|
|
Gritos en la noche (1962)
Character: Dany (as Mary Silvers)
Dr. Orlof, a former prison doctor, abducts beautiful women from nightclubs to use their skin to repair his daughter's fire-scarred face. He is assisted by Morpho, a deformed monstrosity who delights in biting his victims. Orlof had better hurry, though -- a young police inspector and his ballerina girlfriend are onto his sadistic practices.
|
|
|
Dio non paga il sabato (1967)
Character: Judy Mary / Shelley
A robber decides to hide his loot in a ghost town, helped by his girlfriend and his one remaining man. Keeping it though may be a problem, with the lone inhabitant, an old lady, a mysterious stranger, a recent widow and a former gang member all more or less plotting against the bandits.
|
|
|
La carga de la policía montada (1964)
Character: Valerie Jackson
Two men pretend to the same woman in a fort located in the wilds of Canada. Also, one of them will be the object of desire of an Indian girl.
|
|
