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Cuando el alba llegue (1950)
Character: N/A
Bad guy who runs a ritzy nightclub is trying to keep his younger brother out of the gutter and get him into a professional career. Unknowingly, he takes up with his brother's fiancee. Also other complications.
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Mariachis (1950)
Character: N/A
Two rival combos play practical jokes on each other during a festival where they're performing... then a sideshow artist is murdered and several of them fall under suspicion for the crime.
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De pecado en pecado (1948)
Character: N/A
This post-World War II drama, (released to a world-wide audience on July 9, 1949), is definitively unique for the caliber of each of its contributing writers, who are clearly better-known for their cinematic talents in black and white . For instance, the film's Director Chano Urueta ( who became an acclaimed actor in his own right), actually co-wrote the script along with one of its principal actresses, namely Esther Fernandez, as well as adding in the literary abilities of a well-known movie-producer of the era named Luis Marique.
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Puerto de tentación (1951)
Character: Luisa
A cabaret dancer helps an injured man, and the two fall in love, unaware that together they will face a tragedy.
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La canción que tú cantabas (1939)
Character: N/A
Three orphaned brothers and an elderly inventor, who live in the countryside, become acquainted with a young governess and her uncle, who live in a large estate nearby.
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El amor no es ciego (1950)
Character: N/A
A boxer wins a championship but he is injured and forced to retire. After that he falls in love with a blind girl.
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El secreto de la solterona (1945)
Character: Celia
A homeless orphan girl is adopted by a wealthy man against his wife wishes. When the man dies, the girl endures endless humiliations under the wife's harsh grip, so she finds solace with mysterious old maid who lives near by.
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La rebelión de los fantasmas (1949)
Character: Beatriz Carvajal
When an old house is about to be demolished to make room for a new radio station the famous ghosts which resides in the house start a revolt to alter the decision.
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Ayúdame a vivir (1936)
Character: (as Nelly Edison)
While studying at a Catholic boarding school, the young Luisa meets a boy, Julio, who talks to her from the street and through the gate. However, the girl's arrogant older brother removes her from the establishment and takes her to live in her family house. The beginning of love between Luisa and Julio is made even more difficult by what seems to be the beginning of a disease in her.
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Campeón sin Corona (1946)
Character: Susana
A young ice cream vendor, Roberto Terranova, witnesses a child being beaten and comes to his aid by physically overpowering the aggressor. His strength and natural ability catches the eye of a well-known boxing trainer. Considering him a diamond in the rough, he aims to put Roberto in the professional ring. But Roberto finds that his personal challenges must be overcome before he can achieve professional greatness.
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El socio (1946)
Character: Graciela
A former singer, determined to succeed in business, comes up with a partner and just believing their existence. In the end, wake up ...
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Calabacitas Tiernas (¡Ay qué bonitas piernas!) (1949)
Character: Nelly
A man hired to impersonate a bankrupt business mogul who is currently on the run from creditors sets out organize a musical starring beauties from Brazil, Mexico, and Spain in this Spanish-language comedy starring popular funnyman Tin Tan (Germán Valdés). Now, as the hapless imposter attempts to finance a musical without any money, he also discovers just how difficult it can be to juggle three beautiful starlets who all have eyes for their presumably wealthy producer. Another common English translation of the title of this film is Tender Pumpkins or Tender Little Pumpkins (although a direct translation is Baby Zucchini).
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Muchachos de la ciudad (1937)
Character: Pepita
The romantic story between a young employee and the seller of a bookstore whose father wishes to marry her with an older man.
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