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புது வாழ்வு (1957)
Character: N/A
Vaikuntam is a lad who lives in a village. He is a good singer and in love with a lass Nagammal. But Nagammal's brother is against their love. One day he ties Vaikundam to a tree. Vaikundam was rescued by a rich woman who was passing that way. She takes Vaikundam to her city. When she came to know that Vaikundam is talented in singing, she promotes him as a singer. She renames him as Geethamani. He becomes famous and also rich. He neglects his parents and ill treats them. His lover Nagammal tries to commit suicide because of his behaviour. How Geethamani realises his delusion and reconciles with his parents and Nagammal forms the rest of the story.
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Thirumbi Paar (1953)
Character: N/A
Thirumbi Paar, directed by T. R. Sundaram, was an interesting film in which Sivaji Ganesan played a role with negative shades. The character dabbles in avenues such as journalism and politics. T. P. Muthulakshmi plays the dumb wife of an elderly husband (K. A. Thangavelu) who goes to work early. Sivaji Ganesan, a seducer, who sneaks into the dumb woman’s house, alters the clock to send the husband away well before the usual time. This sequence was mercilessly scissored by the censors and what was left lost its touch of satire and innuendo!
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Kalvanin Kadhali (1955)
Character: Sangu Pillai
In the quiet village of Poonkulam, Kalyani and Muthayyan are deeply in love. But fate takes a cruel turn when Muthayyan is wrongfully branded a dacoit and forced to live in hiding within the forest. Despite the danger and distance, Kalyani remains unwavering in her love, and the two dream of escaping together to build a peaceful life as husband and wife. Their hopes rest on the shoulders of Kamalapathi, a loyal friend and stage actor, who devises a clever plan to outwit the police and help the lovers flee. Disguises, deception, and devotion all come into play—but a tragic misunderstanding sets off a chain of events that none of them could have foreseen.
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மீரா (1945)
Character: Narendran
Meera, a zealous devotee of Lord Krishna, considers him to be her husband. She gets married to Rana Bhojraj, but follows her own way of living which is not acceptable to her husband and the society.
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ஓர் இரவு (1951)
Character: Compounder 'Eman'
A thief breaks into a wealthy man's house unaware that the man is his father, who had abandoned his mother and him a long time ago.
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ஏழை படும் பாடு (1950)
Character: Masilamani Mudaliar
A small time criminal turns over a new leaf with the help of a bishop and starts leading a new life with a changed identity. When Inspector Javert finds out about this, he tries to expose him.
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பிரகலாதா (1939)
Character: Kudumban
Based on 'Vishnu Purana', the film deals with the story of Prahlada and his devotion to Lord Vishnu.
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மலைக்கள்ளன் (1954)
Character: N/A
A young man saves the daughter of a zamindar when she is kidnapped and then they both fall in love with each other.
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கப்பலோட்டிய தமிழன் (1961)
Character: Sangan
Chidambaram Pillai, a revolutionary leader, starts the first shipping company in India. With the help of this company, he fights against the monopoly of the British over maritime trade out of India.
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மரகதம் (1959)
Character: N/A
One day, a landlord belonging to a rich family gets murdered and the crime is imposed on Anandar, his innocent brother, and his lovely wife Karpagavalli.
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പ്രസന്ന (1950)
Character: Pappu Pillai
Thampi and Menon decide to strengthen their relations. Thampi decides to marry Madanika and Menon decides to marry Prasanna. Ayyappan is shocked by the marriage plan attempts suicide. Prasanna sympathises with the desperate lover and marries Ayyappan against the wishes of her brother.
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Padikkadha Medhai (1960)
Character: N/A
Chandrasekaran, an industrialist, is very successful in his business and has a loving family. His three sons and two daughters live happily as one family. He brings up an orphan, Rangan (Sivaji Ganesan), who is utterly devoted to the family. Calamity strikes the family in the form of loss in business. The last daughter's marriage gets cancelled. The brothers and their wives ill-treat their parents and Rangan and his wife. Seeing this Chandrasekaran has no choice to ask Rangan and his wife leave their house. Aftermath Chandrasekaran dies a broken-hearted man leaving his wife and youngest daughter to be in their children's merciless hospitality. Rangan, with his simplicity and pure-hardheartedness, takes it upon himself to look after the mother and sister. In the end, he proves that love and affection is the greatest wealth.
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ஆயிரம் தலை வாங்கி அபூர்வ சிந்தாமணி (1947)
Character: Guard
In order to obtain supreme power, an evil saint must sacrifice 1000 men. Soon, he hatches a devious plan and persuades a princess to pose three extremely difficult questions to her suitors.
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