Borrowing from an anthropological study initiated through the University of California in 1969, The Taste of The Name is a fantasia on universality. As a parallel to the elusive “umami” and its gradual scientific acceptance as a primary taste, we consider what is perceivable, knowable, and namable. Through the blue spectrum of various hermetic artifices, we are fed fables of Jules Verne's Nautilus and resurface in a virtual tanning bed, turning over in a slippery navigation of language.
Keywords:
Research
Experiment
Virtual reality
Literature
Collage
Anthropology
Language
Nature
Culture
Color
Humanity
Dialect
Perception
Artifice
Universality
Animation
Umami
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